J. Michael Straczynski
Last month DC Comics announced it had put together a new list of “essential” graphic novels and collections, designed to help casual readers and completists alike. This week I picked up a copy of the 121-page catalog (Issue 1, of course) along with my regular Wednesday haul.
Now, we all love lists, and this looks to be more comprehensive than the 30-item Jeph Loeb-heavy suggestions DC had previously offered. Could the new DC Entertainment Essential Graphic Novels and Chronology 2013 actually represent the depth and breadth of DC’s vast publishing history, and at least try to give each major character the attention he or she deserved?
I haven’t read the whole thing yet, but judging from the two pages devoted to “Women of DC Comics,” the answer doesn’t look promising for said women. As Sue (of DC Women Kicking Ass) and Bleeding Cool have already pointed out, Green Arrow and the Flash both get two-page spreads (each, to be fair, split between a one-page portrait and a one-page checklist), while Wonder Woman has to share two pages with Batgirl, Batwoman, Catwoman and the Huntress. Although the DC Entertainment Essential Graphic Novels and Chronology 2013 could use more female-centric titles (no Power Girl, Manhunter, Stephanie Brown or Cass Cain Batgirl, or Stars and STRIPE, and not a lot of Supergirl), today it may be enough just to focus on Wonder Woman.
Hello and welcome to What Are You Reading?, our look at what comics and other things we’ve been perusing lately. Today our special guests are Caleb Goellner, Buster Moody and Ryan Hill, the creative team of Task Force Rad Squad, the hot new comic find of 2013. Especially if you were ever a Power Rangers fan. Or even if you weren’t, as Moody and Hill’s art is just kind of wonderful on its own. Our old friend and former colleague Graeme says it “pretty much does for Power Rangers what Jeffrey Brown’s Incredible Change-Bots does for Transformers,” and that’s a very apt description. You can download it yourself here, and pay whatever you think is fair.
And to see what Task Force Rad Squad + the Robot 6 Irregulars are reading, click below …
J. Michael Straczynski’s Joe’s Comics imprint has released a trailer for the first issue Ten Grand, the supernatural crime thriller that teams the writer with artist Ben Templesmith.
Debuting May 1 from Image Comics, Ten Grand follows Joe Fitzgerald, a mob enforcer who, after being fatally wounded during that one last job, is given an opportunity by an angelic force to be reunited with the woman he loves. However, there’s a significant catch. You can see a 10-page preview of the first issue on Comic Book Resources.
Publishing | J. Michael Straczynski discusses the revival of Joe’s Comics, which returns in May with the Image Comics release of Ten Grand, illustrated by Ben Templesmith. Top Cow was home to the imprint from 1999 to 2004, publishing such series as Delicate Creatures, Midnight Nation and Rising Stars. A preview of Ten Grant will be available in April at the Chicago Comic & Entertainment Expo. [MTV Geek]
Creators | Ryan North, creator of Dinosaur Comics and the writer for the Adventure Time comic, talks about his work habits. [Lifehacker]
Creators | Penny Arcade co-creator Mike Krahulik talks about Strip Search, the reality TV-style webseries they will launch on Friday. [IGN]
“What makes [Superman] interesting other than that he’s really, really strong? That question led me to want to redefine Clark in ways that made him more interesting and more flawed as a person. Not in a dark, mean, cynical way, because that’s way too easy. But as a true outsider whose heart is vulnerable. I wanted to emphasize the loneliness of a kid growing up knowing just how different he was from everyone else, who had to keep his distance for their protection and his own.”
– J. Michael Straczynski, on his approach to Superman: Earth One
That’s from a couple of months back, but it’s stuck with me. In the shadow of Man of Steel and questions like the one Gail Simone posed a while ago, I’ve been thinking lately about Superman and what it is audiences want from him.
I enjoyed Brian Azzarello and Lee Bermejo’s Lex Luthor: Man of Steel for its fascinating take on Luthor and why he opposes Superman so much. From Luthor’s point of view, Superman is just one bad day away from being the worst threat the world has ever seen. The problem is that perspective has become the way all of humanity sees Superman in the DC Universe, especially in the New 52. People just don’t trust the guy.
“I think the digital playground is still working out its own rules for comics and the best ways in which to incorporate comics. The conceptual problem is that when a new delivery system comes up, everyone tries to shove previous content into the new venue without understanding the benefits of the new form, like trying to shove a square peg into a round hole. It’s not just a new distribution system, it’s a new system, and you have to adapt and create something new and suited to its rules. When television was aborning, the fledgling networks brought in radio drama writers who wrote dramas or variety shows that were structurally identical to what they’d done in radio; playwrights brought in from New York to give the new form legitimacy wrote one-set or two-set plays that could have been produced on any stage, they just filmed the play. Digital comics = the filmed play. We’re not there yet. But we’ll get there.”
– J. Michael Straczynski, on the state of digital comics
Welcome to What Are You Reading?, our weekly look at the comics, books and other things we’ve been perusing of late. Our guest today is Tyler James (@tylerjamescomic), the publisher of ComixTribe, which is both an online resources for comic creators and a new creator-owned imprint. Tyler is also the writer of the superhero murder mystery The Red Ten, which goes on sale Dec. 19, and the organizer of the annual 30 Characters Challenge, in which writers and artists attempt to create 30 characters in just 30 days, one for every day in November (it’s under way now at 30characters.com).
Here’s what Tyler and the Robot 6 crew are reading this week:
Digital comics | Hank Kanalz, DC Entertainment senior vice president of digital, talks about DC’s decision to offer its single-issue comics on a variety of platforms, including Kindle, Nook, and iTunes, rather than exclusively through comiXology and its branded apps (which run on the comiXology platform): “It’s not a move [away from comiXology], it’s an expansion. My charter is to go as wide as possible, and to expand to as many readers as possible. That’s what this is.” [CNET]
Passings | Indian cartoonist T. Samuval died last week in Delhi at age 86. Tom Spurgeon writes, “He was best known for his pocket cartoons, contributed under the nom de plume ‘Samuel.’ Pocket cartoons were a development of British newspapers in the 1930s: single-column cartoons on a current news story designed in many cases to lighten the severity of bad or unpleasant news. Many, like Samuval’s, became recurring features with a specific character at their forefront.” [DNA, The Comics Reporter]
After a late afternoon opening to the general public on Thursday, the New York Comic Con kicked into high gear today with panels, announcements and the usual con craziness we’ve come to expect from big shows. Here’s a round-up of comic-related news and announcements coming out of Friday. If you missed anything from Thursday, I’ve also got your back. I’d also point you to Brigid Alverson’s rundown of the ICv2 sessions before NYCC that go deep on comic sales in 2011 and 2012 thus far, if you’re into that.
• Keith Giffen returns to the stars next year with Threshold, a new DC Comics series that features Blue Beetle, Space Ranger, Star Hawkins, the original Starfire and other space heroes, with a Larfleeze back-up. Giffen also seemingly confirmed that the current Blue Beetle series is coming to an end.
• Vertigo announced several new projects today, including The Wake by Scott Snyder and Sean Murphy, Trillium by Jeff Lemire and an Unwrtten/Fables event that will see the Unwritten characters wander into the Fables comic. Snyder said that American Vampire will go on hiatus after issue #34 so he and artist Rafael Albuquerque can catch up on it. When it returns, it’ll jump ahead to the 1960s.
Thursday may have started a bit slow in the news department, but it sure ended with a huge bang. Here’s a roundup of announcements that hit today from Comic-Con International in San Diego:
• Neil Gaiman announced via video that he will write a new Sandman miniseries that will detail what happened to Morpheus to allow him to be so easily captured in The Sandman #1. J.H. Williams III will provide the art. “It was a story that we discussed telling for Sandman‘s 20th anniversary,” Gaiman said, “but the time got away from us. And now, with Sandman‘s 25th anniversary year coming up, I’m delighted, and nervous, that that story is finally going to be told.” The series will be published by Vertigo sometime next year.
• Legendary will also publish the Majestic Files by J. Michael Straczynski, which will feature art by Geoff Shaw and Matt Banning.
• Terry Moore will write a Strangers in Paradise prose novel to coincide with the comic’s 20th anniversary next year. He also plans to do an all-ages comic after Rachel Rising finishes in 30-40 issues.
• Of course you can’t have Comic-Con without news about Comic-Con itself. CBR’s Kiel Phegley spoke with CCI’s David Glanzer about the show, while Ryan Ingram spoke with Scott Morse about the Tr!ckster satellite event. And it seems like every non-comics media outlet reports on the show in some form or fashion; here’s an article by The Christian Post about religion and the show, for example. And finally, Tuesday brought the tragic news that a con attendee camping out for today’s Twilight panel was killed in front of the convention center after being struck by a car.
• I’m not 100 percent sure if it qualifies as Comic-Con news, but since it was officially announced in the Entertainment Weekly Comic-Con issue, let’s just go with it. Marvel’s big news going into the Con is that they plan to relaunch several titles later this year as part of “Marvel NOW!” Their recently released solicitations reveal they plan to cancel nine titles in October, but of course you can expect many if not all of them to come back in some form or fashion as Marvel NOW! rolls out.
• Mike Mignola and Hellboy return this December in Hellboy in Hell, the first four-issue miniseries in a series of miniseries about the title character’s post-demise adventures.
As a part of a “new media company” that will produce stories for movies, TV, digital series and more, J. Michael Straczynski will relaunch his “Joe’s Comics” imprint next spring at Image Comics.
As reported by Deadline, Straczynski will revive the imprint that Top Cow once published circa 2000-2004, which brought us Delicate Creatures, Midnight Nation and Rising Stars. The first four comics that will appear under the imprint include Falling Angel, Ten Grand, Guardians and Sidekick.
Joe’s Comics is one piece of Studio JMS, which has film and digital media projects in the works, including a film called The Flickering Light and a web series for MTV titled The Adventures Of Apocalypse Al. On the TV front, JMS has two projects in the works–Vlad Dracula for Starz and one called Epidemic.
“The center of the storm is what comes out of my keyboard,” he told Deadline. “It’s all about creating IP. For 20 years, I’ve had the remarkable good fortune to work successfully as a writer and producer in a wide variety of fields, from television to comics and movies. I’ve always dreamed of creating a mini-studio where I can put all of that work under one roof, telling stories that I want to tell and which can be spun up between various platforms: comics that can become TV shows, TV shows that can become movies, and movies that can become comics. With the tremendous recent success of films such as The Avengers, Thor and the Batman series of films, this feels like the best time to tackle that dream. Best of all, unlike many other start-up ventures, I’m not looking to get into these areas, I’m already working in them; now it’s just a matter of taking the next logical step: consolidation.”
Hello and welcome to What Are You Reading? Our guest this week is Spanish artist Alberto Jiménez Alburquerque, who drew the comic Elle for Soleil. He’s also working on a story for the upcoming Skullkickers #18 with J. Torres.
To see what Alberto and the Robot 6 crew have been reading, click below.
Last month, Tim Marchman let loose with a scathing article in The Wall Street Journal criticizing the superhero-comics industry that was the talk of the internet for a couple of days and kicked up a few Twitterstorms, most notably with writer J. Michael Straczynski. But then people pretty much moved on.
The thing is, Marchman was supposed to be writing a review of Christopher Irving and Seth Kushner’s book Leaping Tall Buildings, a collection of interviews with, and photographs of, famous comics creators. You can get a taste of their work on their Graphic NYC blog, and as one who has been following them for a while, I can tell you, it’s awesome.
Although Marchman’s article appeared in the Bookshelf section of the Journal, he mentioned the book only in passing — and while his comments were positive, he billed Irving as the editor, not the writer, and skipped Kushner altogether. Now Kushner has posted a response to the piece, titled Who Reviews the Reviewer? at the Trip City site. Actually, Kushner says straight out that he isn’t reviewing the reviewer, but he does have some things to say about the article:
“The first issues of Before Watchmen will be published next month. Among the writers working on it is former He-Man scripter J. Michael Straczynski, who once penned a comic in which Spider-Man sold his marriage to the devil. (This is the rough equivalent of having Z-movie director Uwe Boll film a studio-funded prequel to Martin Scorsese’s Taxi Driver.)”
– Tim Marchman, in a broadside to the superhero-comics industry that began as a nominal review for The Wall Street Journal of Leaping Tall Buildings. Straczynski wasn’t the only comics creator targeted, however: Marchman also took aim at Brian Michael Bendis, Joe Quesada, Grant Morrison and Dan DiDio, characterizing them as “the men most responsible for the failure of the big publishers to take advantage of the public’s obvious fascination with men in capes.”
“Your behavior was dickish. I became a better writer after He-Man. You will always be a dick.”
– J. Michael Straczynski, issuing his “final word” in the ensuing Twitter exchange with Marchman that began with JMS confronting the reviewer on “a cheap shot.” “You had to go back to 1984 to insult me? Really?” Straczynski wrote. “And ['One More Day'] was Marvel’s decision not my call.”