Image Comics Archives - Page 2 of 50 - Robot 6 @ Comic Book Resources
Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.
Rocket Girl, Vol. 1
By Brandon Montclare and Amy Reeder
This week marked the release of Amy Reeder and Brandon Montclare’s Rocket Girl in trade paperback, which is probably the best way to read it, as the time-travel story is a bit confusing. It’s a fun read nonetheless, especially for those of us who are still waiting for our jetpacks to arrive.
Dayoung Johansson is a 15-year-old girl who travels from 2013, where all New York police officers are teenagers, to the much grittier 1986 version of the Big Apple, to stop a group of scientists from getting a piece of tech that would allow their company to become a mega-corporation that has corrupted the city. The twist is, that if she succeeds, Dayoung will destroy her own future.
Ahead of the release next week of its October solicitations, Image Comics has announced the debut of Goners, a historical fantasy mystery by Jacob Semahn and Jorge Corona, and the return of Punks, the surrealist comedy by Joshua Hale Fialkov and Kody Chamberlain.
Beginning in 2004 as a self-published one-shot, Punks centers on four slacker roommates — Abraham Lincoln; Dog, a man with a dog’s head; Skull, a man with a skull head; and Fist, a man with a fist for a head — who fight alien robots, undead carrots and each other. The new series will feature all-new stories.
“Returning to both the world of Punks and Image is like a warm, slimey sock,” Fialkov said in a statement. “No. That’s a terrible analogy. It’s like a pungent pair of goiters. No. This isn’t going well. Um … Getting to make new Punks for a whole new audience is a dream come true. And not one of those weird dreams with too much massaging.”
Goners, meanwhile, centers on the Latimer Family, which for centuries has been the first line of defense against supernatural threats. When the present-day progenitors Raleigh Latimer and his wife Evelyn, stars of their own reality show, are murdered on live television while on a seemingly routine case, opportunists and creatures of the night both pursue their young children Josiah and Zoe, “for a sound byte or simply… a chomp.”
“Everyone who’s ever written Captain America has wanted to bring Bucky back, and I was the first person who arrived at a time where they were willing to … The whole thing when Bucky died was a ret-con that Stan Lee did because he didn’t like sidekicks, and Jack Kirby went along with it because he thought it was this great way to add tragedy to Captain America [...] But honestly, when I got the book, I was asked, ‘What would you want to do?’ and I said, ‘Well, I have this idea about how to bring back Bucky, where he is like a really cool bad guy who’s actually an adult.’ And Joe Quesada said, ‘Oh, that’s really interesting, because we just this big summit where we were arguing over whether we could bring back Bucky or not, because Captain America is not selling.’
I was working on a thing with Gene Colan years later — his last comic that he ever did; he drew Captain America, he co-created the Falcon — and I asked him, ‘How come you guys never brought Bucky back?’ And he said, ‘Oh, y’know, we were doing this story where Bucky came back and he turned out to be a robot, and I asked Stan, “Why don’t we have it be the real Bucky?” and he said, “Aw, sales aren’t low enough yet.”‘ Stan was always OK with [resurrecting Bucky], because he always left the door open — like when Bucky died, they always put the word ‘supposedly’ in there, so I felt like the door was left open. I got a lot of flak for it at the time, because it was a ret-con, but I also tried really hard to make sure the ret-con worked with the actual con, if that makes sense.”
– Ed Brubaker, in a wide-ranging discussion that touches upon his Captain America run, his collaborations with Sean Phillips and Steve Epting, and the five-year deal he and Phillips signed with Image Comics
Publishing | Spurred by the GoFundMe campaign launched last week by Dan Vado to get SLG Publishing “back on its feet,” Comic-Con and the Business of Pop Culture author Rob Salkowitz wonders whether a nonprofit model might make sense for some indie/niche publishers: “Contrary to popular perception, however, being a non-profit doesn’t mean you can’t make money. Lots of successful non-profits generate revenues in the millions and pay their staff, executives and contributors salaries comparable with those in the private sector. They can also pay contractors and contributors like performers or creators full market rates. They just don’t pay shareholders, and they plow any excess revenues back into their operations.” [ICv2.com]
Conventions | Organizers of the growing Asbury Park Comicon have announced that, after three years, they’re relocating the New Jersey convention to the Meadowlands Exhibition Center in Secaucus and renaming it East Coast Comicon. Founders Cliff Galbraith and Robert Bruce say the nearly 40-mile move was triggered by a sharp increase in rates at the Berkeley Oceanfront Hotel in Asbury Park, but the hotel’s manager thinks it’s because the venue couldn’t accommodate the dates requested by organizers. The inaugural East Coast Comicon will be held April 11-12, 2015. [Asbury Park Press]
Passings | Amadee Wohlschlaeger, who drew the comic strip Weatherbird for the St. Louis Post-Dispatch for 70 years, has died at age 102. Weatherbird, which debuted in 1901, is the oldest continuously published comic in the United States, and Wohlschlaeger (who went by just his first name) is one of just four cartoonists to draw it. He was named one of the top 10 sports cartoonists in the country, and his drawing of Stan Musial inspired the statue at Busch Stadium. [KSDK]
With the arrival of Blue Estate on PlayStation 4 this week, HeSaw has released a new trailer highlighting the dark humor and over-the-top violence of the rail shooter, as well as DualShock 4′s gyroscopic features.
Inspired by the 12-issue Image Comics series created by Viktor Kalvachev (now creative director of HeSaw), Blue Estate allows players to step into the shoes of Tony Luciano, the homicidal son of a Los Angeles mob boss, and Clarence, a broke former Navy SEAL who’s been hired to clean up his mess. As Tony wages a war with the Sik gang in an effort to get back his kidnapped “Helen of Troy,” Clarence struggles to end the fight.
[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]
A new Warren Ellis comic book, particularly a new creator-owned Warren Ellis comic book, is a big deal. Trees has the added bonus of absolutely fantastic art by Jason Howard. Image Comics celebrated the release by making the digital version of the first issue free pretty much everywhere.
“It’s not every day that a writer as important and influential as Warren Ellis launches a major new series, so making sure Trees reaches as many readers as possible is an ongoing priority for us here at Image,” Publisher Eric Stephenson said in a statement.
Debuting May 28, the sci-fi miniseries is set a decade after enormous, sentient tree-like creatures arrived on Earth, putting down roots and standing silent vigil, without even acknowledging the planet’s inhabitants.
“When we were developing the idea Warren asked me what kind of things I wanted to draw,” Howard, who previously collaborated with Ellis on Scatterlands, told Comic Book Resources. “I sent him a folder of a bunch of images that inspired me. From there he sent me the basic idea of, what if aliens landed and didn’t seem to do anything? What happens to society when these alien structures land but nothing comes out and after a while they become normal and they just stand there, like trees? I thought that sounded fascinating and could immediately visualize situations and story potential. I excitedly told him I loved it and we were off.”
If you’re a fan of both Sex Criminals and The Wicked + The Divine, you’re in luck: USA Today has unveiled Chip Zdarsky’s alternate cover for the second issue of the new Image Comics series … featuring creators Kieron Gillen and Jamie McKelvie.
Debuting this week to positive reviews, The Wicked + The Divine centers on 12 gods who are reborn every 90 years as the ultimate pop stars.
Conventions | Samantha Melamed looks at the problem of harassment at comics conventions, particularly of cosplayers, and what some women are doing about it. The article includes interviews with artist Erin Filson, one of the co-founders of Geeks for CONsent, which has called upon Comic-Con International to institute a more specific, and more visible, anti-harassment policy; cosplayer Nicole Jacobs, who describes a recent incident at AwesomeCon; and psychology professor Kimberly Fairchild, who studies harassment. [The Philadelphia Inquirer]
Creators | Frequent collaborators Kieron Gillen and Jamie McKelvie discuss their new series The Wicked + The Divine, which debuted this week from Image Comics. [USA Today]
The Walking Dead will return to Universal Hollywood and Universal Orlando for an unprecedented third consecutive year for Halloween Horror Nights 24. This year’s mazes will be based on the fourth season of AMC’s hit drama, based on the bestselling comics series created by Robert Kirkman, Tony Moore and Charlie Adlard.
While attractions at both theme parks will send visitors fleeing from the Prison overrun by walkers into unknown territory as they seek sanctuary at Terminus, Universal Orlando will feature what’s being billed as the largest made ever created at Halloween Horror Nights. Guests there will escape to the Big Spot store, complete with crashed helicopter, the burned-down moonshine shack and the dilapidated country club before finally making their way to the End of the Line.
Retailing | Image Comics took seven of the Top 20 spots on Nielsen BookScan’s list of graphic novels sold in bookstores in May, with multiple volumes of Saga and The Walking Dead once again appearing, joined by the first collection of Sex Criminals. Kodansha Comics took six spots, with the most recent volume of Attack on Titan at the top of the chart, followed by the first volume. Four more volumes were scattered around the list. Legendary’s Godzilla movie tie-in, Godzilla: Awakening, placed at No. 3. [ICv2]
Legal | The Japanese legislature has moved forward with a bill that would criminalize possession of child pornography, which is expected to pass the Diet before it recesses on June 22. The new law would ban photos and videos made using real children but excludes manga and anime. [The Japan Times]
Viktor Kalvachev has revealed more details about the upcoming rail shooter based on his crime comedy Blue Estate — with the help of a new comic strip he created with Ivan Brandon.
Writing on the PlayStation Blog, Kalvachev provides an overview of the Image Comics series before delving into the HeSaw game, whose PS4 version will utilize DualShock 4′s gyroscopic features (that’s were the new strip comes into play).
Book Expo America is the annual trade show where publishers promote their upcoming books to retailers and librarians. BEA is all about books, but comics and graphic novels are a growing presence. Diamond had a dedicated area, as it has in previous years, several comics publishers had their own booths, and several of the big publishers featured graphic novels alongside their other titles, most notably Hachette, which gave quite a bit of space to Yen Press.
I spent Friday at the show looking at which books the publishers were drawing the most attention to. Here’s a very subjective account of what I saw.
Kid stuff! Children’s and YA graphic novels have been hot for a couple of years, and the news that Raina Telgemeier’s Sisters is getting a 200,000 copy initial print run got a lot of buzz. Of course, the BEA crowd has been on board with her work for a while, and they lined up in droves for her book signing. The same was true of Jeff Kinney, who was signing copies of The Wimpy Kid School Planner at the Abrams booth; the crowd just kept on coming. And the staff at the BOOM! Studios table were hustling as attendees grabbed copies of their Adventure Time and Bravest Warrior collections as well as their third original Peanuts graphic novel, Peanuts: The Beagle Has Landed, which takes Snoopy to the moon.
In an industry that’s quick to trumpet distributor-level sellouts and multiple printing, publishers and creators are generally reluctant to reveal any actual sales numbers. Sure, there are those monthly direct-market sales estimates, but they’re just that — estimates (and most anyone who attempts to divine meaning from them is usually quickly reminded of their inaccuracy).
And so it was refreshing to see Warren Ellis disclose orders for the first issue of Trees, his new Image Comics collaboration with Jason Howard, in his Orbital Operations e-newsletter. Or, as he puts it, “I am going to tell you a thing that I probably shouldn’t.”
Retailers ordered about 38,500 copies — “I don’t recall the precise number and can’t check it right this second,” he writes — and he and Howard authorized a print run of 50,000.
Ellis confesses, “That’s a big overprint, and it could easily blow up in our faces — if the overprint doesn’t sell, then the print cost is taken out of our hides. On the other hand: if you go looking for it, and your store tells you it’s sold out or that they couldn’t get any, you can tell them that I told you we printed 12K extra copies.”