Jaime Hernandez

Page after glorious page of behind-the-scenes Strange Tales II art

line art for the Strange Tales II #1 cover by Rafael Grampa

line art for the Strange Tales II #1 cover by Rafael Grampa

Over at ComicsAlliance, Laura Hudson has a real treat for those of you who like your superhero comics with an alternative twist: 50-plus pages of sketches, thumbnails, pencils, inks, color studies and more from the Strange Tales II hardcover, which debuted this week. Click on over and get a glimpse at the creative process behind contributions from Kate Beaton, Jeffrey Brown, Ivan Brunetti, Farel Dalrymple, Rafael Grampa, Dean Haspiel, Jaime Hernandez, Paul Hornschemeier, Benjamin Marra, Edu Medeiros, Harvey Pekar, Frank Santoro, and Paul Vella. That’s hella Strange!

Altcomix Assemble!

Wow: Cold Heat cartoonist and Comics Comics blogger Frank Santoro went to Los Angeles, and all he got was this wondrous photo of him and a gaggle of the greatest alternative comics creators on the West Coast. From left to right, you’re looking at Johnny Ryan (Prison Pit, Angry Youth Comix), Jaime Hernandez (Love and Rockets), Ron Regé Jr. (Yeast Hoist, Against Pain), Jordan Crane (Uptight, What Things Do), Sammy Harkham (Crickets, Kramers Ergot), and Santoro. I haven’t seen this kind of star power packed into one picture since Crumb, Ware, Clowes, Tomine, and Buenaventura straddled the cliffs of France like comic-book colossi.

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Daniel Clowes and Jaime Hernandez on their peers

In the year spanning Fall 2009 and Fall 2010, the Grand Old Men and Women of Comics unleashed what strikes me as an all but unprecedented onslaught of major graphic novels. Joe Sacco and Footnotes in Gaza. Robert Crumb and The Book of Genesis Illustrated. Gilbert Hernandez and High Soft Lisp. Daniel Clowes and Wilson. Jim Woodring and Weathercraft. Kim Deitch and The Search for Smilin’ Ed. Chris Ware and The ACME Novelty Library #20: Lint. Lynda Barry and Picture This. Charles Burns and X’d Out. Joyce Farmer and Special Exits. Seth and Palookaville #20. Gilbert and Jaime Hernandez and Love and Rockets: New Stories #3. Stretching from the underground comix era of the mid-to-late ’60s all the way through the great alternative-comics wave that first crested in the early ’90s, the O.G.s arrived en masse to show the whippersnappers how it’s done.

Unsurprisingly, the creators themselves seem aware of this, too. In the interviews with Daniel Clowes and Jaime Hernandez that closed out his excellent annual Holiday Interview Series, Tom Spurgeon got the two comics legends to talk a bit about their peers. In addition to talking about how the cancellation by their creators of Los Bros Hernandez’ Love and Rockets Vol. 1 and Peter Bagge’s Neat Stuff and Hate spurred him to continue his own Eightball series beyond the point where it was a practical mode of delivery for his comics, Clowes addressed the recent wave of major comics from his generation very specifically:

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‘Love and Rocktober’ wraps up

Love and Rockets New Stories #1

If you’ve been following What Are You Reading? or Sean T. Collins’ blog since October, you know he’s been conducting “Love and Rocktober,” which was “a marathon examination of the entirety of Love and Rockets by Gilbert Hernandez and Jaime Hernandez.” Rocktober is finally over, and Sean has posted an index of all his reviews and analysis of the works of Los Bros Hernandez. If you’re a fan of the Hernandez Bros. or have been curious about their work since reading Chris Mautner’s Comic College on them last year, go check it out.

Comics A.M. | The graphic novel market, and webcomic economics

Diamond Book Distributors

Publishing | Calvin Reid interviews Kuo-Yu Liang, vice president of sales and marketing at Diamond Book Distributors, about the state of graphic novel sales, the international market, manga and more: “I think we are entering the golden age of selling graphic novels. The demographics and the audience are both broadening. We are lucky that the core readers have stuck with us through the recession. We are finding new readers crossing over from literary, commercial, speculative and genre fiction. Non-fiction graphic novels are doing well. We’re getting more kids and parents (I’ll talk more about that later). I also think the growth of internet shopping has changed the game, because now it is easier than ever to find what you like to read, and get recommendation from fellow readers. The key is still good books. Without them, we don’t have an industry.” [Publishers Weekly]

Publishing | Heidi MacDonald spotlights BOOM! Studios, with a focus on the publisher’s marketing efforts. “The secret to our success to go to the thing that other people haven’t done; it isn’t to go head to head against people, or trying to take their market share away or trying to duplicate their editorial style,” says co-founder Ross Richie. “We’ve had to invent a space in the market place to exist. ” [Publishers Weekly]

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Comics A.M. | Tokyo’s anti-loli bill lives, a bookstore apocalypse may loom

Lolicon

Legal | The Tokyo Metropolitan Assembly is resurrecting a revised bill to tighten regulations on the sexual depictions of minors in manga, anime and video games. An earlier version of the controversial proposal was voted down in mid-June. The new bill removes vague defining terms like “nonexistent youth” and reportedly avoids references to “characters younger than 18,” increasing the likelihood that the proposed legislation will pass. [Anime News Network]

Retailing | As the small independent retail chain Joseph-Beth Booksellers files for bankruptcy protection, its president warns of even tougher times ahead for bookstores. “I think in the next three to five years, you’ll see half the bookstores in this country close,” Neil Van Uum says. [Lexington Herald-Leader, via ICv2.com]

Awards | The Webcomics List Awards is accepting nominations until Dec. 20. Winners will be announced on Jan. 31. [via Forbidden Planet International]

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Comics A.M. | The comics Internet in two minutes

Uncanny X-Force #1

Publishing | No comic cracked the 100,000-copy mark in the direct market in October, with the top title, Marvel’s Uncanny X-Force #1, selling an estimated 96,500 copies. Diamond’s graphic novel chart was led by DC Comics’ Superman: Earth One hardcover, which sold more than 16,000 copies. Retail news and analysis site ICv2.com notes that was the best number for a graphic novel since new volumes of Scott Pilgrim and The Walking Dead shipped in July. The website also pursues John Jackson Miller’s recent analysis of comics that don’t make it into Diamond’s Top 300, concluding: “Sales below the Top 300 may be growing in importance, but when we look at a fairly long period (10 months) either they aren’t big enough in the aggregate to make much difference, or their sales are changing at about the same rate as the Top 300’s. If anything, looking at year to date numbers, sales on titles below the Top 300 are shrinking faster than sales in the Top 300, at least in periodical comics.”

Meanwhile, Miller sifts through data made available by Diamond to determine that comics sales are 69.6 percent of the total market. [ICv2.com, The Comichron]

Conventions | Wizard Entertainment has announced its acquisition of Central Canada Comic Con in Winnipeg, Manitoba. Johanna Draper Carlson also picks up on rumors that the company is adding Mid-Ohio-Con to its growing stable. [press release, Comics Worth Reading]

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Comics A.M. | One Piece hits milestone, Scott Pilgrim dethroned

One Piece, Vol. 6

Publishing | With the release today in Japan of the 60th volume of One Piece, 200 million copies of Eiichiro Oda’s hit comedy-adventure will have been published. What’s more, this volume’s 3.4 million copies will break the record set by the previous volume. As of late August, One Piece had sold 20 million copies in 2010 alone — four times that of Naruto, the second-highest selling manga. On a related note, a 35-year-old Japanese man was arrested for copyright violation for allegedly distributing four manga, including the 59th volume of One Piece, online. [Japanator, The Mainichi Daily News]

Crime | Six people accused in the July robbery of a 77-year-old New York comics collector who died of a heart attack hours later could be charged with murder if police can link the crime to his death. [Democrat and Chronicle]

Conventions | Wizard Entertainment CEO Gareb Shamus announced he has acquired the two-year-old NOLA Comic-Con, which will become part of the Jan. 29-30 Wizard World New Orleans Comic Con. [press release]

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Jaime Hernandez covers Strange Tales II #2

Strange Tales II #2

Strange Tales II #2

It isn’t often you’ll find a link from the Fantagraphics blog to Marvel.com, but the two seem to intersect squarely at Marvel’s Strange Tales II project. We’ve seen Rafael Grampa’s cover to the first issue, which was revealed back when the project was announced, and now Marvel has revealed the cover to issue #2, by Jaime Hernandez — who also has a story in that issue. Watch for it in November.

A look at Fantagraphics’ fall/winter catalog

Pogo Vol. 1

Pogo Vol. 1

One of the biggest pieces of news coming out of this year’s Comic-Con was the announcement by Fantagraphics that they would start reprinting Floyd Gottfredson’s seminal Mickey Mouse comic strips.

But that book is at least a year away. What ever shall we read in the months between now and then? Thankfully, Gary Groth, Kim Thompson and company have the answer, via their lengthy fall/winter catalog, which I’ve taken the liberty of breaking down into bite-sized chunks for the hoi-polloi to peruse. No doubt some of these titles you’re probably well aware of and already expecting. But hopefully there’s one or two surprises in the list.

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Comics A.M. | The comics Internet in two minutes

Naruto, Vol. 46

Naruto, Vol. 46

Publishing | Brigid Alverson, Simon Jones, Gia Manry and Daniella Orihuela-Gruber provide commentary on Tuesday’s announcement that Viz Media is restructuring, laying off up to 60 employees and closing its New York City branch. Manry cautions that there’s little need for panic, while Jones points out that it’s unclear whether the company’s cuts are in its manga or anime divisions.

Alverson notes that the news came as such a surprise because Viz publishes the most popular manga properties (Naruto, One Piece, Fullmetal Alchemist) as well as some of the most acclaimed (Children of the Sea, Pluto, 20th Century Boys): “However, as publishing veterans know, acclaim does not necessarily equal sales.” [Viz Media]

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Jaime Hernandez: ‘I’m gonna do it as long as I think it’s worth doing’

The Village Voice

The Village Voice

In this week’s Village Voice, R.C. Baker takes cartoonist Jaime Hernandez and art historian Todd Hignite to New York City’s Museum of Modern Art, where they chat about Hernandez’s work as well as that of Andy Warhol, Jacob Lawrence and Jackson Pollock.

Comics Cavalcade | Robots, ghouls and John Kerschbaum

Every day people post comics on the Internet. Here are some of the ones that caught our eyes.

Death Tales” by Jaime Hernandez

DeathTales1b

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Everyone’s A Critic: A roundup of comic book reviews and thinkpieces

The Art of Jaime Hernandez

The Art of Jaime Hernandez

Tim Holder offers an initial critique of the upcoming Art of Jaime Hernandez book, which results in a flurry of great comments from book designers, critics and the editor of said book. Easily one of the most informative and insightful comments threads in months, if not years. (Also: L&R fan Marc Sobel offers his thoughts.)

• Along the same lines, Jeet Heer offers an old review of Peanuts: The Art of Charles M. Schulz.

Marc Singer talks about why he included Maus in his comics class, and how his students reacted to it.

• Responding to an earlier essay by Jeet Heer (there he is again) on cartoonists’ mid-life crises, Gary Groth offers his own thoughts and posts an essay he’d written on the topic several years ago. (part one, part two, and part three).

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Thin wallets, fat bookshelves: Abrams’ 2010 spring catalog

Art in Time

Art in Time

Art book publisher Abrams jumped into the comics world with both feet last year with their new ComicsArts imprint. What do they have lined up for 2010? Poking around their Web site, I was able to figure out their plans, both via the imprint and their children’s line. They’ve slowed down their output a little but still have a rather impressive array of titles coming out. Fer instance:

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