Image Comics Archives - Page 2 of 52 - Robot 6 @ Comic Book Resources
Fans of Gabriel Hardman‘s Kinski get a double treat this week, as the original Monkeybrain run of the series wraps up with the digital release of Issue 6, while at the same time Image Comics has collected all six issues in a $14.99 trade paperback.
To mark the occasion, ROBOT 6 reached out to Hardman for any bonus material he was willing to share . He obliged us with a rejected cover. He also offered the following explanation:
Bryan Hitch has been a professional artist for more than a quarter century, so it makes perfect since that after all that time he would want to try his hand at writing as well as drawing a comic. This year saw the premiere of such an effort, the Image Comics six-issue miniseries Real Heroes.
The premise is direct: A group of actors portraying a team of superheroes gets thrust into an alternate universe, where they’re forced to portray actual heroes. Two issues will be released this month (Issue 4 arrives Wednesday, followed Nov. 12 by Issue 5) in an effort to catch up to its its schedule, before the series wraps up on Dec. 10.
In our interview, Hitch discusses how much he enjoyed writing and his intention to write more, and elaborates on his decision to have his last creative word on superheroes be his next project.
Counting down to the landmark 250th issue of Spawn, Todd McFarlane has given fans a glimpse into the cover process for Issue 248 — “only two more issues until AL SIMMONS returns!!” — penciled by Syzmon Kudranski and inked by McFarlane himself, which goes on sale Nov. 5.
“It’s pretty COOL to see how it all comes together,” he wrote on his Facebook page. “There’s a lot of work that goes into this comic stuff.” He also offered a reminder about the art contest for Spawn #250, noting that he’ll start collecting submissions on Nov. 1.
Awards | Alexis Deacon has won the 2014 Observer/Cape/Comica graphic short story prize for “The River,” “a luscious, tangled, whispering kind of story” that earned him £1,000 (about $1,611 U.S.). The runners-up were Fionnuala Doran’s “Countess Markievicz” and Beth Dawson’s “After Life.” The short-story competition has been held annually since 2007 by London’s Comica Festival, publisher Jonathan Cape and The Observer newspaper. [The Observer]
Publishing | Mark Peters spotlights Archie Comics’ recent transformation from staid to startling, with titles like Afterlife With Archie and the new Chilling Adventures of Sabrina. [Salon]
Secret Panel, the Chicago-based screen print collective, is launching a print series based on Revival, the “rural noir” series by Tim Seeley and Mike Norton.
Limited-edition prints by Angela An, Randy Ortiz and Revival cover artist Jenny Frison have been teased on Secret Panel’s Facebook page, but not fully revealed. They’ll be available for $30 each (quantities are limited to 140 copies), or all three, plus an exclusive Secret Panel print, for $90.
Cartoonist Nate Simpson burst into comics in 2011 with his Image Comics series Nonplayer. He won the prestigious Russ Manning Most Promising Newcomer Award just three months later, sold the film rights to he comic, and then unfortunately broke is collarbone. Now, three years later, he’s back — but not how you might think.
Legal | The Japanese publisher Square Enix has filed a counterclaim against SNK Playmore, asking Osaka District Court to rule that its manga Hi Score Girl doesn’t infringe on copyrights held by the video game company. Earlier this year, SNK brought criminal copyright violation charges against Square Enix after learning Hi Score Girl contains more than 100 unauthorized images of characters from SNK Playmore games. The manga has been put on hold because of the dispute. [Anime News Network]
Conventions | Who’s buying, and how much are they spending, at conventions? Rob Salkowitz mines the numbers from a recent Eventbrite poll of convention-goers to get some answers: Most people spend between $100 and $500 per person; cosplayers actually spend a bit more than average; and women shell out more money at conventions, while men spend more online. [ICv2]
Editorial cartoons | The New York Times has apologized to readers who were offended by an editorial cartoon about India’s space program that depicted the country as a man in traditional dress, leading a cow and knocking at the door of the “Elite Space Club.” “The intent of the cartoonist, Heng Kim Song, was to highlight how space exploration is no longer the exclusive domain of rich, Western countries,” reads the apology, signed by editorial page editor Andrew Rosenthal. “Mr. Heng, who is based in Singapore, uses images and text — often in a provocative way — to make observations about international affairs. We apologize to readers who were offended by the choice of images in this cartoon. Mr. Heng was in no way trying to impugn India, its government or its citizens.” [The New Indian Express]
As a nice reminder of today’s final-order cutoff deadline for Southern Bastards #5, Image Comics has released Andrew Robinson’s painted variant cover depicting Coach Boss.
Created by Jason Aaron and Jason Latour, the “Southern-fried crime comic” follows one-time local hero Earl Tubb as he returns home to Craw County, Alabama, to take take of family business. In Issue 5, which arrives Oct. 29, the creators dig into the history of Craw County and the fearsome Euless Boss.
In Birthright, the upcoming fantasy adventure by writer Joshua Williamson, artist Andrei Bressan and colorist Adriano Lucas, young Mikey Rhodes goes missing, leaving his father a suspect in his murder, and the rest of his family in shambles. But just mysteriously as he disappeared, Mikey reappears, but he’s changed.
Debuting in October from Skybound/Image Comics, the series centers on a boy who’s kidnapped by fairies and told he’s destined to to defeat a great evil. But once he accomplishes that and returns home, what’s next?
To tell that epic tale, Williamson, Bressan and Lucas not only had to create a war-ravaged otherworld populated by fantasy creatures and untold horrors, they also had to establish a realistic, familiar setting in which the Rhodes family drama unfolds.
The creative team provided ROBOT 6 with an exclusive glimpse into the process, sharing their thoughts on world-building, their approach to the designs of the central characters and the fantasy realm of Terrenos, and the mammoth undertaking of the impressive poster for Birthright.
With Kurt Busiek and Benjamin Dewey’s Tooth & Claw set to launch in November, Image Comics has debuted variant cover by fan-favorite artist Alex Ross for the series’ second issue, which details a full menagerie for the fantasy series.
“The world in Tooth & Claw is kind of a quasi-medieval fantasy, joined with classical designs,” Ross said in a statement. “That made me think of paintings like The Raft of the Medusa, and I wanted to capture that feeling, with the characters and situations from the series. Although really, the only reference I had was the Pogues album, Rum, Sodomy & The Lash, so in a way, that was my reference and my inspiration.”
Savage Dragon is rapidly approaching its 200th issue, and creator Erik Larsen has hit another milestone: He’s written a Savage Dragon screenplay, which he made public earlier today on Facebook and Twitter.
Larsen announced it by simply stating, “As of 2:06 this morning a Savage Dragon screenplay exists. Wish me luck,” but went into more detail on Facebook comments and Twitter replies.
“As far as actors go — I’d rather get a guy with decent acting chops than try to find somebody built like Dragon,” the writer/artist stated on Facebook. “Savage Dragon NEEDS to be constructed. No human being has fists the size of loafs of bread. He can’t just be a normal muscle man and normal muscle men don’t have the comedic timing and acting chops needed to pull off the part.” That said, he also wrote that he doesn’t necessarily think the film needs to go full-tilt CGI: “I would think Dragon could be mostly real — with CG arms and chest.”
Fans of Batman, and of Jock, take note: The acclaimed artists of such series as The Losers and the upcoming Wytches has donated a page from Detective Comics #871 for an eBay auction to benefit a 2-year-old with acute lymphoblastic leukemia.
Although Nathaniel’s prognosis is said to be good, he faces a few years of treatment, during which time his parents will have to make regular trips to the hospital.
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
This week saw the first arc of Jason Aaron and Jason Latour‘s Southern Bastards wrap with the release of issue #4. After spending the past three issues laying the foundation for lead character Earl Tubb to confront Dixie Mafia (and football coach) Boss, readers get what they want–and much much more.
As a native of the South (born, raised and still live in Atlanta), I have a deep appreciation for the story the Jasons aim to tell. It is 2014, but as a man who has sat in traffic in a metropolitan Southern city and witnessed a teenager driving a pickup truck with a giant Confederate flag waving from a pole in his truck bed can tell you, not everyone cares what year it is. It is 2014, but AutoTrader recruited Bo and Luke Duke to sell their new phone-app based platform. Right or wrong, those characters likely typify the South for many people who have never lived here. I think while some of my fellow Southerners live in and relish the wrongheaded trappings of the past (and yet, no, I am not calling the Dukes of Hazard racist), many folks are like me, proud of being from the South, but with no desire to rehash why and how the Civil War was fought. In 2014, there is no such thing as a typical Southerner. Thankfully, there is diversity in the 2014 South.
Comics | Almost half the attendees at this year’s Comic-Con International in San Diego were women, writes Yael Kohen in an article about the growing importance of women to the comics industry. He cites statistics showing that young women are the fastest-growing segment of the comics audience, talks to Image Comics President Eric Stephenson and a woman who works in a comic shop, and mentions the enduring popularity of manga and Marvel’s recent introduction of more interesting female characters. With all that material to work with, it’s too bad he started with a lead right out of the 1950s, something about a fashion show at Comic-Con, as if that’s what all those women were there for. [BloombergBusinessweek]
Creators | Writer Jen Van Meter discusses her newest project, Valiant’s first female-led series, The Death-Defying Doctor Mirage. [Hero Complex]