Image Comics Archives - Page 2 of 51 - Robot 6 @ Comic Book Resources
Fans of Batman, and of Jock, take note: The acclaimed artists of such series as The Losers and the upcoming Wytches has donated a page from Detective Comics #871 for an eBay auction to benefit a 2-year-old with acute lymphoblastic leukemia.
Although Nathaniel’s prognosis is said to be good, he faces a few years of treatment, during which time his parents will have to make regular trips to the hospital.
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
This week saw the first arc of Jason Aaron and Jason Latour‘s Southern Bastards wrap with the release of issue #4. After spending the past three issues laying the foundation for lead character Earl Tubb to confront Dixie Mafia (and football coach) Boss, readers get what they want–and much much more.
As a native of the South (born, raised and still live in Atlanta), I have a deep appreciation for the story the Jasons aim to tell. It is 2014, but as a man who has sat in traffic in a metropolitan Southern city and witnessed a teenager driving a pickup truck with a giant Confederate flag waving from a pole in his truck bed can tell you, not everyone cares what year it is. It is 2014, but AutoTrader recruited Bo and Luke Duke to sell their new phone-app based platform. Right or wrong, those characters likely typify the South for many people who have never lived here. I think while some of my fellow Southerners live in and relish the wrongheaded trappings of the past (and yet, no, I am not calling the Dukes of Hazard racist), many folks are like me, proud of being from the South, but with no desire to rehash why and how the Civil War was fought. In 2014, there is no such thing as a typical Southerner. Thankfully, there is diversity in the 2014 South.
Comics | Almost half the attendees at this year’s Comic-Con International in San Diego were women, writes Yael Kohen in an article about the growing importance of women to the comics industry. He cites statistics showing that young women are the fastest-growing segment of the comics audience, talks to Image Comics President Eric Stephenson and a woman who works in a comic shop, and mentions the enduring popularity of manga and Marvel’s recent introduction of more interesting female characters. With all that material to work with, it’s too bad he started with a lead right out of the 1950s, something about a fashion show at Comic-Con, as if that’s what all those women were there for. [BloombergBusinessweek]
Creators | Writer Jen Van Meter discusses her newest project, Valiant’s first female-led series, The Death-Defying Doctor Mirage. [Hero Complex]
Awards | Mimi Pond’s Over Easy has been recognized with a PEN Center USA Literary Award for Graphic Novel Outstanding Body of Work. Previous category winners are Gilbert Hernandez, Daniel Clowes, Joe Sacco and Matt Fraction. [PEN Center USA]
Publishing | Dark Horse is planning to beef up its lineup of children’s graphic novels, which already includes such successful titles as Avatar: The Last Airbender, Plants vs. Zombies and Itty Bitty Hellboy. Four new titles are slated for 2015: Rexodus, a story about dinosaurs from outer space, and three older properties, Rod Espinosa’s Courageous Princess, Samuel Teer and Hyeondo Park’s Veda: Assembly Required, and an adaptation of Roald Dahl’s The Return of the Gremlins. [Publishers Weekly]
Passings | Egyptian cartoonist Mostafa Hussein died Saturday following a lengthy battle with cancer. He was 79. Hussein had been a cartoonist for the state-owned Al Akbar newspaper since 1974, and was often accused of being sympathetic to those in power. His final cartoon, published in Al Akbar two days before he died, was inscribed “I ??don’t have time to finish this cartoon, forgive me. I will miss you.” [Ahram Online]
Awards | The Cartoonist Rights Network International (CRNI) has announced the winners of this year’s Award for Courage in Editorial Cartooning, and for the first time in the history of the award they are women: Indian cartoonist Kanika Mishra and Palestinian cartoonist Majda Shaheen. Mishra faced death threats for her cartoons about a religious leader who raped a 16-year-old (and eventually went to prison); Shaheen also was threatened with violence after she drew a cartoon depicting the Al-Quds Brigades as a dog in a cartoon critiquing Gaza Prime Minister Ismail Haniyeh’s relationship with the organization. [Comic Riffs]
Crime | The comics community of Kirkcaldy, Scotland, just north of Edinburgh, has rallied around a local comics shop after thieves broke in two weeks ago and stole cash, a computer, a two-and-a-half-foot-tall Darth Vader figure and a copy of New Mutants #98 (the first appearance of Deadpool), with a total value of more than £500 (about $835 U.S.). It could have been worse: The thieves left some comics boxed up, ready to go, but apparently they were interrupted. But you won’t believe what happened next: Kingdom Comics owner Andrew Magee says customers donated their own comics and DVDs to help rebuild his stock, and a number of local artists have donated art to be auctioned off to help the store. [The Courier]
Creators | Bryan Lee O’Malley discusses his new graphic novel Seconds, and how it reflects where he is in his life. [BoingBoing]
Although Joshua Hale Fialkov and Kody Chamberlain’s Punks: The Comic doesn’t debut from Image Comics until October, they’re offering something to whet readers’ appetites, and maybe lift some spirits: 36 pages of “classic” Punks, for free.
“In order to combat the sheer shittiness of this week,” Fialkov writes on his Facebook page, “Kody Chamberlain and I, along with Image Comics are offering a FREE CLASSIC PUNKS COMIC to make you hate the world a little less.”
Legal | Attorney Evan Stassberg finds two significant problems with Comic-Con International’s trademark-infringement claim against Salt Lake Comic Con over the use of the term “Comic Con”: There are a lot of shows called “comic con,” so it could be argued it’s a descriptive term that’s not specific to the San Diego event, and precisely because there are so many events that use that term, it could be argued that Comic-Con International organizers haven’t been policing their trademark. Strassberg adds, “The Salt Lake organizers’ steadfast defiance and ongoing gravitas has turned a simple trademark dispute into a national news story with mountains of free publicity for the Salt Lake event. If this was intentional, it is an astonishing display of marketing genius. If this was mere happenstance, it is the comic book convention equivalent of the accidental invention of Post-It notes.” [Deseret News]
The clock is ticking down at Humble Bundle on Skybound’s The Walking Dead Bundle, which allows customers to name their own price for DRM-free digital editions of the first volumes of Ghosted, Invincible, Witch Doctor and, of course, The Walking Dead.
The deal doesn’t stop there, however: Those who pay more than the average amount offered ($11.59) can unlock the second and third volumes of The Walking Dead, the first volumes of Thief of Thieves, Manifest Destiny and Clone, the first and second volumes of Super Dinosaur, and the second volume of Invincible. Fifteen dollars will also open the fourth and fifth volumes of The Walking Dead.
Legal | Attorney Tom Goldstein, co-founder of the respected SCOTUSblog, has joined with Marc Toberoff to represent the heirs of Jack Kirby in their appeal to the U.S. Supreme Court of the Second Circuit’s affirmation that the artist’s contributions to Marvel between 1958 and 1963 were work for hire and therefore not subject to copyright termination. In a response filed this week to Marvel’s brief urging the high court to decline review, Goldstein and Toberoff again challenge the Second Circuit’s “instance and expense” test and its definition of “employer,” and argue, “Many of our most celebrated literary and musical works were created before 1978 and signed away to publishers in un-remunerative transactions. Termination rights were ‘needed because of the unequal bargaining position of authors.’ It would be hard to find a better example of this than the prolific Jack Kirby, who worked in his basement with no contract, no financial security and no employment benefits, but without whom Marvel might not even be in business today.” [Hollyqood, Esq.]
Retailing | Memo to politicians: You don’t win friends and influence people by taking up five spots in a comic store’s parking lot with your campaign bus on a Wednesday — especially when it’s Batman Day. [The Clarion-Ledger]
Comic-Con International has come and gone, and like every year, we’re left with a metric ton of announcements, hints, speculations, sneak previews, leaked footage and open questions.
There also seemed to be more pre-convention announcements than I can remember seeing in previous years. If the past week or so of frenzied news wasn’t enough, panel coverage and from is still rolling out. Based on the past several years, we should see those continue to be doled out for the next week or two.Comic-Con is truly a month-long event, maybe almost two months when all is said and done. So it’s understandable if it’s sometimes difficult to keep track of what was announced when or to even remember that awesome thing I was so excited about a week ago but can’t name now.
There are plenty that stuck with me, however; I’ve already written about comiXology’s DRM-free titles, and some of Image’s upcoming titles, and there were plenty of others. Of course, I can’t mention all of the cool things to emerge from Comic-Con — that would just be a near duplication of everything we’ve heard about for about a month now. So instead, here are six (more) things from Comic-Con I can remember thinking were extra-awesome:
Conventions | Image Comics content manager David Brothers explains why this year’s Comic-Con International was a great convention, pointing out that there’s a lot more to the event than movies and television, and there’s a lot more to comics than the Big Two: “Marvel and DC are comics, just like the other publishers, and they make some great ones when they let the creators do their own thing. But at this point? You can’t treat them like the entirety of the comics industry, or even two companies that can dictate the future of comics. They run the movies, and that’s cool, but running comics? It’s just not true any more. Image in particular outsells Marvel in the book market as far as trade paperbacks go, and that holds true in the comics market lately, too. That’s no coincidence. People enjoy Marvel and DC, but they want more than Marvel and DC.” [io9.com]
After the January Image Expo, Image Comics received some flak because most of the creators on stage were white men. On Wednesday, Publisher Eric Stephenson’s keynote address to the Image Expo held in conjunction with Comic-Con International included the following comments: “If we want to build a more diverse industry, though, if we want to develop a more diverse talent pool, then it is of utmost importance that we produce comics that appeal to as wide an audience as possible …”
That was said within the context of the historic gender disparity in comics, especially when looking at mainstream comics and the direct market. There’s more evidence than ever that the gender disparity in readership is no longer true; women are just as likely to read comics as men. If that’s true, then one would hope that just as many would be likely to attempt to make comics. That doesn’t seem to have come to pass in this corner of the industry, but Image announced a trio of upcoming releases that will hopefully start to shift the momentum in the right direction. If nothing else, these are among the most promising books to be announced at Image Expo, and they build on the gratifying surge in creator-owned comics.
In 2000, Brian Michael Bendis and Michael Avon Oeming’s Powers #7 featured a familiar guest star, although not one readers were used to seeing in their comics: Writer Warren Ellis joined series protagonist Christian Walker on a ride-along to conduct research for an upcoming book.
But while the series later moved from Image Comics to Marvel’s Icon imprint, Bendis will make a return, of sorts, in November’s Nailbiter #7 as he pays a visit to Buckaroo, Oregon, to research a book about serial killers.
Created by Joshua Williamson and Mike Henderson, Nailbiter revolves around Buckaroo, a small town notable for being the birthplace of 16 serial killers. After beating a murder rap, the latest and most notorious of the “Buckaroo Butchers,” Edward “The Nailbiter” Warren, has returned home — and he’s a big fan of Bendis, as is Williamson.
“[The Nailbiter] is a very big Brian Michael Bendis fan,” Williamson said during Saturday’s Image Comics panel at Comic-Con International in San Diego. “But he’s a little mad he killed Peter Parker.”
Williamson, who, like Bendis, lives in Portland, Oregon, said the idea of putting words in the fictionalized writer’s mouth “is terrifying.” However, he’s working closely with Bendis to ensure everything feels authentic.
Like comiXology and Marvel Unlimited, DC Entertainment and Image Comics are celebrating Comic-Con International with sales on select digital titles.
Through Tuesday, DC is marking the 75th anniversary of the Dark Knight by offering digital downloads of a whopping 750 Batman comics for 99 cents each. These aren’t typical dollar-bin titles, however; they include The Dark Knight Returns, The Long Halloween, No Man’s Land, Year One, Hush, The Court of the Owls and All Star Batman & Robbin the Boy Wonder. If you’re wanting to go way back, there are comics dating back to 1938, with Batman’s debut in Detective Comics #27.