X-POSITION: Nicieza Body-Slides From "Age of Apocalypse" to "Deadpool & Cable"
Creators | The Royal Zoological Society of Scotland has named its first Cartoonist in Residence: Cameron McPhail, who left his job in 2002 as chief executive of wealth management at the Royal Bank of Scotland to become a full-time cartoonist. He and his colleagues in the Kartoon Faktory collective will produce books about the animals in the zoo and possibly a comic strip as well. [Edinburgh News]
Awards | Six graphic novels are finalists for the eighth annual Children’s Choice Book Awards: The Glorkian Warrior Delivers a Pizza, Happy Birthday Babymouse, Sisters, The Dumbest Idea Ever, The Return of Zita the Spacegirl and El Deafo. This is the largest number of graphic novels to make the cut; the previous high was three. Children and teens can vote for the winners, which will be announced during Children’s Book Week, which starts this year with Free Comic Book Day. [Children’s Book Council, via ICv2]
Retailing | When water got into the stock room of Blockbuster Comics in Brandon, Florida, it destroyed a number of valuable comics, including a 1956-vintage Superman comic and a copy of Crisis on Infinite Earths signed by the late Dick Giordano. Rather than just toss them, however, owner William Insignares is using them to redecorate his store, starting by decoupaging some of them to his front door using a Mod Podge-like substance. [Bradenton Herald]
Crime | Artist Josh C. Lyman reports that thieves broke into his car sometime on Monday or Tuesday and stole about 40 pieces of original art (some of it commissioned), 1,200 prints, plus convention setup materials, art supplies and clothes. “I’m more devastated in the fact my originals are all gone … some of my better non-commissioned work of the last 3 years … along with all of my tools I have earned and acquired during the aforementioned periods. Tshirts and the like I can slowly replace … but it’s the matter of having all this potential art for shows gone; along with all the posters I had left,” he writes. Lyman contacted police and has notified local comic shops to keep an eye out for the missing work, and he has posted images of the stolen art. [Facebook, via Bleeding Cool]
Censorship | Rachael Jolley takes a long and wide view of the pressures that political cartoonists are subject to, looking at several recent attempts to suppress editorial cartoonists as well as the history of tensions between creators of political cartoons and those they portray; the article also includes comments from Neil Gaiman on the topic of censorship. [The New Statesman]
Kid-With-Knife is set loose in this pretty faithful adaptation by Trinity Players of Kieron Gillen and Jamie McKelvie’s Phonogram: The Singles Club #7, backed of course by TV on the Radio’s “Wolf Like Me.”
The short is described as a “video extract” and “the start of ‘Wolf Like Me,'” suggesting there’s more to it, somewhere; the video ends before the full story plays out.
Graphic novels | The long-running Belgian comic Blake and Mortimer, created by Herge contemporary Edgar P. Jacobs and currently the work of Yves Sente and Andre Juillard, will get a prequel. The series launched in Tintin magazine in 1946, and when they re-read the first episode, Sente and Juillard found themselves asking a lot of questions — so they answered them in their latest volume, The Staff of Plutarch. [Agence France-Presse]
Creators | Kelly Sue DeConnick discusses her new Image Comics series Bitch Planet. [Paste]
Creators | HOW magazine interviews artist Kody Chamberlain (Punks, Sweets). [HOW]
The winners of the third annual British Comic Awards were announced Saturday at the Thought Bubble Festival in Leeds, England. Two of the four awards went to titles published by Image Comics; all four of the winning works are readily available in the United States. Here are the winners:
Best Comic: The Wicked + The Divine #1 by Kieron Gillen, Jamie McKelvie, Matt Wilson and Clayton Cowles (Image Comics)
Best Book: The Encyclopedia of Early Earth by Isabel Greenberg (Jonathan Cape)
Young People’s Comic Award: Hilda and the Black Hound by Luke Pearson (Flying Eye Books)
Emerging Talent: Alison Sampson for her artwork on Genesis (Image Comics) and “Shadows” from the In The Dark anthology (IDW Publishing)
Hall of Fame: Posy Simmonds
Two years ago, when the first awards were announced, there was some discussion about the gender balance of both the committee that chose the books and the nominations themselves. Last year’s awards all went to men. This year, there were more women on the committee and more women on the shortlist, and the awards were split, with Simmonds giving the women the edge.
Jamie McKelvie may be spending his days working on his new creator-owned series The Wicked + The Divine, but that doesn’t mean he’s not still thinking about superheroes from time to time. The artist, who had a successful run at Marvel on Young Avengers, The Defenders and X-Men: Season One, has unveiled an Iron Man redesign he came up with the other night, just for fun.
If you’re a fan of both Sex Criminals and The Wicked + The Divine, you’re in luck: USA Today has unveiled Chip Zdarsky’s alternate cover for the second issue of the new Image Comics series … featuring creators Kieron Gillen and Jamie McKelvie.
Debuting this week to positive reviews, The Wicked + The Divine centers on 12 gods who are reborn every 90 years as the ultimate pop stars.
Conventions | Samantha Melamed looks at the problem of harassment at comics conventions, particularly of cosplayers, and what some women are doing about it. The article includes interviews with artist Erin Filson, one of the co-founders of Geeks for CONsent, which has called upon Comic-Con International to institute a more specific, and more visible, anti-harassment policy; cosplayer Nicole Jacobs, who describes a recent incident at AwesomeCon; and psychology professor Kimberly Fairchild, who studies harassment. [The Philadelphia Inquirer]
Creators | Frequent collaborators Kieron Gillen and Jamie McKelvie discuss their new series The Wicked + The Divine, which debuted this week from Image Comics. [USA Today]
Marvel’s latest Young Avengers series by Kieron Gillen and Jamie McKelvie has won a GLAAD Media Award for “Outstanding Comic Book.” The awards were presented last night in Los Angeles.
Young Avengers, which featured Loki, Miss America, Marvel Boy, Kate Bishop/Hawkeye and the homosexual couple Wiccan and Hulkling, wrapped up with its 15th issue in January. In addition to Gillen and McKelvie, other creators who worked on the book include Mike Norton, Kris Anka, Stephen Thompson, Becky Cloonan, Ming Doyle, Joe Quinones, Matthew Wilson, Jordie Bellaire, Maris Wicks, Lee Loughridge, Clayton Cowles, Lauren Sankovitch and Jake Thomas.
The awards honor outstanding portrayals of the gay, lesbian, bisexual and transgender communities in various media. Other nominees this year included Batwoman, which won two years ago; The Fearless Defenders; Husbands and Life With Archie. The original Young Avengers series won in 2006, while Avengers: The Children’s Crusade was nominated in 2011 and 2012, and Young Avengers Presents in 2009.
You can find a complete list of winners on the GLAAD site.
Following their debut this afternoon at ComicsAlliance, Jamie McKelvie is offering limited-edition giclee prints of the covers for the first issue of The Wicked & the Divine, his upcoming Image Comics series with Phonogram and Young Avengers collaborator Kieron Gillen.
Announced last month at Image Expo, the comic tells the story of gods reincarnated every 90 years into bodies and roam the Earth as pop stars and artists for two brief years, followed and adored by some and hated by others. The Wicked and the Divine premieres in June.
Following the conclusion this week of Kieron Gillen and Jame McKelvie’s run on Young Avengers with Issue 15, the writer turns to his blog to break down the comics that influenced the well-regarded series. And a couple of them may surprise you.
Grant Morrison is well-represented on the list, with We3, Kill Your Boyfriend and The Invisibles, and so is Peter Milligan. But Gillen also gives a shout-out to the 1970s oeuvre of the late Steve Gerber.
“Just have a wander through it. Howard the Duck, obv, but also his Defenders – a parallel I picked up when reading Colin TBTABC talk about it,” Gillen writes. “I’m not the biggest 70s connoisseur, so my knowledge is piecemeal, but his approach to superhero comics was something that resonated in the back of my head when writing Young Avengers, in terms of thinking of people who were absolutely mainstream while doing things that I wanted to do. Trollingly calling an arc STYLE > SUBSTANCE could have only been more of a Gerber move if I called it ON THE NOSE or something.”
There’s more at the blog, including a funny nod to one of Gillen and McKelvie’s previous collaborations.
As part of All-New Marvel NOW!, veteran artist Lee Garbett will team in February with writer Al Ewing for Loki: Agent of Asgard, a series the god of mischief is fully grown and in the service of the All-Mother. More immediately, however, Marvel is setting the stage for the initiative with All-New Marvel NOW! Point One #1, a one-shot that arrives Jan. 8 with a Garbett-drawn Loki serving as the thread that brings together all of the stories.
In my interview with Garbett, the artist clearly relishes the opportunity to draw Asgard’s new “one-man secret service” as well as work with Ewing. ROBOT 6 is also pleased to provide an exclusive page from the upcoming All-New Marvel NOW Point One.
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out on Wednesday.
So without further ado, let’s get to it …
I’m terribly fond of Joe Gordon, editor of the Forbidden Planet International blog. Last night he posted this video of himself hosting the Grant Morrison panel at the Edinburgh Book Festival. Gordon gets more confident as the panel goes on after a shaky start, bless him; Morrison is, as ever, tremendous value: He breaks down the plots of many of his upcoming projects, including much-anticipated projects as The Trial of Diana Prince, Seaguy Eternal, Multiversity, the hook of the Flash story he keeps mentioning, and the joys of pitching superheroes to Warner Bros.