indiegogo Archives - Robot 6 @ Comic Book Resources
The Cartoonists Rights Network International has set up an Indiegogo campaign to raise $40,000 to extend its efforts, which include advocating for freedom of speech, getting the word out when a cartoonist is in peril, and working behind the scenes to aid cartoonists in trouble.
The organization offers a downloadable manual for cartoonists, and also presents the Courage in Editorial Cartooning Award each year to “a cartoonist who is in great danger or has demonstrated exceptional courage in the exercise of free speech rights, or both.”
Cartoonist Jose Garcia has been hard at work on a 120-page wordless graphic novel that explores four romance stories set in the four seasons. He’s looking to self-publish the book, fittingly titled Seasons, next year.
“Each one has its own mood and peace,” Garcia writes on the project’s Indiegogo page. “[Seasons is] based solely on feelings so I intend that each reader interpretation depends on his or her mood, and that by reading it in different occasions, the story’s meaning change!”
Following largely positive response to his teaser for a darker take on the Teenage Mutant Ninja Turtles, Benjamin Eck has launched an Indiegogo campaign to fund his short film TMNT: Banished.
In the live-action fan film, Raphael banished by Splinter after his “uncontrollable violence” begins to pose a threat to his family. Accompanied by Casey Jones, he takes refuge in Los Angeles, where “he will quickly discover that he’s not New York City’s only secret hiding on the West Coast.”
A little more than a year after it opened its doors, Mobile, Alabama, retailer 99 Issues Comics & Gaming has run into a problem: It’s outgrown its space.
When it opened in March 2013, the store carried just 99 titles to complement its name — yes, it’s a reference to the Jay-Z song — but within months that number had grown to more than 200 new releases, plus a selection of back issues. Add to that an area for playing video games, display cases and a desire to hold more in-store artist signings and, well, you can imagine things get a bit crowded — so much so that owner Chris Barnett says he loses money on every event.
In hopes of alleviating that problem, Barnett has turned to Indiegogo to raise $5,000, half of what he needs to expand the store. The rest will come out of his own pocket.
Retailing | The manager of Dragon’s Lair Comics & Games in Omaha, Nebraska, estimates 50 to 60 percent of their inventory was ruined by smoke and water after a fire broke out Sunday in the building that’s housed the store’s main location since 1976. Employees have been sorting through tens of thousands of comics to determine what can be salvaged while directing customers to the Dragon’s Lair store in the city’s Millard neighborhood. The hope is to use a store room next to the damaged building to begin offering limited services to customers — pull lists and special orders — as the retailer plans for what comes next. “We have every intention of reopening, here or elsewhere,” manager Craig Patterson said. “More than likely it will be elsewhere. And hopefully bigger and better than before.” [World-Herald]
After growing to 2 percent the size of the direct market in the last quarter of 2013, the crowdfunding sector of comics stumbled in January, even while the younger Patreon expanded.
Following up on my number-crunching and analysis from last month, I’ve continued tracking the progress of a market within comics that’s only beginning to mature. While there are more than two dozen crowdfunding platforms, Kickstarter and Indiegogo have been the established leaders from the get-go, especially in terms of comics-related campaigns. There is a smattering of comics projects on sites like GoFundMe, but by comparison those could be considered the long tail of this market. A crowdfunding hit has yet to occur on a platform other than Kickstarter or Indiegogo.
That could change with Patreon, however. As our ROBOT 6 contributor Chris Arrant noted last week, Zach Weinersmith of Saturday Morning Breakfast Cereal was already bringing in $7,500 a month after launching his campaign on Dec. 10. At the time of this writing, that amount is now $7,822.86 each month of comics he produces (minus Patreon’s fees). That;s coming from 2,839 patrons, or supporters. Meredith Gran’s campaign for Octopus Pie, which launched at the beginning of this month, already has more than $750 per month from 235 patrons. Last month, I would’ve included Patreon in the previously mentioned long tail with GoFundMe; however, those two high-profile campaigns are drawing attention to Patreon, so I wanted to see if I could better measure its footprint, and see how it stands up against Kickstarter and Indiegogo. Surprisingly, it turns out that Patreon could eclipse Indiegogo as the No. 2 comics crowdfunding platform.
After about five years of slowly building momentum, the crowd-funding sector of comics may be nearly 2 percent the size of the direct market. Based on analysis of the past three months of campaigns, funds generated through Kickstarter and Indiegogo would be roughly the equivalent of the sixth- or seventh-largest publisher distributing to specialty shops in North America.
While crowd-funded comics haven’t seen as brisk of an increase as digital comics, it’s a sector of the industry that’s undeniably growing. As more established creators and publishers experiment with running campaigns, they have pulled in their readers, increasing the awareness, and even the legitimacy, of the platforms. I’ve found this area to be under-studied, and I was curious to see just how economically significant crowd-funding is becoming to the comics industry. So I have collected data on every campaign that successfully raised funds through Kickstarter and Indiegogo from October 2013 to December 2013. I’m actually going further back than that, but that data isn’t ready yet; I’m still digging through the numbers, as data collecting, sorting and number-crunching can be challenging due to the different platforms and currencies. But I wanted to make public what I have so far because as we head into 2014, following Fantagraphics’ amazing Kickstarter campaign (as just one example), I believe we’re going to be seeing the industry embrace crowd-funding more and more, and there’s a lot we can still learn about how it works and how it affects comics.
Artist Pere Perez has worked on comics for the likes of Dark Horse DC, Marvel and Valiant, but now he’s poised to strike out on his own with his first creator-owned graphic novel Shaolin Mutants.
Described by Perez as an “epic kung-fu adventure,” Shaolin Mutants follows a kung fu-trained Shaolin monk named Leroy as he fights mutant armies in a near-future apocalyptic world. Kung fu is often used in comics, but Perez has a leg up on many of his colleagues: He’s a black-belt Wing Chun instructor who’s been practicing martial arts for nearly two decades.
“My love for martial arts has triggered the creation of this book, and my knowledge of them has helped me to create fighting choreographies and page layouts unlike anything you’ve ever seen on a comic book,” Perez writes on the Indiegogo page for Shaolin Mutants. “Also, I’ve tried to explain the philosophical and moral aspects of martial arts, so hopefully this book is not just an anthology of cool action scenes.”
Crowdfunding websites such as Kickstarter and Indiegogo have been a boon for independent comic creators, providing much-needed start-up cash to get their projects off the ground. Similar in scope to the rise of underground comix in the 1960s or the black-and-white boom of the 1980s, it’s changed the game for a number of creators. That’s why recent news that the massive video game publisher Square Enix is partnering with Indiegogo is so interesting.
To briefly summarize: Square Enix is one of the big players in the video-game market, especially in Japan, with titles such as Final Fantasy and Tomb Raider. In the partnership with Indiegogo, the two companies have essentially formed a think tank for independent developers outside of Square Enix to post video game proposals as Indiegogo campaigns. If they’re successful in the crowdfunding stage, they’ll receive marketing and development help from Square Enix to make the projects a reality. Going further, Square Enix even says there’s a possibility that video game developers could pitch projects based on the company’s immense back catalog.
The Northlake Public Library in suburban Chicago unveiled its Hulk statue earlier this month to a crowd of more than 300. ^Trustee Tom Mukite, who joined the board specifically to spearhead the statue campaign, called the event the “largest turnout at the library ever.”
Mukite and the other trustees launched an Indiegogo campaign in April to make improvements to the library that included the addition of a Hulk statue to help attract visitors. According to the campaign’s page, “Today’s libraries are celebrating creativity, entertainment and life long learning, and they are doing it with technology and popular materials including graphic novels.” It continued, “We want to smash [libraries’] stuffy reputation with a 9 foot tall Incredible Hulk Statue.” In explaining why the Hulk is an appropriate decoration for the library, the campaign said, “Just as Dr. Bruce Banner transforms into the Hulk, we want our library community members to make their own personal transformations through books, programs, and awesome new equipment. […] The project will show off the fun side of the library and get the community talking. The Hulk will force patrons to look at the library in a whole new way.”
Legal | Singapore cartoonist Leslie Chew apologized today for four comic strips that were formerly posted on his Facebook page Demon-Cratic Singapore. In a statement released by his lawyers, Chew said, “I accept that (the) comic strips had misrepresented to the public that the Singapore Judiciary administers differential treatment to individuals based on their nationality, social status and political affiliation, and that there have been specific criminal cases in which decisions were made by the Singapore judiciary on the basis of the above factors rather than on the merits.” In light of the apology, and the fact that the strips have been taken down, the Attorney-Generals Chambers has dropped contempt of court charges against Chew. The cartoonist was also charged with sedition in April, but those charges have been dropped as well. [Straits Times]
Legal | Palestinian cartoonist Mohammed Saba’aneh, who was arrested in March by Israeli authorities and held for what many feared would be an indefinite period, is expected to be released today. [Palestine News Network]
Graphic novels | Aligning itself with the latest trend in education, Diamond Book Distributors has released a list of 98 graphic novels that can fit in with a Common Core curriculum. [Diamond Book Distributors]
Awards | The shortlist has been announced for the Scottish Comic Book Alliance Awards. [Forbidden Planet]
Although I initially didn’t plan it this way, it’s appropriate that I’m running this interview with And The One Day creator Ryan Claytor on Father’s Day, as earlier this month Ryan and his wife Candace welcomed their first son, Owen Marshall Robert Claytor, into the world. Congratulations to the Claytor’s on their new addition!
No doubt Owen will one day be able to read about his birth from his father’s perspective, as Ryan has been chronicling parts of his life in a series of minicomics titled And The One Day. After almost a decade of self-publishing his comics, Ryan has turned to IndieGoGo to fund a collection of Autobiographical Conversations, the most recent story arc from And Then One Day. Autobiographical Conversations centers on a discussion between Professor Harry Polkinhorn, who teaches classes on the personal essay, and Ryan when he was a graduate student studying Comics and Fine Art. Their conversation is about autobiography, comics and the intersection of the two. His campaign ends on June 19, and he just announced a new stretch goal.
A library in suburban Chicago fell well short of its $30,000 fundraising goal to purchase graphic novels, a comics-creating station and a 9-foot-tall statue of the Incredible Hulk, but thanks to the generosity of a California businessman, it’s still getting a life-sized Green Goliath to call its own.
The trustees of the Northlake Public Library launched an Indiegogo campaign on April 26 in hopes of expanding its collection of about 2,300 graphic novels and manga, adding computer software and hardware, and buying a Hulk statue that might help attract visitors. “This larger-than-life literary character will become a giant green beacon of light to highlight our graphic novel collection, our creation station … not to mention the library’s sense of humor and whimsy,” the campaign description reads. “The project will show off the fun side of the library and get the community talking. The HULK will force patrons to look at the library in a whole new way.”
But with mere days to go, the Indiegogo drive has raised just $3,710; the statue alone costs in the neighborhood of $8,000.
Writer/director Hisonni Johnson has debuted the first episode of Grayson: Earth One, a fan-produced web series that re-imagines the origin of Dick Grayson/Nightwing in a familiar setting, with familiar characters, but without the DC Universe continuity.
“The twist being that Richard Grayson has never had the good fortune of being adopted as a child by Bruce Wayne, thus never becoming the boy wonder,” Johnson writes. “Instead, we have a Richard Grayson that had to fend for himself on the unforgiving streets of Gotham and, even worse, the streets of Bludhaven. A character that has to overcome years of dog eat dog mentality to become a selfless and kind individual. To ultimately fulfill his destiny and become a HERO.”
Judging from this video, it’s Arrow meets Catwalk, with occasional Dark Knight cameos. And, really, the acting and production standards aren’t that far removed from a typical CW series.
In conjunction with the premiere, Johnson has launched an Indiegogo campaign to raise $40,000 to produce five more episodes — a full season.