Image Comics Archives - Page 2 of 50 - Robot 6 @ Comic Book Resources
After the January Image Expo, Image Comics received some flak because most of the creators on stage were white men. On Wednesday, Publisher Eric Stephenson’s keynote address to the Image Expo held in conjunction with Comic-Con International included the following comments: “If we want to build a more diverse industry, though, if we want to develop a more diverse talent pool, then it is of utmost importance that we produce comics that appeal to as wide an audience as possible …”
That was said within the context of the historic gender disparity in comics, especially when looking at mainstream comics and the direct market. There’s more evidence than ever that the gender disparity in readership is no longer true; women are just as likely to read comics as men. If that’s true, then one would hope that just as many would be likely to attempt to make comics. That doesn’t seem to have come to pass in this corner of the industry, but Image announced a trio of upcoming releases that will hopefully start to shift the momentum in the right direction. If nothing else, these are among the most promising books to be announced at Image Expo, and they build on the gratifying surge in creator-owned comics.
In 2000, Brian Michael Bendis and Michael Avon Oeming’s Powers #7 featured a familiar guest star, although not one readers were used to seeing in their comics: Writer Warren Ellis joined series protagonist Christian Walker on a ride-along to conduct research for an upcoming book.
But while the series later moved from Image Comics to Marvel’s Icon imprint, Bendis will make a return, of sorts, in November’s Nailbiter #7 as he pays a visit to Buckaroo, Oregon, to research a book about serial killers.
Created by Joshua Williamson and Mike Henderson, Nailbiter revolves around Buckaroo, a small town notable for being the birthplace of 16 serial killers. After beating a murder rap, the latest and most notorious of the “Buckaroo Butchers,” Edward “The Nailbiter” Warren, has returned home — and he’s a big fan of Bendis, as is Williamson.
“[The Nailbiter] is a very big Brian Michael Bendis fan,” Williamson said during Saturday’s Image Comics panel at Comic-Con International in San Diego. “But he’s a little mad he killed Peter Parker.”
Williamson, who, like Bendis, lives in Portland, Oregon, said the idea of putting words in the fictionalized writer’s mouth “is terrifying.” However, he’s working closely with Bendis to ensure everything feels authentic.
Like comiXology and Marvel Unlimited, DC Entertainment and Image Comics are celebrating Comic-Con International with sales on select digital titles.
Through Tuesday, DC is marking the 75th anniversary of the Dark Knight by offering digital downloads of a whopping 750 Batman comics for 99 cents each. These aren’t typical dollar-bin titles, however; they include The Dark Knight Returns, The Long Halloween, No Man’s Land, Year One, Hush, The Court of the Owls and All Star Batman & Robbin the Boy Wonder. If you’re wanting to go way back, there are comics dating back to 1938, with Batman’s debut in Detective Comics #27.
The biggest comics news Thursday out of Comic-Con International was undoubtedly that, after years of debate, comiXology has introduced DRM-free backups of titles purchased from its storefront, with Image Comics, Dynamite Entertainment, MonkeyBrain Comics, Thrillbent, Top Shelf Productions and Zenescope Entertainment signing on to the program.
An email went out last night notifying customers that books they’ve purchased can be downloaded and stored as PDF or CBZ files, and pointing them to an FAQ on the subject.
“This has been an oft-requested feature,” comiXology CEO David Steinberger said during the company’s Comic-Con panel. “It’s a real backup file — it’s a fairly plain PDF or CBZ. They are high resolution, not a lot of bells and whistles, and my feeling is that people will continue to use the cloud-based reader to do their reading.”
The other big announcement was that Marvel will publish Avengers: Age of Ultron, an in-continuity graphic novel by the Uncanny X-Force team of Rick Remender, Jerome Opeña and Dean White scheduled to arrive in April 2015, ahead of the premiere of Avengers: Age of Ultron.
Preview Night stopped being a leisurely affair several years ago, as Comic-Con International grew so large that four “official” days couldn’t contain all of the news. Heck, five days isn’t even enough, with more and more comics publishers rolling out major announcements before anyone even started packing their bags for San Diego (BOOM! Studios, Dark Horse, DC Comics, Dynamite, IDW and Marvel all did so this year).
Image Comics planted its flag on Wednesday, amid the usual buzz about movies, television and video games, with its Comic-Con-adjacent Image Expo, where it announced a dozen new titles from such creators as Warren Ellis, Kurt Busiek, Rick Remender, Sean Murphy, Becky Cloonan, Jeff Lemire, Joey Casey, Dustin Nguyen, Marian Churchland and Gabriel Hardman. Comic Book Resources has the full report, and the text of Publisher Eric Stephenson’s keynote address, but we’ve gathered descriptions and images for each of the 12 comics below.
Image Comics has announced a lineup of Comic-Con International exclusives that range from the foil-covered Chew: Chicken Warrior Poyo #1 and the debut of Low to the connecting covers of Manifest Destiny #8 and The Walking Dead #129.
The Image and Skybound releases will be available at the Image booth (#2729), while the Top Cow titles can be found at the Top Cow booth (#2629). Comic-Con kicks off Wednesday with Preview Night and continues through Sunday.
Editorial cartoons | The public-relations consultant hired by the city of Murrieta, California, after residents protested the arrival of refugee children to be processed there, told cartoonist Lalo Alcaraz that referring to Murietta as “Hate City USA” was “actionable.” “There IS a fine line between your constitutional right to draw cartoons and expressed (sic) your opinions,” Hermosillo wrote in a comment on Alcaraz’s Facebook page, “and falsely, deliberately, and maliciously labeling and attacking an entire community as racist or as ‘Hate City.’ You are working overtime to damage Murrieta and such a false premise is actionable. There’s a fine line between humor and stupidity. You may have crossed that line at your own peril.” Murrieta spokesperson Kim Davidson walked that back, however, saying the city has no plans to sue Alcaraz. [The Press Enterprise]
After venturing “Out of the Shadows” with their first arc, Umbral creators Antony Johnston and Christopher Mitten promise their Image Comics fantasy series will go down “The Dark Path” in Book Two, which begins Wednesday with the release of Issue 7. They’ve provided ROBOT 6 with an exclusive teaser for the second chapter of their story, about a young thief named Rascal who finds some unlikely allies in her fight to stop a stealth invasion by shadow creatures known as the Umbral.
Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.
Rocket Girl, Vol. 1
By Brandon Montclare and Amy Reeder
This week marked the release of Amy Reeder and Brandon Montclare’s Rocket Girl in trade paperback, which is probably the best way to read it, as the time-travel story is a bit confusing. It’s a fun read nonetheless, especially for those of us who are still waiting for our jetpacks to arrive.
Dayoung Johansson is a 15-year-old girl who travels from 2013, where all New York police officers are teenagers, to the much grittier 1986 version of the Big Apple, to stop a group of scientists from getting a piece of tech that would allow their company to become a mega-corporation that has corrupted the city. The twist is, that if she succeeds, Dayoung will destroy her own future.
Ahead of the release next week of its October solicitations, Image Comics has announced the debut of Goners, a historical fantasy mystery by Jacob Semahn and Jorge Corona, and the return of Punks, the surrealist comedy by Joshua Hale Fialkov and Kody Chamberlain.
Beginning in 2004 as a self-published one-shot, Punks centers on four slacker roommates — Abraham Lincoln; Dog, a man with a dog’s head; Skull, a man with a skull head; and Fist, a man with a fist for a head — who fight alien robots, undead carrots and each other. The new series will feature all-new stories.
“Returning to both the world of Punks and Image is like a warm, slimey sock,” Fialkov said in a statement. “No. That’s a terrible analogy. It’s like a pungent pair of goiters. No. This isn’t going well. Um … Getting to make new Punks for a whole new audience is a dream come true. And not one of those weird dreams with too much massaging.”
Goners, meanwhile, centers on the Latimer Family, which for centuries has been the first line of defense against supernatural threats. When the present-day progenitors Raleigh Latimer and his wife Evelyn, stars of their own reality show, are murdered on live television while on a seemingly routine case, opportunists and creatures of the night both pursue their young children Josiah and Zoe, “for a sound byte or simply… a chomp.”
“Everyone who’s ever written Captain America has wanted to bring Bucky back, and I was the first person who arrived at a time where they were willing to … The whole thing when Bucky died was a ret-con that Stan Lee did because he didn’t like sidekicks, and Jack Kirby went along with it because he thought it was this great way to add tragedy to Captain America [...] But honestly, when I got the book, I was asked, ‘What would you want to do?’ and I said, ‘Well, I have this idea about how to bring back Bucky, where he is like a really cool bad guy who’s actually an adult.’ And Joe Quesada said, ‘Oh, that’s really interesting, because we just this big summit where we were arguing over whether we could bring back Bucky or not, because Captain America is not selling.’
I was working on a thing with Gene Colan years later — his last comic that he ever did; he drew Captain America, he co-created the Falcon — and I asked him, ‘How come you guys never brought Bucky back?’ And he said, ‘Oh, y’know, we were doing this story where Bucky came back and he turned out to be a robot, and I asked Stan, “Why don’t we have it be the real Bucky?” and he said, “Aw, sales aren’t low enough yet.”‘ Stan was always OK with [resurrecting Bucky], because he always left the door open — like when Bucky died, they always put the word ‘supposedly’ in there, so I felt like the door was left open. I got a lot of flak for it at the time, because it was a ret-con, but I also tried really hard to make sure the ret-con worked with the actual con, if that makes sense.”
– Ed Brubaker, in a wide-ranging discussion that touches upon his Captain America run, his collaborations with Sean Phillips and Steve Epting, and the five-year deal he and Phillips signed with Image Comics
Publishing | Spurred by the GoFundMe campaign launched last week by Dan Vado to get SLG Publishing “back on its feet,” Comic-Con and the Business of Pop Culture author Rob Salkowitz wonders whether a nonprofit model might make sense for some indie/niche publishers: “Contrary to popular perception, however, being a non-profit doesn’t mean you can’t make money. Lots of successful non-profits generate revenues in the millions and pay their staff, executives and contributors salaries comparable with those in the private sector. They can also pay contractors and contributors like performers or creators full market rates. They just don’t pay shareholders, and they plow any excess revenues back into their operations.” [ICv2.com]
Conventions | Organizers of the growing Asbury Park Comicon have announced that, after three years, they’re relocating the New Jersey convention to the Meadowlands Exhibition Center in Secaucus and renaming it East Coast Comicon. Founders Cliff Galbraith and Robert Bruce say the nearly 40-mile move was triggered by a sharp increase in rates at the Berkeley Oceanfront Hotel in Asbury Park, but the hotel’s manager thinks it’s because the venue couldn’t accommodate the dates requested by organizers. The inaugural East Coast Comicon will be held April 11-12, 2015. [Asbury Park Press]
Passings | Amadee Wohlschlaeger, who drew the comic strip Weatherbird for the St. Louis Post-Dispatch for 70 years, has died at age 102. Weatherbird, which debuted in 1901, is the oldest continuously published comic in the United States, and Wohlschlaeger (who went by just his first name) is one of just four cartoonists to draw it. He was named one of the top 10 sports cartoonists in the country, and his drawing of Stan Musial inspired the statue at Busch Stadium. [KSDK]
With the arrival of Blue Estate on PlayStation 4 this week, HeSaw has released a new trailer highlighting the dark humor and over-the-top violence of the rail shooter, as well as DualShock 4′s gyroscopic features.
Inspired by the 12-issue Image Comics series created by Viktor Kalvachev (now creative director of HeSaw), Blue Estate allows players to step into the shoes of Tony Luciano, the homicidal son of a Los Angeles mob boss, and Clarence, a broke former Navy SEAL who’s been hired to clean up his mess. As Tony wages a war with the Sik gang in an effort to get back his kidnapped “Helen of Troy,” Clarence struggles to end the fight.
[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]
A new Warren Ellis comic book, particularly a new creator-owned Warren Ellis comic book, is a big deal. Trees has the added bonus of absolutely fantastic art by Jason Howard. Image Comics celebrated the release by making the digital version of the first issue free pretty much everywhere.