Kelly & McGuiness Unsheathe Razor Sharp Wits in "Spider-Man/Deadpool"
Our annual “Looking Forward, Looking Back” feature continues, as we ask various comics folks what they liked in 2013, what they’re looking forward to in 2014 and what projects they have planned for the coming year. In this round, see what Van Jensen, Faith Erin Hicks, Thom Zahler, Andrew MacLean, Tyler Kirkham, Ian Harker, Ryan Ferrier, Jay Faerber, Matt Silady and Matthew Petz had to say.
And if you missed them, be sure to check out Part 1, Part 2 and Part 3, where we heard from Jimmy Palmiotti, Tim Seeley, Chris Roberson and many more. And we still have plenty to go, so check back Wednesday to hear from more creators!
It’s become an annual tradition during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of people we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they liked in 2012 and what they are excited about for 2013.
Check out Part One, and keep reading to see more of what people shared with us, including details on their upcoming projects. Our thanks to everyone who responded this year. Also, thanks again to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
SAM HUMPHRIES (The Ultimates, Sacrifice, Uncanny X-Force)
What was your favorite comic of 2012?
Guess what? You don’t get to call yourself underground if you’re on Kickstarter. Guess what else? You don’t get to call yourself a publisher either; you’re just someone who pays a printing bill. Take pre-orders on your site. Sell your boots. Do what you have to do. But don’t go begging for money so that you can then give 5% of it to Amazon.com, which is actively trying to put you (!), and the stores you hope to shove this shit into, out of business.
Dan Nadel, objecting to Box Brown and Ian Harker’s Kickstarter campaign to fund their anthology of comics inspired by the Japanese magazine Garo. (Dan also objected to the book on intellectual grounds, but everyone who would have argued with him about that is at Otakon this weekend.)
These days I only get miffed at Kickstarters when it’s someone asking for people to pay for them to quit their jobs. The SP guys [Brown and Harker] make some fun books and usually only take in as much money as they need plus a bit for production costs, then give the damned things away for free. They’re good yeggs with their hearts in the right place, and certainly didn’t deserve to get kicked in the teeth on TCJ. If Kickstarter is the way folks are getting their stuff out there now, fine by me. Getting uppity about someone using a popular site whose name is instantly recognized in the minds of millions of people, but being totally cool with hosting the exact same thing on your own site which get 4 hits a month (half from your mom) is fucking weird. Finding the best ways to get your material out there has always been the hardest part about making comics for me, if this makes it easier for someone, more power to them.
Some guy named Cheese, providing the counterpoint.
One of the more interesting projects to pop up on Kickstarter lately is Rub the Blood, “an Art Comix tabloid that explores the lasting influence (for better or worse) of the Early 90’s Collector Boom comics of Rob Liefeld, Jim Lee, Todd McFarlane, etc. on today’s most fringe underground cartoonists.”
Co-edited by Pat Aulisio and Ian Harker, the project fittingly draws its name from a 1990s cover gimmick and features contributions from a variety of art comix pros. In addition to Aulisio and Harker, contributors include Josh Bayer, William Cardini, Victor Cayro, PB Kain, Keenan Marshall Keller, Peter Lazarski, Benjamin Marra, Jim Rugg, Thomas Toye and Mickey Z. Rub the Blood will debut at the 2011 Brooklyn Comics & Graphics Fest.
Aulisio and Harker were kind enough to share a few thoughts and details about the project and its inspiration with me; my thanks for their time.
JK: Where did the idea originate to put this anthology together?
Ian: It’s been something we’ve kicked around in various shapes and forms for a few years now. The joke was that one day Rob Liefeld will be just as adored among the art comix crowd as Fletcher Hanks is now.
The early 1990s era of the founding artists of Image and their lead-up work at Marvel brought a monumental change in the industry. Now a group of fans are banding together to pay tribute to the early 90’s comic book and the works of Rob Liefeld, Jim Lee, Todd McFarlane and others. The thing is, they’re not the type of fans you’d expect.
Rub The Blood is a unique anthology put together by Secret Prison editor Ian Harker and Yeah Dude Comics‘ Pat Aulisio, pulling together some of the most esoteric of Art Comix vets as well as more well-known creators like Jim Rugg (Afrodisiac) and Benjamin Marra (Night Business). The book’s title is a not-so-subtle homage to an early 1990s cover promotion for Rob Liefeld’s Bloodstrike #1 where the blood depicted on the cover had the feel of velvet. Rub The Blood will debut at the 2011 Brooklyn Comics & Graphics Fest in early December, and will presumably be available at subsequent conventions.
I intended to post this last week as the project was soliciting donations via Kickstarter, but by the time this post came up they’d already reached their $1,000 goal — with only 16 backers. It shows that although not everyone in comics remembers this era’s artwork fondly, those that do really do. Although they’ve reached their goal, you can still donate to increase the print run and be a part of this revival. Check out the Kickstarter site to donate and see the video, which includes a 90s era WWF background music track.