Axel-In-Charge: In-Depth with Alonso on Marvel's "All-New, All-Different" Lineup
Considering that DC/Marvel crossovers appear to be a thing of the past even in comic books, it seems unlikely we’ll see Thor face Superman on the big screen in our lifetimes. Undeterred by any corporate differences, a certain Alex Luthor (no relation, presumably) has assembled an epic trailer that gives us a taste of what such a live-action crossover might look like. And it’s pretty glorious.
Using footage from sources ranging from The Avengers and Iron Man to The Flash and the rejected Wonder Woman pilot — you’ll even see Injustice: Gods Among Us — Luthor crafts a teaser that pits Batman against Iron Man, Hawkeye against Green Arrow, Black Widow against Black Canary, Loki against The Joker … the list goes on.
Graphic novels | Sales of graphic novels are up 10 percent so far this year compared to the same period in 2013, according to Neilsen BookScan, which tracks sales in bookstores and other general retail channels. In terms of unit sales, that’s about 5.6 million books sold this year, as opposed to 5.1 million in 2013. The trend is echoed by Diamond Comic Distributors’ numbers for the direct market, which show graphic novels up 3.8 percent in dollars and 5.8 percent in unit sales year to date. [Publishers Weekly]
Creators | Alison Bechdel is having a busy week: Following the news that she has been awarded a prestigious MacArthur Foundation fellowship, she announced her new book: The Secret to Superhuman Strength, a memoir of her obsession with exercise and a history of American fitness fads, to be published in 2017 by Houghton Mifflin Harcourt. [The New York Times]
Arrow Season 2.5, which debuted Monday, will alternate weeks with The Flash: Season Zero. Set between the second and third seasons of the hit television series, Arrow is penned by executive producer Marc Guggenheim and staff writer Keto Shimizu, and illustrated by Joe Bennett and Jack Jadson. The Flash: Season Zero, meanwhile, takes place between the events of the pilot and the second episode, and is written by Andrew Kreisberg, Brooke Eikmeier and Katherine Walczak, with art by Phil Hester and Eric Gapstur.
Publishing | The latest BookScan numbers reveal June was a good month for manga in bookstores, with eight volumes of Attack on Titan making the top 20 — a new record. The first volume topped the list, which means new readers are still discovering Hajime Isayama’s dark fantasy. Overall, manga had a slight edge, with 11 titles, and all three volumes of Saga were on the list, but only one volume of The Walking Dead. And despite the Amazon-Hachette battle, the Yen Press title Sword Art Online: Aincrad made the chart. [ICv2]
Publishing | ICv2 and Comichron’s John Jackson Miller joined forces to calculate the size of the entire comics market, including the direct market, bookstore and digital channels, and both single issues and graphic novels. Inevitably some things get left out, such as subscription services, sales to libraries and the juggernaut that is the Scholastic Book Fair, but it’s a good snapshot. The bottom line: $850 million in 2013. [Comichron]
Passings | Frank Cummings, an artist for the comic strip Blondie, has died at age 55, according to a posting on Blondie.com. No cause of death is given, but this obituary (in Italian) states he had a long battle with pancreatic cancer. Cummings started his career as a commercial artist and self-published his own satire magazine, JAB. Later on he illustrated the newsletter of diet and exercise guru Richard Simmons and did movie parodies for Cracked. He joined Blondie in 2004 as an assistant to head artist John Marshall. [The Daily Cartoonist]
Publishing | Former DC Comics President and Publisher Paul Levitz has debuted an “occasional” column on the retail news and analysis site ICv2. [ICv2.com]
Amazing X-Men, Vol. 1: The Quest For Nightcrawler (Marvel): Writer Jason Aaron transitions quite seamlessly from his 42-issue (or eight-trade paperback) run on Wolverine & The X-Men to this new series, which maintained the same setting and much of the same cast, only a switch of focus. Rather than the student body of the Jean Grey School For Higher Learning, the stars of this series are the superhero teaching staff, with a few additions not seen in Wolverine & The X-Men (Firestar coming in to replace Kitty Pryde, who was spirited away from the cast by Brian Michael Bendis to appear in his X-Men books, plus Northstar and the guy whose name is in the subtitle and is front and center on the cover).
Aaron’s main partner for this first volume is penciler Ed McGuinness (inked by Dexter Vines and colored by Marte Gracia), an artist whose big, muscular, cartoony style fits perfectly with the slightly zany tone of the story, and Aaron’s X-Men comics in general. Cameron Stewart draws the sixth issue in this collection, a sort of epilogue in which most of the other characters you would want to see reunite with Nightcrawler do so.
Graphic novels | Image Comics had a strong December in bookstores, snagging nine slots on BookScan’s Top 20 chart: Eight volumes of The Walking Dead (including the very first one, at No. 4), plus the first Saga collection, which was originally released in October 2012. The first two volumes of Attack on Titan, which are more than a year old, were also on the chart. [ICv2]
Legal | Colleen R. LaRose, aka “Jihad Jane,” was sentenced Monday to 10 years in prison for her role in a failed conspiracy to murder Swedish cartoonist Lars Vilks, who drew images of the Prophet Mohammed that offended many Muslims. [The New York Times]
Every year ROBOT 6 contributors Tom Bondurant and Carla Hoffman get together to talk about everything in Big Two superhero comics. Watch for Part 2 on Thursday.
Carla: Is it me or was 2013 crazy-busy? There were event comics, new titles, canceled titles, movies (plural for Marvel!), TV shows and video games. It seems like there’s no escape from comics, making it harder and harder to get a general idea of the industry. Some days I kind of envy the indie comic fans as it must be a lot easier to handle comics as they come, as opposed to our gestalt juggernaut that is the Big Two. How much DC business could you comfortably follow before overwhelm set in?
Tom: Well, for starters, I pretty much skipped all of the video game and Cartoon Network developments, because I don’t have time for either area.
Or: “How I Learned to Quit Worrying and
Love Like Injustice: Gods Among Us.”
Knowing me as well as I do, I would have expected to absolutely hate Injustice: Gods Among Us, the digital-first comic based on the fighting game from the makers of Mortal Kombat, written by Tom Taylor and drawn by some eight different artists. It’s newly available in a hardcover collection of the first six issues that bears the tagline “The World-Wide #1 Bestselling Comic,” which I found dubious without qualification. (The whole world? Even counting Japan, where they have the One Piece and what do the kids read these days, the Naruto?)
Why would I expect not to like it? Well, a couple of reasons.
The costuming is pretty extreme. I was aesthetically offended by many of the New 52 costumes, which in general seem to be a compromise between the characters’ most popular outfits, whatever was in style at Image in 1992 and something that a Hollywood costuming department might put together for a live-action superhero movie or television series. Injustice took many of those designs even further, so that its Flash, for example, was wearing at least as much padding as NFL Super Pro.
DC Comics hasn’t had a particularly good run of things lately. To be frank, the publisher has done blown it a number of times over the past few years. But don’t worry, DC fans — I’m sure it’ll soon be Marvel’s turn, as the two rivals seem to trade off every five years or so.
I’ve been calling out DC for the past couple of weeks, but that doesn’t mean everything it does strikes me as wrong. It’s important to declare shenanigans, but it’s also important to recognize when a publisher does something that’s good for comics.
So here are six things DC is doing right:
1. Digital comics: Legends of the Dark Knight and Adventures of Superman are digital-first anthology series that feature some excellent creators (from Jeff Parker and Chris Samnee to J.M. DeMatteis and Jeff Lemire) producing completely accessible and entertaining stories that stand on their own; no college course on the New 52 or Crisis on Infinite Earths required. Yes, these stories are out of continuity — so for a percentage of readers, they don’t count. That’s a mistake, because there’s nothing wrong with a straight-up superhero tale that exists on its own terms. These two anthologies are the gems of DC’s digital-first line-up, but Batman ’66 and Batman: Li’l Gotham also offer fantastical takes on the iconic Caped Crusader that are bright and fun. For those exhausted by the angsty versions of serious stories, you owe it to yourself to check these out.
The success of DC Comics’ digital-first Injustice: Gods Among Us comic comes to an end this week — at least temporarily. The comic book prequel to the NetherRealm Studios fighting game finishes its first digital run with Injustice: Gods Among Us #36, but there’s still more to come.
Writer Tom Taylor will return in 2014 for new weekly installments of the series, picking up where Issue 36 leaves off.
“I said early on that we had a definite ending in mind for our story,” he told IGN. “I knew that the story we were telling in these 36 chapters was essentially the break-up of the World’s Finest friendship. When Superman and Batman’s relationship became irreparable, that’s when our story would end. That tale is told now. However, we have another story to tell in the pages of Injustice, and that story will begin in January 2014.”
In addition, an Injustice Annual issue is solicited for Nov. 13, written by Taylor with art by Xermanico, introducing Lobo to the world of Injustice and pitting him against a super-powered Harley Quinn.
Legal | Singapore cartoonist Leslie Chew apologized today for four comic strips that were formerly posted on his Facebook page Demon-Cratic Singapore. In a statement released by his lawyers, Chew said, “I accept that (the) comic strips had misrepresented to the public that the Singapore Judiciary administers differential treatment to individuals based on their nationality, social status and political affiliation, and that there have been specific criminal cases in which decisions were made by the Singapore judiciary on the basis of the above factors rather than on the merits.” In light of the apology, and the fact that the strips have been taken down, the Attorney-Generals Chambers has dropped contempt of court charges against Chew. The cartoonist was also charged with sedition in April, but those charges have been dropped as well. [Straits Times]
History | Scholars will present their research this week on The Glasgow Looking Glass, which is believed to be the very first comic book, at the International Graphic Novel and International Bande Dessinee Society Joint Conference in Glasgow Published in 1825, the work is a satire of early 19th-century Scottish fashions and politics. [ITV]
Retailing | Aaron Muncy, owner of The Comic Shop in Decatur, Alabama, is matter-of-fact about his business: There isn’t much of a kids’ market, he says, and he has no time for collectible comics: “Since it’s worth so much money — it’s just straight to eBay and get rid of it. I’ll leave it in the store for a week or two if I pick it up, just to give my customers a chance but it’s worth too much money to have sitting around.” [WAFF]
Hello and welcome to What Are You Reading?, where we reveal our picks for the best Super Bowl ads … er, where we talk about what we’ve been reading lately. Today our special guest is Sonia Harris, who writes a weekly column – Committed – for Comics Should Be Good, and is a graphic designer on books such as Butcher Baker the Righteous Maker (collected in hardcover now from Image Comics) and upcoming comic books SEX (beginning March) and The Bounce. (beginning May).
To see what Sonia and the Robot 6 crew have been reading, click below.
The first issue of the improbably titled Injustice: Gods Among Us includes a dystopian future featuring a fascist Superman, a half-dozen or so superheroes, a handful of supervillains, a pregnant Lois Lane, the deaths of multiple characters, a submarine hijacking and the detonation of a nuclear bomb.
I was most interested in what everyone was wearing.
Injustice is the print version of the digital-first comic based on the upcoming fighting video game from the makers of Mortal Kombat. The game is, of course, based on DC’s characters, so with the release of this issue, the circle is complete: This is the precise part of the tail where the transmedia ouroboros chomps down.
The aspect of DC’s overall New 52 refurbishing — from the de-cluttering continuity reboot to the costume redesigns — that has most fascinated me is that the timing seemed to indicate it was part of a transmedia strategy, which of course has led to months of trying to figure out why particular changes or decisions might have been made, and what that indicates about the publisher’s priorities.
This deep in to the New 52, it’s clear DC eschewed making its comics universe more closely resemble that of the popular, all-ages cartoons like Justice League Unlimited, Teen Titans, the decades of assorted Batman shows and even Young Justice, which seems rather remarkably able to synthesize aspects of complicated comic-book continuity. And it’s clear the publisher has instead focused its energies on the older teen/adult audiences of video games Batman: Arkham Asylum and Arkham City and, to a lesser extent, Christopher Nolan’s Batman movies and their DC Universe Online video game.
So here’s a comic book based on the company’s next big video game, which was being developed and produced just as the New 52 line was being developed and produced: What will this comic look like? What will it be like?