Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Comic Book Creator #1 (TwoMorrows, $8.95): I still fondly remember the now-defunct Comic Book Artist magazine from years ago, and now the creator of that magazine, Jon Cooke returns with a new 80-page offering to take its place. With a first issue filled with Jack Kirby, Kurt Busiek and Alex Ross, this is a must-read for me.
Mark Waid’s The Green Hornet #1 (Dynamite, $3.99): Waid has been having a career renaissance, in terms of recognition at least, and that led to getting his name on the title of this new revamp of Dynamite’s Green Hornet line (art is by Daniel Indero). I dig the creator, I dig the character, and I’m looking forward to seeing what happens when the two collide.
The Secret History of Marvel Comics HC (Fantagraphics, $35.00): I’ve been looking forward to this one since I first heard about it. Blake Bell looks at the non-comics material being published by the company that would one day become Marvel Comics, including pulp and girlie mag work by Jack Kirby, Bill Everett and Dan DeCarlo. It’s like the perfect companion for Sean Howe’s Marvel Comics: The Untold Story!
Star Wars: Legacy — Prisoner of the Floating World #1 (Dark Horse, $2.99): As if the Brian Wood series wasn’t enough to get me back into Star Wars comics, now we get a new series from the Planet of the Apes team of Corinna Bechko and Gabriel Hardman? If these are the final days of Dark Horse’s Star Wars license as many are rumoring, then they’re definitely going out with a bang.
Wake Up, Percy Gloom HC (Fantagraphics, $24.99): I fell madly in love with Cathy Malkasian’s beautiful Percy Gloom graphic novel a few years back, which was as beautiful as it was unexpected, so there is little to no way that I am not eagerly anticipating this follow-up. For those who like gorgeously-illustrated, melancholy and touching books: This is for you.
Ever since the initial success of Jim McCann and Janet Lee‘s 2010 original graphic novel Return of the Dapper Men, fans have been eager to see the next project from the two collaborators. That wait ends this March with the debut of Lost Vegas, a four-issue miniseries from Image Comics.
The tale centers on “one gambler-turned-slave [who] has 24 hours to go all in and pull off the greatest heist the universe has seen.” In addition to discussing this new miniseries, McCann briefly acknowledges the self-described “limbo” that has delayed any follow-up to Dapper Men. I never tire of the opportunity to get the perspective of two storytellers at the same time. Enjoy.
While I was enjoying my time at APE up in San Francisco, the New York Comic Con was raging on with announcements and such. Before I get into a rundown of the comic-related news coming out of the East Coast today, let’s jump back to yesterday real quick so I can update one of the items from my Friday round-up. I mentioned that Dark Horse would publish a comic based on the upcoming video game The Last of Us, but I didn’t know at the time the most important part — the always awesome Faith Erin Hicks is co-writing AND drawing the comic. That’s a “Stop the presses” moment if I’ve ever seen one.
Ok, now on to Saturday …
• Apparently space is the place at NYCC … following DC’s announcement of Threshold yesterday, Marvel officially announced the return of two of their cosmic titles — Guardians of the Galaxy and Nova. Guardians, written by Brian Michael Bendis with art by Steve McNiven, comes out in February and apparently will feature Iron Man, or at least someone in his armor. Jeph Loeb and Ed McGuinness are the creative team for Nova, which features Sam Alexander, the Nova from Avengers vs. X-Men.
The comics literacy non-profit, Reading With Pictures is dedicated to getting comics into classrooms. In addition to cultivating research on the role of comics in education, the mostly volunteer organization seeks to produce its own comics for schools to use and would like your help for their second publication. I say “mostly volunteer,” but that doesn’t include the creators of the new book. They’ll be paid for their contributions and that – plus the large print run – is a major reason Reading With Pictures needs $65,000 to complete the project.
The first Reading With Pictures comic was the Harvey-nominated Reading With Pictures Anthology that featured work by Jill Thompson, Fred Van Lente, Raina Telgemeier, Chris Giarrusso, and others. The new compilation, The Graphic Textbook will include Ben Caldwell, Fred Van Lente, Ryan Dunlavey, Chris Schweizer, Russell Lissau, Marvin Mann, Amy Reeder, Janet Lee, Katie Cook, Roger Langridge, Josh Elder, Dean Trippe, and others.
The collection will contain 12 short stories (both fiction and non-fiction) that are appropriate for grades 3-6 and include a variety of subjects from Social Studies and Math to Language and Science. There will also be a Teacher’s Guide with “lesson plans customized to each story, research-based justifications for using comics in the classroom, a guide to establishing best classroom practices and a comprehensive listing of additional educational resources.”
It’s a great cause with some great creators and some nifty rewards ranging from copies of the book and original art to being drawn into one of the stories.
‘Tis the season for decking those halls, trimming those trees, lighting the menorah and, of course, figuring out what to buy for your friends and family. To help give you some ideas, we reached out to a few comic creators, asking them:
1. What comic-related gift or gifts would you recommend giving this year, and why?
2. What gift (comic or otherwise) is at the top of your personal wish list, and why?
We’ve gotten back a bunch of suggestions, which we’ll run between now and the end of the week. So let the merriment commence …
1. Exclusive 2011 Janet Lee Holiday Ornaments
Every year, Janet does about 12 ornaments, three sets of four. This year, she has done Hipster Animals, Scary Toys and Art Nouveau Angels. They are signed and dated, and at the end of the season, that’s it! She stops making them. I’ve been collecting them since 2007, and now our tree is almost completely filled with Janet’s art. You can buy them exclusively through her Etsy shop.
Oh, and if you’re REALLY nice, she MAY have a very limited Dapper Men ornament or two. Just ask!
2. This year, for myself, I’m going with a mix of Blu-Rays (portable Blu-Ray player, please, Santa!) and books. But the thing I’m REALLY excited for is the hardcover edition of the Complete Ripley novels, by Patricia Highsmith. Most people only know of Ms. Highsmith through The Talented Mr. Ripley (and classic film lovers through Strangers On a Train). There were actually five Tom Ripley novels, and the collection looks amazing. Why these books? My spouse recently Tweeted a quote from John Lithgow that struck me as a writer: “Duality, duplicity, truth and deception, good becoming bad and vice-versa are crucial elements of great storytelling.” Highsmith was and remains an unsung hero of mastering that, so I hope I learn something in the process!
Happy Holidays from the Dapper Lariosa-McCann household!
Jim McCann is the writer of Return of the Dapper Men and its upcoming sequel, Marvel Zombies Christmas Carol, Hawkeye:Blindspot and the upcoming Mind The Gap.
Rachel Pandich is an ambitious writer. I first became of her eight-issue miniseries, Aspire (Movement Comics), when I ran across it at this year’s HeroesCon (Pandich and series artist Ashley Lanni were invited to peddle the series at Teenage Satan‘s booth by Marsha Cooke). The miniseries aims to tell the tale of Destiny, a 12-year old girl who wants to fight crime. In addition to discussing this miniseries, Pandich discusses her upcoming involvement in Womanthology.
Tim O’Shea: Is Movement Comics your own publishing entity established to publish Aspire?
Rachel Pandich: No. I’ve had the script for the first issue of Aspire since late 2006 early 2007. It took a lot of shopping around for both a publisher and an artist. Finally a friend sent me an email directing me to Movement Magazine. Movement is an indie music zine that had dabbled in the local comic book scene before so I figured “Why not?”
O’Shea: How did you and artist Ashley Lanni first decide to start collaborating?
Pandich: Like I said, I’ve had the script for the first issue for a while. I was on my fourth artist, who was very quickly giving me every excuse in the book as to why he could not finish the first page, when I met Ashley. It was at Jacksonville’s monthly artwalk. Another artist that was next to her was handing out fliers for a pop-culture art show the next week. I went and Ashley was there too. I liked what I saw and a few months later we had agreed to work together.
My big question heading into the show this year was, “How much is it going to feel like a comics convention?” With Chris “Thor” Hemsworth and much of the cast of Chuck being around this weekend, would C2E2 start to feel like San Diego or – God forbid – Wizard World Chicago from a couple of years ago with movies and TV taking over the center of attention?
It’s only Friday, but so far so really damn good.
After last year’s C2E2, I had high expectations for the convention this year and everything got off to a great start. Press registration went smoothly again and some of the Artist Alley creators who hadn’t attended last year told me how impressed they were with the professionalism and just general niceness of the staff they’d worked with.
One major difference though is that the convention’s in a different part of McCormick Place this year. Instead of the impressive Lakeside Center with it’s unbelievable view of Lake Michigan and downtown Chicago, it’s in the West Building. Still a very nice space with lush carpeting and plenty of room, just not as jaw-droppingly grand as last year. I’m not sure why that is, but one artist brought it to my attention that the setting sun through the giant picture-windows last year could sometimes make it difficult to see and interact with fans. So whatever the rationale for moving, there are positive and negative things about both spaces.
Return of the Dapper Men
Written by Jim McCann; Illustrated by Janet Lee
There’s a line in Finding Neverland that’s stuck with me. “Young boys should never be sent to bed. They always wake up a day older.” What I love about that movie (and stories like Peter Pan and Alice in Wonderland) is their celebration of childhood. They reflect a delightfully tenacious refusal to let something as mundane as growing up steal the joy of an imaginative life.
Of course, there’s a flipside to that perspective. A couple of them, really. The dreary one that’s most often cited by boring people is that you can’t stay a child forever. As a Grown Up, one has Responsibilities to face. As if meeting responsibilities and living a blissful, inspired, creative life are mutually exclusive activities.
There’s another response to the Peter Pan Syndrome though; one that’s just as special as the desire to hold on to childhood. It doesn’t belittle childhood as something to be put behind as quickly (and grumpily) as possible. It takes the best part of childhood and invites us to carry it with us into a more mature way of looking at the world. That’s the perspective that Jim McCann and Janet Lee introduce in Return of the Dapper Men.
We’ve all seen the limitless press announcements from every comics publisher there is about sold out books. After a while, they lose meaning. Did the publisher not print very many? Did retailers under-order? Do people just really love the book? Seldom do we get answers to those questions.
So when Archaia recently sold out of both Return of the Dapper Men and the Mouse Guard: Legends of the Guard collection at the same time, there seemed to be an opportunity to dig into this phenomenon a bit. At C2E2 last year, I learned that Archaia is remarkably forthcoming about their business strategies, so their double sell out seemed like a great time to find out not only what that event means to a small publisher, but also to learn about the work that went into creating the situation in the first place. I asked Archaia’s Editor-in-Chief Stephen Christy, Mouse Guard’s creator David Petersen, and Return of the Dapper Men’s Jim McCann and Janet Lee to help me understand. They not only did that; they also gave me a unique look at how Archaia perceives itself and what sets the company apart from other publishers.
Michael May: Stephen, can you talk about the print runs of Return of the Dapper Men and Mouse Guard: Legends of the Guard? How do they compare to Archaia’s typical numbers?
Stephen Christy: They were both larger than a standard Archaia print run. Mouse Guard is our bestselling title, so we knew we had to print heavy and Dapper Men had enough preorders to justify a run of 10,000 copies. It wasn’t until preorders jumped on both titles a week or two before release that we started to get a feeling that we could get hit with a sell out.
Welcome to another installment of “Food or Comics?” Every week we set certain hypothetical spending limits on ourselves and go through the agony of trying to determine what comes home and what stays on the shelves. So join us as we run down what comics we’d buy if they only had $15 and $30 to spend, as well as what we’d get if we had some “mad money” to splurge with.
Check out Diamond’s full release list if you’d like to play along in our comments section.
If I had $15, at least $9 of it – okay, $8.98 – would be already spoken for. The first issue of Batman Incorporated ($3.99) and one-shot lead-in Batman: The Return #1 ($4.99) offer up the first glimpses of what Grant Morrison has in mind for his new Batus-quo and, after the way he brought the RIP/Return of Bruce Wayne storyline to a close, I’m pretty much on board no matter what. The remaining money…? It’s a tough one, but I’m going to go for Spider-Girl #1 ($3.99), pretty much because I like Paul Tobin’s writing, I like the Twitter gimmick (Somewhere, Joe Casey’s going “I did it first in Final Crisis Aftermath: Dance!” and I know, Joe), and, most importantly, the Spider-Girl short was my favorite part of last week’s Amazing Spider-Man relaunch issue. Who could’ve seen that coming?
Jim McCann‘s name is going to be popping up in Marvel Comics more regularly starting toward the end of this month. First up is the May 26 release of the writer’s Dazzler one-shot, followed by the June 3 launch of his Hawkeye & Mockingbird ongoing monthly series. I recently got to discuss both projects in an email interview. It’s never dull for me to chat about Marvel characters with a writer who clearly both enjoys and does his research. My thanks for McCann’s time.
Tim O’Shea: For folks that are afraid the Dazzler one-shot is a nostalgia romp, far from it–in fact the story comes out of the recent Necrosha event. Can you talk a little bit about it?
Jim McCann: Dazz has a bit more heat & attention on her post-Necroshia, both with the fans…and with her enemies! Specifically Mortis, a.k.a. Lois London, her long-absent half-sister, who has massive anger issues and a very strong desire to kill Dazzler!
I wanted to give Dazzler a strong nemesis and family, two things all great characters need, and found both in Lois. They avoided the fight in Necrosha, but, as the cover & solicit says, THIS is the fight, the Necrosha Aftermath for these two!