Hooded Utilitarian Archives - Robot 6 @ Comic Book Resources

The annotated ‘Love Bunglers’

from "The Love Bunglers" (top) and "The Death of Speedy Ortiz" (bottom) by Jaime Hernandez, assembled by Ng Suat Tong

As readers of this site are no doubt aware (to say the least!), Jaime Hernandez’s contribution to the recently released Love and Rockets: New Stories #4, “The Love Bunglers,” magisterially ties together some 30 years of history for its leading players, Maggie Chascarillo and Ray Dominguez. Now, the Hooded Utilitarian’s Ng Suat Tong has shown us exactly how.

His annotations for “The Love Bunglers” take the story’s many flashback panels, including all the scenes from the story’s centerpiece two-page spread, and place them side by side with the original scenes to which they’re flashing back, some of which were first published literally decades ago. It’s stunning to see how Jaime reinterpreted and re-interpolated his previous work– hifting our POV from one angle to another, showing moments that took place between the moments he depicted in the past, and of course re-drawing classic characters and scenes in his current style. Besides being a really useful post from a story perspective–surely everyone who read “The Love Bunglers” was hoping someone would do exactly this–as a demonstration of Jaime’s artistic intelligence and prowess, it’s tough to top. But then, so is “The Love Bunglers.”

Comics A.M. | ‘Spider-Island’ tops sluggish July; BOOM!’s Disney titles end in October

Amazing Spider-Man #666

Publishing | Sales of comic books and graphic novels in July fell 6.17 percent versus July 2010, with dollar sales of comic books sold through Diamond Comic Distributors falling 4.27 percent and graphic novels falling 10.10 percent year-over-year. Unit sales for comics were only down slightly, at .52 percent, which ICv2 points out “indicates that comic book cover prices have in fact declined. The problem is that circulation numbers have not risen enough to make up for the decline in revenue from lower cover prices.” Marvel’s Amazing Spider-Man #666, which kicked off the “Spider-Island” event, was the best-selling comic of the month, while League of Extraordinary Gentlemen III Century #2 from Top Shelf topped the graphic novel chart. John Jackson Miller has commentary.

Marvel saw a slight increase in its dollar market share for July when compared to June, while DC’s jumped from 28.03 percent in June to 30.55 percent in July. IDW, the No. 5 publisher in terms of dollar share in June, moved to the No. 3 position in July. The top seven publishers were rounded out by Image, Dark Horse, Dynamite and BOOM! [ICv2]

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Under new management: The Comics Journal revamps, relaunches its website

The Comics Journal, a venerable, influential and controversial mainstay of comics journalism that had developed an air of the walking wounded in recent years, has radically revamped and relaunched its online presence. Its new editors are Dan Nadel and Tim Hodler, best known as the minds behind Comics Comics magazine and, in Nadel’s case, the art-comics publisher PictureBox Inc.

The print version of the Journal will continue to be helmed by founding editor and Fantagraphics co-publisher Gary Groth, acting in a more hands-on capacity as of the forthcoming Issue #301 than he has in years, by the sound of it. Kristy Valenti serves as editorial coordinator. Contributors to the new TCJ.com include Frank Santoro, Jeet Heer, Joe “Jog” McCulloch, Ken Parille, Ryan Holmberg, Rob Clough, Richard Gehr, R.C. Harvey, R. Fiore, Vanessa Davis, Bob Levin, Patrick Rosenkranz, Nicole Rudick, Dash Shaw, Jason T. Miles, Andrew Leland, Naomi Fry, Jesse Pearson, Tom De Haven, Shaenon Garrity, Matt Seneca, Tucker Stone and Hillary Chute. On a Robot 6-related note, my colleague Chris Mautner and I will also be contributing.

A look at the new site reveals a multifaceted approach, with reviews, columns, interviews, lengthy features and essays (the current lead feature is a look at the legacy of, and turmoil surrounding, Frank Frazetta by writer Bob Levin), an events calendar, selected highlights from the magazine’s archives, and more. The biggest news, perhaps, is that Hodler and Nadel plan to have literally the entire 300-issue Comics Journal archive scanned and posted online by the end of this year and made available in its entirety to the print magazine’s subscribers. Click here for Hodler and Nadel’s welcome letter, in which they explain some of the changes and reveal a bit of what’s ahead. (And click here for their farewell letter to Comics Comics.)

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Talking Comics with Tim | Dustin Harbin

Diary Comics 1

Diary Comics 1

Dustin Harbin is a cartoonist who considers his craft and the comics industry from a pragmatic vantage point. I say pragmatic, because, to be perfectly honest, the first few questions I fired at Harbin were skewed a tad negative, completely on my end. I think it’s to his credit that rather than going the easy, negative or defensive routes, he offered nuanced, yet candid responses to my questions. We dispensed with those questions fairly quickly and from there got into the meat of why I wanted to talk to him: his ongoing work as letterer of the relaunched Matt Fraction/Gabriel Ba & company’s Casanova (Icon/Issue 4 set to come out on October 13) as well as his own Diary Comics #1 (Koyama Press) [48 pgs | b&w w/ color covers, endpapers {$6 ($10 w/sketch)}], which premiered at SPX. Harbin describes Diary Comics 1 as “this–THIS!–is your opportunity to splash on in to six months of one dull dude’s life, as originally seen in the daily DHARBIN! diary comic. Covering topics including girls, dharbins, other girls, more dharbins, depressions, some conventions, more depressions, tons more dharbins, AND MUCH MORE!!” On the con front, Harbin will be at APE this month (October 16-17), then BCGF in Brooklyn in December. My thanks to Harbin for indulging my questions.

Tim O’Shea: Is it me, or judging by recent tweets, are you pulling the kid gloves off in terms of your opinions since you are no longer a HeroesCon official?

Dustin Harbin: Haha, well while not being part of the public face of something besides myself DOES free me a little bit opinion-wise, I think I’ve always been fairly vocal about my disgust with some of the crappier blog sites out there. Not working for HeroesCon just means that I don’t have to worry about it reflecting on Shelton Drum. That dude is super-friendly, he would never publicly run something down, he’s too classy, unlike me.

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