Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
When the world is threatened by paranormal forces or, y’know, cats, its last, best, wrinkliest hope is the B.P.R.D., which we can only presume stands for the Bureau for Pug Research and Defense. Or, as it’s better known, Hellpugs.
It’s the work not of Prof. Trevor Bruttenholm but rather of Pupstar Sonoma, which clearly knows how to pet cosplay right, from Abe’s goggles to Hellboy’s … well, everything. Just look at the details on the coat, to say nothing of the Right Paw of Doom and Big Baby.
Mondo, which earlier this year celebrated Mike Mignola’s signature creation with a “First Hellboy” statue, has now introduced a 1/6th-scale baby Hellboy action figure.
Developed with Mignola himself, the figure boasts six points of articulation and, as Mondo says, “the cutest lil face Hell ever spawned.” Standing (or, rather, crouching) about 4 inches tall, the figure is available in two varieties: the $37 regular version, and the $40 Mondo exclusive, which comes with a removable Crown of the Apocalypse.
Considering the characters’ shared physical traits, it’s surprising that we haven’t seen a Hellboy/Darth Maul cosplay mashup before now. Or maybe we have, but they simply failed to make the impression that Luis Linares‘ does.
In these wonderful portraits by photographer James Rulison, Linares delivers the best of both worlds: a Darth Hellboy — or is that Sithboy? — armed with a double-bladed lightsaber, an oversized revolver and, naturally, a cigar.
Gallery 1988 in Los Angeles honors a modern master of horror and coolness with “Guillermo Del Toro: In Service Of Monsters,” featuring artwork by a variety of creators that pays tribute to films like Hellboy, Pacific Rim and Pan’s Labyrinth.
The impressive collection includes everything from artwork to sculptures to a Hellboy teddy bear. Contributors include Hellboy creator Mike Mignola, Joey Weiser, John Rozum and many more.
Check out a few pieces below, then visit the Gallery 1988 site to see them all.
With their powers combined, Dark Horse Comics and Swyft Media have taken “Hellboy,” “Itty Bitty Hellboy” and “Usagi Yojimbo” into all-new territory with a series of emoji keyboards based on the properties, each of which will provide digital stickers, photo filters and phone themes of the characters.
The emoji keyboards will be available in several apps and marketplaces, including BBM, Photofy, PicsArt, CocoPPa, and Xbox Live Marketplace, as well as in the Apple iTunes App Store for iOS and the Google Play Store for Android. The apps will allow the emoji keyboards to be used in services like Facebook Messenger, WeChat, Viber, LINE, Skype, WhatsApp and more. “Hellboy,” “Itty Bitty Hellboy” and “Usagi Yojimbo” are just three of the upcoming Dark Horse properties that will find their ways to a digital audience.
We debuted Mondo’s First Hellboy statue, based Mike Mignola’s original drawing of the character, earlier this month, but this morning the collectible art boutique revealed more of its offerings for Comic-Con International.
They include a limited-edition Ant-Man poster by Kevin Tong, inspired by the upcoming Marvel Studios film, a Teenage Mutant Ninja Turtles Leonardo collectible figure, and a vinyl edition of the Aliens soundtrack and a die-cut single of the themes from Superman: The Animated Series. (You may recall that last year Mondo released Batman: The Animated Series on 7-inch and 12-inch die-cut vinyl).
On the heels of its First Turtle Figure, Mondo has provided ROBOT 6 with an exclusive first look at its First Hellboy statue, based on Mike Mignola’s original 1991 convention illustration of a demon. While the character that debuted some two years later bears little resemblance to that figure, Mignola apparently knew he was onto something with the name on the belt buckle: “Hellboy.”
Mondo’s 12-inch statue showcases many of the details of that 24-year-old drawing, from the fish and crab dangling from Hellboy’s belt to the vulture perching on his wings to the demon’s body hair. Mignola’s longtime collaborator Dave Stewart was also recruited to devise the color scheme.
Although Regaliceratops peterhewski likely didn’t possess a Right Hand of Doom or a fondness for pancakes and cigars, paleontologists had a devil of a time excavating the 600-pound fossil skull, earning it the nickname “Hellboy.”
According to National Geographic, it was only afterward that researchers made the connection between the many-horned dinosaur — it’s a close relative of the Triceratops — and Mike Mignola’s famed demonic hero.
If you’ve been hoping to jump-start Ragnarok or merely lay a smackdown on some supernatural foes, here’s your chance: Hellboy’s Right Hand of Doom is up for sale.
The replica from Guillermo del Toro’s 2004 adaptation Hellboy is just one of the items going on the block Friday in Los Angeles as part of the “Rick Baker: Monster Maker” auction. Organized by the Prop Store, the sale features more than 400 items from the Hollywood effects legend’s lengthy career.
In times of financial crisis, the world turns to colorful comic-book heroes and villains in this series by Italian artist Alessandro Rabatti.
For “Facebank,” Rabatti reworked graphic elements of banknotes from U.S., British and Chinese currency to merge George Washington and Mao Zedong to create Spider-Man, Queen Elizabeth II and Zedong to make Wolverine and Catwoman, and Abraham Lincoln and Zedong come together to form Batman, and so on. Clearly the takeaway here is that Mao Zedong is incredibly versatile.
Dark Horse Comics is celebrating Hellboy’s 21st birthday with a beer — specifically, the Right Hand of Doom Red Ale, a limited edition release from Oregon-based Rogue Ales.
Though available nationally at Rogue.com, the Right Hand of Doom debuts in Portland at the Things From Another World Comics store, where Hellboy creator Mike Mignola will be signing books alongside Matt Kindt (Mind MGMT), Eric Powell (The Goon) and Brian Wood (Rebels) on Friday, Feb. 20.
Crime | Nineteen people were sent to hospitals early Sunday following what appears to have been the intentional release of chlorine gas at the Hyatt Regency in Rosemont, Illinois, host of the Midwest FurFest furry convention. The incident began shortly after midnight, when firefighters and hazmat crews responded to a complaint of a noxious odor on the ninth floor of the hotel, where they found high levels of chlorine gas. Guests were evacuated, with many sent to the nearby Donald E. Stephens Convention Center. Hazmat technicians found what they suspect to be powdered chlorine in a stairwell at the ninth floor. The Rosemont police are treating the event as a crime, as it appears the gas release was intentional. The hotel was decontaminated and the attendees were allowed to return around 4:20 a.m. Midwest FurFest, which with nearly 4,000 attendees in 2013 claims to be the second-largest furry convention in the world, issued a statement about the incident. [Chicago Tribune]
“What keeps this industry alive is creators doing their own work. Once you change a costume or origin enough times, it’s a dead body — you’re just electrocuting it and keeping it sort of shambling on. There is a lot more creator-owned stuff now, and some of it I look at and go, ‘Oh, that’s his pitch for a TV show. That’s his pitch for a movie. That’s him saying oh, this kind of thing sells.’ I didn’t do that. My one piece of advice to people who are saying “‘I wanna do it, but DC and Marvel pay so well …’ is that in between your big paying gigs, just find time just to do one comic! It doesn’t have to be a 6,000-page epic! It doesn’t have to be Hellboy! Ten years down the road, when you’re scrambling for work or drawing some book you hate, at least you did something when you had fire in your belly that’s really you.”
Manga | The top-selling manga in Japan this year was One Piece, with nearly 11.9 million volumes sold; Attack on Titan came in a close second, with 11.7 million. [Anime News Network]
Publishing | Jim Zubkavich updates his post from last year about the long-term sales and profitability of his series Skullkickers. There are some interesting angles to this, including the cost of his deluxe collected editions, the boost he got from his “reboot,” and the importance of digital sales in the long term: “Since there’s no print run or storage limit with digital they continue to build profitability over the long haul (particularly with the early issues as new readers sample the series during comiXology sales). Many issues that lost money in their initial print release have been able to make back their losses thanks to digital.” [Zub Tales]
Dark Horse will celebrate the 200th issue of Dark Horse Presents in February with an 80-page installment that includes the first U.S. publication of “Masks,” a short story by Gone Girl author Gillian Flynn and veteran artist Dave Gibbons.
The story, about a mother turned masked vigilante, originally appeared in April as part of The Guardian’s celebration of the opening of the “Comics Unmasked: Art and Anarchy in the U.K.” exhibition at the British Museum. “Masks” marks Flynn’s comics debut.