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Here’s a bit of unwelcome news: Just as I’m enjoying the first trade of It Girl & The Atomics, Jamie S. Rich announces the series is coming to a close with Issue 12, due out in July.
The special issue will feature art by It Girl regular Mike Norton (Battlepug) as well as Chynna Clugston Flores (who drew the stand-alone Issue 6) and Natalie Nourigat (who will also be contributing to Issue 10, out in May).
Here’s how Rich broke the news on his blog:
Yes, you read that right. We’re wrapping up the first It Girl and the Atomics series with #12. There were a number of factors contributing to the decision, but it was the right one to make and the right time to do it. Hopefully the twelve issues we did will stand strong as a complete series whether I ever make it back to do more or not. (I have a few ideas for stories, but it will all be a matter of timing.) I wrote #12 special to cap off everything that had come before, which is why I corralled all the artists from the series to give it one more go.
It Girl was a spinoff of Mike Allred’s Madman Atomic Comics, which Rich edited (and therefore knew intimately). It stood well enough on its own, though, that I, a complete newcomer, was able to pick up the collected edition of It Girl & The Atomics and thoroughly enjoy it. And my colleague Michael May had some nice things to say about that standalone Issue 6 recently.
So what’s next? Rich doesn’t sit still for long, and in addition to his hint of more It Girl in the future, there’s this: “Expect more collaborations between myself and Image in the future. This door is closed, but we’re opening up a couple of windows.” Hmmm.
And with It Girl & The Atomics #9 in stores this week, we still have a bit more Atomic goodness to enjoy.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Even as some attendees unpack from last week’s Fables Con: Fabletown & Below in Rochester, Minnesota, other folks are checking off their to-do lists before heading off to Anaheim, California, later this week for WonderCon.
Meanwhile, our contributors rattle off their picks for the best comics going on sale Wednesday, from Bad Machinery, Vol. 1, to Superman Vs. Zod to East of West #1.
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Today we welcome Jamie S. Rich, writer of You Have Killed Me, Spell Checkers, Bobby Pins and Mary Janes, A Boy And A Girl, and It Girl & the Atomics — for which he has given us an exclusive preview of issue #7, featuring the art of Mike Norton. It arrives in stores this Wednesday.
Now let’s get to it …
Writer Jamie S. Rich has been a staple of the independent comics scene for more than 20 years, first as a frequent writer to letters columns (sometimes called a letter hack), and then as an editor at Dark Horse and Oni Press. Since 2004 he’s made his living as a freelancer, creating comics like It Girl & The Atomics and You Have Killed Me, and writing about film for several Portland, Oregon, newspapers.
But that’s not why I reached out to interview him. Yes, we talked about his comics work, but what I was most interested in is his recent prose novella Bobby Pins & Mary Janes, a story about a young woman trying to carve out a life while working as a comics editor. Although far from a comic industry tell-all, it’s unique for providing an honest perspective on the editorial role in comics while also serving as a convincing slice-of-life story.
We also discuss his recently announced webcomic at OniPress.com called A Boy And A Girl, his penchant for collaborating with artists in person, living in the comics hub of Portland, and his recent endeavor to do a writer’s version of off-hand sketches for fans.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, it’d be an eclectic bunch featuring Jesus clones, retired spec-ops workers, environmentalists and Batman. First up would be Punk Rock Jesus #2 (DC/Vertigo, $2.99), following Sean Murphy’s big-time foray into writing and drawing. Murphy’s delivering the art of his career, and while the story might not be as great as the art, it still has a synchronicity to the art that few other mainstream books have these days. After that I’d get Dancer #4 (Image, $3.50); Nathan Edmondson seemingly made his name on writing the spy thriller Who Is Jake Ellis?, and this one takes a very different view of the spy game – like a Luc Besson movie, perhaps – and Nic Klein is fast climbing up my list of favorite artists. After that I’d get Massive #3 (Dark Horse, $3.50), with what is disheartedly looking to be the final issue of artist Kristian Donaldson. No word on the reason for the departure, but with a great a story he and Brian Wood have developed I hope future artists can live up to the all-too-brief legacy he developed. Delving into superhero waters, the next book I’d get is Batman #12 (DC, $3.99), which has become DC’s consistently best book out of New 52 era. Finally, I’d get Anti #1 (12 Guage, $1). Cool cover, interesting concept, and only a buck. Can’t beat that.
If I had $30, I’d jump and get Creator-Owned Heroes #3 (Image, $3.99); man, when Phil Noto is “on” he’s “ON!” After that I’d get Conan te Barbarian #7 (Dark Horse, $3.50). I’ve been buying and reading this in singles, but last weekend I had the chance to re-read them all in one sitting and I’m legitimately blown away. The creators have developed something that is arguably better than what Kurt Busiek and Cary Nord started in 2003 and shoulder-to-shoulder with the great stories out of the ’70s. This new issue looks to be right up my alley, as Conan takes his pirate queen Belit back to his frigid homeland in search of a man masquerading as Conan. Hmm, $7 left. Any other Food or Comic-ers want to grab some grub?
If I could splurge, I’d excuse myself from the table dining with my fellow FoCers and get Eyes of the Cat HC (Humanoids, $34.95). I feel remiss in never owning this, so finally getting my hands on the first collaboration between Moebius and Alexandro Jodorowsky seems like a long time coming. I’m told its more an illustrated storybook than comic book, but I’m content with full page Moebius work wherever I can get it.
I look forward to a day when there’s no substantial imbalance between the number of successful male characters/creators and successful female characters/creators in comics. When I get a chance to talk about a book with a female lead, I make sure to discuss that very aspect. I was clearly not thinking of who I was asking when I interviewed Jamie S. Rich, writer of the new Image ongoing series launching Wednesday, It Girl & the Atomics. As Rich was quick to remind me, earlier in his comics career as an editor he consistently “hired women all the time and published comics that showcased their point of view”. An equally interesting aspect of the project we discuss is being the writer who crafts Mike Allred/Madman universe tales (without Madman) but with Allred’s support and trust (a hell of a compliment/endorsement in and of itself). In addition to reading this interview, please be sure to garner additional insight from CBR’s TJ Dietsch’s July interview with Rich.
To mark this Wednesday’s launch of the series, Rich will be visiting three different hometown comic book stores to sign comics and chat with customers. The three shops where he will be sign It Girl & the Atomics 1 ($2.99) are Floating World Comics (from approximately 2 pm to 3:30 pm) at 400 NW Couch, Bridge City Comics (4 pm to 5 pm) at 3725 N. Mississippi, and Cosmic Monkey Comics (from 6 pm to 7 pm) at 5335 NE Sandy.
Tim O’Shea: It Girl and the Atomics is a book that captures the Madman universe (without Madman, as he left the world for space at the end of his own series). How well does it speak of Mike Allred’s world-building/writing skills that you are able to create a series in Madman’s world, but without Madman?
Jamie S. Rich: That was really the experiment. Madman has such a gravitational pull, particularly for Mike as an artist, that he really has a tendency to dominate. Yet, the Atomics are a team, and in any successful team, all the players are there for a reason. So, when it’s their turn in the spotlight, they are just as capable, they are ready to take that stage.