Although they may be at the top of the charts in American comics, some of the biggest artists today have some books out that most American have never seen. For years, artists working in the Anglophile comics market have moonlighted in European comics, probably most memorably with Travis Charest leaving for years to do a volume of Alejandro Jodorowsky’s The Metabarons.
But Charest isn’t the only one — John Cassaday did the series I Am Legion for Humanoids while working on Planetary and Astonishing X-Men, Geoff Johns and Red Star artist Christian Gossett did a story in Metal Hurlant, Terry Dodson worked on a graphic novel called Songes: Coraline, Kurt Busiek wrote a book called Redhand, and Fear Itself artist Stuart Immonen did a little-known book called Sebastian X which follows a surfer turned freedom fighter in the near future.
Yeah, I’d buy that.
And this isn’t past tense — Criminal and Incognito artist Sean Phillips spoke last month about a graphic novel he’s doing for France’s Delcourt called Void 01, which he describes as “a cat and mouse sci-fi story set on a prison ship in the depths of space”.
Yeah, I’d buy that too.
There’s no word yet on any English — American or otherwise — release of these stories.
Welcome to What Are You Reading?, where we talk about what comics and other stuff we’ve been reading lately.
Today’s special guest is Joe Keatinge, writer and co-creator of the upcoming Image comic Brutal with Frank Cho. He’s also the writer of the final “Twisted Savage Dragon Funnies” installment in April’s Savage Dragon #171, drawn by Savage Dragon creator Erik Larsen, Billy Dogma’s Dean Haspiel, Nikolai Dante’s Simon Fraser, Parade (With Fireworks)’s Mike Cavallaro, The Transmigration of Ultra Lad’s Joe Infurnari, Fahrenheit 451: The Authorized Adaptation’s Tim Hamilton and Olympians’ George O’Connor. He’s also executive editor of the PopGun anthology, he’s got an ongoing series coming soon that he can’t say anything else about and with his fellow studio members at Tranquility Base, regularly beats up on 13 year olds at laser tag.
To see what Joe and the Robot 6 crew have been reading lately, click below.
Legal | A federal judge has lifted the delay in the ferocious legal battle over the rights to Superman, allowing attorneys for Warner Bros. to proceed with deposition of the families of Jerry Siegel and Joe Shuster. U.S. District Judge Otis D. Wright issued the stay last month while he considered an appeal on a procedural ruling, but on Tuesday he modified the order, permitting the studio to “proceed with full discovery of [heirs] Joanne Siegel, Laura Siegel Larson, Jean Peavy and Mark Peavy.” The depositions are expected to begin immediately. [THR, Esq.]
Retailing | Bookstores had their worst month of the year in September as sales slipped 7.7 percent, to $1.51 billion. [Publishers Weekly]
Piracy | Colleen Doran argues that it’s the middle-class artist, not the rich corporations, who are the real victims of digital piracy. [The Hill]
Crime | Houston police have arrested two people believed to be responsible for stealing thousands of dollars worth of comics from stores around the city. Bedrock City Comic Company was hit at least four times. [My Fox Houston]
Today Pop Candy’s Whitney Matheson did something that some consider too revealing even in this socially networked, airport x-ray’d age: She posted 20 movies from her Netflix “Watch Instantly” queue. Like anyone else’s, it’s a motley crew of movies made possible by a massive library of films and the power to watch any of them at any time with a few clicks of a mouse — a blend of “comfort food” you want access to at all times, unwatched stuff you’re dying to see at the next available opportunity, major investments of time or energy you haven’t been prepared to make just yet, “eat your vegetables” fare you know you ought to watch eventually, and goofy guilty pleasures you’re simply tickled to be able to watch whenever you feel like it.
This got me thinking. I know there are any number of logistical and financial reasons why such a thing doesn’t exist for comics. But we comics readers are an imaginative bunch, no? And today I choose to imagine a world where I can load up pretty much any book I can think of and read to my heart’s content. So here’s what my imaginary “Read Instantly” queue would look like, circa today. Check it out, then let us know what’s on your queue in the comments!
If it’s Tuesday, it’s time for Food or Comics? Every week we talk about what comics we’d buy if we only had $15 to spend, if we only had $30 to spend and if we had extra money to spend on what we’re calling a “Splurge” item.
So join Brigid Alverson, Chris Mautner and me as we run down what we’d buy this week, and check out Diamond’s release list to play along in our comments section.
If I had $15…
I’d start with the first issue of Baltimore: The Plague Ships ($3.50), because it’s written by Mike Mignola and it has Europe flooded with vampires. Looks like fun. And then, because I can’t get enough Mignola, I’ll take issue 2 of Hellboy: The Storm ($2.99).
Dark Horse is launching its updated Magnus: Robot Fighter series, written by Jim Shooter, this week. Issue #1 looks pretty sweet, and it’s 56 pages for $3.50 (including the original Magnus story from 1963), so I’ll give that a try.
Retailing | The annual meeting of ComicsPRO, the direct-market trade organization, begins today in Memphis, Tennessee, with DC Comics-focused programming — we’ll likely see some announcements this afternoon — and continues through Saturday. Matt Price gauges the general mood among attendees concerning the economy, digital comics and the increasing reliance by publishers on “classified” solicitations whose details aren’t revealed until just before the final-order cutoff. [Nerdage]
Publishing | French publisher Les Humanoïdes Associés, which in recent years has had deals with DC Comics and Devil’s Due Publishing, plans to “formally reestablish itself” as a U.S. comic-book publisher — this time without a partner. The venture, called Humanoids Inc., is overseen by Publisher Fabrice Giger, Director Alex Donoghue, Editor-in-Chief Bob Silva and Senior Art Director Jerry Frissen. The first titles will be released in June. [Humanoids]