jack kirby Archives - Page 3 of 14 - Robot 6 @ Comic Book Resources
Legal | Archie Comics Co-CEO Nancy Silberkleit is in court again, this time claiming sexual harassment by former friend Sam Levitin, who was her liaison to Archie after her legal feud with the company and C0-CEO Jon Goldwater was settled last year. Levitin has responded that Silberkleit “lacks functional communication skills and has an unstable temperament” and has a “venomous and destructive effect” at the company. Levitin asked the court in December to remove Silberkleit as a trustee of the company, and she responded in April with the allegation of sexual harassment against both Levitin and Archie Comics. An outside firm hired by Archie determined that her claims were “unfounded,” and the publisher is not a party in the latest lawsuit. [New York Daily News]
Legal | Jeff Trexler takes an in-depth look at the copyright battle between Marvel and Jack Kirby’s children. [The Comics Journal]
Rarely will you find an artifact of comics history that is as simultaneously amusing, bewildering and infuriating as this 1947 Timely Comics feature that purports to recount the creation of a comic strip — specifically, Captain America. Posted by cartoonist Max Riffner (via The Marvel Age of Comics), who attributes the writing to a young Stan Lee, the piece becomes the Martin Goodman story, playing up the role of “the young brilliant magazine king who is today one of the greatest names in the comics magazine world” while not even mentioning Jack Kirby and Joe Simon.
If we’re to believe this account, Captain America and Bucky were actually assembled by committee from the odds and ends of an open call, or possibly willed into existence by the dogged resolution of Martin Goodman. Read part of the account below, and see how it all ends on Riffner’s blog.
Following last week’s launch of the second annual Kirby4Heroes campaign, The Hero Initiative has announced details of “Wake Up and Draw” and in-store events on Aug. 28 to celebrate the 96th birthday of Jack Kirby.
The organization, which provides financial support to creators in need, has recruited more than 40 artists to celebrate the day by drawing “birthday cards” to Kirby. Their illustrations will be showcased at ComicArtFans.com and auctioned at a later date, with the proceeds going to The Hero Initiative.
On that same day, retailers across North America will hold special events to mark Kirby’s birthday, with some pledging to donate a percentage of profits to the organization. Here’s a partial list of participating stores: Jesse James Comics, Glendale, AZ; Flying Colors Comics, Concord, CA; Lee’s Comics, Mountain View, CA; Alakazam Comics, Irvine, CA; Mission: Comics and Art, San Francisco, CA; Golden Apple Comics, Los Angeles, CA; The Secret Headquarters, Los Angeles, CA; A&M Comics, Miami, FL; Chimera’s Comics, Lagrange, IL; Aw Yeah Comics, Skokie, IL; Graham Crackers Comics, Plainfield, IL; Alternate Reality Comics, Las Vegas, NV; Paradise Comics, Toronto, Ontario; Floating World Comics, Portland, OR; and Austin Books & Comics, Austin, TX.
Kirby4Heroes was established last year by Kirby’s granddaughter Jillian Kirby, who’s been sharing vintage photos and her grandfather’s art on the campaign’s Facebook page.
Sure, everyone gets worked up about turning comics into movies, but what about the other way around? Cartoonists have been attempting to cram great works of literature or art into tiny panels since the birth of Classics Illustrated. But many of these adaptations, despite the noblest of intentions, fall horribly flat or fail to evoke a tenth of the original work’s greatness.
There are exceptions of course; comics that not only manage to capture or add to the spirit of the original work, but in a few cases are the equal or better of the source material. Here then are six such examples. Feel free to include your own nominations in the comments section.
Publishing | Douglas Wolk uses a classic comics trope — who would win in a fight between Marvel and DC Comics, or rather, Batman and Iron Man? — to talk about the strengths and weaknesses of the two companies and how their business models have evolved. [Slate]
Comics | Archie Comics Co-CEO Jon Goldwater and writer and artist Dan Parent talk about the latest story arc, which takes the Riverdale gang to India for an encounter with Bollywood. [The Times of India]
Manga | Charles Brownstein, executive director of the Comic Book Legal Defense Fund, spoke about manga and the importance of freedom of expression at the most recent Comiket, the world’s largest comics event, in Tokyo. [CBLDF]
For the second year in a row, Jack Kirby’s youngest granddaughter Jillian is commemorating the legendary artist’s birthday by spearheading the Kirby4Heroes campaign to help creators in need.
On Aug. 28, what would have been Kirby’s 96th birthday, fans are asked to donate to The Hero Initiative, the only industry organization that provides financial assistance to creators who have fallen on hard times.
Some retailers have also pledged to donate a percentage of their profits on that day. Writing on Hero Complex, 17-year-old Jillian Kirby says some stores will host “birthday parties” for her grandfather and auction off original art to benefit The Hero Initiative. This year’s goal is $10,000, nearly double what was raised in 2012.
“I started the Kirby4Heroes campaign as a way to connect with my grandfather, who died the year before I was born,” Jillian writes. “I’ve grown so much closer to him through my endeavors in this area. I have to admit I’m astounded by him as an artist, family member and just a kind human being. Raising funds for those in the comic book industry in need of financial and medical assistance is a cause my grandfather Jack would have championed. He never turned his back on a person in need.”
There are certain artists who prove that their work only gets better with each new project and new issue. Such is the case with Nick Dragotta on East of West, his new creator-owned ongoing series with Jonathan Hickman.
I relish any opportunity to interview Dragotta, particularly in the same week that East of West 5#. His ability to lay out some spectacular action scenes continues to be a given in this Image Comics series, but I have also grown to appreciate his ability to develop distinctive architecture as well as engaging, yet more sedate, scenes.
In addition to discussing East of West, Dragotta also brought me up to date on Howtoons, which we talked about in our first interview in 2011. As the father of a kid who loves do-it-yourself activities, I appreciate the involvement of the artist and his wife Ingrid in a project that fosters fun, educational activities for children. To learn he has gotten creator favorites of mine, such as Fred Van Lente (no stranger to educational entertainment), Jeff Parker and Sandy Jarrell involved is just icing on the DIY cake.
Back to East of West, the artist and I also got a chance to (hopefully) satiate Comics Should Be Good’s Greg Burgas’ curiosity regarding the East of West creative process that he broached in a recent essay on reviewing the art in comics. In addition, Dragotta was kind enough to share an unlettered page from East of West #5 as well as unlettered pages from issues 2 and 4. With the first trade (collecting issues 1-5) set for release on Sept. 11, we also discuss its potential impact on audience growth. Full candor: Dragotta blindsided me with his Rob Liefeld fan club confession. Seriously, though, it is refreshing to see a talent such as Dragotta reveling in the opportunity to do creator-owned work.
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So find out what we thought about The Bunker, Detective Comics, X-Factor and more.
The Second Circuit Court of Appeals handed Marvel a significant victory this morning, upholding a 2011 ruling that Jack Kirby’s contributions to the publisher in the 1960s were work for hire, and therefore not subject to copyright reclamation by the artist’s heirs.
However, as Tom Spurgeon first reported, the appellate court vacated the New York district judge’s summary ruling against two of Kirby’s children, California residents Lisa and Neal, on jurisdictional grounds; the judgment against Susan and Barbara stands.
Secondarily, the Second Circuit upheld the lower court’s exclusion of expert testimony offered by John Morrow and Mark Evanier on behalf of the Kirby heirs, agreeing that “their reports are by and large undergirded by hearsay statements, made by freelance artists in both formal and informal settings, concerning Marvel’s general practices towards its artists during the relevant time period.”
Comics | A CGC-certified 9.6 copy of 1963′s The X-Men #1, by Stan Lee and Jack Kirby, fetched a private-sale record of $250,000 in a deal brokered by Pedigree Comics. That same comic, said to be one of just two certified near-mint copies in existence, went for a then-record $200,000 in March 2011; a 9.8 copy sold at auction in July 2012 for $492,938. The all-time record remains the $2.6 million paid in a 2011 auction for a near-mint copy of Action Comics #1. [CGC Comics]
Comics | Joe McCulloch puts together a nice guide to the self-published comics of Steve Ditko. [Comics Alliance]
Comics | If you want to read Franco-Belgian comics but don’t know where to start, Jared Gardner has you covered, with a brief introduction and some recommended works that have been translated into English. [Public Books]
Arriving in bookstores today is The Simon & Kirby Library: Science Fiction, a 320-page collection from Titan Books that spans more than 20 years, beginning with the very first collaboration between Joe Simon and Jack Kirby.
Before they created Captain America, the legendary duo worked together on Simon’s Blue Bolt, a character whose origin, in the words of Don Markstein, “is even more excruciating than that of most superheroes”: College football star Fred Parrish is struck by lightning during practice, and then stumbles to an airplane to fly for help — only to be struck again by lightning. The plane crashes, depositing Parrish underground, conveniently where a scientist named Bertoff has established a laboratory. The danger-prone athlete is revived and treated with radium, which grants him with lightning powers. Oh, and he also gets a lightning gun. Hey, it was the 1940s.
With the end of Geoff Johns’ tenure on Green Lantern and Grant Morrison’s upcoming farewell to Batman, a fan’s thoughts turn naturally to other extended runs. Marv Wolfman wrote almost every issue of New (Teen) Titans from the title’s 1980 preview through its final issue in 1995. Cary Bates wrote The Flash fairly steadily from May 1971′s Issue 206 through October 1985′s first farewell to Barry Allen (Issue 350). Gerry Conway was Justice League of America’s regular writer for over seven years, taking only a few breaks from February 1978′s Issue 151 through October 1986′s Issue 255.
However, in these days of shorter stays, I wanted to examine some of the runs that, despite their abbreviated nature, left lasting impressions. At first this might sound rather simple. After all, there are plenty of influential miniseries-within-series, like “Batman: Year One” or “Whatever Happened to the Man of Tomorrow?,” where a special creative team comes in to tell a particular story. Instead, sometimes a series’ regular creative team will burn brightly, but just too quickly, leaving behind a longing for what might have been.
A good example of this is found in Detective Comics #469-76, written by Steve Englehart, penciled by Marshall Rogers and inked by Terry Austin (after Walt Simonson penciled and Al Milgrom inked issues 469-70). Reprinted in the out-of-print Batman: Strange Apparitions paperback, and more recently (sans Simonson/Milgrom) in the hardcover Legends of the Dark Knight: Marshall Rogers, these issues introduced Silver St. Cloud, Rupert Thorne, Dr. Phosphorus and the “Laughing Fish,” featured classic interpretations of Hugo Strange, the Penguin and the Joker, and revamped Deadshot into the high-tech assassin he remains today. Tying all these threads together is Bruce Wayne’s romance with Silver, which for my money is the Bat-books’ version of Casablanca. It’s the kind of much-discussed run that seems like it should have been longer. Indeed, I suspect it’s one of the shorter runs in CSBG’s Top 100 list.
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Less than 24 hours after its launch, a Kickstarter campaign by Jeremy Kirby to fund a coffee table book devoted to his legendary grandfather Jack Kirby has already exceeded its $7,500 goal.
Titled The Life and Times of Jack Kirby, the hardcover will feature hundreds of personal photographs and artwork, and a never-before-seen play written by Jack Kirby called Frog Prince.
“Years ago (1997 to be exact) I wrote a screenplay and shared it with my grandmother,” Jeremy writes. “She did what every grandmother would do after reading her grandson’s story and told me how wonderful it was. But then she stopped for a moment as if pausing to think. She had me wait where I was and I saw her go into her closet. She reached into a box that was on a shelf and pulled out a dusty old folder. She handed it to me and said ‘your grandfather would have wanted you to have this.’ It was a play that he had written. I have since showed the play to friends of the family and not one had ever heard of its existence.”
Happy Mother’s Day and welcome to What Are You Reading?, our weekly look at the comics, books and what have you we’ve been checking out lately. Joining us today is Allison Baker, co-publisher of Bandette, Edison Rex and all the other Monkeybrain Comics you can find on comiXology.
To see what Allison and the Robot 6 crew have been reading, click below.
Legal | Singapore cartoonist Leslie Chew was arrested last week on charges of sedition, held over the weekend, and released on S$10,000 bail. His cellphone and computer were also confiscated. The charges stem from two cartoons on Chew’s Demon-cratic Singapore Facebook page. [Yahoo! News Singapore]
Crowdfunding | Chris Sims tells the truly bizarre tale of a crowdfunding scam: Someone copied Ken Lowery and Robert Wilson IV’s Kickstarter campaign for Like a Virus, including the video, and made it into an IndieGoGo campaign, presumably planning to pocket the money and run. [Comics Alliance]