SPIDER-MANDATE: The Lowe-down on "Secret Wars," Tie-Ins and Stacey Lee
After 14 years, and more than 3,500 cartoons, James Kochalka is bringing his diary comic American Elf to an end. Since October 1998, Kochalka has been chronicling small slices of his daily life in short comics, seldom longer than four panels, and if you read the comic, you already know he has mixed feelings about ending it.
Of course, Kochalka has plenty still going on, including the animated version of his comic SuperF*ckers, plus teaching at the Center for Cartoon Studies, playing rock music and being the Cartoonist Laureate of Vermont. He’s going to keep the American Elf site live, and of course, you can get the collected editions from Top Shelf (and digitally via comiXology).
Keeping a diary comic for 14 years is a singular achievement, so we asked Kochalka to talk a bit about the experience of creating — and living — American Elf.
SuperF*ckers made its animated debut today on the Cartoon Hangover site. Based on the comics by James Kochalka published several years ago by Top Shelf, it features, as Kevin noted earlier this week, “teen superheroes doing, and saying, bad and occasionally disgusting things.” And some very funny things.
A censored version of the first episode can be found below, and you can watch the uncensored version on YouTube. Neither one of them are really safe for work, though, so put your headphones on before watching.
In addition, once you’ve enjoyed the cartoon, you can buy the merch … WeLoveFine has a whole Cartoon Hangover section on their site now, featuring the SuperF*cker characters, and to celebrate the show’s premiere, the above shirt featuring Ultra Richard is their deal of the day. They’ve also got one featuring Jack Krak that’s tied to the first episode. You can find images of some of them below.
Awards | Were women underrepresented in the first British Comic Awards? With three women and 13 men on the shortlist, some argue they were; Laura Sneddon follows the discussion, including those making that claim and those who responded. [The New Statesman]
Best of the year | Paste magazine lists its 10 best comics of the year, including Hawkeye, Saga and Building Stories. [Paste]
Best of the year | Rachel Cooke focuses on British graphic novels, although a few outsiders creep in as well, for her list of the best graphic novels of 2012. [The Guardian]
Top Shelf points out that Cartoon Hangover has been adorably counting down to the Friday debut of SuperF*ckers, the online animated series based on the comics by James Kochalka. If you’ve read the series, which the publisher describes as “obscenely funny,” or even just read about it, you have a pretty good idea what to expect from the cartoon: teen superheroes doing, and saying, bad and occasionally disgusting things. If that’s not enough to sell you on the animated SuperF*ckers, it’s produced by Frederator Studios, the folks behind Adventure Time and Bravest Warriors.
Occasional Marvel employee James Kochalka’s first impression is right, that cover is awful, least of all because of
Mark Bagley’s Joe Quesada’s illustration. As sickly sentimental as the composition is, the worst crime there is the dreadful typography.
Anyway, Kochalka is just too darned nice to really go for the throat. As he notes below this entry on his Tumblr, “All apologies to the artists involved. I know how hard this is without random dudes trolling you on the internet … so I hope you just take this as a bit of good-natured teasing.”
Publishing | ICv2 sits down for a three-part interview with DC Comics Co-Publishers Jim Lee and Dan DiDio that takes the long view of the past year, covering the launch of the New 52, the effect of digital and the loss of Borders, and the recent discussions around creators’ rights. “It’s a cyclical thing. It’s an issue that constantly comes back,” DiDio said. “We hear about the great jobs and the great books that creators might participate in, but what we don’t hear about are all the books we’ve invested in over the years that never delivered, where we’ve invested in the talent and the time to make sure they had the opportunity to tell the stories they tell. It’s a very big picture, and it’s a very complex issue that can’t be boiled down. One thing I feel the most strongly is that I feel extraordinarily confident that we do everything we can to make this a very creator friendly company, to make sure they have an opportunity to tell the stories they want to tell with our characters and also in their creator owned stories too.” [ICv2]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d settle in first with Dark Horse Presents #14 (Dark Horse, #7.99). This is no mere anthology: Dark Horses seems to be increasingly using it as an alternate means to serialize new single issue stories, especially with this new issue, as the publisher has expanded it to 100-plus pages. Nexus, Finder, a new Ghost series, AND the new Buddy Cops series by Nate Cosby and Evan Shaner? Sold! Moving on from that, I’d next get Saga #5 (Image, $2.99), which is completely not what I wanted this to be, and turned into something else I want even more. My third and final pick of this big week is Avengers Vs. X-Men #8 (Marvel, $3.99). I believe this is Bendis’ first issue as the lead writer post-Phoenix Force 5 and I’m interested to see him bring his dialogue to this. Seeing Adam Kubert on this brings up some questions for me, as I never really saw Kubert’s style fitting in with the overall aesthetic Marvel’s been pushing these past couple years.
If I had $30, I’d get a second anthology title – World War 3 Illustrated #43 (Top Shelf, $7.00). I’ve been remiss in buying this series for the past few years, but after stumbling over it in Previews a couple months back I made it a point to seek it out next time it came out. After that I’d get Glory #28 (Image, $2.99), Joe Keatinge and Ross Campbell’s warrior-woman epic. Each issue manages to outclass the one before it, and I’m thrilled and surprised Ross has been able to do five entire issues with no delays or fill-ins. Finally, I’d get Daredevil #15 (Marvel, $2.99). The media-sensitive side of me is torn about this book now because for a time it was considered Marvel’s best kept secret, but now with the creative team coming out of the Eisners with a wheelbarrow full of awards I have to throw away my elitist mentality and fight off my expectations that the quality will drop now that it’s more well-known. Good thing Chris Samnee is on it, and they’re off to Latveria!
If I could splurge, I’d get Stuff of Legend Omnibus, Vol. 1 (Th3rd World Studios, $29.99). I remember reading a preview of this in a previous Free Comic Book Day sampler issue, but I seemed to have missed or forgotten about it in whatever single issues it’d been released in, so I’m glad I took notice of this. I’m a big fan of artist Charles Paul Wilson III, and this story of kids’ toys fighting in World War II sounds so crazily fun I’m excited to read it all in one sitting.
Here’s a digital choice for you: You could pay $3.99 for a single issue of some Marvel comic, or you could get two plump e-books by well-known creators for a penny less.
First, Panel Nine is offering its collection of Eddie Campbell’s Dapper John comics, Dapper John: In the Days of the Ace Rock ‘n’ Roll Club, for $1.99 for the month of August, to celebrate the release of the app on iPhone as well as iPad. The collection is regularly priced at $9.99, so this is a temporary deal. Panel Nine is a small publisher that is developing comics as single apps; it’s also behind the iPad version of David Lloyd’s Kickback. When you have a bit of time, check out From Under the Stairs, the blog of publisher Russell Willis, who’s pulling out his 1990s British comics memorabilia and posting it online.
Meanwhile, Top Shelf is publishing a volume a month of James Kochalka’s diary comic American Elf, with each volume covering a year of Kochalka’s life. The first volume includes 1999 and a bit of 1998, so it’s 454 pages altogether. And each volume is priced at $1.99
Hello and welcome to What Are You Reading?, where each week we detail what comics and other stuff have been on our reading piles. Our special guest today is David Harper, associate editor over at the recently redesigned Multiversity Comics.
To see what David and the Robot 6 crew have been reading, click below.
Today is Free Comic Book Day, and here’s a rundown of some of the comics that caught my interest. If you want to check ‘em out before you go, CBR has previews of many of the FCBD titles. (My FCBD comics came from my favorite Boston comics shop, Comicopia.)
Hands down, the one comic everybody wants is Archaia’s hardback anthology, which includes brand-new stories from six of their titles: Mouse Guard, Labyrinth, Return of the Dapper Men, Rust, Cursed Pirate Girl, and Cow Boy. The stories stand on their own but also tie in to the books in clever ways; the Mouse Guard story is a puppet show, and the Rust story features a boy writing a letter to his father (as his older brother does in the book). This book is a keeper; it even has a nameplate inside the front cover. Here’s a list of where Archaia creators will be doing book signings this FCBD.
BOOM! Studios has a nice flipbook with several Adventure Time comics on one side and Peanuts on the other. The Peanuts comics are mildly funny, but the Adventure Time side is edgier and features extra stories by Lucy Knisley and Michael DeForge. The stories are colorful and lively, and DeForge’s contribution, about a bacon ecosystem that supports tiny breakfast organisms, is downright surreal.
Hello and welcome to What Are You Reading? Our special guest today is Joey Weiser, creator of Cavemen in Space, The Ride Home and Tales of Unusual Circumstance, and a contributor to SpongeBob Comics.
To see what Joey and the Robot 6 crew have been reading, click below.
You’ve heard it said that children are the future, and if that’s true—and it must be, since they’ll be around for more of the future than we adults will be—it’s as true for comics as it is for whatever else people mean when they say children are the future.
So what sorts of comic books are we providing for our children, our future these days? As it turns out, some pretty good ones—hell, some pretty great ones.
This week saw the release of three particular comic books–not graphic novels or tankobon, but good-old-fashioned 20-some pages and some staples comic books—that featured superior writing and art, some of that art coming from world-class cartoonists.
And all three of those comics, oddly enough, are based on cartoon series.
When I was a child, there were comic books based on cartoons (cartoons that were often based on toy lines), and while they were readily available in drug and grocery stores, and you could buy one with a dollar bill and get change back, they weren’t exactly the highest quality product.
But some of today’s based-on-cartoons comics can put to shame much of what the “Big Six” direct market publishers release for their grown-up audiences.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
It’s a slow week, this week; if I had $15, I’d use it to catch up on some recent enjoyments like Action Comics #3 (DC, $3.99) and OMAC #3 (DC, $2.99), two of my favorite titles from the New 52 relaunch–OMAC in particular has been a really weird and wonderful joy–as well as the final issue of Marvel’s great and sadly underrated Mystic revival (#4, $2.99). I’d also see if the parody-tastic Shame Itself #1 (Marvel, $3.99) lives up to its potential, because “Wyatt Cenac + Colleen Coover” sounds pretty promising to these ears.
The fourth issue of the humor anthology The Devastator arrives Nov. 9, and the theme for this issue is video games, It includes contributions from James Kochalka, Danny Hellman, Corey Lewis and many more. Above is a brief taste of Kochalka’s contribution; if you’d like to see the whole thing, you can find a preview of a few pages from the book on their site. And hey, if you pre-order it before Nov. 9, you’ll get a mystery prize!
A trailer for the book is available after the jump.
While the rest of the world is going digital, Box Brown is heading in the other direction: Last month he launched Retrofit Comics with plans to publish 17 print comics by new and independent creators in the next 17 months. He got the seed money for Retrofit with a Kickstarter drive, and the launch comic was James Kochalka’s Fungus. All the books are by different artists, and most are one-shots, although Brown said he is open to creators incorporating their Retrofit comics into their ongoing series. This month’s release is Drag Bandits, by Colleen Frakes and Betsy Swardlick, which Brown describes as “kind of like The Scarlet Pimpernel, a woman dressed as a man and a man dressed as a woman, and it’s really exciting.” Comics by Pat Aulisio and Josh Bayer round out this year’s offerings, and plans for the future include an anthology in the spirit of the Japanese underground-manga magazine Garo, a project that Brown says was the brainchild of Ian Harker, editor of the free alt-comic newspaper Secret Prison. The comics are sold both in selected retail stores and by subscription, and Brown estimates he has 150 subscribers to the four-month package and a handful with six-month or twelve-month subscriptions.
While he is handling all this, Brown, who recently won two Ignatz Awards, continues to self-publish his own work, and Blank Slate will publish his graphic novel The Survivalist in December. We talked to him this past weekend about the genesis of Retrofit Comics and what it’s like to run a really, really small press.