Green Arrow: Year One

Internet | A website called the Home of the Green Arrow, which supports the far-right British National Party in its "fight to secure a future for the indigenous peoples of these islands in the North Atlantic which have been our homeland for millennia," has co-opted Jock's art from the DC Comics miniseries Green Arrow: Year One for its banner. "This is leaving a horrible taste in my mouth," the artist wrote this morning on Twitter. He has contacted DC's legal department. [Jock's Twitter feed]

Art | Frank Frazetta's original cover painting for the 1967 Lancer paperback edition of Conan the Conqueror sold at auction last week for a reported $1 million. That's nearly four times the previous record price for the artist's work -- $251,000 -- paid in 2008 for the cover to Edgar Rice Burroughs' Escape on Venus. [Spectrum Fantastic Art, via Sci Fi Wire]

The Greatest 1950s Stories Ever Told

Art | As of Thursday morning, bids on the 18 pieces of original art by Joe Kubert had reached $30,000. The auction, held by Heritage Auction Galleries, opens to the public today. [Daily Record]

Awards | Mike Keefe, editorial cartoonist for the Denver Post, has won the 2009 Berryman Award for Editorial Cartooning. [The Daily Cartoonist]

Publishing | Dark Horse Assistant Editor Brendan Wright discusses one of the perks of his job: seeing the doodles and character designs that Stan Sakai occasionally leaves on the back of his Usagi Yojimbo art boards. [The Wright Opinion]

Publishing | Lauren Davis takes a look at celebrities who dip their toes into the comic-book pool. [io9.com]

Retailing | "Superheroes saving comic book stores from recession." Yeah. [Daily Camera]

Creators | Phil Hester talks about his career and his new BOOM! Studios series The Anchor, and offers some advice to young writers and artists. [Surfing the Bleed]

From "Spandex" #1

Creators | Scott Thill interviews Martin Eden, creator of the gay-superteam comic Spandex, which earlier this week had been heralded as presenting "the first gay superheroes." “Let’s not kid ourselves,” Eden said. “Spandex aren’t the first-ever gay superheroes. At the moment, for instance, you’ve got a lesbian Batwoman, a lesbian Question, Rictor and Shatterstar in X-Factor, and there’s been Apollo and Midnighter in the Authority, who were gay versions of Superman and Batman. There are probably a few more, but not many. I mean, I was thinking of pitching a gay series to Marvel a while ago, but could barely think of any gay characters they had, which surprised me.”

Blogosphere | Tucker Stone delivers a special, positive edition of "Advanced Common Sense": "That's what being a hero is all about -- is that sometimes you have to take out a baby." [The Factual Opinion]

AOL

AOL, which has been described as an albatross around the neck of DC Comics parent company Time Warner, plans to shed more than a third of its workforce as it spins off from the media giant next month.

Although earlier speculation placed layoffs at about 1,000, the struggling Internet company announced this morning that it will ask 2,500 of its 6,900 employees to accept buyouts. If it can't find enough volunteers, AOL will resort to layoffs. The announcement, part of an effort to cut $300 million in annual costs, comes a little more than a week after 100 layoffs.

Founded in 1983 as Quantum Computer Services, AOL at one point boasted 30 million subscribers, a number that shrank considerably after its 2001 merger with Time Warner -- a disastrous deal that resulted in a record $99-billion loss for the (briefly) rebranded AOL Time Warner and the removal of Steve Case as chairman.

AOL, which The Associated Press points out still makes money, counts among its operations the comics blog Comics Alliance, the tech blog Engadget, the video-game blog Joystiq and, in partnership with Time Warner's Telepictures Productions, the high-profile celebrity-news site TMZ.com.

The Comics Journal #300

What the heck happened to The Comics Journal #300? Stuffed to the gills with a murderers' row of comics creators in cross-generational conversation (from Matt Fraction & Denny O'Neil to Art Spiegelman & Kevin Huizenga), this anniversary spectacular became a swan song of sorts when a letter to subscribers revealed that it would be the venerable comics-criticism publication's final journal-format issue -- henceforth switching to a more online-focused model with semiannual book-format print editions.

So the the news that the whole thing had been posted online was met with much rejoicing... but the subsequent news that the whole thing had been yanked back behind the subscriber wall per the orders of co-publisher and editor Gary Groth was met with much head-scratching. Was this the result of an internal debate over the utility of free-content-as-marketing-device, as web editor and Journalista! blogger Dirk Deppey seemed to imply the next day? Was it a really lousy way to debut the Journal's impending web-based iteration, as frequent Journal contributor and future Journal blogger Noah Berlatsky lamented? Or was it a reaction to retailers upset that the product they'd shortly be trying to sell had been made available for free with no advance warning, as Johanna Draper Carlson surmised?

Well, if you had Carlson in your office pool, get ready to collect: Today on Journalista!, Deppey revealed that retailer complaints were indeed the reason for the issue's Internet vanishing act.

"We pulled TCJ #300 offline largely due to retailer concerns over not having been given adequate warning about said plans before ordering the issue," Deppey writes. "It was a fair point, and one that we hadn’t properly considered." Deppey goes on to say that the issue will be back online for all in December after retailers have a proper chance to sell the print version, and that all future issues will be available online for free as planned.

So yeah, rough start for the Journal's bold new era. Still, it's clear a lot of people really want to read the issue -- not the worst problem in the world to have, no?

On Tuesday the beleaguered website, which for the past six years had indexed torrents to facilitate often-illegal file-sharing, pulled the plug on its tracker -- something operators say is no longer needed because of advances in peer-to-peer technology.

However, Wired.com's Threat Level blog reports the Motion Picture Association, which lobbies for Hollywood overseas, claims The Pirate Bay tracker is simply operating under a new name: OpenBitTorrent, a site originally registered to Pirate Bay co-founder Fredrik Neij. (A commenter on Robot 6 pointed out the connection last month.)

For its part, OpenBitTorrent denies that it's The Pirate Bay tracker, with a message on the website chalking up the confusion, in part, to the two using the same hosting company at one point.

The MPA isn't buying that explanation, and has gone to court to force OpenBitTorrent's current Internet host to stop servicing the site.

Okay, not really -- I live with a Twilight fan, and as a co-writer of the latest episode of Marvel.com's Marvel Super Heroes: What The--?! video series, I can assure you it's all good-natured ribbing. Still, I think veterans of this summer's bloody Twilight-at-Comic-Con culture war will get a kick out of this Marvel-fied parody of Stephenie Meyer's teen-vampire saga, whose latest movie adaptation, New Moon, hits screens at midnight tonight. (Did anyone else know Dr. Michael Morbius was European?)

Established in November 2003 in Sweden, The Pirate Bay tracked and indexed torrents, allowing users to search for and download comics, music, video games and movies uploaded (often illegally) by others. Within five years the site announced it had reached more than 25 million users.

But with new peer-to-peer technology like Distributed Hash Table (DHT) and Peer Exchange (PEX), users to longer need to access a central server to find the files they're looking for.

“Now that the decentralized system for finding peers is so well developed, TPB has decided that there is no need to run a tracker anymore, so it will remain down!” operators wrote Tuesday on The Pirate Bay's blog. “It’s the end of an era.”

However, it's hardly the end of The Pirate Bay story.

While the tracker is gone, the site will continue to index torrents. Then there's the matter of the four Pirate Bay founders, who still face a year in prison and a combined $4.4 million in damages to movie studios and record labels for facilitating copyright infringement.

And in a delightfully absurd aside, Wired.com's Threat Level blog reports that Pirate Bay co-founder Peter Sunde has objected to a plan by a Swedish retailer to register the site's iconic sailing-ship logo -- it's been adrift in the public domain since its creation -- and use it to sell USB drives.

Yes, he intended to pirate the pirates. And the pirate didn't like it one bit.

After Sunde complained to Sweden’s Patent and Registration Office, the retailer withdrew his registration.

Buffy the Vampire Slayer, Vol. 6 (by Jo Chen)

A motion-comic Web series is in the works based on the successful Buffy the Vampire Slayer Season Eight, confirming rumors that began back in June.

Sci Fi Wire reports that voice casting has begun for Faith, Kennedy and Robin Wood -- all familiar to viewers of the television series -- and Season Eight characters such as Lady Genevieve Savidge, Roden and Twilight. And if you sound like Daniel Craig, the casting director has a part just for you.

Interview dates are set for this week, which makes it seem as if production is moving fairly quickly.

Sci Fi Wire has the full list of roles and character descriptions. Meanwhile, this comments thread at Whedonesque has fan reaction.

Flight Explorer, Vol. 1

Publishing | Retailer Christopher Butcher catches word that Flight Explorer, the younger-readers spinoff of the long-running Flight anthology, is without a publishing home. Although the first volume, published in March 2008 by Villard, reportedly sold through its 20,000-copy first printing, editor Kazu Kibuishi tweeted last week that "the project remains orphaned." Butcher provides commentary on his blog. [Comics212]

Legal | Google and groups representing publishers and authors on Friday filed a revised settlement they hope will resolve a dispute over the Internet giant's controversial plans to make millions of out-of-print books available online.

The original agreement, created to resolve a 2005 lawsuit, was opposed by parties ranging from DC Comics to the U.S. Justice Department to the governments of France and Germany, who argued that its terms could violate copyright law. The revisions address the handling of orphan works, restrict the Google database to books published in the United States, Britain, Canada or Australia, and allow other companies to license the digital catalog.

U.S. District Judge Denny Chin is expected this week to set a date for a "fairness hearing" in which arguments about the settlements will be presented by b0th sides. [The New York Times]

Dragon Ball, Vol. 3

Publishing | More details have emerged on plans by Japanese publishing giant Shueisha to sell manga on mobile phones in 28 countries, including the United States, beginning in spring 2010. ICv2.com reports that Shueisha, co-owner of Viz Media, will launch the digital initiative with 20 to 30 titles, including Dragon Ball. [ICv2.com]

Publishing | A writer at Sankaku Complex examines the declining sales in Japan of manga magazines and tankobon, and declares that the country's manga industry is in "dire straits." [Sankaku Complex]

Internet | This morning Time.com launched Techland, a free-standing website devoted to "geek culture," with coverage ranging from science-fiction movies and video games to gadgets and comic books. [Techland]

Female Force: Princess Diana

Publishing | Darren G. Davis, publisher of Bluewater Productions, responds to recent criticism in the U.K. of the company's Female Force: Princess Diana biographical comic. [Hero Complex]

Publishing | James Hudnall takes a broad look at shifts in comics distribution channels, from the newsstand to the direct market to "the digital age." [Big Hollywood]

Retailing | Here's an odd article that's part profile of newly opened comics store, part attempt at a snapshot of the marketplace. The assessment of the industry is a bit ... rosy. [The Boston Globe]

Sales charts | R. Crumb's The Book of Genesis Illustrated remains the No. 1 hardcover on The New York Times' graphic books bestseller list as the eighth volume of Matsuri Hino's Vampire Knight debuts as the top manga and Logicomix: An Epic Search for Truth climbs to the top paperback slot. [The New York Times]

Events | Matthew Brady covers an appearance on Friday in Chicago by Dean Haspiel and Tim Hall for a screening of The Act-I-Vate Experience, a short documentary about the comics collective. [Warren Peace Sings the Blues]

Comics | Tim Macavoy counts down the Top 10 gay superheroes (though he ends up with more than 10). [Queer Sighted]

My favorite's the Man-Wolf van (or is that the Van-Wolf?), but I also enjoyed the always welcome Thor/"Immigrant Song" gag and the description of Doctor Strange as "the lava lamp of superheroes." They're funny because they're true!

Apple's rejection letter said "it contains content that ridicules public figures," which they said violates their iPhone Developer Program License Agreement.

"This is the very reason that Apple as a company should be taken to task over its ludicrous and inconsistent app approval policies," Richmond writes. "Clearly this app does not 'ridicule public figures' and is violating nothing, but Apple has decided the world must be protected from the insidious subversiveness this would force upon the public and the brutal, heinous ridicule that my cruel, cruel caricatures would subject these politicians to."

Daryl Cagle, who is waiting to hear back from Apple on a political cartoon application, offers commentary. Richmond says the producers of the application are looking at other options, including other platforms.

Digital comics | Over at Boing Boing, Douglas Rushkoff talks a little bit more about the alternate reality game and online graphic novel he's doing for Smoking Gun Interactive.

Webcomics | Shannon Wheeler of Too Much Coffee Man fame is considering joining the ACT-I-VATE crew with a new strip, and he needs a name for it. Speaking of ACT-I-VATE, be sure to check out Dean Haspiel's new strip, A-Okay Cool.