EXCL. PREVIEW: Superman Escapes a Black Universe in "Dark Knight III" #5
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
The manner in which a comic series resonates with me often lacks sense. In the case of the launch of Greg Rucka and Matthew Southworth’s Stumptown, I distinctly remember a mid-2007 CBR article where Rucka described it as “my love letter to ‘The Rockford Files.'” From that moment on, I have been a huge fan of Stumptown.
Portland private investigator Dex Parios is not a perfect character; investigations rarely go smoothly for her. But she always succeeds on some level. Her family is important to her, more exactly her special needs brother Ansel Parios means the world to her. For me, the value of family is another homage to the James Garner 1970s series.
“If I could put the Stephen J. Cannell logo at the end of every issue I would be happy, and David Aja recently sent me this amazing piece of music. He said, ‘Here’s the soundtrack to our first issue.’ It’s Dizzy Gillespie and Lalo Schifrin from a record they did together called ‘Free Ride’ and it is great. The whole record is full of car chase music. So this series is very William Friedkin and early Brian Depalma. Rockford Files. It’s an early ’70s urban grit story. You almost expect Hawkeye to come around the corner and bump into Power Man and Iron Fist from 30 years ago.”
“Rather than try to define what Hawkeye’s role is in the Avengers, I wanted to define what is Clint Barton’s role in Hawkeye — who is he and what drives him and why is he our lead? I could close my eyes and see this Aja drawing of him with a Band-Aid across the bridge of his nose, and I got it. That’s our guy. He’s the Marvel Universe’s Jim Rockford.”
– writer Matt Fraction, in interviews with Comic Book Resources and USA Today, name-checking
the 1970s James Garner crime drama in discussions of his upcoming Hawkeye ongoing series for Marvel. There’s no word yet as to whether Clint Barton works for $200 a day, plus expenses.