Legal | A federal judge this week made final his Oct. 17 decision that the heirs of Superman co-creator Joe Shuster surrendered the ability to reclaim their 50-percent interest in the property in a 1992 agreement with DC Comics, triggering an almost-immediate appeal to the 9th Circuit by Shuster estate lawyer Marc Toberoff. Jeff Trexler delves into the legal strategy behind the attorney’s motion for final judgment. [The Hollywood Reporter]
Legal | Todd McFarlane has settled his lawsuit against former employee Al Simmons, who earlier this year released a book in which he claimed to be the inspiration for Spawn. McFarlane had accused Simmons of violating the terms of his employment pact and breaching his duty of loyalty. Settlement terms weren’t disclosed. [The Hollywood Reporter]
Conventions | John Giuffo does a compare-and-contrast between Comic-Con International and New York Comic Con. While San Diego has more Hollywood presence, NYCC has grown with stunning rapidity — it’s hard to believe that first event had just 25,000 people and shared the Javits Center with a travel convention; this year attendance was 116,000, gaining hard on San Diego’s 125,000. One key difference is that CCI spills out of the San Diego Convention Center into the surrounding neighborhood, which has restaurants and bars and parks, while the area around the Javits is pretty barren, limiting opportunities for parties or even a decent lunch, let alone the sort of outside activities that have sprung up in San Diego. [Forbes]
Legal | A Missouri man has pleaded guilty to federal obscenity charges stemming from comics depicting minors having sex with adults and other minors. The prosecutor has asked that he be sentenced to three years in federal prison without parole. [Anime News Network]
The Alternative Press Expo, or APE, kicked off today in San Francisco, and I made the trek up north to partake in comic culture-dom. I missed the show last year, and in fact haven’t been to a comic convention since SDCC in 2010, so it was fun to get back into the con groove. And APE is just the place to do it, with its laid back vibe and focus on making, buying and talking about comics.
Like I said, I missed last year’s show, so I have no idea how the crowds compared or the size of the place compared. Since I first started attending the show in 2007, they’ve switched up the layout of the place, and it seemed much bigger, with more exhibitors, than it has in the past. There seemed to be a bunch of people there, many with kids, and the folks exhibiting who I talked to for the most part seemed to be happy with the turn out. The weather was beautiful, which can sometimes be a hindrance; San Francisco doesn’t have that many days per year where there’s lots of sunshine and it’s very warm outside, so you never know when someone might decide to hit the park instead of, say, a convention. It’ll be interesting to hear what the CCI folks say about attendance this year
The Alternative Press Expo, or APE, returns to the Concourse Exhibition Center in San Francisco this weekend. The show’s special guests are Groo creator Sergio Aragonés, Flood creator Eric Drooker, all three legendary Hernandez Brothers, The Cardboard Valise creator Ben Katchor, jobnik! creator Miriam Libicki, and Weathercraft creator and giant pen owner Jim Woodring, all of whom have spotlight panels over the course of the two days. In addition, other guests attending the show include Shannon Wheeler, Stan Mack, Justin Hall, Derek Kirk Kim, Jason Shiga, Thien Pham, Jamaica Dyer and many more.
In addition to the spotlight panels, the show has panels on politics and comics, censorship, queer cartoonists and a “Gigantes” meet-up with the Hernandez Bros. and Aragones. They also have workshop panels if you’re interested in making comics and a “creator connection” that allows aspiring creators to find writers or artists to work with.
The show is usually one of my favorites of the year, mainly because it’s so easy going and loaded with opportunities to discover something new and cool. Here’s a round-up of some of the folks you can see and buy cool stuff from at the show, as well as things to do inside and outside of the Concourse:
Legal | Marvel has sued a Jerusalem retailer for $25,000, claiming the well-known Kippa Man store is infringing on its trademarks by selling unlicensed yarmulkes bearing Spider-Man’s likeness. “A reasonable consumer could be fooled into thinking that the infringing product is manufactured and/or sold by the plaintiff with the knowledge and/or approval of the defendant,” Marvel said in its complaint. Kippa Man owner Avi Binyamin notes the yarmulkes are manufactured in China, and that he only sells them. “There are 20 stores on this street, they all sell the same thing,” he told The Jerusalem Post, theorizing that he’s being targeted because his store is well known. The Times of Israel characterized the lawsuit as “the first move by Marvel against what it perceives as widespread copyright infringement in Israel, where products featuring its copyrighted superheros are commonly sold.” [The Jerusalem Post, The Times of Israel]
This just in from Fantagraphics HQ: Gilbert and Jaime Hernandez are going on tour next month, making personal appearances on a limited stretch of the East Coast to mark the 30th anniversary of Love and Rockets. There’s nothing north of Brooklyn (sadly, for this Boston resident) but they will be making appearances at the Small Press Expo and the Brooklyn Book Festival. Here’s the full itinerary:
As several people have already mentioned, 2012 marks the 30th anniversary of Love and Rockets, the seminal, groundbreaking comic series by Gilbert, Jaime and Mario Hernandez. It’s an impressive feat for any cartoonist to maintain a series for so long (even given the various format changes L&R has gone through) and it’s all the more impressive when you consider the number of masterpieces the Hernandez brothers have put under their collective belt during that time period. The Death of Speedy. Poison River. Human Diastrophism. Wig Wam Bam. Heartbreak Soup. The Love Bunglers. Most cartoonists would kill to produce just one of those books. And they’re still going strong with no drop in quality.
In honor of their anniversary I thought I’d take the time to list some of my own personal favorite sequences from the series. This is by no means to be a definitive list — there are so many outstanding moments from this series that trying to narrow it down a mere six is a bit of a mug’s game. These are merely six moments that immediately came to mind when I thought of the idea for this post. I could have come up with 100 more easily. All you Los Bros fans out there can feel free to list your own favorite moments in the comments section.
Oh, and lots of spoilers exist below, so if you haven’t read the series yet and want to jump into it fresh. I’d stop reading here …
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
While the offerings on show at my local comic store this week won’t compare with those available at Comic-Con International, if I had $15 this week, I’d pick up Sean Murphy’s Punk Rock Jesus #1 (DC/Vertigo, $2.99), the new Bloodshot #1 (Valiant, $3.99) and the final issue of the enjoyable Kirby: Genesis #8 (Dynamite, $3.99); the first for the art alone (I know very little about the story, but Murphy’s art is always worth checking out), the second for the high concept, and the third for the payoff that I know is coming from Kurt Busiek, Alex Ross and Jack Herbert’s resuscitation of the King’s concepts after following the series thus far.
That said, if I only had $30, I’d put both Punk Rock Jesus and Bloodshot back on the racks for another week, and add Darwyn Cooke’s new Parker adaptation, Richard Stark’s Parker: The Score (IDW, $24.99) to my pile, instead. Cooke’s Parker books are consistently must-buys, and I can’t see why this one would be any different.
Love and Rockets is celebrating its 30th anniversary at Comic-Con International in San Diego, and to help fans mark the occasion in style, Fantagraphics partnered with Graphitti Designs to offer six new T-shirts featuring characters created by the legendary Hernandez Brothers. The shirts, which cost $18.99 each, can be found at the Fantagraphics booth (#1718-1722).
But wait, there’s more — Fantagraphics and the Hernandez Brothers also will debut three new books at the show. First up is the newest work by Gilbert and Jaime, Love & Rockets New Stories #5, featuring Gilbert’s return to Palomar and Jaime’s much-anticipated follow-up to “The Love Bunglers” (from #4). Also debuting is God and Science: Return of the Ti-Girls, Jaime’s superhero epic combining material from Love and Rockets: New Stories #1 and #2 plus 30 all-new pages. Comic-Con also hails the release of Gilbert’s children-focused graphic novel,The Adventures of Venus, which we recently previewed on Robot 6. You can also expect a Love and Rockets-related announcement Saturday at the “30th Anniversary of Love and Rockets” panel.
Check out the shirts and the full press release below.
We’re getting down to the wire here, but we still have a couple more pre-SDCC things to share … first up, Fantagraphics sent over their booth and panel schedules, to go along with the massive list of books they’ll debut at the show. A list they keep adding to — check out the SDCC special edition of 21: The Story of Roberto Clemente they’ll have on hand. It’s so limited you can count the number of copies they’ll have on three fingers.
They’ll have a whole bunch of creators at their booth this year, including all three Hernandez brothers, Paul Hornschemeier, Johnny Ryan, Anders Nilsen and many more. Check it out after the jump.
Fantagraphics sent over their list of books debuting at the San Diego Comic-Con later this month, and boy is it packed tighter than my suitcase on vacation day. The publisher will have almost two dozen new books at the show, including the last Mome; new stuff from Michael Kupperman, the Hernandez Bros. and Johnny Ryan; tons of Eurocomics; a Lou Reed/Edgar Allan Poe joint; and more. Check them out:
Love & Rockets New Stories 4 by Los Bros Hernandez: Featuring new stories by Jaime and Gilbert, including new material featuring Maggie set in the present and during her teen years.
Mark Twain’s Autobiography by Michael Kupperman: Probably the one I’ve been looking forward to the most, Kupperman publishes Mark Twain’s “biography” since the day the author/humorist died through last year — including his affair with Marilyn Monroe and his time-traveling adventures with Einstein.
Prison Pit Vol. 3 by Johnny Ryan: More deranged, twisted ultraviolent fun from Ryan.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d first do a two-fisted grab of this summer’s big event series Flashpoint #2 (DC, $3.99) and Fear Itself #3 (Marvel,$3.99). It’s required reading if you’re writing about comics like I am, and as a reader I’m intrigued by both. Two questions come out of this: 1. I wonder which one jiggered their release dates to come out the same week as the other event book, and 2. I guess DC will have to take off its “Holding The Line at $2.99” logo, or at least add some fine print. Next up would be Uncanny X-Force #11 (Marvel, $3.99); Rick Remender and the artists here have made this the best x-book on stands, hitting me right between the eyes by revisiting older storylines and characters and giving them a modern spin. Lastly, I would get Turf #5 (Image, $2.99), because I’m one of the biggest Tommy Lee Edwards fans out there.
There’s a list of creators that in my estimation are not interviewed nearly enough, one such example is colorist Laura Allred. You can find several interviews with both Mike and Laura Allred together, but few rarely focus on Laura solely. So I recently crossed my fingers and shot off an email to Laura seeking to do an email interview. Much to my sheer delight, she was game for a discussion of her career as a colorist. Jamie S. Rich, long-time Allred associate and friend of Robot 6, was kind enough to share his perspective on Laura’s body of work, which helped me shape some of the topics covered in this exchange. Obviously, a huge thank you to Laura for giving so selflessly of her time. As someone who enjoyed Art Adams’ Monkeyman and O’Brien years ago, I plan to dig up my box with those issues, just to appreciate Laura’s work on it, given how highly she speaks of it in this interview.
Tim O’Shea: The life of a freelancer is never easy–and in your house, it’s extra challenging as both of you make a living either through one of the independent publishers or work through DC or Marvel. Granted at this point in your career, there is a certain brand and reputation that your work carries, still freelancing is a challenge even for successful folks as yourself. If you don’t mind me asking, how much has your faith served to buoy your spirits when the hardships of freelancing blindside you?
Laura Allred: It seems when we simply try to do our best in all our efforts, everything always seems to work out. We work hard, though Michael refuses to call it working, but we also try to make time for family and friends. So, I’ve found that my secret weapon for hardships is to just crack the whip and we get back on track. I’m only half kidding.