When he’s not busy running the Stumptown Comics Festival, Indigo Kelleigh draws comics, and he has come up with a cute mini-comic to hand out to the lucky kids who knock on his door this Halloween. Seven Little Monsters is a spooky riff on the Five Little Monkeys tale, done in a slightly retro pen-and-ink style. He posted the whole thing online for those of us who won’t be trick-or-treating in his neighborhood, so go, take a look.
Publishing | Damien Lucchese, a production artist laid off last week by Marvel, explains why fans should not boycott the publisher over the layoffs: “What I’m trying to say is that I don’t want everyone to just see the MARVEL logo and think of a huge, top-heavy company, full of money hungry suits that make poor decisions (in some peoples’ opinions). That’s not what MARVEL is and there are still people working very hard (even harder now), day after day to put out comics for people to enjoy.” [Blog@Newsarama]
Digital piracy | Jim Mroczkowski posts his third interview with a digital pirate; as in the first two episodes, what comes through is that social pressures and one-upmanship have a lot to do with it. Also, piracy is expensive for the pirates, who usually buy the comics they scan—and often don’t even read them. [iFanboy]
With DC’s “New 52″ titles hitting in a few short weeks, cartoonist Jon Morris has recruited a whole bunch of indie comic artists to put their own spin on what the relaunch could have looked like. Today he officially launched DC Fifty-TOO!, a blog that will feature mock relaunch covers by T.J.Kirsch, Marc Palm, Ryan Cody, Thomas Perkins, Robert Wilson IV, Matthew Allison and Benjamin Marra, among others. Morris asked them the question, “If DC approached you and offered you any DC property – past or present – of your choice to be your own new ongoing part of the DC Universe, what would the cover to the first issue look like?”
The first cover, featuring Blue Devil, is by Indigo Kelleigh, co-founder of Stumptown Comic Fest and creator of The Adventures of Ellie Connelly. Expect some others later today, with many more on the way.
As noted here on Monday, and amplified by Heidi MacDonald, two big indy comics shows, Stumptown Comics Fest (in Portland, Oregon) and the MoCCA Festival (in New York City) are now scheduled for the same weekend, April 28-29, 2012. MoCCA was originally scheduled for April 14-15, and in the letter to exhibitors that MacDonald reproduces at her site, no explanation is given for the change, although it is clear organizers realize that some exhibitors will be inconvenienced by the shift.
I went to MoCCA for the first time this year, and several creators told me they were doing both shows, which were a week apart. I was impressed that they made the effort, but it was clearly worth it to them, so it’s not surprising that there has been some grumbling, and it was nice to see Stumptown organizer Indigo Kelleigh’s gracious response to the conflict:
I just wanted to state for the record, that I know the difficulties in arranging for a venue for an event of this size, and more often than not our own final dates are dictated by the venue’s availability moreso than our desired schedule. I can’t assign any malice to this announcement on the part of the MoCCA organizers, and I hope nobody else does, either.
I do believe that there’s plenty of talent on both coasts, and further that this move will not harm either of the shows in the short term. For a show like Stumptown, which has only seen increased demand year after year, even last year in our move to a much larger exhibit space, I don’t believe this unfortunate scheduling will impact the quality of our Comics Fest in the slightest.
Some of the commenters at The Beat had said more or less the same thing, but it’s good to hear it from a show organizer. (Torsten Adair pointed out that Wizard World Anaheim is also scheduled for that weekend, but no one was complaining about that.) It sounds like the organizers of indy-comics shows already do try to avoid conflicts, but they don’t always succeed. I hope they do next year, because one inevitable result is that the East Coast artists stay on the East Coast and the West Coast artists stay on the West Coast, and everything gets a little bit more boring.
I have been a fan of Indigo Kelleigh’s Tintinesque webcomic Ellie Connelly and the Eye of the Vortex almost since it launched, but that’s a frustrating avocation, as Kelleigh has to earn a living (among other things, he is the director of the Stumptown Comics Fest), so the comic tends to proceed in fits and starts.
Now Kelleigh is joining the legions of creators who are hoping to fund some creative time via Kickstarter. Kelleigh’s pitch is ambitious: He is trying to raise $25,000, which he reckons will cover his living expenses for a year while he completes Ellie Connelly, as well as the cost of producing a 64-page print edition of the first volume. The goodies for contributors include a nifty 4 GB flash drive (with Ellie Connelly logo!) for storing the comics, which is a nice touch, as well as the usual assortment of comics, sketches, and the opportunity to be drawn into the comic as an extra or a named character. Kelleigh has a long way to go here—as of this morning, he had raised less than $1,000—but it’s a nice book and if he can finish it, it should find an enthusiastic audience.