Heritage Auctions Archives - Robot 6 @ Comic Book Resources
Long believed lost, the original page from 1974′s The Incredible Hulk #180 featuring the first appearance of Wolverine will be auctioned in May to benefit The Hero Initiative.
The Associated Press reports that Heritage Auctions was contacted by the owner, who said he has had the page since 1983, when it was given to him by artist Herb Trimpe. The auction house describes it as “one of the most significant pieces of original comic art to ever appear on the market.”
Humanoids has announced it bought the company’s long-missing original logo, hand-drawn in 1974 by co-founder Jean “Moebius” Giraud.
The inked piece, measuring 4.25 inches by 6 inches, was purchased Friday for $6,572.50 in the same Heritage Auctions sale that featured the earliest Superman cover art known to exist.
Moebius teamed with Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in December 1974 to form the Paris art collective Les Humanoïdes Associés in order to publish Métal Hurlant, the revolutionary sci-fi anthology that spawned several foreign versions, including the U.S. magazine Heavy Metal.
Now called simply Humanoids, the graphic novel publisher relocated it headquarters last year to Los Angeles and opened an office in Tokyo.
Moebius, the enormously influential artist whose works included The Airtight Garage, The Incal and Blueberry, died in May 2012 at age 73.
Fred Guardineer’s cover for Action Comics #15 (dated August 1939), on the fifth cover appearance of the Man of Steel, depicts the superhero aiding a distressed U.S. submarine on the ocean floor. It was purchased by Richard Evans of Bedrock City Comic Company in Houston.
“Guardineer’s cover is the earliest Superman cover art in existence, and an absolute treasure of comics history,” Ed Jaster, senior vice president of Heritage Auctions, said in a statement. “A price like this shows just how much collectors covet a rarity like this.”
A prolific Golden Age writer and artist, Guardineer created Zatara, whose first appearance in Action Comics #1 was overshadowed by the debut of Jerry Siegel and Joe Shuster’s Superman.
The Feb. 20-22 auction in New York City featured more than 1,200 lots, including the second part of the Don and Maggie Thompson collection. Highlights included: a near-mint copy of Amazing Fantasy #15, which sold for $191,200; Jack Kirby and Frank Giacola’s original cover art for Tales of Suspense #84, which fetched$167,300; and R. Crumb’s original art for the three-page story “Ducks Yas Yas” from Zap Comix #0, which went for $101,575.
Legal | Artist Al Plastino has asked a New York judge to order Heritage Auctions to reveal the name of the consignor who put up for sale his original art for the 10-page story “Superman’s Mission for President Kennedy.” Heritage says the sale has been canceled and the art returned to the consignor, who bought it at a Sotheby’s auction a decade ago. The JFK story was originally scheduled to run in a DC comic dated November 1963, but it was quickly pulled when Kennedy was assassinated. The story was published the following year at the request of the Johnson administration. The last panel of the comic stated the artwork was to be donated to the Kennedy Library, and Plastino believed that to be the case until this fall, when he discovered it was being put up for auction. [Reuters]
Crime | Tokyo police say they have security camera footage of a suspicious man in a mask and gloves near a convenience store where a small amount of nicotine was found in a Kuroko’s Basketball-themed snack. The snacks were recalled after 7-Eleven and other convenience store chains received threatening letters, part of a barrage of threat letters that have been sent out to venues associated with the Kuroko’s Basketball manga and anime. The amount of nicotine found in the Kuroko’s Basketball wafers was well under a lethal dose. [Anime News Network]
Creators | Newsday picks up the story of Al Plastino’s original art for the John F. Kennedy comic that was canceled when the president was assassinated, and then published a few months later at the request of the Johnson administration. Plastino, now 91, had been told the artwork would be donated to the Kennedy Library, but last month at New York Comic Con he learned that a private individual had the art and was planning to sell it through Heritage Auctions, which now says it won’t move forward until the ownership question is resolved. Copyright lawyer Dale Cendall, former DC Comics President Paul Levitz and artist Neal Adams weigh in on the case. [Newsday]
Kickstarter | In the wake of the successful Fantagraphics Kickstarter campaign, Rob Salkowitz looks at the evolution of the crowdfunding platform from a way for individual creators to connect with their audiences to a pre-sale mechanism that eliminates a lot of the risk for smaller publishers. [ICv2]
Former Superman artist Al Plastino was startled to learn his original artwork for “Superman’s Mission for President Kennedy” is up for auction — and not in the John F. Kennedy Memorial Library, as he had been led to believe.
According to the New York Post, Plastino was at New York Comic Con when he learned another exhibitor had the artwork, and that Heritage Auctions was scheduled to sell it (with a starting bid of $20,000 per page) on Nov. 22, the 50th anniversary of Kennedy’s assassination. Plastino, who is 91 and has prostate cancer, posted a plea for help on his Facebook page, and the comics community quickly responded with offers of legal help.
Plastino drew the story “Superman’s Mission for President Kennedy” in 1963 to promote Kennedy’s physical fitness program, as part of a collaboration between DC and the Kennedy administration. The issue was scheduled to go on sale in late November, but editors quickly pulled it and substituted other material when Kennedy was assassinated. Shortly afterward, President Lyndon Johnson’s staff asked DC to go ahead and run the story, which they did, adding a special commemorative page showing Superman saluting a ghostly image of Kennedy.
Frank Miller’s original cover for Batman: The Dark Knight Returns #2 sold at auction last week for $478,000, The Associated Press reports. Initial expectations had placed the price at more than $500,000.
Although Heritage Auctions has sold other original art from the landmark 1986 DC Comics miniseries — a page from Issue 3, featuring Batman and Robin in mid-air, fetched a record $448,125 in 2011 — this was the first cover to ever appear at auction. It’s also the only one from the four-issue series to be rendered completely in pen and ink by Miller.
A near-mint copy of 1940′s Batman #1, featuring the first appearance of Catwoman and The Joker, went for $567,625 at the same auction. A similar copy sold for $850,000 in 2012.
The record price paid at auction for a comic is held by a near-mint copy of Action Comics #1, which fetched $2.16 million in 2011.
While Heritage Auctions has sold other original art from the landmark 1986 DC Comics miniseries — a page from Issue 3, featuring Batman and Robin in mid-air, fetched a record $448,125 in 2011 — this is the first cover to ever appear at auction. It’s also the only one from the four-issue series to be rendered completely in pen and ink by Miller, “with no significant painted elements or overlays.” Heritage characterizes it as “artistically the best of the four.”
“For fans of modern comics, this drawing is where everything really begins,” Heritage Vice President Todd Hignite tells The AP.“This moment defines Miller’s Dark Knight, and the modern day perception of Batman, like no other drawing.”
The auction also includes a 9.2 graded copy of 1940′s Batman #1, which marks the first appearance of Catwoman and The Joker. A similar copy sold for $850,000 in 2012.
The record price paid at auction for a comic is held by a near-mint copy of Action Comics #1, which fetched $2.16 million in 2011. Online bidding is expected to begin July 12, with the auction held Aug. 1-3 in Dallas.
– Dave Gibbons, responding with humor to the news that his original cover art for Watchmen #1 fetched $155,350 at auction on Friday, many times what he originally sold it for. (As the artist recently noted, the covers were included in an agreement for the original pages to all 12 issues of the landmark series.) “I thought I had a great deal. At the time,” he added in response to a tweet.
The original covers for the first three issues brought a total of $216,892.50 at the New York City auction. The covers for Watchmen #4-12 are expected to be put up for sale later this year.
Vintage comics and original comic art brought in $4.4 million over the weekend during a Heritage auction in New York City, Artinfo reports. Among the bigger sales were a CGC-graded 6.5 copy of Detective Comics #27, for $567,625, and John Romita Sr.’s original cover for The Amazing Spider-Man #121, which fetched $286,800.
As we noted on Friday, Dave Gibbons’ original cover art for Watchmen #1 sold for $155,350, with the first three covers going for a combined $216,892.50. John Higgins’ color guide for the first cover was bought for $7,767.50. The remaining covers for the 12-issue landmark series are expected to go up for auction later this year.
Wired.com delves into the history of the 12 covers, which were purchased at a Sotheby’s auction in 1993 by former Wizard Publisher Gareb Shamus for what’s been reported to be in the neighborhood of $26,000. The article doesn’t repeat that figure, but it does say what was paid was “a bargain price” (for instance, Higgins’ color guide for the cover of Watchmen #1 was picked up for $50, which was then five to 10 times the usual price).
Dave Gibbons’ original cover art for Watchmen #1-3 sold today at auction for a combined $216,892.50. The first cover, featuring the iconic blood-splattered smiley face, was responsible for the lion’s share of that total, bringing in $155,350 alone. They were joined by John Higgins’ color guide for the cover of Watchmen #1, which went for $7,767.50.
Part of the $1.4 million Shamus Modern Masterworks, accumulated in the 1980s and ’90s by retailer Martin Shamus, father of Wizard magazine founder Gareb Shamus, the Watchmen covers were included in Heritage’s Heritage’s Vintage Comics & Comic Art Signature Auction, held today and Saturday in New York City. Consigned last year to Heritage, the collection already has produced one remarkable sale: Todd McFarlane’s original cover art for The Amazing Spider-Man #328 fetched $657,250 in July, breaking the record for a single piece of American comics art set in 2011 by a splash page from The Dark Knight Returns #3 ($448,125).
Heritage’s Vintage Comics & Comic Art Signature Auction also includes John Romita Sr.’s original cover art for The Amazing Spider-Man #121, an original Calvin and Hobbes strip by Bill Watterson, and 10 pages from Dave Sim’s Cerebus: High Society.
Gibbons’ covers for Watchmen #4-12 reportedly will be put up for sale later this year.
John Romita Sr.’s original cover art for the landmark Amazing Spider-Man #121 has reached $268, 875 in online bidding ahead of a live auction scheduled for today in New York City.
The piece is being offered as part of Heritage’s Vintage Comics & Comic Art Signature Auction, which includes Dave Gibbons’ iconic Watchmen covers, an original Calvin and Hobbes strip by Bill Watterson, and 10 pages from Dave Sim’s Cerebus: High Society.
The Amazing Spider-Man #121, “The Night Gwen Stacy Died,” was a defining moment not only for Peter Parker but for the comics industry; as Heritage Auctions notes in its description, some point to the story as the end point for the Silver Age. (This was the end of innocence for comics,” Arnold Blumberg wrote in Comic Book Marketplace. “It remains one of the most potent stories ever published.”)
Asked by A Moment of Cerebus whether the sale was part of the “Doomsday Scenario” he outlined last summer in Glamourpuss #26, Sim explained, “Well, in a sense, when you’re 57 years old in the comic-book field, everything is a Doomsday Scenario. I set this in motion by calling Lon and finding out if Heritage was interested, which they were. Very. So, that was very gratifying. But you have to start early. It’s a long process of negotiation and I knew that would be the case. I set that in motion and then John and I did the Kickstarter campaign which didn’t require AS early a start. It was successful but I guessed the money wouldn’t last much past the end of the year with all the overhead and that was what happened. Lon and I weren’t ready for the November auction which is what we originally planned. There was still some negotiating to do. But we were ready for the February auction. Lead time. Everything is lead time.”
Bidding continues online through Thursday, with the sale scheduled for Friday in New York City as part of Heritage Auctions’ Vintage Comics & Comic Art Signature Auction.
Three months after an original 1986 Sunday installment of Calvin and Hobbes, drawn and hand-colored by Bill Watterson, sold for $203,150, another original strip is going on the auction block.
Like the previous piece, this daily strip was part of a 1986 swap between Watterson and Adam@Home and Red and Rover cartoonist Brian Bassett. However, The Daily Cartoonist notes that while Bassett sold the other original to help with the expenses of a divorce and upcoming marriage, this one is being offered by his ex-wife Linda through Heritage Auctions (both are signed by Watterson to Brian and Linda).
The strip, part of Heritage’s Feb. 21-23 Vintage Comics & Comic Art Signature Auction in New York City, has already garnered a top online/telephone bid of $15,000. The company cautions, “We know you’ve heard us say this before, but consider this a rare opportunity that may not be repeated for a long time to come. We have no more Watterson Calvin originals ‘waiting in the wings’ to trot out next time around.”
See the full strip below.
The iconic blood-splattered smiley face cover for Watchmen #1 is among a handful of original artwork from the seminal 1986 miniseries by Alan Moore and Dave Gibbons up for sale next month as part of a Heritage Auctions signature auction in New York City.
Described by the auction house as “historic” and a “DC masterwork,” the 10-inch by 15-inch image is joined by Gibbons’ covers for Watchmen #2 and #3, John Higgins’ color guide for the cover of Issue 1, a page from Issue 7, and a page and color guide from Issue 8.
The pieces are part of the $1.4 million Shamus Modern Masterworks, accumulated in the 1980s and ’90s by retailer Martin Shamus, father of Wizard magazine founder Gareb Shamus. Consigned last year to Heritage, the collection already has produced one remarkable sale: Todd McFarlane’s original cover art for The Amazing Spider-Man #328 fetched $657,250 in July, shattering the record for a single piece of American comics art set in 2011 by a splash page from The Dark Knight Returns #3 ($448,125).
Online bidding for the Watchmen art begins Feb. 2. The auction will be held Feb. 21-22 at the Ukrainian Institute of America at The Fletcher-Sinclair Mansion in New York City.