IDW Publishing Archives - Robot 6 @ Comic Book Resources

SDCC, Day 2 | Eisner wins, ‘Star Trek’/'Apes’ lead Friday

angelaIf the biggest surprise coming out of Comic-Con International on Friday was that, before last night, Gilbert and Jaime Hernandez had never won an Eisner Award — seriously, how can that be? — a close second was undoubtedly the Star Trek/Planet of the Apes crossover from IDW Publishing and BOOM! Studios.

Yes, the two sci-fi franchises will finally meet in an alternate-future event that brings the original crew of the Enterprise together with Taylor, Nova and other characters from 1968′s Planet of the Apes as the Klingons secretly support a renegade gorilla general in a coup to seize control of Ape City. Writers Scott and David Tipton will be joined by artist Rachael Stott for the crossover, which marks the first time BOOM! has partnered with another publisher.

Other announcements of note:

After being introduced into the Marvel Universe at the end of the Age of Ultron miniseries and discovering her past in Thor & Loki: The Tenth Realm, Neil Gaiman’s angelic warrior Angela will star in her own ongoing, Angela: Asgard’s Assassin, by Kieron Gillen and Marguerite Bennett and artists Phil Jimenez and Stephanie Hans.

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SDCC | IDW & BOOM! team for ‘Star Trek’/'Apes’ crossover [Updated]

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In perhaps the most unexpected news to come out of Comic-Con International today, IDW Publishing and BOOM! Studios announced a crossover between their popular Star Trek and Planet of the Apes franchises.

StarTrek.com reports that IDW will publish Star Trek/Planet Apes: The Primate Directive, a multi-issue miniseries featuring the original Enterprise crew and the characters from 1968′s Planet of the Apes. IDW’s Star Trek regulars Scott and David Tipton will write the comic, which will be illustrated by newcomer Rachael Stott.

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SDCC | Surveying the calm before the storm

maze runner comicAlthough Preview Night is still hours away, there’s still plenty of Comic-Con International news and miscellaneous tidbits, ranging from early announcements and last-minute preparations to convention exclusives and recommendations. We’ve rounded up just some of them here.

Fox has partnered with BOOM! Studios to produce a convention-exclusive Maze Runner comic. Written by the film’s director and screenwriter, Wes Ball and T.S. Nowlin, and illustrated by Marcus To, the one-shot will be given to attendees of the studio’s Hall H presentation on Friday.

• Dark Horse rounds up its pre-convention announcements of 12 new creator-owned comics, including Hellboy and the B.P.R.D., by Mike Mignola, John Arcudi and Alex Maleev, EI8HT, by Rafael Albuquerque and Mike Johnson, The Black Hammer, by Jeff Lemire and Dean Ormston, and Fight Club 2, by Chuck Palahniuk and Cameron Stewart.

• The online comics education resource Comics Experience has partnered with IDW Publishing to release creator-owned titles by new talent, beginning in January with five miniseries: Drones by Chris Lewis and Bruno Oliveira; Creature Cops: Special Varmint Unit by Rob Anderson and Fernando Melek; Gutter Magic by Rich Douek and Brett Barkley; and Tet by Paul Allor and Paul Tucker.

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The mystery of ‘Transformers: More Than Meets the Eye’ #31

transformers-mtmte31Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.

There were a lot of debut issues I was looking forward to this week. Grayson #1, because what can go wrong with the former Robin being a super-spy? Spider-Man 2099 #1, in which Peter David returns to writing my favorite future webslinger. While those comics were fine (with a slight nod to Grayson), I have to say my most satisfying read was once again about Giant Robots Who Transform Into Other Things. I’m talking about Transformers: More Than Meets the Eye #31.

Written by James Roberts, the issue kicks off with the crew abandoning the disintegrating Lost Light and scattered among several escape vessels. The story centers around the 20 robots stuck on the Rod Pod, a ridiculous contraption shaped to look like Rodimus’ head. Among the crew is new captain/new Autobot/former Decepticon Megatron, grizzled old doctor Ratchet, former antagonist Cyclonus and detective Nightbeat.

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SDCC | IDW announces convention exclusives and debuts

idw-watchmenWith two weeks until Preview Night, IDW Publishing has announced its lineup of Comic-Con International exclusives and debuts, ranging from limited-edition variants of Artist’s Edition hardcovers and Locke & Key: The Covers of Gabriel Rodriguez to a reissue of Teenage Mutant Ninja Turtles #1 and a special My Little Pony: Friendship is Magic #21.

Some of the exclusives are available for preorder from the IDW website; preordered titles can be picked up during the convention at the publisher’s booth (#2643).

Comic-Con International will be held July 23-27 in San Diego. Here’s the rundown, courtesy of IDW:

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Talking Comics with Tim | Chris Roberson on ‘Edison Rex,’ ‘Aliens’

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Given that Monkeybrain Comics just celebrated its second anniversary, on the heels of Co-Publisher Allison Baker joining IDW, it struck me as the ideal time to quiz Co-Publisher Chris Roberson.

In addition to discussing the new status quo for Monkeybrain (which surprisingly stays much the same as before, as Roberson explains), we also delve into Edison Rex Issue 16 arrives Wednesday — and dig into the writer’s first work for Dark Horse, Aliens: Fire and Stone, which debuts Sept. 24.

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IDW’s ‘Wonder Woman’ collection reprints a Golden Age rarity

wonder woman_newspaper_ad_1943[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]

For a character who had just debuted a couple of years earlier, the prospect of a Wonder Woman newspaper strip was a clear sign of the Amazing Amazon’s immense popularity. However, in the crowded, competitive field of newspaper comics — where the first Batman newspaper strip lasted only about three years, ironically because it was vying for space against the successful Superman strip — Wonder Woman couldn’t establish herself. Still, IDW has restored what history has all but forgotten, and this August the publisher will reprint the strip’s 19-month run.

I’ve seen a few weeks’ worth of these strips here and there over the years, and they’re a lot like the Golden Age comics. This is hardly surprising, since they were written by creator William Moulton Marston and drawn by original artist Harry G. Peter. However, the newspaper format apparently allowed Marston and Peter to open up their storytelling styles, allowing for a slightly different pace and a more long-form approach.

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Crisis on Cartoon Network: ‘Super Secret Crisis War’ #1

super secretThis week Marvel released a couple of tie-ins to its big Original Sin event, and DC Comics issued new printings of chapters from its Superman crossover “Doomed.” But the weirdest, most unexpected and, oddly enough, most traditionally formatted crossover going right now comes not from the Big Two publishers that invented and perfected the approach, but from IDW, whose Super Secret Crisis War #1 features the heroes and villains from a half-dozen old Cartoon Network series sharing story space.

IDW has done crossover stories before (Infestation, Infestation 2, Mars Attacks IDW), but in the past these have been rather indirect, with the same menaces (zombies, Lovecraftian monsters, the Mars Attacks martians) invading the different realities of its various licensed properties (G.I. Joe, Star Trek, Transformers, etc.). Here the participants all appear in the same book, and even rub elbows in the same panels.

What ties them together is that they all once had shows on Cartoon Network and, um, well, that’s about it really, but it’s enough to get them all in the same six-issue miniseries issues (plus five one-shot tie-ins that will bring yet more Cartoon Network stars into the fold).

This allows the series to capitalize on the pleasures of two different sorts of crossovers: There’s the shared-universe crossover, as when all the DC or Marvel heroes team up (even if these characters don’t technically share the same universe), and the inter-company crossover, when characters from various properties that were never meant to meet up do so (Think Batman/Judge Dredd, Archie Meets The Punisher).

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IDW to release Wonder Woman comic strip collection in August

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The original Wonder Woman comic strip will be collected for the first time in August in IDW Publishing’s 196-page hardcover Wonder Woman: The Complete Newspaper Strip 1943-1944.

It’s part of the March 2013 partnership with DC Entertainment and the Library of American Comics that includes the Superman and Batman comic strip collections. Unlike the other two superheroes, who had lengthy tenures in newspapers (even if the Caped Crusader’s was broken up into three major runs), Wonder Woman’s was short-lived, lasting only from May 1, 1943 to Dec. 1, 1944.

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If you only read two comics this week, make them these two

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As the average price of serially published, traditional-format comics has risen sharply over the past few years, I’ve gradually turned into a trade-waiter, my pull list shrinking to such a meager size that many Wednesdays I’ll skip what was once a religiously observed weekly pilgrimage. It’s not worth a trip to the shop for one or two books, after all, so I’ll sometimes wait three weeks or so, allowing for a sizable stack to build up.

This was one such week, and I left the shop with a pretty good haul, about $45 worth of 14 comics, including a mess of DC weeklies, a pair of Marvel comics, a trio of high-quality kids titles, the latest issue of a locally produced horror series, a Batman/Green Hornet crossover and an issue of one of IDW’s many Teenage Mutant Ninja Turtles comics.

My pull list is now so small and carefully cut that I rarely encounter a book I don’t like any aspect of (generally, when I do buy a comic I have negative feelings about, they’re generated as much by disappointment as anything else). The flip-side is that because I take relatively few chances as a consumer (as opposed to a critic; as a critic, I read pretty  much anything with panels on paper that I find in front of me),  I’m rarely pleasantly surprised by what I bring home.

This week, I read one comic that was so good  that I was genuinely taken aback by its awesomeness; I was surprised and super-excited. I wanted to stand up and shout “Yeah!” but I was in a coffee shop at the time. I wanted to high-five the artist, but he wasn’t within arm’s reach. I wanted to scrap what I was planning to write about in this space today and champion the book instead. I wanted to take the opportunity to say, “Hey everyone! Stop what you’re doing and read this comic right now!”

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Comics A.M. | Denver Comic Con attendance grows to 86,500

Friday at Denver Comic Con (via the event's Facebook page)

Friday at Denver Comic Con (via the event’s Facebook page)

Conventions | A reported 86,500 people attended the third annual Denver Comic Con over the weekend, up from 61,000 in 2013. The event is undergoing some growing pains, however, with organizers quickly rescinding an announced cart-service fee for next year’s convention following complaints from vendors. Even without that additional charge, some exhibitors remain unhappy about the proposed increase in booth fees. [The Denver Post]

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‘Cerebus: High Society Digital’ collection gets August release

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IDW Publishing has announced an August release date for Dave Sim’s Cerebus: High Society Digital Audio/Visual Experience DVD set.

Funded in July 2012 through Kickstarter, the multimedia collection of the well-regarded “High Society” storyline (Cerebus #26-50) was originally serialized online. It features Sim reading each issue, in character, accompanied by music and sound effects, with motion effects added to the story art. There’s also commentary and a virtual tour.

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Comics A.M. | Is the world ready for a cosplay invasion?

Cosplay | The Christian Science Monitor looks at how cosplay is spilling out of comics and sci-fi/fantasy conventions and into “daily life,” such as movie theaters, pubs and public squares: “The spread of cosplay owes a lot to the Internet. Social media sites build buzz around the next big cosplay event. Tumblr and Instagram allow strangers to pass around photos of past work and offer words of encouragement from afar. YouTube videos reveal how to craft foam core into realistic-looking armor and braid hair like an elf.” [The Christian Science Monitor]

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Our man Megatron: ‘Transformers MTMTE’ #28

Screen Shot 2014-04-30 at 10.26.06 PMTransformers lore can be hopelessly convoluted. You think the DC Comics and Marvel universes are hard to keep track of? Try being a Transformers fan: There are various comic book universes, Michael Bay’s movie universe, the one from Japanese anime, the all-ages cartoon universe from Cartoon Network, the all-ages cartoon universe from the Hub, the original 1980s cartoon universe, and one where everyone’s an animal, which may or may not be the same universe as the 1980s cartoon.

Making it even more complicated, this canon multiverse is often acknowledged by the characters themselves, and its existence frequently becomes the basis of storylines. In March, the Transformers: Regeneration One series, which boasts a lineage to the very first Transformers comic, came to the end at Issue 100 with the Autobots untethering their universe from the rest of the multiverse. That made the Transformers mortal, ending the original comic book universe continuity permanently.

However, even if you’re not a Transformers fan, chances are you know the basics: Autobots, good; Decepticons, bad. Expanding on that: Optimus Prime is the hero, Megatron is the villain. It’s white hats versus black hats, except the cowboys in this situation can transform into vehicles, cassette tapes and guns.

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‘Locke & Key’s’ Gabriel Rodriguez signs exclusive deal with IDW

SONY DSCGabriel Rodriguez, the Eisner-nominated artist of Locke & Key, has signed an exclusive contract with IDW Publishing, the company announced over the weekend at WonderCon Anaheim.

Since making his comics debut in 2003 with IDW’s CSI: Crime Scene Investigation, the artist has gone on to draw more than 2,000 pages and covers for the publisher on titles ranging from Angel to Land of the Dead to Clive Barker’s The Great and Secret Show. However, Rodriguez is best known for his lengthy collaboration with author Joe Hill on the bestselling horror series Locke & Key.

“I’m deeply honored to start this new journey with my long term friends and partners from IDW Publishing. I’m excited, thrilled and thankful,” he said in a statement. “This is not only a major step in my professional career over time, Ted Adams, Chris Ryall and everyone from the IDW team have become close friends of mine, making me feel part of a family. It’s both amazing and challenging to start this new stage in our creative collaborations, sharing a common vision: passion for art and comics, deep love for storytelling, high standards in personal and professional relationships. I hope to be able to give my very best in projects to come, and the few things we’ve already discussed hinted a path of amazing possibilities! It’s somehow overwhelming, it can’t get better than this.”

Rodriguez’s next IDW project is Little Nemo: Return to Slumberland, a collaboration with Eric Shanower announced last year at Comic-Con International. The eight-issue miniseries is scheduled to debut in August; an eight-page ashcan was distributed over the weekend at WonderCon.


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