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This! is how women in superhero comics should be portrayed

One of many moments This! would like you to remember

I understand the importance of complaining about things that need changing — it’s the stick that gets the donkey pulling the cart in the right direction. I don’t think it’s completely effective on its own, though. In the conversation about women in superhero comics, the carrot is under-utilized, so I appreciate a blog like This Is What Women in Superhero Comics Should Be (aka This!) that points out specific examples of women used well in superhero comics. The cart needs to get moving, but it also needs a direction, and This! offers one.

The blog’s only three days old and has already captured more than 30 great moments for women, from Wonder Woman and Catwoman to Jessica Jones and Jennie Sparks. It’s pretty DC-heavy so far, but it’s taking submissions for moments from all superhero publishers.

U.S. House and Senate call off votes on PIPA and SOPA

Senate Majority Leader Harry Reid

Senate Majority Leader Harry Reid this morning postponed a vote on the PROTECT IP Act, a controversial anti-piracy bill that, along with the House’s Stop Online Piracy Act, drew widespread online protest just two days earlier.

Rep. Lamar Smith (R-Texas), chairman of the House  Judiciary Committee, quickly responded to the announcement by shelving SOPA “until there is wider agreement on a solution.”

The delays appear to be indefinite, with Reid suggesting that PIPA sponsor Sen. Patrick Leahy (D-Vermont) redraft the proposed legislation, saying in a statement, “There is no reason that the legitimate issues raised by many about this bill cannot be resolved.”

“I encourage him to continue engaging with all stakeholders to forge a balance between protecting Americans’ intellectual property, and maintaining openness and innovation on the internet,” Reid (D-Nevada) continued. “We made good progress through the discussions we’ve held in recent days, and I am optimistic that we can reach a compromise in the coming weeks.”

In his statement, Smith added: “I have heard from the critics and I take seriously their concerns regarding proposed legislation to address the problem of online piracy. It is clear that we need to revisit the approach on how best to address the problem of foreign thieves that steal and sell American inventions and products.”

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Tom Brevoort revisits the Marvel Age of Comics

Jim Steranko's "Nick Fury, Agent of S.H.I.E.L.D." Christmas card

Tom Brevoort, Marvel’s senior vice president of publishing, has begun digging into his archives for The Marvel Age of Comics, his new Tumblr blog devoted to “rarities and original art from the formative days of Marvel.” It launched just yesterday, and there’s already some terrific images, including a page of original art from 1941′s Captain America Comics #6, John Byrne’s character sheet for Kitty Pryde and, above, Jim Steranko’s Christmas card from when he was working on Nick Fury, Agent of S.H.I.E.L.D.

Comics A.M. | Filling void left by Atomic Comics bankruptcy

Atomic Comics

Retailing | In the wake of the August closing of the Atomic Comics chain, Mesa, Arizona-area retailers are searching for ways to diversify in an attempt to keep their own stores afloat. Mike Banks, owner of Samurai Comics, has even opened a new location next to Atomic’s former flagship store to serve customers who suddenly found themselves without a comics shop. [East Valley Tribune]

Creators | Mike Mignola talks about his plans for next year’s Hellboy in Hell: “It’s a personal story about him, but with huge ramifications for the structure of Hell. I’m trying to get Hellboy free of the giant, Beast-of-the-Apocalypse storyline. That story has to get bigger before it can be put away. This first arc is the culmination of all the prophecy crap I’ve been trotting out throughout the years. We put a lot of things to bed.” Mignola also discusses his plans for B.P.R.D. and why he can’t watch the pilot of The Amazing Screw-On Head. [io9]

Creators | Tom Spurgeon continues his holiday interview series with a lengthy chat with Jeff Parker that spans his early comics-reading experiences, the influence of his artistic background on his writing, and his career at Marvel. [The Comics Reporter]

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Gareb Shamus resigns from Wizard World

Gareb Shamus

Gareb Shamus, divisive founder of the once-influential Wizard magazine, has resigned as president and chief executive officer of Wizard World Inc.

The publicly traded company announced the move in documents filed Thursday with the U.S. Securities and Exchange Commission. “The resignation is not the result of any disagreement with the company on any matter relating to the company’s operations, policies or practices,” Shamus wrote in his two-sentence letter of resignation.

Michael Mathews, the former CEO of interclick inc. who joined Wizard World in March as chairman, will oversee the day-to-day operations of the company until Shamus’ replacement can be found.

Shamus founded Wizard: The Guide to Comics in 1991, overseeing the rise of a magazine whose prosperity was inextricably tied to the speculator boom it helped fuel with its price guides, creator hot lists and enthusiastic coverage of new publishers like Image Comics and Valiant. By 1997, Wizard Entertainment had added Inquest Gamer and ToyFare magazines and extended its reach with the purchase of Chicago Comicon, later rebranded Wizard World Chicago, setting the company on its long, and occasionally rough, path to becoming a major organizer of regional conventions (earlier this year Wizard World briefly trumpeted 12 cities before slashing that number to eight).

However, the following decade wasn’t as kind to Wizard or the comics industry, with the magazine seeing its circulation dwindle to about 17,000 copies by December 2010. A month later, Shamus abruptly announced the closing of Wizard and ToyFare, the company’s last remaining magazines, and the subsequent launch of an online magazine, a move he later characterized as “the smartest business decision I’ve made in years.”

But about two weeks ago, the digital magazine that Shamus had boasted reached “millions of people” apparently disappeared from the Internet, just about the time that its founder launched a blog on the Wizard World site. Now that, too, is gone. His new Twitter account remains — although he hasn’t written an update since Nov. 28.

Wizard World hopes to have Shamus’ successor in place by Jan. 15.

Mark Millar defends Frank Miller against ‘cyber-mob mentality’

Batman: The Dark Knight Returns

Frank Miller, whose tirade against the Occupy movement was met with a largely negative, and frequently heated, response, has found an unlikely defender: left-leaning writer Mark Millar.

In a post on his Millarworld forum, the writer of Kick-Ass and The Ultimates says, “It’s strange to watch your favourite writer getting strips torn off him for a couple of days.”

“Politically, I disagree with his analysis, but that’s besides the point,” Millar continues. “I wasn’t shocked by his comments because they’re no different from a lot of commentators I’ve seen discussing the subject. What shocked me was the vitriol against him, the big bucket of shit poured over the head by even fellow comic-book creators for saying what was on his mind.”

As one commenter points out, it probably shouldn’t be shocking that Miller’s no-holds-barred screed, which characterizes Occupy protesters as “a pack of louts, thieves, and rapists” who “can do nothing but harm America,” was answered with a degree of vitriol. Or, in the commenter’s words, “if you throw the first bucket of shit [...] then you should be prepared for some splashback.” Perhaps if Miller’s commentary had been more reasoned and less inflammatory — “decorous,” as Miller himself would say — the reaction might’ve reflected that.

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4chan takes on J. Scott Campbell’s Mary Jane Watson

J. Scott Campbell’s never been the most realistic of comic artists, and that’s part of his charm. But the notorious pranksters at 4chan have taken issue with the way he posed Mary Jane Watson on the cover to Marvel’s The Amazing Spider-Man #601. You’ll need to click after the break to see 4chan members acting out the contortions.

This brings up a broader point about cartooning: Since their inception, comics have largely strayed away from realistic depictions of characters, be they humans, anthropomorphic animals or anything else. While Campbell’s poses might not be anatomically realistic, part of his style/aesthetic/appeal lies in that bending of reality. Having real people act out some of the exaggerated poses of Campbell, Rob Liefeld or Jack Kirby would show how unrealistic they are … but then again, that stylistic exageration is what makes illustration different from photography and part of the appeal.

That out of the way, seeing people act out Campbell’s poses below is engrossing.

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Magic: The Comic to debut this fall from IDW

It’s been a big week for the trading-card game Magic: The Gathering. Let’s recap:

On Monday, Gizmodo intern Alyssa Bereznak briefly took the crown as most despised person on Twitter when she revealed that she was matched up with Jon Finkel on a computer date and rejected him once she learned that he was a former M:TG world champion. This got Bereznak a ton of hate Tweets and Finkel a lot of sympathy on geek and mainstream blogs.

On Wednesday, Dark Horse released The Last Dragon, a truly gorgeous fairy tale-style fantasy illustrated by M:TG artist Rebecca Guay.

And Thursday, IDW Publishing announced it’s teaming up with Hasbro to launch a Magic: The Gathering comic book. It’s not the first M:TG comic (here’s a list), but it is the first in more than 10 years. The series launches with a four-issue miniseries about “a unique, new Planeswalker, a powerful mage with the ability to travel between worlds in the Magic Multiverse,” which of course allows for lots of flexibility when it comes to stories. Game designer Matt Forbeck is writing the comic, and Martín Cóccolo will handle the art. The comic will be available digitally as well as in print, and it will be collected into graphic novels. And naturally —y ou know they had to do this — it comes with “exclusive, playable, alternate-art cards for the MAGIC: THE GATHERING TCG,” in “select issues” of the comic.

Just … if you read it, be sure to mention that in your computer dating profile, or you might be accused of being a stealth geek. On the other hand, that apparently isn’t all bad.

Mike Maihack’s Supergirl/Batgirl really, really needs to happen

Supergirl/Batgirl, by Mike Maihack

Although we covered the launch of DC Fifty-TOO! just last week — it’s the Jon Morris-spearhead blog on which cartoonists offer their own ideas for DC relaunch titles — I already find myself revisiting it to spotlight a cover. Heck, I could close my eyes, point and land on a half-dozen pieces worth highlighting, but today I’ll focus on the contribution by Cow & Buffalo creator Mike Maihack, who floats an irresistible spin on DC’s classic World’s Finest formula starring Supergirl and Batgirl (Barbara Gordon):

Can the same blonde-haired, wonder teen from Metropolis who helped Barbara Gordon finally put an end to Killer Moth’s week-long crime spree also be the new popular transfer student at Gotham High? Good thing they have superheroics in common because Babs’ and Kara Zor-El’s student lives are about to clash.”

That’s a rough tagline for a book that shouldn’t come as any big surprise for those who have followed me online for longer than a week. I would take a more all-ages approach to the series, placing Babs and Kara in high school who, despite some social differences, eventually become best friends. That’s when I would introduce an idolizing fourteen-year-old Mary Marvel to annoy the heck out of them.

It’s the promise of Mary Marvel that really sells it, isn’t it?

Comics A.M. | ‘Pop artist’ accused of stealing art; CBG goes digital

Chad Love Lieberman

Copyright | After running a feature about “New York Multimedia Pop Artist” Chad Love-Lieberman, nephew of Sen. Joseph Lieberman, the website Campus Socialite retracted its story upon finding out that Love-Lieberman “is a fraud, taking other people’s art from the web, touting it as his own, and worst of all – selling it for profit.”

Ursula Vernon, creator of the webcomic Digger, noted that one of the pieces in the article was actually hers. “Mad props to the staff at the Campus Socialite, who got back to me in under ten minutes and promised to pull everything and edit the article — they were just as outraged as you’d expect them to me. I’ve actually granted them permission to use the art with appropriate credit if it’ll help illustrate the issue (pun intended),” she posted on her LiveJournal. The domain for Love-Lieberman’s site, art4love.com, isn’t working, but the site is still up. Artist Deirdre Reynolds has a list going on DeviantArt of all the pieces on art4love that artists have identified as their own. Gary Tyrell, meanwhile, has reached out to both Love-Lieberman and his uncle for comment. [Campus Socialite]

Digital | Comics Buyer’s Guide has gone digital; issues of the long-running industry publication are now available on iVerse’s Comics+ application. Johanna Draper Carlson notes that only two CBG-related publications are currently available — the July 2011 issue and 1000 Comic Books You Must Read by Tony Isabella. [press release, Comics Worth Reading]

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How Donald Glover finally secured the role of Spider-Man

Troy (Donald Glover) in the opening scene from the season premiere of "Community"

A little more than a year ago, journalist and comics writer Marc Bernardin penned an editorial wondering why the Spider-Man in Sony’s movie-franchise reboot had to be played by a white actor, inspiring actor/comedian Donald Glover to spearhead an online campaign to secure an audition. The role eventually went to Andrew Garfield, of course, but Glover’s lobbying effort inadvertently ignited a disturbing Internet firestorm that Community creator Dan Harmon later characterized as a “curious eruption of a previously unknown demographic of racist comic-book readers.”

It wasn’t one of fandom’s shining moments. But fast forward 14 months, to the 49th anniversary of Spider-Man’s first appearance — that’s right, Amazing Fantasy #15 hit newsstands this week in 1962 — and the introduction of the new Spider-Man of Marvel’s Ultimate Universe. Caution: Spoilers follow for those who haven’t seen the countless newspaper and website articles on the subject.

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SDCC ’11 | DiDio tackles questions online in ‘virtual convention panel’

Dan DiDio

Warming up for a grueling Comic-Con International schedule, DC Comics Co-Publisher Dan DiDio held a virtual convention panel last night on Facebook for fans who can’t make it to San Diego. Highlights from the Q&A include:

• DC no longer has the rights to Archie’s Red Circle superheroes.

• Stephanie Brown will remain part of the DC Universe following the September relaunch. However, DiDio won’t reveal where she is just yet. “Sorry, but we are keeping some secrets,” he wrote, “and one of them involves Stephanie.”

• He’s sticking by his earlier remarks about the status of the Justice Society, saying “the official answer on JSA is that ‘They’re resting’.”

• When can we expect the release of Dark Knight: Boy Wonder, the planned six-issue conclusion of Frank Miller and Jim Lee’s All-Star Batman and Robin the Boy Wonder? “Probably when he is The Teen Wonder.”

• Asked whether we’ll ever see the new version of Who’s Who in the DC Universe announced in December 2009, DiDio replied, “the question is not who’s who but when’s when.”

DiDio’s first actual Comic-Con panel, “DC Comics — The New 52,” kicks off at 2 p.m. Thursday in San Diego.

DC Comics wins ManofSteel.com domain-name dispute

An arbitrator on Tuesday ordered the ManofSteel.com domain name transferred to DC Comics, leaving little doubt where the website for Warner Bros.’ upcoming Superman movie will reside.

Fusible reports that a panelist for the National Arbitration Forum agreed with DC’s argument that the domain name is identical to the company’s trademarks “Man of Steel,” registered in 1999, and “The Man of Steel,” registered in 1987. He also found that ManofSteel.com was registered and used in bad faith, and was “neither a bona fide offering of goods or services nor a legitimate noncommercial or fair use.”

Coni c/o LBR Enterprises, which was believed to have registered the domain in October 2001, failed to respond to DC’s June 22 complaint.

The Zack Snyder-directed Man of Steel, starring Henry Cavill, Amy Adams, Michael Shannon, Diane Lane and Kevin Costner, is set to open in December 2012. Fusible notes that TheManofSteel.com, which isn’t owned by Warner Bros. or DC, is for sale by its current owner for $300.

DC’s ‘New 52′ web page inadvertently reveals names of original writers

The original Supergirl listing on DC Comics' "The New 52" landing page (courtesy ComicsAlliance)

We’ve known for a few weeks now that some writers were attached to titles in DC Comics’ upcoming relaunch, only to find themselves shuffled off even as the official announcement was made. While some creators have spoken openly about the hurried, and somewhat-confused, pitch and rejection process, the names of other writers, and the corresponding titles, have been a mystery.

But with the launch last night of the publisher’s new landing page for “DC Comics: The New 52,” ComicsAlliance discovered that some of the original creators were, at least briefly, listed among the issue descriptions, providing evidence of the original plans. There’s confirmation of Brian Wood, instead of Michael Green and Mike Johnson, on Supergirl, Michael Alan Nelson, rather than Ron Marz, on Voodoo, and Simon Spurrier and an undetermined artist, rather than Paul Jenkins and Bernard Chang, on DC Universe Presents.

C.O. Austen, whom ComicsAlliance theorizes might be much-criticized Uncanny X-Men writer Chuck Austen, was also listed on Blackhawks, in place of Mike Costa, who actually ended up with the gig.

DC has made the corrections this morning, but ComicsAlliance has the screencaps from last night.

Who’s the mysterious 15th member of the Justice League?

Justice League, by Jim Lee

When an image of the full, 15-member lineup of DC Comics’ relaunched Justice League leaked over the weekend, discussion immediately turned to the identity of two of the four female characters.

The figure on the left, between Atom and Firestorm, was quickly pegged as Element Woman, a member of the Secret Seven who debuted in Flashpoint #1. But the character opposite her hasn’t been so easy. Speculation soon settled on Zealot from the WildStorm universe, Black Canary, Power Girl — fan blog DC Women Kicking Ass has head shot comparisons — and even the monster-hunting Miranda Shrieve introduced in Flashpoint: Frankenstein and the Creatures of the Unknown #1.

All are seemingly good contenders — all blonde, all with something to contribute to the Justice League roster, and to the newly tweaked DC Universe continuity. Black Canary has a history with the League — she’s alternately a founding member or a later addition, depending on the reboot — while Power Girl served with Justice League Europe. Of course, if the Justice League is starting anew, then none of that much matters. Zealot would help to cement the mergers of the DC and WildStorm universes (Martian Manhunter is now part of Stormwatch), and Miranda, along with Element Woman, would help to untangle how, or if, the threads of Flashpoint tie into the New DCU.

There are solid cases for each of those characters, right? Even if none has the beauty mark that the mystery woman sports above her lip. Right? Well, no.

Overnight, Justice League writer Geoff Johns dropped a bombshell that destroyed all of those theories. “That is not a blonde,” he wrote on Twitter. “(No one’s guessed the characters correctly yet.)”

So back to the drawing board, fandom! Who’s a not-blonde, beauty-mark bearing, turtleneck-wearing superheroine that no one’s thought of yet?







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