Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Maybe — just maybe — when Howard the Duck made a cameo last year in Guardians of the Galaxy, Marvel wasn’t merely dropping an Easter egg to reward longtime fans but instead laying the groundwork for a solo movie. It’s been nearly three decades since his last film; Howard’s rested and ready to go!
Vulture imagines his triumphant return to a starring role in this “remixed” trailer by Louis Plamondon that plunks Howard down squarely in Phase Three of the Marvel Cinematic Universe. Judging from the release date, he’ll have to usurp Avengers: Infinity War — Part 2, but stranger things have happened. OK, no they haven’t.
Welcome to Store Tour, ROBOT 6’s weekly exploration of comics shops, and the people who run them; think of it as the retailer version of Shelf Porn. Each Sunday we feature a different store, and also get to know the person behind the register.
This week’s store is Area 52 Comics and Games, 3640 Mundy Mill Road, Suite 140 in Gainesville, Georgia; it’s located in the College Square Shopping Center near the University of Northern Georgia. We spoke with manager (and cartoonist) Dean Trippe. Continue Reading »
Conventions | Ace Parking, which manages parking at the San Diego Convention Center and six other nearby lots, will move to a lottery system this year to assign permits for Comic-Con International (those lots are Hilton Garage, Petco Lots, Padres Parkade, Diamond View Tower, Horton Plaza and Gaslamp City Square). For a shot at one of those spaces, you have to email Ace Parking by April 12. A drawing will be held on April 15, with the winners receiving information about how to purchase permits for their assigned location. See the full details on the Ace Parking website. [SDCC Unofficial Blog]
For years after the ill-fated 1986 film, Howard the Duck was considered a joke character by many. However, the March-debuting new series from writer Chip Zdarsky (Sex Criminals) and Joe Quinones (Black Canary and Zatanna: Bloodspell) looks to be taking Steve Gerber and Val Mayerik’s character more seriously than most recent depictions, while still having fun.
The latest evidence: a variant cover by Paul Pope — making a rare Marvel appearance — for Howard the Duck #1, revealed on Twitter earlier today by Marvel Editor-in-Chief Axel Alonso. The cover channels Shakespearean pathos with a downright somber-looking Howard, albeit juxtaposed with a rubber ducky.
Pope’s full cover follows below.
In the wake of Funko’s adorable “Dancing Groot” POP! vinyl bobblehead toy, inspired by Guardians of the Galaxy, another somewhat obscure Marvel character is about to get a POP! treatment of his own. As revealed this afternoon on Twitter by Marvel’s Ryan Penagos, Howard the Duck will make his POP! vinyl debut later this year. While the release date isn’t available, it’s likely Funko will reveals details later this week, along with more information on Dancing Groot.
Legal | The San Diego Police Department is asking anyone with video of the July 26 car accident during the annual SDCC ZombieWalk: San Diego to come forward. Police already have several videos of the incident, in which a driver plowed into the crowd, injuring at least three people, but they are hoping to get additional information. [Fox 5 News]
Legal | A Tokyo District Court judge sentenced Hirofumi Watanabe to four years and six months in prison for sending more than 400 threatening letters to venues connected with the manga Kuroko’s Basketball. The 35-year-old man admitted during his first day in court that he had sent the threatening letters, but he also refused to apologize or pay restitution and says he does not feel guilty. [Anime News Network]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
For whatever reason, Marvel is bringing the original Howard the Duck comics back into print. These are pretty great comics on their own, from creator/writer Steve Gerber and artists like Val Mayerik, Frank Brunner and Gene Colan. However, this is a Best of 7 because Howard the Duck itself facilitates all sorts of discussions. We can talk about creators’ rights via Gerber’s disputes with Marvel, and we can go from there to the extent to which a unique voice can (or should) be replicated by successors. (Personally, I thought the 2007 Ty Templeton/Juan Bobillo miniseries was pretty fun.) On a more superficial level, there’s the publisher’s biggest filmed fiasco.
Still, it does come down to the comics. In an era when the Big Two were expanding their scopes and testing their limits, Howard the Duck was one of the biggest experiments of the mid-1970s, and one that paid off in such entertaining fashion. Anything that brings it back into the spotlight is fine by me.
Marvel has debuted the pilot episode of All Winners Squad, its new online animated series that features such cult characters as Squirrel Girl, Hypno-Hustler, Frog-Man, Unicorn and Howard the Duck.
Announced at Comic-Con International, All Winners Squad finds (in Marvel’s words) the “awe-inspiring assemblage” brought together by the mysterious, and unintelligible, Mr. Fish to work as interns in a rundown, leaking office, where they’ll apparently be at odds with
Paste-Pot Pete the Trapster. Judging from the Comic-Con panel, viewers will also be treated to appearances by the likes of Batroc, Devil Dinosaur, Ego the Living Planet and Stilt Man.
All Winners Squad comes from the same team that produces Marvel Superheroes: What The–?!, so if you like those videos you’ll probably enjoy this series. Plus, where else are you going to see Spider-Man foe the Walrus in animated form?
When Marvel wants to tell zombie tales, writer Frank Marraffino has been a go-to person in recent years, as exemplified first by last year’s Marvel Zombies Supreme miniseries as well as the upcoming Marvel Zombies Destroy, a five-issue miniseries that launches this Wednesday, May 9. In this new email interview, Marraffino discusses writing the first two issues of the miniseries (in which Howard the Duck, Dum-Dum Dugan team up with a dozen heroes to fight Nazi Zombies) and details the health issues that prevented him from writing the remainder of the miniseries. I was pleased to learn Marraffino is feeling better and happy to discuss his work as well as the thrill of having industry veteran Peter David step into take over the project. Once you’ve read the interview, please be sure to check out CBR’s recent four-page preview of the first issue.
Tim O’Shea: What is it about zombies and dark comedy that make them work so well together?
Frank Marraffino: Maybe the fact that the threat comes from something that is falling apart. That is a little funny. The menace is one to itself also!
Hello and welcome to What Are You Reading? This week our special guest is Dark Horse assistant editor Jim Gibbons, who I spoke to about his new job on Friday.
To see what Jim and the Robot 6 crew have been reading, click below …
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
As we’re heading towards the middle of August, it’s no surprise that curiosity is getting me to pick up more than a few DC books just see how particular series “end;” I’d be getting Justice League of America #60 and Legion of Super-Heroes #16 (both DC, $2.99) anyway, because I’ve been following those series for awhile, but I’m likely to add Batman #713 (DC, $2.99) to the pile as well, if only to see the explanation as to why Dick quits being Batman before the big relaunch. But it’s not all endings for me with my $15 this week; I’d also make a point of grabbing Daredevil #2 (Marvel, $2.99), because the first issue was just breathtakingly good, and the series became a must-read before I’d even reached the last page.
If I had $30 this week, I’d add to my list of DC final issues with Supergirl #67 (DC, $2.99), which Kelly Sue DeConnick has talked up in interviews as being the highpoint of her short run to date and a great capper to the series as a whole. I’d also check in with the third issue of David Hahn’s All Nighter (Image, $2.99), as well as see if Nick Spencer’s Iron Man 2.0 is worth a look with the mini-collection of the first three issues, Iron Man 2.0: Modern Warfare (Marvel, $4.99).
Comics | In a post subtitled “Why the new biracial Spider-Man matters,” David Betancourt shares his reaction to the news that the new Ultimate Spider-Man is half-black, half-Latino: “The new Ultimate Spider-Man, who will have the almost impossible task of replacing the late Peter Parker (easily one of Marvel Comics most popular characters), took off his mask and revealed himself to be a young, half-black, half-Latino kid by the name of Miles Morales. When I read the news, I was beside myself, as if my brain couldn’t fully process the revelation. My friendly neighborhood Spider-Man was … just like me? This is a moment I never thought I’d see. But the moment has arrived, and I — the son of Puerto Rican man who passed his love of comics to me, and a black woman who once called me just to say she’d met Adam West — will never forget that day.”
Considering their history, I guess — or hope, anyway — that someone at Disney has a sense of humor, as Steve Gerber and Val Mayerik’s most famous creation, Howard the Duck, returns to comics this fall in Spider-Man: Back in Quack #1. Written by Stuart Moore and drawn by Mark Brooks, the book popped up in the advanced solicitations for the Spider-Man titles for September. Sporting a cover (above) by Skottie Young and back-up Man-Thing story by Moore and Joe Suitor, the solicitation text reads: