Marvel Studios, Feige No Longer Under Perlmutter's Purview
Comic Books, Film
Among the critically acclaimed series from Monkeybrain Comics, Amelia Cole by D.J. Kirkbride, Adam P. Knave and Nick Brokenshire stands out as one of the more successful. By success, we mean the creators’ ability to consistently produce digital releases of individual issues, followed by collected editions release through IDW Publishing.
To date, Amelia Cole has produced 19 issues (with the 20th arriving this month), and three trade paperbacks: Amelia Cole and the Unknown World; Amelia Cole and the Hidden War; and Amelia Cole and the Enemy Unleashed. In terms of digital releases, Issue 20 will mark the second part of Amelia Cole and the Impossible Fate.
As part of this interview about the series, Kirkbride and Knave shared an early look at pages from the next issue.
The winners of the third annual British Comic Awards were announced Saturday at the Thought Bubble Festival in Leeds, England. Two of the four awards went to titles published by Image Comics; all four of the winning works are readily available in the United States. Here are the winners:
Best Comic: The Wicked + The Divine #1 by Kieron Gillen, Jamie McKelvie, Matt Wilson and Clayton Cowles (Image Comics)
Best Book: The Encyclopedia of Early Earth by Isabel Greenberg (Jonathan Cape)
Young People’s Comic Award: Hilda and the Black Hound by Luke Pearson (Flying Eye Books)
Emerging Talent: Alison Sampson for her artwork on Genesis (Image Comics) and “Shadows” from the In The Dark anthology (IDW Publishing)
Hall of Fame: Posy Simmonds
Two years ago, when the first awards were announced, there was some discussion about the gender balance of both the committee that chose the books and the nominations themselves. Last year’s awards all went to men. This year, there were more women on the committee and more women on the shortlist, and the awards were split, with Simmonds giving the women the edge.
IDW Publishing will follow Jack Kirby New Gods: Artist’s Edition with a 192-page collection of the legendary creator’s work on Mister Miracle.
Part of the early-1970s “Fourth World” saga that also spanned DC Comics’ Superman’s Pal Jimmy Olsen, The Forever People and New Gods, Mister Miracle introduced not only escape artist Scott Free and the warrior Big Barda, but also the likes of Oberon, Granny Goodness and the Female Furies, who lived well beyond the series’ 18 issues.
IDW Publishing will release print collections of titles from Thrillbent, the digital comics site founded by Mark Waid and John Rogers, beginning in the spring with Empire Volume Two and Insufferable. Under the partnership, IDW will also publish a new edition of the sold-out Empire Volume One.
Founded in 2012, Thrillbent is “an experiment in new-media publishing” whose lineup also includes The House in the Wall, Moth City, Everstar and Valentine.
The sequel to the series created in 2000 by Waid and Barry Kitson, Empire Volume Two continues the saga of Golgoth, the evil armored despot who defeated all of Earth’s heroes and conquered the planet. Insufferable, which Waid created with Peter Krause, explores what happens when a hero’s sidekick grows up and goes to war against his mentor, and what it would take to bring them back together for one final adventure.
Capping a string of joint announcements that included collections of the Amazing Spider-Man comic strip and more Marvel Artist’s Editions, IDW Publishing and Marvel revealed they’re partnering on a series of deluxe, limited-edition books.
Produced by IDW Limited, the Marvel Artist Select series will showcase stories hand-picked by the featured artist, packed in overized tray cases containing such extras as signed plates and original artwork. Each volume will focus on one Marvel character, beginning with Spider-Man, Daredevil, the Incredible Hulk and Iron Man, and many of the creators most closely associated with the superheroes.
“To be able to create limited-edition versions of the comic books we grew up on is a dream come true,” IDW President Greg Goldstein said in a statement. “This line is going to be something special. We plan on going to great lengths to create the kind of books that will be the absolute treasure of any fan’s collection. We’re going to work with the biggest names, and make sure we deliver an absolutely top-notch line of books.”
Following news of an expanded partnership with Marvel for its Artist’s Edition line, IDW Publishing has announced it will release deluxe hardcover editions of the Amazing Spider-Man comic strip through its Library of American Comics imprint.
The strip debuted in January 1977 with a storyline by Stan Lee and John Romita Sr. that pitted wall-crawler against Doctor Doom, and it’s continued daily ever since. For much of its run, the comic has been produced by Larry Lieber, who was joined in more recent years by Paul Ryan, Alex Saviuk and Joe Sinnott.
The publisher’s IDW Limited program, which produces small print runs of deluxe editions, will also offer select collections geared to Disney devotees, while the fledgling Micro Comic Fun Packs line will market multiple properties to a mass audience, complete with minicomics, stickers and posters.
In addition, IDW’s celebrated Library of American Comics will collect the newspaper strips that have featured Disney characters (there’s a long line of them, dating to the early 1930s with Mickey Mouse, Silly Symphony and, toward the end of the decade, Donald Duck).
“There’s nothing quite like Disney,” IDW Publishing CEO Ted Adams said in a statement. “Despite the fact that nearly all of the titles in its library were originally intended for kids, adult collectors have long sought high quality and regularly published collections of classic Disney material. IDW is thrilled to present these beloved stories in quality packages for both entry level comics readers and serious collectors alike.”
The publisher also announced it has expanded its partnership with Marvel for its Artist’s Edition line, which already includes such collections as Walter Simonson’s The Mighty Thor, John Romita’s The Amazing Spider-Man (Vol. 1 & 2), Steranko: Nick Fury, Agent of S.H.I.E.L.D. and the Marvel Covers Artist’s Edition.
Comics | Vincent Zurzolo of Metropolis Collectibles explains why he and his partner Stephen Fishler were willing to pay a record $3.2 million last month for a pristine copy of Action Comics #1: “We feel very confidently this was a good price and that we will be able to sell this for a profit. We really believe in the strength of the comic book market and that it has a long way to go.” Zurzolo also talks about how he built up his business, starting out selling comics at conventions at the age of 15. [The Hollywood Reporter]
Legal | More trouble for Square Enix over the gamer manga Hi Score Girl: Publication was suspended last month following allegations the series, which runs in the Japanese magazine Monthly Big Gangan, had used characters owned by the game company SNK Playmore without permission. Now it turns out Square Enix asked permission from Sega to use characters from its Virtua Fighter game, but then went ahead and published the story before permission was granted. Sega executives “strongly objected” but took no further action and did grant the permission, reasoning it would be good publicity for the game. [Anime News Network]
As Comic Book Resources reported Monday, longtime Marvel colorist and Archie Comics artist Stan Goldberg passed away Sunday at age 82 following a recent stroke. The obituary recounts much of his lengthy and prolific career — it spanned six decades, from the Golden Age of comics to the birth of the Marvel Age to the wedding of Archie Andrews — so we won’t recount the details here.
Instead, we’ve rounded up statements about Goldberg, his impact and his influence, from Marvel, Archie Comics, the National Cartoonists Society and more:
“No less than Stan Lee, Jack Kirby or Steve Ditko, Stan Goldberg was one of the pioneers of the Marvel Age of Comics. As Marvel’s one-man coloring department, it was Stan G who determined that Iron Man would be red and gold, that the Thing would be orange, and that Spider-Man would be red and blue-black. He was also a talented cartoonist specializing in teen humor strips such as Millie the Model and Kathy the Teen-Age Tornado, which led him to become one of the mainstays of the Archie Comics line for decades. Stan was a gregarious and upbeat individual who was always a pleasure to work with.”
— Tom Brevoort, Marvel’s executive editor and senior vice president of publishing, in a statement to ROBOT 6
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
In my years of reading comics, Judge Dredd has been a pretty big blind spot for me. That is until the 2012 movie. I loved the relatively low-scale stakes that still managed to pack a lot of character in its limited environment. People like to say that Dredd is about a fascist society, but to me it felt more like the Wild West. Dredd (Karl Urban) and Anderson (Olivia Thirlby) were more like sheriffs enforcing the law in a lawless society, and certain scenes — like Dredd walking down an empty hallway with people left and right — definitely recalled Western imagery. I started to dig into the 2000AD comics and the new IDW series.
Digital comics | Bruce Lidl looks at the digital-comics landscape following Amazon’s purchase of comiXology a few months ago. ComiXology’s announcement that it would allow DRM-free purchases of some comics may lead to a fissure in the market, he says: “In fact, we may be beginning to see a kind of bifurcation in the digital comics market, between companies tied to large global media conglomerates, that maintain a fervent faith in the need for some kind of DRM control for their multi-billion dollar intellectual properties, and the smaller publishers more concerned with creator autonomy and exposure.” He also talks to some digital-first creators about how they approach the market. [Publishers Weekly]
If the biggest surprise coming out of Comic-Con International on Friday was that, before last night, Gilbert and Jaime Hernandez had never won an Eisner Award — seriously, how can that be? — a close second was undoubtedly the Star Trek/Planet of the Apes crossover from IDW Publishing and BOOM! Studios.
Yes, the two sci-fi franchises will finally meet in an alternate-future event that brings the original crew of the Enterprise together with Taylor, Nova and other characters from 1968’s Planet of the Apes as the Klingons secretly support a renegade gorilla general in a coup to seize control of Ape City. Writers Scott and David Tipton will be joined by artist Rachael Stott for the crossover, which marks the first time BOOM! has partnered with another publisher.
Other announcements of note:
• After being introduced into the Marvel Universe at the end of the Age of Ultron miniseries and discovering her past in Thor & Loki: The Tenth Realm, Neil Gaiman’s angelic warrior Angela will star in her own ongoing, Angela: Asgard’s Assassin, by Kieron Gillen and Marguerite Bennett and artists Phil Jimenez and Stephanie Hans.
In perhaps the most unexpected news to come out of Comic-Con International today, IDW Publishing and BOOM! Studios announced a crossover between their popular Star Trek and Planet of the Apes franchises.
StarTrek.com reports that IDW will publish Star Trek/Planet Apes: The Primate Directive, a multi-issue miniseries featuring the original Enterprise crew and the characters from 1968’s Planet of the Apes. IDW’s Star Trek regulars Scott and David Tipton will write the comic, which will be illustrated by newcomer Rachael Stott.
Although Preview Night is still hours away, there’s still plenty of Comic-Con International news and miscellaneous tidbits, ranging from early announcements and last-minute preparations to convention exclusives and recommendations. We’ve rounded up just some of them here.
• Fox has partnered with BOOM! Studios to produce a convention-exclusive Maze Runner comic. Written by the film’s director and screenwriter, Wes Ball and T.S. Nowlin, and illustrated by Marcus To, the one-shot will be given to attendees of the studio’s Hall H presentation on Friday.
• Dark Horse rounds up its pre-convention announcements of 12 new creator-owned comics, including Hellboy and the B.P.R.D., by Mike Mignola, John Arcudi and Alex Maleev, EI8HT, by Rafael Albuquerque and Mike Johnson, The Black Hammer, by Jeff Lemire and Dean Ormston, and Fight Club 2, by Chuck Palahniuk and Cameron Stewart.
• The online comics education resource Comics Experience has partnered with IDW Publishing to release creator-owned titles by new talent, beginning in January with five miniseries: Drones by Chris Lewis and Bruno Oliveira; Creature Cops: Special Varmint Unit by Rob Anderson and Fernando Melek; Gutter Magic by Rich Douek and Brett Barkley; and Tet by Paul Allor and Paul Tucker.
Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.
There were a lot of debut issues I was looking forward to this week. Grayson #1, because what can go wrong with the former Robin being a super-spy? Spider-Man 2099 #1, in which Peter David returns to writing my favorite future webslinger. While those comics were fine (with a slight nod to Grayson), I have to say my most satisfying read was once again about Giant Robots Who Transform Into Other Things. I’m talking about Transformers: More Than Meets the Eye #31.
Written by James Roberts, the issue kicks off with the crew abandoning the disintegrating Lost Light and scattered among several escape vessels. The story centers around the 20 robots stuck on the Rod Pod, a ridiculous contraption shaped to look like Rodimus’ head. Among the crew is new captain/new Autobot/former Decepticon Megatron, grizzled old doctor Ratchet, former antagonist Cyclonus and detective Nightbeat.