"Deadpool" Sequel in Motion, Screenwriters to Return
Creators | Oni Press will republish Sophie Campbell’s Wet Moon in a new edition with her correct name on the cover, and a new cover design by Annie Mok. Campbell, who announced earlier this year that she’s transgender, says she’s particularly happy to have a new edition coming out so soon: “I didn’t think I’d get new editions this early, I thought I’d have to wait a couple years for the next printing to roll around to get my name fixed, so it’s awesome getting it this soon after I came out. And having the new covers is really great too, I like that they differentiate the new editions from the old ones, for me it feels like a specific, clear divide between now and then.” [Autostraddle]
Legal | A Judge Dredd comic that makes fun of McDonald’s and Burger King is finally being reprinted in a collection, thanks to a change in the European Copyright Directive, which now allows creators to use copyrighted characters if the intent is clearly parody. In the “Burger Wars” story, first published in 1978, Judge Dredd is captured on a trip to the United States and force-fed fast food; the story includes images of Ronald McDonald and the McDonald’s logo. Another story, “Soul Food,” has a mad scientist creating versions of the Jolly Green Giant and the Michelin Man. Ben Smith of Rebellion Publishing says fans have been asking for years for these story to be reprinted in their collected editions, but they were held back for fear of legal action. When the law was changed, Smith said, they took another look: “It was like a light bulb went on. We thought: ‘Surely this means we can look at Burger Wars?’ We looked into it and here we are. This is straight-out pastiche, parody and arch satire. There didn’t seem any reason not to bring them to the public again.” [The Independent]
Artist Ken Lashley leaped into the spotlight this week with his collaboration with writer Gail Simone on DC Comics’ latest incarnation of Secret Six. No stranger to the publisher, he’s provided covers for such titles as Suicide Squad and Superboy, and drawn interiors for Superman: Doomed. A quick glance of CBR’s previews archives reveals the variety of work he’s done for other publishers in recent years, including a couple of AXIS Revolutions covers for Marvel.
To get an idea of the variety of characters Lashley draws, as well as some of his commissions, one needs only to look at his Instagram profile (where he posts under the username Ledkilla). In addition to the range of talent he shares with his fans, he clearly relishes shooting some of his samples at interesting angles, adding a layer of kineticism.
In case you weren’t able to make this year’s Thought Bubble: The Leeds Comic Art Festival, ROBOT 6 has rounded up snippets of the overall experience through social media. The festival, now in its eighth year, was held Nov. 9-16, ending with a two-day convention on Nov. 15-16. Beyond the final two-day event, Thought Bubble offered more than 80 comics-related opportunities — some in cooperation with the 28th Leeds International Film Festival.
This February will mark five years since the release of Raina Telgemeier‘s Smile, the autobiographical graphic novel about her childhood from sixth grade to high school, partially documented by her orthodontia experience through those years.
Telgemeier’s teeth were forefront in her mind earlier this week as she visited her dentist, taking a couple of pictures while there, which she shared on her Instagram account.
Sometimes, a little curious clicking on a few links can pay off. I recently discovered that the fairly social media-resistant Jamie Hewlett has a public Instagram account, a fact that can’t be that widely known, considering that he has fewer than two dozen followers. There’s not that much to see there, as he’s posted just 17 images so far, but to follow up on our story about Hewlett’s additional designs for the upcoming New York City production of Monkey: Journey to the West, there are a few photos of some character make-up tests. The Lincoln Center’s YouTube account has some footage of rehearsals, and an interview with Jamie and Damon Albarn on the subject.
Eric Canete has been ramping up interest for March’s Emerald City Comic Con, where he’ll be selling a sketchbook called Monsters and Dames, by posting tantalizing glimpses of works in progress via his Instagram feed and the finished work on his Twitter account.
A while back, Canete vowed on his blog to no longer sketch copyrighted characters, so if you requested, say, a Big Barda sketch, he’d instead do a piece for you based on his reimagining of Kirby’s initial concept of a warrior goddess. There’s clearly some of this notion going on with these pieces; I think we all could take a guess at which characters possibly inspired which drawings. Some of the pictures below may be regarded as NSFW, depending on your boss’ tolerance for cartoon pokies or under-boob.