"Batman's" Gotham Was... Scott Snyder and Greg Capullo
Today marks the 98th anniversary of the birth of Jack Kirby, King of Comics. And all corners of the comics internet are celebrating the contributions of the most legendary artist in the history of the medium (see CBR’s gathering of 98 mind-blowing Kirby images or Comics Should Be Good’s artist tribute for starters).
But the birth of Kirby also marks another strange anniversary for comics historians as 28 years ago today, the artist and his longtime Marve collaborator Stan Lee had one of their very few public arguments about what went in to the creation of the Marvel Universe.
In 1987, Kirby celebrated his 70th birthday with an interview on “Earthwatch” — a cultural program on New York City public radio station WBAI. During the broadcast, hosts Robert Knight, Warren Reece and Max Schmid asked Kirby about a range of fan topics from the origins of the Red Skull and the Cosmic Cube to comics perceived readership in the Golden Age and beyond. But the journalists pulled a somewhat stunning “Gotcha” move on their guest by asking him about the legend of the Marvel Bullpen before inviting Lee on as a caller.
Wired‘s Underwire blog has an exclusive excerpt of Alan Moore’s introduction to the Occupy Comics anthology, titled “Buster Brown at the Barricades,” along with a bit of background on his involvement. Here’s the first paragraph to whet your appetite:
The field of comics, formerly regarded as a more insidious threat to young minds and public morality than syphilis, has currently attained a level of propriety which it seems anxious to maintain. Having at last apparently become a critically-accepted and occasionally lucrative component of the entertainment industry, the comic-book is keen to foster its new image of social responsibility (and economic viability) with a bombardment of admiring quotes and press-release-derived puff pieces in the media.
Moore isn’t having any; his essay chronicles the long history of comics as an underground medium, used by common people and revolutionaries alike to take jabs at The Man. It’s incredibly interesting and well worth reading. The essay appears in the final Occupy Comics anthology, set for release in the spring.
Publishing | Top Cow Productions has announced details of its retailer program for the relaunch of Cyber Force, which is using Kickstarter to raise enough money to make the first five issues of the reimagined series available for free, both digitally and in print: Retailers will be charged 25 cents per copy for the first five issues, but will receive incentive variant covers — with suggested prices of $10 and $20 — to offset the cost of the comics. The Kickstarter campaign has raised more than $50,000 of its $75,000 goal with 17 days remaining. [ICv2]
Publishing | Former DC Comics editor Janelle Asselin, who now works for Disney, talks about her experiences at the editor’s desk and offers one reason there are so few female superhero comics creators: Women aren’t lining up for the job. “In my time at DC, exactly one woman reached out to me via email, and I hired her,” she said. “I didn’t hire her BECAUSE she was a woman, I hired her because she was good, of course. But in that same amount of time, probably at least two or three men a week contacted me looking for work, some of them intensely pushy and many of them decidedly not good. I think more female creators should put themselves out there. The numbers are growing, we all can see that, especially in indie comics and comics published by traditional publishers, but if there are women who want to work on super hero books, they need to speak up.” [Women Write About Comics]