Axel-In-Charge: In-Depth with Alonso on Marvel's "All-New, All-Different" Lineup
Kodansha Comics, the publisher of the bestselling manga Attack on Titan, announced a slew of new manga licenses late today at an event at the Kinokuniya Bookstore in New York. The new titles, all of which will be published in the second half of 2015, include an Attack on Titan spinoff and a second Colossal Edition, as well as new series by Blade of the Immortal creator Hiroaki Samura and Deadman Wonderland artist Jinsei Kataoka. Here’s the rundown:
The Science of Attack on Titan, by Rikao Yanagita: One of the cool things about Hajime Isayama’s hit Attack on Titan is that the world is really well thought through, and every now and then the story pauses for an explanation of the structure of the walls around the city, or what’s known about the Titans. Yanagita takes this a step further for the curious fan, tackling questions like what, exactly, Titans live on and how the walls were built.
The Attack on Titan Colossal Edition, Vol. 2: Kodansha published the first volume last year; it’s a deluxe hardback edition with extra color pages, along the lines of the Walking Dead Compendium, collecting the first five volumes of Attack on Titan. This 1,000-page second volume will collect volumes 6-10.
Publishers | DC Comics have released details on the midnight release of Flashpoint #5 and Justice League #1 on Aug. 31. The publisher is offering a free over-ship of Flashpoint #5 for retailers who order 125 percent of their order for Flashpoint #1, and the publisher has noted that that these are the only two DC titles shipping that week that can be sold at midnight. The promotion is only available to U.S. and Canadian accounts; due to the Aug. 29 bank holiday, the midnight sale option will not be available to UK retailers. [ICv2]
Legal | Michael Dean looks at the recent ruling by New York federal judge Colleen McMahon that the family of Jack Kirby has no claim to the copyrights of the characters he co-created for Marvel. Dean notes, “Some legal observers were expecting Marvel to be the second major comics-publisher domino to fall when Toberoff filed on behalf of the Kirbys, but there is a key difference between Kirby’s comics work and Siegel’s: It was well established that Superman already existed as a full-blown character concept before Siegel and Joe Shuster pitched him to DC, whereas Kirby, who died in 1994, did most if not all of his Marvel work on assignment from the publisher. In the case of work for hire, the Copyright Act defines the instigating employer/publisher as the Author of the work.” [The Comics Journal]