Harry Shearer To Return To "The Simpsons"
Conventions | About 180,000 people flocked to the Tokyo Big Sight on Sunday for the first day of Comiket 87, the world’s largest convention dedicated to self-published comics. That’s an increase of about 10,000 from the opening day of the summer edition — Comiket is held twice yearly, in August and in December — and about the same as last winter’s event. Comiket continues through Tuesday. [Anime News Network]
Comics | Kevin Drum does some very loose calculations to check the claim that millennials are addicted to comics, and he reckons that given the current size of the market, about 2 percent of millennials are comics readers. [Mother Jones]
After the falling out between Ashes writer Alex de Campi and artist Jimmie Broxton, de Campi decided to pursue having multiple artists draw the sequel to the 2005 series Smoke. This week in an update to the project’s backers on Kickstarter, de Campi said the line-up of artists is now complete.
Joining A Distant Soil creator Colleen Doran and Smoke artist Igor Kordey are:
De Campi said she plans to begin serializing it digitally in June and publish the graphic novel in December.
Last month writer Alex de Campi’s Ashes, the sequel to the 2005 IDW series Smoke, hit a major pothole on the road to publication when de Campi and artist Jimmy Broxton split “over creative differences.” The writer offered refunds to anyone who contributed to the well-funded Kickstarter project and said she would look for a replacement artist.
Today de Campi posted an update that should make fans of Smoke happy–Smoke artist Igor Kordey “is coming back to do a 20-page flashback sequence that literally I know he will draw better than anyone else in the world (sorry, everyone else, but it’s true),” de Campi said on Kickstarter. She also said that A Distant Soil creator and Orbiter artist Colleen Doran has agreed to draw a sequence for the graphic novel as well.
De Campi said she decided to pursue multiple artists for the project while on a road trip from New York City to Mexico City. “I did a lot of thinking on I-81 about how to proceed with the book, and decided to go back to my original plan of having different artists draw different sections of the book,” she said. “Ashes breaks down really nicely into 20-50 page chunks (and a couple really small sections, 3 or 4 pages) based on location, time and secondary characters.”
She said she has reached out to “a ton” of other artists and will develop a new production and printing timeline once she’s nailed down artists for the entire book.
Even in a Nu-Marvel-era X-Men line that included Grant Morrison’s New X-Men and Peter Milligan & Mike Allred’s X-Statix, the Cable reboot Soldier X was a weird, wild, wonderful standout. Written by Darko Macan and illustrated by Igor Kordey, the series offered an almost absurdist take on the superhero concept, with a never-more-powerful Cable struggling with his methods and motives while tracking a super-powered Russian peasant girl. Though it’s never been collected in trade paperback, the series has become a cult favorite, with writers like Joe “Jog” McCulloch and yours truly praising the way it both explored and exploded the character and the genre.
Now you can find out for yourself what the fuss is about: Marvel will be rolling out the book’s first five issues at its Digital Comics Unlimited site all week long, for absolutely free. Issue #1, which sets the scene, is already up. Give it a shot and let us know what you think!
When Chris Mautner asked if I’d be willing to take a crack at writing the “Collect This Now!” column during my guest-blogging stint, I said yes precisely because of this book. And when I informed him of my intentions, he said he was glad, because Marvel hadn’t yet been tackled in the column.
This stands to reason, given that we’re now seven years or so deep into Marvel’s “collect-everything-we-publish” plan — what’s left to collect? The answer is Soldier X. Written by Darko Macan and illustrated by Igor Kordey, this short-lived, Cable-starring series is wild, weird and wonderful, even by the far-out standards of the late Bill Jemas era. That’s probably what dooms it to TPB-less obscurity, but it’s also why I’m still so fond of it.