Image Comics Archives - Robot 6 @ Comic Book Resources
Following up on last week’s announcement, the artist reveals the issue likely will be listed in Image Comics’ solicitations for May, a little more than four years after the critically acclaimed debut of Nonplayer #1.
In an FAQ posted on his website, beneath the headline “Halley’s Comic Returns,” the artist also elaborates on the factors that led to the lengthy delay between issues (in addition to the previously mentioned shoulder injury, new child and day job, Simpson reveals he also helped to care for his mother, who passed away last year).
“… I ended up having to throw out the original first six pages of #2,” he writes. “They felt like they had been drawn by somebody whose eye was not on the ball, which they were. When I finally shook off the brain-fog and gave the first pages an honest read, it was clear they’d have to be redone. Super bummer. On top of all that, I had contrived to switch from Photoshop to IllustStudio to streamline my pipeline. Not only did it take me a while to get comfortable with the new interface, the work I did with the program felt lifeless because of the way the linework was automatically stabilized. I finally found the right settings to replicate the feel of the first issue, but that took time. And then time ran out.”
Publishing | The British independent publisher Great Beast, which has released the work of Dan Berry, Marc Ellerby and Isabel Greenberg, among others, will close on Jan. 7. Founded in 2012 by Ellerby and Adam Cadwell, the publisher was something of a victim of its own success, as Cadwell explains: “As the group got bigger, as the books became more successful and as we widened the range of shops we sold to there became more of a need for the management and promotion to come from one or two people and Marc Ellerby and I (Adam Cadwell) happily took up that role. However, as time went on we found that the time spent working for the benefit of the group was getting in the way of us actually making our own comics, which is why we started the group in the first place… We looked at many ways of monetising the group so we could pay someone to run things whilst still giving the creators the bulk of the profits but we just couldn’t find a fair way to make it work.” [Great Beast Blog]
While creators in the past such as Mark Millar have done a fine job of developing their name as a brand to build a fanbase around, writer Kelly Sue DeConnick has taken brand building to a whole new level. Perusing the back end material in the first issue, I was astounded and impressed to find that anticipation for the new Image Comics series, Bitch Planet, had grown so much in advance that a few people actually got a tattoo sporting the “non-compliance” icon (that features prominently in the story).
“If you’re a member of the comics press and I promised you any kind of exclusive upon the occasion of Nonplayer 2’s release, could you DM me?” the artist wrote on Twitter. “Which is a roundabout way of saying Nonplayer 2 is DONE. Woohoo! I’m going to sleep in till 6am for a WHOLE WEEK in celebration!”
Debuting in April 2011 from Image Comics, Nonplayer introduced Dana Stevens, a young woman who retreats from her dull life into the digital-fantasy realm of Jarvath, where she’s a fearless warrior. Soon, however, her video-game adventures begin to intersect with the real world.
That first issue drew widespread attention, earning Simpson, a video-game designer, the Russ Manning award for most promising newcomer. Warner Bros. was also quick to option the film rights.
Publishing | John Jackson Miller reflects on the news that the first issue of Marvel’s Star Wars will sell 1 million copies, and notes the last comic to do so was a Pokemon title in 1999. The last direct market comic to reach that mark was Batman #500 in 1993. Miller also delves deeper into history, pointing out that Marvel’s original Star Wars #1, released in 1977, also sold more than 1 million copies, making it the first comic to reach that height since Dell’s Uncle Scrooge in 1960. [Comichron]
Passings | Maurice Tanti Burlo, editorial cartoonist for the Times of Malta, has died at the age of 78. Burlo, who used the pen name Nalizpelra, was working for Telemalta in 1977 when Prime Minister Dom Mintoff suspended a number of Telemalta staff, including Burlo, for supporting doctors, nurses, and bankers who went on strike. Burlo started cartooning to “get back at Mintoff,” and just kept on doing it; he published three books of his work and won the BPC Award in 1998 an 2002. [Times of Malta]
Kid-With-Knife is set loose in this pretty faithful adaptation by Trinity Players of Kieron Gillen and Jamie McKelvie’s Phonogram: The Singles Club #7, backed of course by TV on the Radio’s “Wolf Like Me.”
The short is described as a “video extract” and “the start of ‘Wolf Like Me,'” suggesting there’s more to it, somewhere; the video ends before the full story plays out.
Graphic novels | The long-running Belgian comic Blake and Mortimer, created by Herge contemporary Edgar P. Jacobs and currently the work of Yves Sente and Andre Juillard, will get a prequel. The series launched in Tintin magazine in 1946, and when they re-read the first episode, Sente and Juillard found themselves asking a lot of questions — so they answered them in their latest volume, The Staff of Plutarch. [Agence France-Presse]
Creators | Kelly Sue DeConnick discusses her new Image Comics series Bitch Planet. [Paste]
Creators | HOW magazine interviews artist Kody Chamberlain (Punks, Sweets). [HOW]
Beginning n February, writer Stuart Moore and artist Gus Storms embark on a new five-issue EGOs arc, called “Crunched.” As noted in Image Comics’ solicitations, “The narcissistic super-team of the future returns to battle an invisible threat to the galactic economy.” To whet folks appetite for the upcoming arc, Moore, Storms and designer Brett Evans detailed for ROBOT 6 the steps leading up to the final cover design.
Image Comics has announced that Tooth & Claw, the new series by Kurt Busiek, Benjamin Dewey, Jordie Bellaire and John Roshell of Comicraft, will undergo a title change starting with its second issue. Now called The Autumnlands: Tooth & Claw, the series will also receive a second printing of the debut issue with the new title on the front.
“The launch of our new series has gone beautifully,” Busiek said in a statement. “We couldn’t be happier. Well, maybe just a little happier. I’m still not sure how we managed to screw up the trademark search. But as it turns out, the title we thought was clear for use is in fact registered to someone else, which is embarrassing as all hell. Oops.
For comics fans, Black Friday was only the warm-up, as a number of companies are also holding sales today for Cyber Monday. From graphic novels and digital comics to art books and superhero-themed apparel, there’s likely something to be found for the fan in your life (even if that means picking up a little something for yourself).
Most of the deals end at midnight tonight, so don’t procrastinate. And if you’re aware of a a Cyber Monday sale we missed, let us know in the comments.
• Marvel has undertaken its own roundup, highlighting deals from its partners. In addition, this week a subscription to Marvel Unlimited is just 75 cents for the first month for new or former subscribers (it’s usually $9.99).
• You have until 11:59 p.m. PT to take advantage of Image Comics’ big Cyber Monday sale: 50 percent off all digital titles on the publisher’s online storefront.
As origins go, Jess’ latent seer powers to see demons being triggered by losing her virginity is one of the more unforgettable opens to a first issue I have read in quiet a while. That’s exactly how co-creator/co-writer/artist Michael Avon Oeming and co-creator/co-writer/colorist Taki Soma cut to the heart of their new Image Comics/Shadowline series, Sinergy.
Museums | The National Gallery of Art in Washington, D.C., has added comics to its permanent collection for the first time. Abigail and William Gerdts donated 176 comics, including Zap Comix and Arcade: The Comics Revue. Judith Brodie, curator of modern prints and drawings, cited the influence of comics on artists such as Andy Warhol and Roy Lichtenstein: “They were all drawing their inspiration from cartoons and comic books. It seems totally logical that we’d want a representation of those.” [The Washington Post]
Passings | Greek cartoonist Ilias Skoulas died passed away Thursday at age 87. Skoulas began his career as an editorial cartoonist at the age of 32, and his work was published in numerous Greek newspapers and magazines, as well as 13 books. [Greek Reporter]
The winners of the third annual British Comic Awards were announced Saturday at the Thought Bubble Festival in Leeds, England. Two of the four awards went to titles published by Image Comics; all four of the winning works are readily available in the United States. Here are the winners:
Best Comic: The Wicked + The Divine #1 by Kieron Gillen, Jamie McKelvie, Matt Wilson and Clayton Cowles (Image Comics)
Best Book: The Encyclopedia of Early Earth by Isabel Greenberg (Jonathan Cape)
Young People’s Comic Award: Hilda and the Black Hound by Luke Pearson (Flying Eye Books)
Emerging Talent: Alison Sampson for her artwork on Genesis (Image Comics) and “Shadows” from the In The Dark anthology (IDW Publishing)
Hall of Fame: Posy Simmonds
Two years ago, when the first awards were announced, there was some discussion about the gender balance of both the committee that chose the books and the nominations themselves. Last year’s awards all went to men. This year, there were more women on the committee and more women on the shortlist, and the awards were split, with Simmonds giving the women the edge.
Often when one runs across an engaging new series, it is fairly easy to identify the prime factor that serves as the appeal/pull for the project. In the case of Tooth & Claw, the new fantasy series (replete with talking animals and magic) by writer Kurt Busiek, artist Ben Dewey and colorist Jordie Bellaire, no one factor can be identified.
For starters–in the “credit where credit is due” department, there would be no series had Busiek not initially conceived the series, prior to seeking out Dewey. Busiek has known since the initial 1994 success of Marvels that no matter how great a writer he may be, the lynchpin to a project’s success or failure is how effectively the artist interprets his script.
Fans of Gabriel Hardman‘s Kinski get a double treat this week, as the original Monkeybrain run of the series wraps up with the digital release of Issue 6, while at the same time Image Comics has collected all six issues in a $14.99 trade paperback.
To mark the occasion, ROBOT 6 reached out to Hardman for any bonus material he was willing to share . He obliged us with a rejected cover. He also offered the following explanation: