Strong Talks Merging "Super-Cute" with "Super-Psycho" for "Arkham Knight's" Harley Quinn
Video Games, Comic Books, TV, Film
Conventions | Calgary Expo organizers asked an exhibitor to leave after learning the group had misrepresented itself and is affiliated with GamerGate. The group, Honey Badger Radio, raised money through crowdfunding to set up a booth at the convention, but registered under a different name (as explained on the crowdfunding site, they were in “stealth mode”). At the convention, the exhibitor displayed a poster with a GamerGate logo and monopolized the Q&A session at a panel on women in comics. In a statement released on Twitter, the event organizers said, “The Calgary Expo is a positive and safe event for everyone. We have reason to believe that the Exhibitor in question does not fall in line with this mandate … so we have politely requested that they not participate in our show or future shows.” [The Mary Sue]
Passings | MAD Magazine writer Lou Silverstone has died at age 90. Silverstone was the writer of many of MAD‘s movie and television satires in the 1960s and 1970s, starting with “Bananaz,” a parody of Bonanza. Later he went to work for Cracked, MAD‘s chief competition, and he also wrote for the Jackson 5 animated series and the T.H.U.N.D.E.R. Agents comic, a gig that he got through former MAD artist Wally Wood. The MAD website also pays tribute to Silverstone. [News From ME]
Conventions | Oregon’s Cherry City Comic Con has a new owner and a new attitude. The con fell on hard times last year, and at one point this year’s show was canceled. New owner John Roache bought the show when he heard that news; he and his wife, artist Nicole Brune, had been to last year’s show and enjoyed it. He’s keeping the name but changing the format to more of a pop-culture convention, with a long list of entertainment guests, and he has expanded the number of slots available for vendors. The show is scheduled for April 11-12. [Statesman Journal]
Conventions | The annual scramble for discounted Comic-Con International rooms in 54 participating hotels kicks off Tuesday at 9 a.m. PT. Comic-Con badger holders should’ve already received an email containing a link to the Travel Planners hotel reservation website. [Toucan]
Passings | Michael Cavna remembers cartoonist Jim Berry, who died Friday at age 83: “Berry’s World, the syndicated single-panel feature that he drew for 40 years, beginning in 1963, was a remarkably steady stream of thoughtful observational humor that — like the unfussy art itself — rarely seemed to strain for the laugh. Each gag, as steady as a top golfer’s approach shots, just ‘landed.’ Precision meets concision.” [Comic Riffs]
Creators | Cerebus creator Dave Sim was scheduled for surgery Tuesday after checking himself into the emergency room for severe stomach cramps. According to Sim’s friend, Dr. Troy Thompson, “the presumptive diagnosis is cecal volvulus, which is a twisting of the colon causing obstruction.” However, nothing will be known for sure until after the surgery. Sim was already feeling better after doctors inserted a nasogastric tube to remove the contents of his stomach. [A Moment of Cerebus, which is offering updates]
Legal | Matthew Pocci Jr., who in July drove into the crowd of ZombieWalk: San Diego, held annually during Comic-Con International, pleaded not guilty Tuesday to a charge of felony reckless driving. His lawyer said that Pocci, who is deaf, was scared for his safety and that of his family when his car was engulfed by a crowd of people during the event. He initially stopped the car but then restarted the engine and moved forward, striking several people. [UT-San Diego]
Conventions | Ace Parking, which manages parking at the San Diego Convention Center and six other nearby lots, will move to a lottery system this year to assign permits for Comic-Con International (those lots are Hilton Garage, Petco Lots, Padres Parkade, Diamond View Tower, Horton Plaza and Gaslamp City Square). For a shot at one of those spaces, you have to email Ace Parking by April 12. A drawing will be held on April 15, with the winners receiving information about how to purchase permits for their assigned location. See the full details on the Ace Parking website. [SDCC Unofficial Blog]
Awards | Six graphic novels are finalists for the eighth annual Children’s Choice Book Awards: The Glorkian Warrior Delivers a Pizza, Happy Birthday Babymouse, Sisters, The Dumbest Idea Ever, The Return of Zita the Spacegirl and El Deafo. This is the largest number of graphic novels to make the cut; the previous high was three. Children and teens can vote for the winners, which will be announced during Children’s Book Week, which starts this year with Free Comic Book Day. [Children’s Book Council, via ICv2]
Retailing | When water got into the stock room of Blockbuster Comics in Brandon, Florida, it destroyed a number of valuable comics, including a 1956-vintage Superman comic and a copy of Crisis on Infinite Earths signed by the late Dick Giordano. Rather than just toss them, however, owner William Insignares is using them to redecorate his store, starting by decoupaging some of them to his front door using a Mod Podge-like substance. [Bradenton Herald]
Political cartoons | Legendary animator Hayao Miyazaki said in a Japanese radio interview that it was a “mistake” for the French satirical magazine Charlie Hebdo to publish cartoons of the Prophet Muhammad. “For me, I think it’s a mistake to make caricatures of what different cultures worship,” he said when asked about the January attack on the magazine’s offices that left 12 dead. “It’s a good idea to stop doing that.” Miyazaki reportedly said cartoonists should use caricature to target their own country’s politicians. “”It just looks suspect to go after political leaders from other countries,” he explained. [Kotaku]
Crime | Artist and collector Jim Wheelock talks about the loss of his comics collection, which was stolen from a storage unit in Brattleboro, Vermont: “I remember where I was and what I was doing when I bought or read many of [the comic books]. Later, when I worked in the financially rickety world of a freelance artist, knowing the books were in Vermont gave me a sense of security, a retirement nest egg. This is what the culprit robbed me of.” Vermont-based cartoonists James Kochalka and Harry Bliss weigh in on what such a loss would mean. Wheelock’s thousands of comics included extensive runs of The Incredible Hulk, The Avengers, The Amazing Spider-Man, Daredevil and The Fantastic Four, in some cases beginning from the first issues. [Seven Days]
Auctions | A restored copy of Detective Comics #27, which marks the first appearance of Batman, is expected to bring in more than $100,000 in a Feb. 20 sale held by Heritage Auctions. According to the company, this would be only the second restored copy of that issue reach that milestone (several restored copies of Action Comics #1 have broken $100,000). A CGC-graded 4.5 copy of Batman #1 is expected to fetch more than $65,000 in the same auction. [Antique Trader]
Passings | Cartoonist Joseph Farris, whose work appeared in The New Yorker and other publications for almost 60 years, died last week at his home in Bethel, Connecticut. He was 90. Farris served in the Army during World War II, and he later wrote a memoir, A Soldier’s Sketchbook, that included drawings he did while on the front lines in France and Germany. He recently completed another memoir, Elm Street, about growing up in Danbury, Connecticut. Farris once described his work as “subtly political,” adding that his goal was to make the reader laugh, then stop and think “Wait a minute. What did he say?” [The News-Times]
Publishing | Portland, Oregon, will be the home base for Heavy Metal’s new line of comics, which was announced in October, following the company’s sale to David Boxenbaum and Jeff Krelitz. “I think it’s being closer to the talent,” Krelitz said. “If you wanted to be a painter in the early 20th century, you went to Paris. The comics line launches in March with the second season of Michael Moreci and Steve Seely’s Hoax Hunters. The company plans to be publishing eight original series by the end of this year and another 12 next year, building up to 50 in five years. “We’re positioning to be a premier publisher,” Krelitz said. [The Oregonian]
Passings | Editorial cartoonist R.K. Laxman, who maintained a running commentary on Indian politics for almost 60 years, has died at age 93. The younger brother of novelist R. K. Narayan, Laxman got his start illustrating his brother’s work as well as doing drawings for local newspapers. He became an editorial cartoonist for the Times of India around 1947, about the time India became an independent country, and stayed there until 2010. Laxman’s most famous creation was the Common Man, a character that stood in for the average Indian. As the official obituary in the Times of India said, “His Common Man, created in 1957, was the symbol of India’s ordinary people, their trials and tribulations, their little joys and sorrows, and the mess they found themselves in thanks to the political class and bureaucracy. But despite the sobering reality of this, there was never any rancour in Laxman’s cartoons. His humour was always delightful, and no one could hold a candle to his brushstrokes.” [Times of India]
Passings | Acclaimed sci-fi novelist and manga writer Kazumasa Hirai passed away Jan. 17 at age 76. Hirai was the co-creator of several manga that spawned anime, prose and television franchises, including Genma Taisen and the classic cyborg superhero story 8 Man. He also collaborated with Ryoichi Ikegami on the Spider-Man manga, serialized from 1970 to 1971 in Monthly Shonen Jump, succeeding Kōsei Ono as writer. [Anime News Network]
Legal | The Bombay High Court heard arguments Monday on a public interest litigation petition challenging India’s sedition act. The petition stems from the 2012 arrest of cartoonist Aseem Trivedi on sedition charges, which were dropped after national and international protests. “It [sedition charge] can be misused any time,” said Chief Justice Mohit Shah. But Advocate-General Sunil Manohar, arguing for the state, said they only acted on the Trivedi case after receiving a dozen complaints: “The cartoonist [Aseem Trivedi] ran perilously close to borderline. He is not absolutely innocent. It is not the case that the state vindictively slapped charges on him.” The court did not immediately hand down a decision but has reserved judgment. [The Hindu]
Graphic novels | December’s Nielsen BookScan list of the Top 20 graphic novels sold through the book channels looks markedly different from previous months because it now includes nonfiction. That actually makes it a much more interesting chart, with Roz Chast’s memoir Can’t We Talk About Something More Pleasant? taking the top spot, followed by the first two volumes of The Walking Dead Compendium, the fourth volume of Saga and the Oatmeal book The Terrible and Wonderful Reasons Why I Run Long Distances (which is apparently classified as nonfiction) showing up at No. 5. The chart, which tracks books sold in retail bookstores, some mass market stores and Amazon, also included a couple of much-hyped December debuts, the first collected volume of Ms. Marvel and Richard McGuire’s Here. [ICv2]
Political cartoons | In the wake of the Charlie Hebdo shootings, Zeidy David revisits the case of Palestinian cartoonist Mohammad Saba’aneh, who was arrested in Israel and held without charges for several months before being given a five-month sentence and a fine for “contact with a hostile organization” — a Jordanian publisher with whom he had discussed a possible book. [Mint Press News]
Priya’s Shakti is a comic that aims to change the world, or at least, one part of it.
The creation of writer Ram Devenini and artist Dan Goldman, Priya’s Shakti uses elements of Indian religion and mythology to take on the difficult topic of rape and send a strong message that it’s a crime and the victim is not to be blamed for it. The comic tells the story of a rape survivor who’s cast out by her family, a situation that angers the gods; the resolution comes with a call to action.
The comic is available for free on comiXology and debuts in print this week at the Mumbai Film and Comics Convention. However, it’s not limited by the usual distribution structures: As Devenini explains to ROBOT 6, the creators have partnered with the Indian charitable trust Apne Aap Women Worldwide to get the title out to girls in classrooms and communities far from comics shops. They also painted street murals in Mumbai that include an augmented reality feature; when viewed with a smart phone, parts of the murals are animated.
I spoke with Devenini and Goldman about making the comic, the special features, and how they plan to spread the word.
Priya’s Shakti is the first comic released in India to use augmented reality, a digital effect that animates some of the panels when they are viewed with a smart phone.
That’s impressive, but it’s not the most remarkable thing about the comic. What sets Priya’s Shakti apart is the subject matter: It’s a story about rape. In the comic, a rape survivor and the goddess Parvati travel around the country and the world, fighting sexual violence and the attitudes that underlie it.
Producer and writer Ram Devineni and artist Dan Goldman (Red Light Properties) created the comic, which has been awarded a 2014 Tribeca Film Institute New Media Fund grant, and they partnered with the NGO Apne Aap Women Worldwide, which works for social and policy changes to improve the standing of women throughout the world, to help get it into as many hands as possible.
Manga | The top-selling manga in Japan this year was One Piece, with nearly 11.9 million volumes sold; Attack on Titan came in a close second, with 11.7 million. [Anime News Network]
Publishing | Jim Zubkavich updates his post from last year about the long-term sales and profitability of his series Skullkickers. There are some interesting angles to this, including the cost of his deluxe collected editions, the boost he got from his “reboot,” and the importance of digital sales in the long term: “Since there’s no print run or storage limit with digital they continue to build profitability over the long haul (particularly with the early issues as new readers sample the series during comiXology sales). Many issues that lost money in their initial print release have been able to make back their losses thanks to digital.” [Zub Tales]