japan Archives - Robot 6 @ Comic Book Resources
Conventions | The annual scramble for discounted Comic-Con International rooms in 54 participating hotels kicks off Tuesday at 9 a.m. PT. Comic-Con badger holders should’ve already received an email containing a link to the Travel Planners hotel reservation website. [Toucan]
Passings | Michael Cavna remembers cartoonist Jim Berry, who died Friday at age 83: “Berry’s World, the syndicated single-panel feature that he drew for 40 years, beginning in 1963, was a remarkably steady stream of thoughtful observational humor that — like the unfussy art itself — rarely seemed to strain for the laugh. Each gag, as steady as a top golfer’s approach shots, just ‘landed.’ Precision meets concision.” [Comic Riffs]
The city of Sukagawa, Japan, is honoring hometown hero Ultraman with not one but four statues.
The star of a 1960s television series as well as multiple manga and anime series, Ultraman is the brainchild of Sukagawa native Eiji Tsuburaya, and the city has erected four statues — of Ultraman, Ultra Seven, Gomora and Eleking — on the street where he once lived.
The installation marks the second anniversary of Sukagawa’s sister-city relationship with the Land of Light, Ultraman’s homeland in the series, and city officials are hoping that the statues will put the city on the map for tourists, especially Ultraman fans.
Last week we saw only concept art for the Godzilla statue intended to erupt from the roof of the Toho Cinema in Tokyo’s Shinjuku ward, but today the full-size head of the King of the Monsters was officially revealed in all its glory.
That statue is what will provide the new 30-story Hotel Gracery, which sits atop the theater, with its Godzilla View Rooms (priced at a reasonable $125 a night).
Superman may welcome arrivals to Cleveland Hopkins International, but now Detective Conan has his own airport.
On Sunday, Japan’s Tottori Airport reopened as Tottori Sand Dunes Conan Airport, named in honor of the popular manga and anime series Detective Conan (better known in North America as Case Closed). The manga’s creator, Gosho Aoyama, was born in Tottori Prefecture.
Legal | A 48-year-old man has been charged in the theft of the extensive comics collection of artist Jim Wheelock last month from a storage facility in Brattleboro, Vermont. William Brown pleaded not guilty Tuesday to 17 counts of burglary, petit larceny and unlawful mischief after he was allegedly recorded on security camera breaking into numerous units. Brown said he sold all of the items, and none of Wheelock’s comics has turned up in searches of the suspect’s home and car. [Brattleboro Reformer]
Retailing | Comics retailers surveyed by ICv2 were more optimistic than ever before, thanks to strong sales and excitement around upcoming titles in the superhero, creator-owned, and kids/teens sectors; the analysis also includes charts of the top-selling properties during the fall and holiday season of last year. [ICv2]
Legal | In their largest raid ever, police departments across Japan arrested 40 people between Feb. 17 and Feb. 19 on suspicion of copyright infringement for illegally sharing anime, manga, music and live-action film and television dramas online. The suspects, all men ranging in age from 21 to 65, are accused of uploading such materials as Detective Conan, XXX Holic, The Wind Rises and the Mobile Suit Gundam UC soundtrack. In Japan, such unauthorized uploads are criminal acts punishable by up to 10 years in jail or fines of about $84,000. [Crunchyroll]
Auctions | A restored copy of Detective Comics #27, which marks the first appearance of Batman, is expected to bring in more than $100,000 in a Feb. 20 sale held by Heritage Auctions. According to the company, this would be only the second restored copy of that issue reach that milestone (several restored copies of Action Comics #1 have broken $100,000). A CGC-graded 4.5 copy of Batman #1 is expected to fetch more than $65,000 in the same auction. [Antique Trader]
Passings | Cartoonist Joseph Farris, whose work appeared in The New Yorker and other publications for almost 60 years, died last week at his home in Bethel, Connecticut. He was 90. Farris served in the Army during World War II, and he later wrote a memoir, A Soldier’s Sketchbook, that included drawings he did while on the front lines in France and Germany. He recently completed another memoir, Elm Street, about growing up in Danbury, Connecticut. Farris once described his work as “subtly political,” adding that his goal was to make the reader laugh, then stop and think “Wait a minute. What did he say?” [The News-Times]
Legal | A 16-year-old in Nantes, France, was arrested last week for posting a cartoon on Facebook that mocks the Charlie Hebdo killings; the charge is “advocating terrorism.” The cartoon shows someone holding a copy of Charlie Hebdo and being struck by bullets. Electronic Intifada posts what is most likely the offending cartoon (it had been shared widely on social media), a takeoff on one of the more notorious Charlie Hebdo covers, accompanied by the text, “Charlie Hebdo is shit. It doesn’t stop bullets.” The original cover featured a cartoon of an Egyptian protestor holding the Koran, with text that read, “The Quran is shit, it doesn’t stop bullets.” [France 3]
Publishing | Sales were down in 2014 for Diamond Book Distributors, even though the industry overall had an up year. The reason: DBD lost a key client, Dark Horse, to Random House. Nonetheless, Vice President Kuo-Yu Liang sees good things in store for 2015, including strong sales of indie graphic novels, expanding international sales, and the much-anticipated March: Book Two, which was released this week. [Publishers Weekly]
Manga | Manga accounted for almost 80 percent of Japan’s digital book market in the 2013 fiscal year, according to a report released by the Yano Research Institute. The marketing research company predicts the country’s larger digital market, which is worth about $710 million, will see a 23.5 percent growth in the 2014 fiscal year. [Anime News Network]
Publishing | Tom Devlin, creative director of Drawn and Quarterly, talks about the unlikely success of Tove Jansson’s Moomin comics. [Montreal Gazette]
Comics | Noah Berlatsky writes about Wonder Woman the character and Wonder Woman the comic. [The Atlantic]
Publishing | In a three-part interview, First Second Books Editorial Director Mark Siegel talks about 2014, the upcoming year, and the emergence of a “new mainstream.” In Part 1 he discusses the 2014 releases and ends with some numbers (print runs rather than sales); the imprint’s top books are Ben Hatke’s Zita the Spacegirl and Jillian and Mariko Tamaki’s This One Summer, both of which have 30,000 copies in print. In Part 2 he looks at the importance of the library market and support from librarians, especially for children and teens, as well as the emergence of a new category of graphic novels that he calls “new mainstream.” Part 3 focuses on First Second’s planned releases for 2015, including Scott McCloud’s The Sculptor, which will have a print run of 100,000. [ICv2]
Conventions | Vendors who paid the $60 deposit to exhibit at Cherry City Comic Con are clamoring for a refund after word circulated that the Salem, Oregon, convention won’t happen this spring as planned. (There appears to have been some discussion about the con being canceled on Facebook, but the convention’s Facebook page now states, “A marketing solutions company is helping us start the new year right and get us back on track to make this a successful show everyone can love.” No other posts appear on the page.) This isn’t the first round of controversy for the con: Last May, organizer Mike Martin called an exhibitor “batshit insane” on Facebook when she asked for a refund and expressed concern that the con would not be a “safe place for female cosplayers.” Martin is also the organizer of a craft fair that was canceled; some exhibitors for that event were denied refunds because of “a locked PayPal account.” [KOIN]
Publishing | Keiko Yoshioka explains how Japanese publisher Kodansha is getting into the Chinese market, not by selling Japanese products but by publishing a magazine in China that’s geared toward Chinese audiences — and using Chinese creators as well. The article puts a special focus on the two-woman team known as Navar, whose suspense series Carrier: Xiedaizhe now runs in Japan as well. [The Asahi Shimbun]
Academia | Northwestern University Prof. Irving Rein discusses why superheroes have secret identities, ticking off several superhero comics tropes and then going a bit deeper: “The usual script of a superhero episode revolves around a threat occurring in which the superhero is the victim of the decision making of the criminals. The hidden identity is a standard form of the superhero narrative and it allows the creators to use the formula and still deviate from the script. Throughout the comic book or movie there are a series of fundamental questions. Will the superhero be identified? When and under what circumstances will the superhero become a superhero? How will the superhero get back into his civilian identity without being identified?” [Daily Herald]
Passings | Bermuda-based cartoonist Peter Woolcock died Wednesday after being struck by a car as he was walking to the office of The Royal Gazette to deliver his weekly cartoon. He was 88. Born and raised on a farm in Argentina, Woolcock served on a British tank crew in World War II (during which time he also kept a sketchbook) and worked as a cartoonist and illustrator for almost 60 years, first for children’s magazines in the United Kingdom and then, after moving in 1981 to Bermuda, as an editorial cartoonist. Both his editors and the politicians he depicted have kind things to say in this lengthy obituary, which notes that his final cartoon was about San Diego losing the bid to host the America’s Cup. [The Royal Gazette]
Creators | Candorville cartoonist Darrin Bell talks about the political cartoons he drew in response to the non-indictments of the police officers in the Michael Brown and Eric Garner cases, as well as his own experiences as a black man who got “the talk” when he was 6 or 7 years old and will some day have to give it to his own son. [Comic Riffs]
Creators | In an interview to be published in Japan next Friday, Naruto creator Masashi Kishimoto says he plans to spend some time with his wife and child, and take a long-delayed honeymoon, before starting his next series. And as he is about to turn 40, he hints that he may not be up for another weekly series. [Anime News Network]
Comic strips | The first color Sunday funnies appeared on Nov. 18, 1894, in Joseph Pulitzer’s New York World. David Shedden observes the 120th anniversary of this innovation with a look back at some popular comic strips and footage of New York Mayor Fiorello LaGuardia reading the funnies over the radio during the newspaper strike of 1945. [Poynter]
Manga | Masashi Kishimoto’s Naruto comes to an end in next week’s issue of Shonen Jump, but it’s not going away. Already side projects are popping up, including a miniseries that will launch in the spring, marking the 15th anniversary of the manga, and a series of novels about the different characters in the franchise. It all seems to be part of something bigger, the “Naruto Shin Jidai Kaimaku Project” (Naruto‘s New Era Opening Project), and the official Naruto website has a countdown to an announcement on Monday. [Anime News Network]
Digital comics | Tom Spurgeon talks to comiXology’s Chip Mosher about the comiXology Submit program, which is tailored for small publishers and self-published work. To prepare for the interview, Spurgeon gathered questions from creators at the Small Press Expo (which comiXology co-sponsored), and he talks to Mosher about the nuts and bolts of the Submit program, including payments, processing and the willingness to handle unusual formats. “We’ve had people sell thousands of copies and we’ve had people sell one or two copies,” Mosher says. “People have told me they’ve paid their rent with money from Submit. Or they were able to work on more comics with the money they made from Submit. It’s great to offer our customers such diverse comics from the program and at the same time be able to support the creation of more diverse work.” [The Comics Reporter]