iron man
Marvel launching poster campaign for hearing-impaired children
Marvel sprang into action last year to help convince a 4-year-old boy that, yes, superheroes do wear hearing aids, and now the publisher is taking the inspirational message to hearing-impaired children across the country.
As you may recall, Christina D’Allesandro reached out to Marvel last spring after her son Anthony Smith told he wasn’t going to use his hearing aid anymore because “superheroes don’t have blue ears.” The company responded first with evidence of Hawkeye’s hearing loss in the 1980s and then with artwork by Nelson Ribeiro and Manny Mederos depicting Anthony Smith as the superhero Blue Ear, who even has his own Wikipedia entry. The story was picked up by international media, leading D’Allesandro to receive emails from from across the globe from the parents of hearing-impaired children.
Fan creates amazing Iron Man suits out of cardboard
I’ve been trying to recall if I ever made anything out of cardboard, and the best I can come up with is a diorama of The Winged Colt of Casa Mia for a book report in Mrs. Kester’s fifth-grade reading class. I’m pretty sure it received a good grade (let’s go with “A”), but it was surely nothing to write home about — and nothing compared to the amazing Iron Man armor this Reddit user creates.
He describes them, from left, as the Mark VI (from Iron Man 2), the deep space suit (based on a toy and rumored for Iron Man 3) and the Mark VIII (again, from Iron Man 3), and I’m inclined to believe him. Now if you’ll excuse me, I have a winged horse to cut out ….
Food or Comics? | Unsweetened chocolate or Uncanny X-Men
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Corey Blake
If I had $15, I’d be tempted to blow it all on the recolored Death of Superman collection for the ’90s nostalgia. But then I’d probably flip through it and come to my senses, and instead get something new like Fatale #12 ($3.50) by Ed Brubaker and Sean Phillips, which looks like it’s going to be a trip, flashing back to Medieval times but self-contained as a good entry point for new readers. That’s smart comics. Speaking of smarty-pants, I’d probably get The Manhattan Projects #9 ($3.50) by Jonathan Hickman and Nick Pitarra. It’s the first part of a two-part story about scientists trying to take over the world. There will probably be lots of words that leave me dizzy. I likely wouldn’t be able to resist Matt Wagner writing The Shadow: Year One #1 ($3.99) because, you know, The Shadow knows. I haven’t been following IDW’s G.I. Joe universe but G.I. Joe #1 ($3.99) by Fred Van Lente and Steve Kurth seems like a good opportunity to try it out. And I’d finish it off with Cyber Force #3 by Marc Silvestri and Koi Pham because it’s free.
With $30, I would add to the above. Darkhawk is on the cover of Avengers Arena #4 ($2.99) by Dennis Hopeless and Alessandro Vitti, so I’d be compelled to buy that. I’ve been meaning to check out Erik Burnham and Dan Schoening’s Ghostbusters since I hear it’s real fun, so the relaunched Ghostbusters #1 ($3.99) is a perfect opportunity. Morning Glories #24 ($2.99) by Nick Spencer and Joe Eisma seems too intriguing to pass up. I am so behind on the X-books, but I’d be real tempted to try Brian Michael Bendis and Chris Bachalo’s Uncanny X-Men #1 ($3.99).
My splurge item would be tough. I’d be real tempted to get either the Iron Man Omnibus collecting the entire run of David Michelinie, Bob Layton and John Romita Jr., including the famous alcoholism story, or Counter X: Generation X – Four Days by Brian Wood. But I’d probably end up instead getting the Daredevil By Mark Waid, Vol. 1 hardcover for $35. I don’t know, do I need to justify this purchase? It’s probably the most beloved superhero comic of last year, maybe for the last couple of years. It paved the way for similarly rejuvenating series at Marvel like Hawkeye, Captain Marvel, and Young Avengers. The art by Paolo Rivera and Marcos Martin is swoon-worthy. And it wants to be on my bookshelf, dagnabbit!
Cute but deadly: Jonathan Edwards’ abstract Marvel heroes

I’ve loved Jonathan Edwards‘ work since he was drawing dandies in powdered wigs for Deadline. I was even known to occasionally buy the NME just for his POP! A Complete History strips. Last week he posted these images to his blog: abstracted versions of some of Kirby and Ditko’s classic character designs for Marvel superheroes. Lovely stuff, and they speak volumes to just how durable those designs are, remaining recognizable even when rendered in a minimum of lines and blocks of color.
Functional Iron Man gauntlet fires lasers, pops enemy balloons
As I sit here wondering whether my effort to replace the keyboard on my laptop will end in tears, I’ll point you to the latest creation of custom-props builder Patrick Priebe: It’s a functioning Iron Man gauntlet that not only moves and lights up but also fires lasers powerful enough to burn objects and pop balloons. It’s impressive, and would be ideal if you’re ever attacked by the Mandarin … with balloons.
While the specs mean nothing to me — “full metal gauntlet, runs on 1x 18650 plus 2x 14500 Li Ion cells. 2 blue lasers on board, 1.2W each, plus 2 4mW for aiming” — I’m sure someone understands them. Check out the video demonstration below.
Man proposes by giving his (Iron Man arc reactor) heart to girlfriend
Little did Sarah Carter know when she began referring to her modding-junkie boyfriend Eddie Zarick as “Tony Stark” after he created an arc reactor replica that she was laying the groundwork for her marriage proposal.
When it came time to pop the question, Zarick simply — “simply”! — redesigned the arc reactor heart to present Carter with her engagement ring. “I made it smaller, and more detailed. I laser cut and cnc routed all of the parts and slowly starting building the basic shell,” he explained on his blog. “My idea was to use two servos controlled by and arduino. At first I was not sure how to light it up, but I had some of AdaFruit’s RGB LED Strip laying around from a pinball project. So I cut off enough to go around the reactor and used the arduino to control that as well! Also added a couple of bright white LEDs to hit the ring once it comes out.”
To Wired he added: “I took her out to the beach one night in the back if my Jeep and told her I had a early Christmas gift for her, I gave her the box, and inside was the reactor. It was at night so it really shined bright and she was amazed. But once I pushed the button and the light show happened and the ring came out, she was speechless and crying.”
Check out video of the arc reactor in action below.
Food or Comics? | Happy New Potatoes!
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Chris Arrant
If I had $15, I’d start the new year off right with Invincible #99 (Image, $2.99). The build-up (or teardown?) to Issue 100 has been great, and honestly I never quite trusted Dinosaurus to begin with so I’m glad to see this finally boil over. I’m all ears – and eyes – for this and the next issue. Next up I’d get another Image joint, Prophet #32 (Image, $3.99). Kudos to Brandon Graham for being confident in himself enough – and choosy enough in his collaborators – that he’s stepping back and letting artist Simon Roy write and draw a one-off issue. And the story of a Prophet clone gone native sounds mighty enticing. Third in this week’s haul would be Punk Rock Jesus #6 (DC/Vertigo, $2.99). I feel a slight bit of remorse at how fast this series has gone – it seemed like a whole lot of introduction, a brief second act and now we’re being pushed into the finale. Still, one of the best series of 2012 (with this finale sneaking out two days after 2012). Finally, I’d get James Stokoe’s Godzilla: Half-Century War #4 (IDW, $3.99). I’ve become big fans of Ota and Kentaro here, and Stokoe has really populated this world with all kinds of special and grotesque. Excited to see what comes up here!
If I had $30, I’d continue my mad dash through my local comic shop with two Marvel picks: All New X-Men #5 (Marvel, $3.99) and New Avengers #1 (Marvel, $3.99). All-New X-Men has been surprisingly refreshing for me; I always love Stuart Immonen’s, but what’s startled me is how fresh and unencumbered Brian Bendis seems here with the writing. On the New Avengers #1 tip, I liked Hickman’s other Avengers work so far but I’m even more interested in how artist Steve Epting draws this unique cast. Plus, I loved Epting’s first run on Avengers – leather jackets, people! Next up I’d return to Image and get Glory #31 (Image, $3.99). This is going to be a great collection when the whole thing is done, but right now we’re knee-deep in the series itself as Glory faces off with her sister Silverfall. Hey Rob Liefeld – this Silverfall character could be something special for more after this series ends! And finally, I’d get Manhattan Projects #8 (Image, $3.50) and anxiously await the big reveal of the secret powerbrokers in the MP universe. I can’t wait for Hickman to blow my mind.
If I could splurge, I’d buy the back-to-back first and second volume of Chimpanzee Complex (#13.95 each, Cinebook). Coming to America with no press at all, I found this in Previews a while back and have been excited by its potential: a Franco-Belgian comic that reveals the astronauts who returned from the moon in 1969 were doppelgangers, and the fallout from that discovery. 2010 meets Orbiter. Bring it on.
Food or Comics? | Granola or Grandville
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Chris Mautner
If I had $15, I’d go with Megaskull, a collection of short, extremely politically incorrect comics by British cartoonist Kyle Platts. Platts is working a similar vein of humor to Johnny Ryan in his Angry Youth Comics days, so those easily offended by jokes about, say, abortion should probably stay away. Those who still own a copy of Truly Tasteless Jokes will want to check this out though.
If I had $30, I’d ignore Megaskull and go with what would pick of the week for me: Grandville: Bete Noire, the third entry in Bryan Talbot’s excellent, ongoing funny-animal detective series, this time finding Inspector LeBrock tracking down an assassin in the city’s art scene. Talbot’s blood-soaked blend of noir, satire, mystery and, um, furry antics might seem a bit odd at first glance but it proves to be an intoxicating and engrossing blend.
Splurge: Grendel Omnibus, Vol. 2 collects one of the most interesting runs starring Matt Wagner’s titular killer, largely due to the art work of the Pander Brothers. I’ve never had the chance to really sit down with this material beyond the occasional five-minute glance, so mayhap this is my chance to dive in.
Butcher Billy inserts some four-color magic back into superhero movies
We’ve featured the Brazilian artist Butcher Billy a couple of times in Art Barrage; he’s an illustrator whose work demonstrates a keen eye for modern culture and a wicked sense of humor. His latest portfolio of work, posted at the creative network Behance, is “The Superhero Media Crossover Project,” a collection of images inserting comic art into stills taken from their movie adaptations. It’s very effective, and strangely moving, for this fan of classic comic art, anyway. These images demonstrate what, to me, is missing in just about every comics-to-film adaptation — a little pop-art brightness and fizz (Edgar Wright’s Scott Pilgrim vs. The World being the only one in recent times to get a pass on this matter — am I really the only one who wants to see sound effects rather than just hearing them?). In Billy’s own words:
Comics A.M. | Cartoonist Aseem Trivedi cut from Indian reality show
Creators | Indian cartoonist Aseem Trivedi’s turn on in the reality show Bigg Boss seems to have ended badly: Trivedi was tossed off the show, perhaps due to political pressure, and his political commentary did not make the final cut. In true reality-show fashion, he left in a cloud of acrimony, saying that his fellow contestant Salman Khan “overstepped the bounds of decency” with another cast member, Sapna Bhavanani. And apparently the producers did not deliver on their promise to allow him to use the show as a platform for his views: “I and Sapna were constantly talking about corruption and women`s empowerment inside the house, but after coming out, I was zapped to learn that none of those things were telecast. … These guys lied to us. We were told – `you will not have to do any naach gana [melodrama] and you will just have to put forth your views on revolution, society and corruption.` But it was all humbug!” [India TV News]
Food or Comics? | French fries or Freelancers
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Brigid Alverson
If I had $15, I’d spend the first $3.99 on the first issue of 47 Ronin, a retelling of a Japanese legend written by Mike Richardson and illustrated by Stan Sakai. I saw a preview of this and it looks phenomenal. Next up is my favorite soap opera, Life With Archie #24 ($3.99), in which Moose contemplates running for the Senate and The Archies reunite. This comic is consistently well written and the stories really drag me in. I’ll slap down another $3.99 for Popeye #7, because I’m a Roger Langridge fan. And because I love a bargain, I’ll finish up with Freelancers #1, a new series from BOOM! Studios that looks kinda fun — and hey, there’s a variant cover by Felipe Smith, one of my favorite manga artists.
If I had $30, I’d revert to my childhood and pick up the Doctor Who Annual ($12.99) from Penguin. When I was a kid, the British comics annuals were the high point of the holidays, and I’m pretty sure I have a vintage Doctor Who one tucked away somewhere. It’s probably aimed at kids but that just means I can share it with my nephew and nieces.
The splurge item to get this week is the new box set of Hayao Miyazaki’s Nausicaa of the Valley of the Wind. This is Miyazaki’s longest manga by far, and the story continues after the movie ends. It’s going to be the same large format as Viz’s earlier box set, but the seven volumes are being bound as two this time. It’s $60, but I noticed Amazon is offering a steep discount, so I’ll add another splurge: Nickolai Dante: Sympathy for the Devil ($29.99), a story that ran in 2000AD. I saw artist Simon Fraser describe it at NYCC this way: “Nikolai Dante is a swashbuckling hero from the far, far future, the year 2666, where he is alternately working for and against the czar, and for his own family and against his family, and in the meantime trying to get as drunk and screw as many women as he possibly can.” Sold!
NYCC | A round-up of news from Thursday
The New York Comic Con officially kicked off this afternoon, with fans eager to get inside and publishers eager to begin releasing news into the wild. So let’s see if we can’t herd some of those announcements together. Here’s a round-up from today:
• DC Comics Co-Publisher and artist extraordinaire Jim Lee will team with Batman scribe Scott Snyder on a new Superman title next year, just in time for the Man of Steel’s return to the silver screen. “This will play along with the other Superman books in the sense that it’s in continuity, but we really wanted to carve out our own territory,” Snyder told CBR. “This really is sort of the biggest, most epic Superman story we could do together while having our feet planted firmly in continuity and making sure that everyone had enough room.”
DC also unveiled a Kia Optima that features a Batman design by Jim Lee.
• Marvel announced three more Season One graphic novels: Iron Man, written by Howard Chaykin with art by Gerard Parel; Thor by writer Matthew Sturges and artist Pepe Larraz; and Wolverine, written by the team of Ben Blacker and Ben Acker, with art by Salva Espin. Also, Cullen Bunn returns to Deadpool with Deadpool Killustrated, a miniseries that pits the Merc with a Mouth against Moby Dick, Sherlock Holmes, Beowulf, Don Quixote and more. Spoiler alert: he’s gonna kill them.
NYCC | Marvel expands Season One with Thor, Iron Man, Wolverine
Today at New York Comic Con, Marvel announced it’s expanding its Season One line with three graphic novels recounting the early days Iron Man, Thor and Wolverine. They join a lineup that already includes volumes devoted to the Fantastic Four, Spider-Man, the Avengers, the X-Men, Daredevil, the Hulk, Ant-Man and Doctor Strange.
Launched in February, Season One features current creators retelling classic superhero tales. For instance, with Wolverine: Season One writers Ben Blacker and Ben Acker (Supernatural, The Thrilling Adventure Hour) and artist Salva Espin take Logan back to key moments in the hirsute mutant’s storied history.
“We get to tell the most iconic ‘early days’ story Wolverine has: his encounter with Wendigo and The Hulk,” Acker told Marvel.com. “This story is about the first time Logan put on his classic yellow and black suit and got the code name Wolverine.”
Thor: Season One is written by Matthew Sturges and illustrated by Pepe Larraz, while Iron Man: Season One pairs Howard Chaykin with artist Gerard Parel.
Check out previews from the three books, and keep following Robot 6 and Comic Book Resources for more New York Comic Con news.
Art Barrage | Fine art’s nerd fetish

As I said a while back, comics seems to be having an increasing influence on fine art and illustration. One aspect of this is fine art fetishizing the iconography of comics. You may already have seen the work of the photorealist Glennray Tutor, and his still lifes of toys and fireworks often positioned around comic art, like the above shot of some marbles illuminating a romance comic. Tutor is using comic art as a signifier of pure Americana, as American as the vinyl Donald Ducks or bottles of hot sauce he also takes as subject matter.
It’s hard not to see his influence upon the painter Matthew Bone. Bone isn’t a photorealist, and he utilizes the artifacts of nerd culture in a similar way to a very different end. His work literally fetishizes comics and toys: a semi-nude woman writhing on a bed of old Marvel comics; a pair of erotically charged models salivating over a Gundam toy; a nude in a Darth Vader helmet clutching handfuls of Storm Trooper action figures to her breasts; another mock-fellating a Gamorean guard toy. The bio on his website claims “by utilizing the conventions of pop culture, and it’s willingness to embrace the artifice as the sincere, Matthew is able to create a re-envisioned modern mythology.” That’s quite a claim for what a less sympathetic critic might just call an inappropriate fixation upon the pop cultural iconography of his youth mixing with a retrogressive view of female sexuality — NSFW examples below. Also below: Michael Latimer, the street art swiper Lichtenstein, and Sam Spratt.
Wish This Was Real | Brian Kesinger’s Steampunk Avengers
There have been other steampunk Avengers, but with the Hulk in suspenders and a bowler? I’d read a comic just about him.
Anyway, Brian Kesinger is awesome and you should check out his blog and DeviantArt page. He also does steampunk other things, like Transformers, G.I. Joe, and Star Wars. But if steampunk’s not your thing, his Hip Hop Boba Fett and Pooh vs. Voldemort are cool, too. I posted bunch of my favorites below.












