internet Archives - Robot 6 @ Comic Book Resources
Superhero comics deal in extremes: Characters overreact, the world is in constant jeopardy, and the solution almost always involves physical combat. So maybe I shouldn’t have been surprised when the #FireRickRemender fiasco erupted. There was no conversation. Instead, people hurled accusations and argued over whether a writer should keep his job, while others mocked the whole thing. The rest of us silently watched from the sidelines, and that was pretty much it: That was how comics professionals, fans and industry observers handled a three-page scene from Captain America #22.
I guess I should be happy that people are so passionate about these stories and the creators behind them. If we were all so blasé and detached, sales would probably not just be flat so far this year, they’d be in the gutters. Yet I can’t help but feel disappointed, because I know we can do better than this.
Aquaman may have been the most toxic superhero in 2013, but this year McAfee has decreed that Superman is kryptonite.
Hold your jokes about Zack Snyder’s Man of Steel or the New 52 costume redesign. We’re talking about the software-security company’s second annual study of which online superhero searches result in the most bad links (such as to viruses, malware and websites containing malicious software used to steal passwords and personal information).
Hawkeye and its writer Matt Fraction and Saga and its artist Fiona Staples led the inaugural True Believers Comic Awards, winning in a combined 10 categories. Hawkeye colorist Matt Hollingsworth also won in his division.
Presented Saturday in conjunction with London Film and Comic Con, the True Believers Comic Awards are a successor to the long-running Eagle Awards. Established by Eagle co-founder Mike Conroy and his daughter Cassandra, the awards were selected through online nominations and voting.
IDW Publishing was voted Best Publisher, while Gail Simone was named to the Roll of Honor. Comic Book Resources was selected as Favorite Comics-Related Website. The full list of winners can be found below in bold.
“On the Internet, sometimes what appears to be an explosion is really just a fart. The accusations are totally without merit. A handful of people who have it in for Rick started a witch hunt against him, claiming he had written a scene in Captain America #22 that portrayed the Falcon engaging in what amounted to statutory rape. They used social media to spread the word, and we got some angry emails — about 90 percent which came from people who stated right out the gate that hadn’t even read the issue, but were incensed by what they’d heard Rick had written.
Let me be clear: An attack on Rick’s integrity is an attack on Marvel’s integrity. We would never publish a scene that had one of our super heroes engage in such an act. Jet Black is a 23-year-old woman. She was a pre-teen at the start of Rick’s run, but since that time, the book has jumped forward 13 years in the future, and Jet — along with Steve and Ian — has aged 13 years. In Captain America #22, it is explicitly stated that Jet is 23, and she is rendered [by artist Carlos Pacheco] as a fully adult woman. Jet Black is a 23-year-old woman. End of story.”
– Marvel Editor-in-Chief Axel Alonso, talking with Comic Book Resources about the social-media firestorm that followed the release of Captain America #22
A social-media firestorm that erupted late last week urging Marvel to fire Captain America writer Rick Remender fizzled out by Sunday as the Twitter hashtag was hijacked and a Tumblr post explaining that the Falcon didn’t have drunken sex with a 14-year-old gained traction.
The controversy began shortly after the release on Wednesday of Captain America #22, which depicts Sam Wilson waking in bed next to Jet Zola (aka Jet Black), the daughter of Arnim Zola, after the two shared a little too much wine. Although Jet appears to be a prepubescent child when introduced in the first issue of Remender’s run, time passes rapidly in Dimension Z, where we’re told Steve Rogers spent at least 12 years. A rough estimation that Jet would now be in her early 20s is confirmed by a reference to her 23rd birthday during a brief flashback in the issue in question.
Perhaps some readers didn’t fully understand the timeline, or they confused Jet with her significantly young brother Ian (in fairness they did look a lot alike), and skipped over — or, in some cases, disregarded — the mention of the 23rd birthday. Whatever the case, some concluded from the three-page scene that Sam Wilson committed statutory rape.
Conventions | Lance Fensterman, ReedPOP’s global senior vice president, talks about his company’s strategy of focusing on a few big shows, rather than a lot of smaller ones, and gives the numbers for last month’s Chicago Comic & Entertainment Expo: Attendance was about 62,900, up 18 percent from last year, and the show floor grew by 15,000 square feet. Attendees are mostly in the 18-to-35 age group, and the majority are male, although the proportion of women at C2E2 has increased by 6 percent since 2011. Male or female, many of the folks on the floor seem to be “casual consumers” rather than “hardcore fans”: About 50 percent of attendees at New York Comic Con were there for the first time. “Depending on which exhibiting company you’re talking to, they either love it or they’re not sure what to do with it,” Fensterman said. “You’re delivering new readers and new potential consumers. We think it’s cool that you’re getting that fresh perspective, not quite so jaded (been there, done that).” [ICv2]
In documents filed last week in federal bankruptcy court in Omaha, Nebraska, the retailer lists $45,000 in assets and $919,000 in debt, of which $325,000 is owed to Diamond Comic Distributors.
Signs of trouble with Mail Order Comics became apparent last month when customers began complaining on the store’s now-deleted Facebook page about unfulfilled orders and website troubles. Discount Comic Book Service quickly stepped in to fulfill all orders.
An online-privacy advocacy group has asked the Federal Trade Commission to investigate MarvelKids.com and the Hello Kitty Carnival mobile app, which it insists fail to protect children’s personal information as required by federal law.
In twin complaints filed Wednesday, the Center for Digital Democracy claims neither Marvel nor Sanrio Digital “provides adequate notice or obtains verifiable parental consent prior to collecting, using, or disclosing personal information about its child users,” as mandated by the 14-year-old Children’s Online Privacy Protection Act. The complaints are the first to be filed since the FTC implemented stricter rules in July.
Launched in January 2008, MarvelKids is a hub “designed to entertain and educate children” using the company’s kid-friendly comics, animated series and games. Visitors can watch episodes and clips from shows like Ultimate Spider-Man and Wolverine and the X-Men, read issues of titles like Marvel Adventures Spider-Man and assorted Power Pack team-ups, and play upward of 20 online games.
Bitstrips, the Toronto-based startup behind those inescapable do-it-yourself avatars and comic strips on Facebook, has secured $3 million in funding from Hong Kong venture capital firm Horizons Ventures. The news was announced this morning, appropriately enough, with a comic strip.
Word of the investment first trickled out in late September, but documents filed with the Securities and Exchange Commission on Wednesday offer the first details. The figure was confirmed by GigaOm. Autodesk is now deviantARTt’s largest investor.
DeviantART entered into a partnership in April with Madefire, allowing the community’s members to make their own motion comics using Madefire’s tools, and then distribute them through deviantART and the Madefire’s app. What will come from the Autodesk investment is unknown.
“Sometimes what you get out of an investment or a partnership doesn’t have to be very tangible,” Autodesk’s Samir Hanna, who will join the deviantART board, told Techcrunch in September. “If that happens, well, we have all sorts of tools that artists use. If they choose to use our tools, that’s great, but that is not something that we would be pushing for.”
DeviantART claims 27.8 million users and 2.5 billion page views per month.
As a contributor to the site, as well as a reader (I frequently linked them in Comics A.M.), I’m not at all impartial about this: I’m sorry to see it go.
MTV Geek debuted nearly three years ago at New York Comic Con with a launch party that served as a benefit for the Comic Book Legal Defense Fund. The original editor was Valerie Gallaher, who left about five months ago.
The site covered a lot of topics: comics, yes, but also movies, television, games, toys, cosplay, pretty much everything in the larger world of geeky interests. It ran a mix of news, interviews and fannish content like Twitter roundups and five-best posts. In the beginning there were also original comics, although those seem to have fallen by the wayside.
The demise of the site, which arrives less than a month after iFanboy ceased its”normal day-to-day operations,” doesn’t leave MTV without comics coverage: The final post indicates that MTV News will be reporting on NYCC next month.
As Morrissey once wrote, “I know it’s over/And it never really began”: This Charming Charlie, the delightful blog that mashed up Peanuts panels with The Smiths lyrics, has closed (at least for now), less than two months after its launch. But the culprit might not be who you think.
Techdirt notes that the blog’s mastermind Lauren LoPrete announced last week that The Smiths license holder Universal Music Publishing Group — rather that Peanuts Worldwide — began inundating her with takedown notices, leading her to advise her readers that she’s ending the Tumblr. However, she isn’t giving up without a fight.
LoPrete tells Motherboard that as soon as she posted the farewell, she began getting offers from lawyers to accept her case pro bono. And so now, with a little help, she’s filing counter-notifications with Tumblr, insisting the mash-ups fall under the fair-use exception of U.S. copyright law.
Writer of the Year
• Brian K. Vaughan
• Dan Slott
• Mark Waid
• Robert Kirkman
• Scott Snyder
Penciler of the Year
• David Aja
• Fiona Staples
• Greg Capullo
• Jim Lee
• Ryan Stegman
Here I am, like so many of you fine, wonderful people, relaxing at home instead of walking among the majestic masses of Comic-Con International in San Diego. Comic Book Resources and Robot 6 are keeping we homebodies abreast of all the news from this year’s mega-super-hyper event, so it’s kind of nice to be able to sit in a comfortable chair while still keeping informed and not having to pay $9 for a burrito.
Sure, it’d be nice to be there, wouldn’t it? To stand in line and take your chance at a microphone to tell the House of Ideas your opinion, ask questions of your favorite creative teams and get attention from the editorial team? Good news! That’s what social media can do for you! We live in an amazing time where a tweet to your favorite artist could be replied to with casual familiarity or a Tumblr post could get you a sneak peek at exclusive artwork. Marvel Executive Editor Tom Brevoort has a Formspring account (now moved to Tumblr here) so you can ask him any question at any time of night. The people who produce comics are surprisingly at the hands of their public, which for Marvel, isn’t that new of an idea.
It’s been a rough 40 years for Aquaman, whose public image has never recovered from Super Friends. Sure, the long-running animated series raised the Atlantean’s profile, but it did so while depicting him as a pretty ineffective hero who had to hope for an aquatic threat and then hitch a ride with Wonder Woman to the nearest body of water. So he could summon a pod of narwhals. Only Zan of the Wonder Twins — “Form of water!” “Form of giant ice handcuffs!” — was lower in the Hall of Justice hierarchy.
And, as if that Entourage story thread and failed 2006 television pilot didn’t add enough insult to injury, now Aquaman has been declared the “most toxic superhero” by McAfee.