REVIEW: Violent, Profane "Deadpool" Shouldn't Work, But Really F---ing Does
The Chicago Comic & Entertainment Expo opened its doors for the 2012 edition at 1:00 in the afternoon on Friday the 13th. I decided to tempt fate, spit in the eye of superstition and join a trio of friends from my local comic shop to make the four-hour trek between Detroit and Chicago, take in the sights to see at C2E2 and return home, all in one day. That’s right: I was silly enough to think a whirlwind visit to Chicago would be a good idea.
We hit the road around eight o’clock and with a pair of stops on the way to coincide with the wonderfully easy traffic all the way into the great state of Illinois, we made it to McCormick place by 11:15 Chicago time. Coming in from the south side of the convention center, we mingled with Chicago White Sox traffic (oddly enough, the Detroit Tigers were in town to play the Sox) and managed to find parking at McCormick after driving through the shipping area of the parking facility.
Sometimes when you interview a creator, you get the distinct impression that person would rather be promoting a new film or a new novel, anything but a comic book. Other times you are fortunate enough to talk to a creator like artist Jamal Igle who relishes his craft, loves comic books and is almost as much a booster of his fellow creators as the typical comic book fan. This Wednesday (December 14) marks the release of The Ray 1, the first installment of the four-issue DC miniseries by Igle with the writing team of Jimmy Palmiotti and Justin Gray. My thanks to Igle for the email interview. Once you’ve enjoyed this interview, be sure to check out CBR’s late November interview with Palmiotti and Gray, as well as the preview that CBR offered of issue 1.
Tim O’Shea: When the initial 52 DC Books were announced there was a great deal of displeasure voiced about the fact you were not on the list of creators. Two-fold question: How gratifying was it to see your fans support you so vocally on this front. Secondly, without going into details, were you offered a New 52 assignment and passed on it (please feel free to skip the first part and only answer the first part, if you prefer not to delve into it)
Jamal Igle: It was very flattering and humbling at the same time. It was a little difficult for me to respond to all of the inquiries, because I didn’t know, frankly, how to respond. I was still working on Superman at the time, so I hadn’t been assigned anything. It was a really weird, with all of the assignments being announced, not being able to say anything. The offer for The Ray came just as I was finishing up Superman # 713, prepping #714 and getting ready for San Diego.
Writers Jimmy Palmiotti and Justin Gray will team with artist Jamal Igle for The Ray, a four-issue miniseries debuting from DC Comics in December.
The Washington Post reports that this time the “human ray of light” isn’t Stan Silver, the version created by Palmiotti, Gray and Daniel Acuña and featured in Uncle Sam and the Freedom Fighters. Instead, he’s Lucien Gates, the fourth incarnation of The Ray since the character’s introduction in 1940 in Quality Comics’ Smash Comics #14.
The second Ray, Ray Terrill, was introduced in 1992 in a six-issue miniseries by Jack C. Harris and Joe Quesada before going on to star in a monthly series by Christopher Priest and Howard Porter. That title ran from 1994 to 1996, ending with Issue 28.
The Ray marks the second DC relaunch title for the prolific duo of Palmiotti and Gray, who last month concluded a 70-issue run on Jonah Hex: They take on the bounty hunter again in All-Star Western, which premieres Sept. 28. Igle most recently drew Supergirl for DC.
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
Hello and welcome to What Are You Reading? This week’s guest is Alex Segura, executive director of publicity and marketing at Archie Comics. But we’ll always know him as the guy who founded The Great Curve, the blog that would one day morph into Robot 6.
To see what Alex and the Robot 6 crew have been reading lately, click below …
Publishing | Veteran writer J.M. DeMatteis has resigned as editor-in-chief of Ardden Entertainment, fledgling publisher of Flash Gordon and partner in the planned revival of Atlas Comics. DeMatteis, who joined Ardden in February 2008, cited creative differences with Co-Publishers Brendan Deneen and Rich Emms. Deneen has assumed the role of editor-in-chief. [J.M. DeMatteis’ blog]
Comic strips | Non Sequitur cartoonist Wiley Miller comments on the decision by more than 20 newspapers to replace the Oct. 3 installment of his strip because it mentioned the Prophet Muhammad: “[Editors] didn’t see the satire was on them, of being petrified to run anything related to him. But this whole thing has just gotten so silly over the years. It’s something I can’t lay off. It’s my job as a satirist to point out the stupidity in the world. And the editors fell right in line with proving how stupid it is.” Andrew Alexander, ombudsman for The Washington Post, criticized his newspaper for pulling the strip. [Fox News]