Hard to believe, but this month marks four years since I first interviewed artist Peter Krause about his return to comics. More immediately, today marks the return of Mark Waid and Peter Krause’s Insufferable at Thrillbent 2.0 with a new arc, “On the Road.” Through Thrillbent 2.0, Insuffereable: On The Road is free to view and download or embed — there are plenty of ways to enjoy the somewhat reconciled father-son team of Nocturnus and Galahad (seemingly led by the smarter than both of them, Meg). In addition, there are bundled editions of the first Insufferable arc (with extras) for sale at comiXology.com.
Tim O’Shea: How did Mark Waid convince you to try working in a then-relatively new medium like digital comics on Insufferable?
Peter Krause: The main attraction was that I’d get to keep working with Mark. I really valued the time we’d spent on Irredeemable for BOOM! I stepped away from that book because of time constraints — I was doing non-comics work that was making it harder to bring an “A” game to Irredeemable.
“I think fans of the comics recognize that this show is a different animal. There are big departures that have happened on the show before and it’s the show’s M.O. at this point. I think people are seeing that it doesn’t really preclude other big storylines from the comic book when we put a death in the show. We are still very much following the path of the comic book and you’ll see a lot of that in Season 4. There are going to be differences from time to time and some big differences. People know the comic still exists, and I want people to experience both and get a somewhat different experience. I think it’s cool that there are differences that are going to make the show as dramatic, startling and unpredictable as the comic book was the first time you read it. That’s really what we’re going after.”
– Robert Kirkman, responding to a question regarding potential concerns that a major development in last night’s Season 3 finale of The Walking Dead might alienate fans of the long-running comic series
Image Comics has provided ROBOT 6 with an exclusive first look at Dave Johnson’s variant cover for the debut issue of Jupiter’s Legacy, the Wagnerian superhero saga from Mark Millar and Frank Quitely.
Announced in January 2012 as Jupiter’s Children, the 12-issue miniseries centers on the offspring of superheroes who have essentially squandered their inheritance, failing to live of to the example set by their parents, who gained their powers in the 1920s after discovering a mysterious island.
Cartoonists | A campaign to raise money to erect a 9-feet-tall bronze statute of Family Circus cartoonist Bil Keane in his hometown of Paradise Valley, Arizona, is trailing about $23,000 short its goal ahead of an April 30 deadline. Alan Gardner points out that amount is reachable on Kickstarter. [The Arizona Republic]
Publishing | Kevin Roose has a brief chat with Bluewater CEO Darren G. Davis, who says that the company’s bestseller, the Michelle Obama bio-comic, sold about 150,000 copies; the CEO biographies do about half that number. [New York Magazine]
Conventions | The Orange County Register previews WonderCon, which returns this weekend to Anaheim, California, and selects some of the highlights from the programming schedule, including panels dedicated to “Batman: The Zero Year,” The True Lives of the Fabulous Killjoys, and Joss Whedon’s Much Ado About Nothing. [Orange County Register]
Conventions | The Detroit News runs down the upcoming slate of Michigan conventions dedicated to comics, anime, fantasy/sci-fi, horror and collectibles, ranging from Shuto Con to Kids Read Comics! to Detroit FanFare. [The Detroit News]
J. Michael Straczynski’s Joe’s Comics imprint has released a trailer for the first issue Ten Grand, the supernatural crime thriller that teams the writer with artist Ben Templesmith.
Debuting May 1 from Image Comics, Ten Grand follows Joe Fitzgerald, a mob enforcer who, after being fatally wounded during that one last job, is given an opportunity by an angelic force to be reunited with the woman he loves. However, there’s a significant catch. You can see a 10-page preview of the first issue on Comic Book Resources.
When you go to your local store (or digital provider) you’ll find that nearly all of the comics are lettered using a computer. That’s obvious, right? But there are a relative few creators who still prefer, and advocate, hand-lettering to digital methods, and one of those is Image Comics co-founder and Savage Dragon creator Erik Larsen.
With very few exceptions, every issue of his Savage Dragon series for the past 20 years has been hand-lettered by Chris Eliopoulos, Tom Orzechowski or Larsen himself. But recently on Twitter, Larsen began talking about a switch to digital lettering — and for those attuned to the craft, that’s something major. So we asked him for more information.
“In this case it was simply timing,” Larsen told ROBOT 6. “Tom Orzechowski was booked.”
While that might seem trivial, the central point Larsen had is that the time involved — inked pages are shipped to the letterer and then shipped back once lettering is complete — was adding a significant wrinkle to Savage Dragon‘s production schedule. With digital inking, you can send the files to the letterer in a matter of minutes (depending on your scanner and Internet bandwidth), with the production time for a letterer drastically reduced by the use of a computer.
“I just think what he does is really brave. He really loves these characters as well, and it makes it unique that we’re able to do this. We could literally kill Rick at some point. I’m not going to say we are, but why not kill him? There’s no reason. The Walking Dead could easily survive without Rick, and I personally think it would be incredibly interesting. We could do it in some random issue where the reader isn’t expecting it, not like issue #150 or some anniversary issue. I think it would be very cool.”
– The Walking Dead artist Charlie Adlard, talking with Comic Book Resources about writer Robert Kirkman’s penchant for shocking readers in the popular horror comic
In “By the Numbers,” ROBOT 6 takes a look back at the events of the past five days … in numbers. Our starting point this week is Wednesday’s announcement that retailers ordered a record-breaking number of comics for Free Comic Book Day, an international event that will draw millions of customers into specialty shops on May 4.
However, there was another figure that’s almost as impressive: the print run for the latest volume of the hit manga One Piece.
Robert Kirkman appeared last night on TBS’s Conan to discuss all things Walking Dead, from his wife’s distaste for his zombie franchise to rejected merchandising opportunities — perfume! energy drinks! — to host Conan O’Brien’s nitpicks, including why there are no undead animals.
“The honest answer to that is, The Walking Dead is based on a comic book,” Kirkman replied, “the artist that draws the comic book, Charlie Adlard, loves drawing people, loves drawing zombies, does not enjoy drawing animals so much.”
Watch the clips below.
A few months ago, I wrote about how much I was enjoying Jamie S. Rich and Mike Norton’s It Girl and the Atomics. I dinged it on characterization, but now that I’ve had a couple of more issues with the characters, I need to walk that back a little. I still want to know more about It Girl, but Rich and Norton are working on that each month. I was hasty in wanting to know everything about her in the first four issues. Guess that’s just how much I dig her.
I’m not here to talk about character development, though; I’m here to talk about fill-in issues, specifically It Girl #6. Fill-in issues are a fact of life with monthly comics, especially these days as artists work more meticulously than they used to. But even back in the day you’d run into an issue where the regular story would take a break while the editor ran something out of his rainy-day files. Now, fill-ins are better planned. And if they’re planned well enough, they’re just as enjoyable as the main series.
I admit that I wasn’t looking forward to It Girl #6. My impatience with getting to know the characters was showing and I didn’t want to zoom out into space to see what was up with the drummer of Madman’s space band. I wanted the next It Girl adventure, damn it, and Rich and guest-artist Chynna Clugston Flores were going to have to convince me that they weren’t wasting my time. If you read the title of this post, you know that they weren’t. I loved the issue and here’s why.
It seems Sex doesn’t sell, at least through Apple.
The new Image Comics series by Joe Casey and Piotr Kowalski debuted Wednesday virtually everywhere, except on the Image Comics iOS and comiXology COMICS iOS apps, as it ran afoul of the App Store’s frequently bewildering rules governing sexual content.
As that policy isn’t likely to change for subsequent issues, the publisher is suggesting that readers purchase digital copies on iBooks or directly from the Image Comics website, and then sync them to their iOS device and preferred app. Sex is also available on the comiXology website.
Digital comics | So, your $3.99 comic comes bundled with a download code for a free digital copy, but you’re strictly a paper person. What to do? Todd Allen has a fascinating article about the secondary market in unused download codes, not just the fact that they are being sold fairly openly but also what that market tells us about the true value of comics: “Outside of eBay it’s relatively easy to use Google to find somewhere to swap or purchase Ultraviolet codes. The Home Theater Forum’s classified ad section has codes sprinkled in, with a low $2-$3 looking like a common price. Codes are also easy to find on Reddit, including a dedicated subreddit, though codes on Reddit are swapped or given away, not sold.” [The Next Web]
Conventions| Small Press Expo announced its first round of guests for the Sept.14-15 convention: Seth, Gary Panter, Lisa Hanawalt, Gene Yang and Frank Santoro. [SPX]
Last week was a banner one for Monkeybrain Comics, as plans were revealed to “bring its digital titles to print beginning in June in collected editions released through IDW Publishing and Shadowline/Image.” But before this deal was announced I caught up with Chris Roberson, the writer of Edison Rex and co-publisher of Monkeybrain.
This interview was conducted before the IDW and Shadowline/Image agreements were announced, which is why they’re not discussed. Edison Rex #6 will be released March 13. Roberson is great to chat with about the creative process, as he relishes revealing how the narrative hot dogs are made almost as much as creating the stories themselves. The world that Roberson and co-creator/artist Dennis Culver had built for the series fascinates me, and it was a pleasure to chat with the writer about it.
Tim O’Shea: As much as this series is about a villain becoming a hero, there’s a great undercurrent of humor. Is that the core appeal of the series from a creative standpoint?
Chris Roberson: I always like a little levity in the stories I read or the shows I watch. When stories maintain a consistently grim tone, it can be a little wearying. Adding in a joke here and there not only serves to lighten the mood from time to time, but also makes the more serious moments stand out by contrast.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Below you’ll find a breakdown of the big announcements that came out of this weekend’s Emerald City Comicon, our contributors’ picks for the comics of the week — from Age of Ultron to Al Capp — and the top events to look for in the next seven days (hint: convention season is fully under way).