India Archives - Robot 6 @ Comic Book Resources
Publishing | Portland, Oregon, will be the home base for Heavy Metal’s new line of comics, which was announced in October, following the company’s sale to David Boxenbaum and Jeff Krelitz. “I think it’s being closer to the talent,” Krelitz said. “If you wanted to be a painter in the early 20th century, you went to Paris. The comics line launches in March with the second season of Michael Moreci and Steve Seely’s Hoax Hunters. The company plans to be publishing eight original series by the end of this year and another 12 next year, building up to 50 in five years. “We’re positioning to be a premier publisher,” Krelitz said. [The Oregonian]
Passings | Editorial cartoonist R.K. Laxman, who maintained a running commentary on Indian politics for almost 60 years, has died at age 93. The younger brother of novelist R. K. Narayan, Laxman got his start illustrating his brother’s work as well as doing drawings for local newspapers. He became an editorial cartoonist for the Times of India around 1947, about the time India became an independent country, and stayed there until 2010. Laxman’s most famous creation was the Common Man, a character that stood in for the average Indian. As the official obituary in the Times of India said, “His Common Man, created in 1957, was the symbol of India’s ordinary people, their trials and tribulations, their little joys and sorrows, and the mess they found themselves in thanks to the political class and bureaucracy. But despite the sobering reality of this, there was never any rancour in Laxman’s cartoons. His humour was always delightful, and no one could hold a candle to his brushstrokes.” [Times of India]
Passings | Acclaimed sci-fi novelist and manga writer Kazumasa Hirai passed away Jan. 17 at age 76. Hirai was the co-creator of several manga that spawned anime, prose and television franchises, including Genma Taisen and the classic cyborg superhero story 8 Man. He also collaborated with Ryoichi Ikegami on the Spider-Man manga, serialized from 1970 to 1971 in Monthly Shonen Jump, succeeding Kōsei Ono as writer. [Anime News Network]
Legal | The Bombay High Court heard arguments Monday on a public interest litigation petition challenging India’s sedition act. The petition stems from the 2012 arrest of cartoonist Aseem Trivedi on sedition charges, which were dropped after national and international protests. “It [sedition charge] can be misused any time,” said Chief Justice Mohit Shah. But Advocate-General Sunil Manohar, arguing for the state, said they only acted on the Trivedi case after receiving a dozen complaints: “The cartoonist [Aseem Trivedi] ran perilously close to borderline. He is not absolutely innocent. It is not the case that the state vindictively slapped charges on him.” The court did not immediately hand down a decision but has reserved judgment. [The Hindu]
Graphic novels | December’s Nielsen BookScan list of the Top 20 graphic novels sold through the book channels looks markedly different from previous months because it now includes nonfiction. That actually makes it a much more interesting chart, with Roz Chast’s memoir Can’t We Talk About Something More Pleasant? taking the top spot, followed by the first two volumes of The Walking Dead Compendium, the fourth volume of Saga and the Oatmeal book The Terrible and Wonderful Reasons Why I Run Long Distances (which is apparently classified as nonfiction) showing up at No. 5. The chart, which tracks books sold in retail bookstores, some mass market stores and Amazon, also included a couple of much-hyped December debuts, the first collected volume of Ms. Marvel and Richard McGuire’s Here. [ICv2]
Political cartoons | In the wake of the Charlie Hebdo shootings, Zeidy David revisits the case of Palestinian cartoonist Mohammad Saba’aneh, who was arrested in Israel and held without charges for several months before being given a five-month sentence and a fine for “contact with a hostile organization” — a Jordanian publisher with whom he had discussed a possible book. [Mint Press News]
Priya’s Shakti is a comic that aims to change the world, or at least, one part of it.
The creation of writer Ram Devenini and artist Dan Goldman, Priya’s Shakti uses elements of Indian religion and mythology to take on the difficult topic of rape and send a strong message that it’s a crime and the victim is not to be blamed for it. The comic tells the story of a rape survivor who’s cast out by her family, a situation that angers the gods; the resolution comes with a call to action.
The comic is available for free on comiXology and debuts in print this week at the Mumbai Film and Comics Convention. However, it’s not limited by the usual distribution structures: As Devenini explains to ROBOT 6, the creators have partnered with the Indian charitable trust Apne Aap Women Worldwide to get the title out to girls in classrooms and communities far from comics shops. They also painted street murals in Mumbai that include an augmented reality feature; when viewed with a smart phone, parts of the murals are animated.
I spoke with Devenini and Goldman about making the comic, the special features, and how they plan to spread the word.
Priya’s Shakti is the first comic released in India to use augmented reality, a digital effect that animates some of the panels when they are viewed with a smart phone.
That’s impressive, but it’s not the most remarkable thing about the comic. What sets Priya’s Shakti apart is the subject matter: It’s a story about rape. In the comic, a rape survivor and the goddess Parvati travel around the country and the world, fighting sexual violence and the attitudes that underlie it.
Producer and writer Ram Devineni and artist Dan Goldman (Red Light Properties) created the comic, which has been awarded a 2014 Tribeca Film Institute New Media Fund grant, and they partnered with the NGO Apne Aap Women Worldwide, which works for social and policy changes to improve the standing of women throughout the world, to help get it into as many hands as possible.
Manga | The top-selling manga in Japan this year was One Piece, with nearly 11.9 million volumes sold; Attack on Titan came in a close second, with 11.7 million. [Anime News Network]
Publishing | Jim Zubkavich updates his post from last year about the long-term sales and profitability of his series Skullkickers. There are some interesting angles to this, including the cost of his deluxe collected editions, the boost he got from his “reboot,” and the importance of digital sales in the long term: “Since there’s no print run or storage limit with digital they continue to build profitability over the long haul (particularly with the early issues as new readers sample the series during comiXology sales). Many issues that lost money in their initial print release have been able to make back their losses thanks to digital.” [Zub Tales]
Legal | DragonCon co-founder Ed Kramer is seeking to have his December 2013 conviction for child molestation thrown out, insisting he was forced into a plea deal by prosecutorial misconduct. His attorney Stephen Reba also claims that Superior Court Judge Karen Beyers ruled in 2009 that Kramer could determine whether he was healthy enough to stand trial, something she deemed unlikely. With the trial suspended, Kramer — who was accused of molesting three minors — was permitted to leave Georgia under conditions that included he not be alone with anyone under the age of 16. He was found in a Connecticut motel room in 2011 with a 14-year-old and subsequently extradited back to Georgia.
Reba claims that Beyers colluded with Gwinnett County District Attorney Danny Porter to improperly reopen the case and denied Kramer the medical accommodations he needed to stand trial, forcing him into a plea deal. Porter has been removed from the case, as he is now a witness, and Reba wants Beyers removed as well. Nonetheless, Porter said the case is not going to go away: “The only way it will die is he’ll have to die or I’ll have to die and even that might not stop it.” [The Atlanta Journal-Constitution]
Legal | Three assistants of the Malaysian political cartoonist Zunar were arrested last week for selling his books. They were set up near the Putrajaya courthouse, where opposition leader Datuk Seri Anwar Ibrahim is on trial for sodomy, a charge Ibrahim claims is politically motivated. In a press release, Zunar said the three assistants were “investigated under The Sedition Act, Penal Code and Printing and Press Act” and released on bail. It has only been a month since a Malaysian appeals court overturned a government ban on two of Zunar’s books. [Cartoonists Rights Network International]
Creators | Garry Trudeau discusses his portrayals of different presidents, and politics in general, in Doonesbury and Alpha House. [The New York Times]
Creators | Hajime Isayama’s hometown of Hita City has named him “Tourism Friendship Ambassador to the ‘Beautiful Riverside Location of Hita.'” Isayama, the creator of Attack on Titan (which describes a city under siege by man-eating giants and defended by teenagers), came to town over the weekend for a cultural event titled “Shingeki no Satogaeri” (“Attack on Returning Home”), and he mentioned in a speech that the area was his inspiration for the scenery in the manga. [Anime News Network]
Publishing | Dark Horse announced there are 500,000 copies of its Plants vs. Zombies: Lawnmageddon graphic novel in print; this presumably means that sales are in that range as well. The key here may may be that the book is available at Scholastic book fairs, where the numbers really add up. [Dark Horse]
Legal | The Wally Wood estate has sued Tatjana Wood, ex-wife of the late cartoonist, claiming she’s in possession of 150 to 200 pages of his art erroneously sent to her address in 2005 by Marvel. The couple were married in 1950 but divorced in the 1960s; Tatjana later worked extensively as a colorist for DC Comics. Wally committed suicide in 1981, leaving “all bank accounts, whether savings, checking, Certificates of Deposit, or otherwise” to Tatjana, and everything else to his estate, supervised by John H. Robinson. [The Comics Reporter]
Creators | “I’m an acquired taste,” says Howard Chaykin, who was speaking to the press in advance of this weekend’s Vegas Valley Comic Book Festival. He talks about working for small publishers, his unhappiness with the licensed Star Wars comics he did for Marvel, and the current trend of movies based on comics: “It’s really just a matter of the guys who beat us up in high school finally figuring out a way to make money off our asses.” [Las Vegas Review-Journal]
Cosplay | Visiting New York Comic Con, Andrea Romano takes a look at the world of cosplay, the issue of sexual harassment — one person notes it’s certainly not exclusive to cosplay, observing, “There’s harassment when a woman is just wearing a crop top on the street” — and efforts being made to stop it. Convention organizers placed their new anti-harassment policy front and center this year, and it seems to have helped: There were just eight reported incidents of sexual harassment during the four-day event. [Mashable]
Conventions | Fensterman talks at greater length about NYCC’s anti-harassment measures in this article, which contrasts the comics scene with what’s going on in the gaming world. [Time]
Conventions | ReedPOP Senior Vice President Lance Fensterman talks about how New York Comic Con reached 151,000 attendees this year, what went well, what could have gone better, and what he learned for next time. The new badges and check in/check out system, introduced last year, let producers know exactly how long people stayed at the show, and that turned into a nice surprise for two attendees: “There was a couple [last year] who literally spent every minute that was possible at New York Comic Con for three and a half days. We reached out to them and did something special for them—gave them a bunch of free stuff and free tickets because they were at the show longer than anyone who wasn’t paid to be at the show.” [ICv2]
Political cartoons | Egyptian cartoonists Mohamed Anwar and Andeel discuss the difficulty of critiquing Egyptian president Abdel Fatah al-Sisi, who doesn’t tolerate dissent; Anwar is a cartoonist for a mainstream newspaper and pulls some punches as the tradeoff for reaching a wide audience, while Andeel has moved over to the alternative press, where he can speak more freely. [The Guardian]
Editorial cartoons | The New York Times has apologized to readers who were offended by an editorial cartoon about India’s space program that depicted the country as a man in traditional dress, leading a cow and knocking at the door of the “Elite Space Club.” “The intent of the cartoonist, Heng Kim Song, was to highlight how space exploration is no longer the exclusive domain of rich, Western countries,” reads the apology, signed by editorial page editor Andrew Rosenthal. “Mr. Heng, who is based in Singapore, uses images and text — often in a provocative way — to make observations about international affairs. We apologize to readers who were offended by the choice of images in this cartoon. Mr. Heng was in no way trying to impugn India, its government or its citizens.” [The New Indian Express]
Legal | Hirofumi Watanabe has withdrawn the appeal of his conviction last month on charges of sending more than 400 threatening letters to venues in Japana connected with the manga Kuroko’s Basketball. The 37-year-old former temporary worker admitted to all charges during his first day in court, but mpoved to have his conviction overturned after he was sentenced to four and a half years in prison. Watanabe, who said he doesn’t feel guilty for what he did and won’t apologize, acknowledged that he sent the letters out of jealousy of the success of Kuroko’s Basketball creator Tadatoshi Fujimaki. [Anime News Network]
Manga | The most promising new market for manga right now? India, where the comics market in general is exploding. Kevin Hamric of Viz Media says manga is already well known there and fans can’t get enough, while Lance Fensterman of ReedPOP, the company behind New York Comic Con, talks about the planned collaboration with Comic Con India. The one obstacle: the same one that afflicted the American manga market, Japanese publishers’ reluctance to license their properties. [The Japan Times]
Banned Books Week | Michael Cavna talks with Jeff Smith, Scott McCloud and Neil Gaiman about the importance of Banned Books Week. Says Gaiman, “I get tired of when people say that no books are banned just because [you can get it elsewhere]. Say you’re a kid in a school district [that banned a book] and there’s not a local Barnes & Noble and you don’t have 20 or 50 bucks in disposable income … That book is gone. It was there and now it’s not. The fact you can buy it on Amazon doesn’t make that any less bad.” [Comic Riffs]
Banned Books Week | Charles Brownstein, executive director of the Comic Book Legal Defense Fund, discusses comics and censorship in a video interview. [Reason Magazine]