REVIEW: Violent, Profane "Deadpool" Shouldn't Work, But Really F---ing Does
It may be a while — a long while — before we see another Indiana Jones film, but beginning next week, visitors to Disney World will be able kick back in Jock Lindsey’s Hangar Bar. (Not you, David Swindler. Sorry.)
There’s often a thin line between comics and other entertainment media, and we’ve seen a plethora of comic-book adventures translate successfully to television, film and video games. But it’s a two-way street: A number of other-media properties find immense success in comics. But in all of that back-and-forth action, there are six epic worlds of storytelling from other media that could be bestsellers, given the right creators and the right format. With that in mind, we take a look at a group of top-tier movie, video game and television franchises, and imagine what could happen if and when they make a jump to comics.
I’ve noted in the past that Shelf Porn isn’t a competition — it’s a celebration of the diversity of collections from fans all over the world. Well, today we’re going to push that philosophy to the side for a good old-fashioned, knock-down, drag-out Shelf Porn Face-off! Two collections enter, but only one can leave the champion.
It started when I received an email from Tommy Baldwin, who said that he and his friend Shawn Hoklas wanted us to help settle the question “Who has the better room/collection?” I suggested we put it out to our readers to help decide. So, I’ve posted both sets of pictures today, and I’ve set up a poll so that you can vote for the room you think is better. If you aren’t sure how to decide, you can use the same criteria they use on Chopped — creativity, presentation and taste.
You can view Tommy’s collection below, then jump over to page two to take a look at Shawn’s. Finally, on page three, you’ll find a poll so you can vote for your choice. I’ll leave it open for a week, and then next Saturday we’ll declare a winner. Update: And we have a winner! Click over to the poll page to see who won.
Special thanks to Tommy and Shawn for sharing their collections with us. Now check them out!
One of the coolest things about Indiana Jones is his silhouette. Steven Spielberg uses it multiple times in Raiders of the Lost Ark to add to the character’s mystery and to build wonder around him. Mathew Reynolds capitalizes on that in a series of drawings that place Indy in non-canonical adventures that feel real simply for their perfect use of that iconic outline. They’re collected at io9, but Reynold’s DeviantArt account is worth checking out to see how he uses the technique for Robin Hood, characters from Star Wars, and an especially effective scene from Jaws.
When you learn how much research and realize how interested that artist Patrick Zircher is in the 1920s/1930s era of the Mystery Men, I expect you might be equally intrigued to learn more about this five-issue David Liss-written Marvel miniseries. The first issue, which was previewed by CBR late last week and goes on sale June 8, introduces readers to the first champions of the Marvel universe. As detailed in the preview: “Before Captain America, before The Twelve, there was The Aviatrix, The Operative, Achilles, The Revenant and The Surgeon! What drives these five heroes to pull on masks and take to the rooftops of Manhattan? What dark conspiracy not only brings them together, but threatens to tear the America apart?” In this email interview with Zircher, we discuss his affinity for designing a comic and characters much in the same vein as “Indiana Jones, the Rocketeer, and the Spirit”, as well as why the word “zeppelin” is cooler than “blimp” plus many other fun details. My thanks to Zircher for his time and to editor Bill Rosemann for giving Robot 6 readers a look at pages from issue 2. Once you’ve read the interview, be sure to comment on which Marvel heroes and villains (circa 1930s) you would love to see in Mystery Men.
Tim O’Shea: In terms of designing characters, how enjoyable/empowering is it to venture into relatively unexplored territory (of the 1920s and 1930s) in terms of the Marvel universe with this Mystery Men project?
Patrick Zircher: It’s been a gas. Though we approached Mystery Men as belonging to the Marvel Universe, as part of the big, big story– working in an earlier era allows for a lot of freedom. At the same time, all the possibilities for cool ties to the Marvel Universe this series opens has the comic fan in me pretty excited.