Auctions | Todd McFarlane’s original cover art for The Amazing Spider-Man #328 sold at auction Thursday for $657,250, shattering the record for a single piece of American comics art set last year by a splash page from The Dark Knight Returns #3 ($448,125). However, the price falls well short of the $1.6 million shell out last month for the original cover art for Tintin in America. A 9.8 graded copy of X-Men #1 was also sold by Heritage Auctions for $492,937.50, more than twice the previous record for that comic. [ICv2]
Publishing | Lily Rothman takes a look at iVerse’s newly announced comics-only crowdfunding platform Comics Accelerator, which will allow immediate delivery of digital rewards in a more sophisticated format than an e-mailed PDF and cap its share of the take at $2,500. As Laura Morley of Womanthology points out, it can go both ways: Being on Kickstarter, a trusted platform with wide visibility, helped boost the project, but on the other hand, “Any site that’s able to take advantage of the fact that comics online already work as a big community, as a place where people talk to their friends and promote things they’re interested in, is likely to do well.” [Time]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d settle in first with Dark Horse Presents #14 (Dark Horse, #7.99). This is no mere anthology: Dark Horses seems to be increasingly using it as an alternate means to serialize new single issue stories, especially with this new issue, as the publisher has expanded it to 100-plus pages. Nexus, Finder, a new Ghost series, AND the new Buddy Cops series by Nate Cosby and Evan Shaner? Sold! Moving on from that, I’d next get Saga #5 (Image, $2.99), which is completely not what I wanted this to be, and turned into something else I want even more. My third and final pick of this big week is Avengers Vs. X-Men #8 (Marvel, $3.99). I believe this is Bendis’ first issue as the lead writer post-Phoenix Force 5 and I’m interested to see him bring his dialogue to this. Seeing Adam Kubert on this brings up some questions for me, as I never really saw Kubert’s style fitting in with the overall aesthetic Marvel’s been pushing these past couple years.
If I had $30, I’d get a second anthology title – World War 3 Illustrated #43 (Top Shelf, $7.00). I’ve been remiss in buying this series for the past few years, but after stumbling over it in Previews a couple months back I made it a point to seek it out next time it came out. After that I’d get Glory #28 (Image, $2.99), Joe Keatinge and Ross Campbell’s warrior-woman epic. Each issue manages to outclass the one before it, and I’m thrilled and surprised Ross has been able to do five entire issues with no delays or fill-ins. Finally, I’d get Daredevil #15 (Marvel, $2.99). The media-sensitive side of me is torn about this book now because for a time it was considered Marvel’s best kept secret, but now with the creative team coming out of the Eisners with a wheelbarrow full of awards I have to throw away my elitist mentality and fight off my expectations that the quality will drop now that it’s more well-known. Good thing Chris Samnee is on it, and they’re off to Latveria!
If I could splurge, I’d get Stuff of Legend Omnibus, Vol. 1 (Th3rd World Studios, $29.99). I remember reading a preview of this in a previous Free Comic Book Day sampler issue, but I seemed to have missed or forgotten about it in whatever single issues it’d been released in, so I’m glad I took notice of this. I’m a big fan of artist Charles Paul Wilson III, and this story of kids’ toys fighting in World War II sounds so crazily fun I’m excited to read it all in one sitting.