Why The Russos Are The Best Thing to Happen to the MCU Since Joss Whedon
POP, writer Curt Pires‘ collaboration with artist Jason Copland and colorist Pete Toms, wraps up this week with the release of Issue 4 from Dark Horse. One thing I consistently enjoy about Pires’ storytelling is how it works on two levels: You have a plot replete with action that always keeps the reader engaged, along with with a layer of subtext that invites deeper consideration.
In an interview with ROBOT 6, Pires allowed me to poke around both layers. Suicidal ideation, drug use and poetic terrorism are just a few of the concepts considered in POP, and in this interview.
Publishing | Admitting that “I don’t think men are as sexualized as women” in Marvel comics, Editor-in-Chief Axel Alonso says the publisher is moving toward including more types of female characters: “We believe there’s an audience of women out there who are hungry for this and we want to make sure they get it. This is affirmative action. This is capitalism.” Later he states, “I challenge you to find in Ms. Marvel anything that resembles the Playboy model standard. But I don’t want to be Mr. Goody-Two-Shoes. We’re creating stories. I don’t want to say there’s no room for stuff that’s not just fun. Then you’re censoring yourself. I want to make sure I have books like Ms. Marvel and Black Widow that I’m proud about and could give to my daughter. But at the same time I don’t want to be the PC police and say you can’t be naughty; you can’t be fun.” [The Telegraph]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
It’s intriguing to see writer Curt Pires reach the third leg of his music trilogy, Pop (the first two legs were LP and Theremin). When I interviewed Pires about LP nearly two years ago, it was a project he self-published. So I was immensely pleased to see that the recognition of Pires’ talent had grown since that first leg to the point Dark Horse is publishing this new four-issue limited series.
Emerald City Comicon may not come with the metric ton of announcements that Comic-Con International does, but in a way it’s all the better for it. Comics still feel as if they’re front and center just where I like them, and the announcements have more charm because they aren’t screaming to be heard over the din of film and television rollouts.
One year, I’ll get up to Seattle to experience the event firsthand, but in the meantime, I get to absorb all the news and photos like everyone else, as they’re posted online. ECCC even streamed all of its panels on flipon.tv. Anything that happened in Room 301 is free for anyone to watch. Everything else can be purchased with a full archive pass for $14.95. Or if, you don’t want to sit through hours of panel footage, there’s CBR’s coverage or, heck, try Google or something.
A number of announcements jumped out as particularly noteworthy, so let’s run through The 6 Best Things from ECCC. And from my count, Dark Horse won Emerald City. Your miles may vary though, so post your favorites in the comments.
OK, let’s get the obvious out of the way: Kill All Monsters co-creator/writer Michael May is a friend of mine and a fellow contributor to ROBOT 6. Conflict of interest disclosed. Still, I interviewed him about collaboration with artist Jason Copland, which is set to be released in a collected edition (Kill All Monsters: Ruins of Paris) in June from Alterna Comics. He and Copland are in the middle of a Kickstarter campaign (ending May 10), which has already achieved more than 230 percent of its goal $2,500 goal.
In this interview, we discuss the collaborative process on the webcomic/upcoming collection as well as the Kickstarter. My hat is off to May and Copland for writing a great Kickstarter FYI blurb that efficiently describes the project: “Kill All Monsters: Ruins of Paris is the printed first volume of the hit webcomic about monsters and the giant robots that kill them.”
Tim O’Shea: I went into this work assuming it was going to be all giant robots and monsters, but it contains a great deal of human interaction/drama. How early in the development of the project did you realize the story needed that balance?
Michael May: Right away. I’ve never been interested in slugfests for the sake of slugfests. A story has to give readers a reason to care about the people in the fights. If anything, I needed encouragement to make the fights a bigger part of the comic so it wouldn’t just be people talking about fighting monsters. No one — including me — would want to read that, but characters and drama is where my interest always goes first. It’s a tough balance though and one we worked hard at, so hopefully we got close to achieving it.
Hello and welcome to What Are You Reading?, our weekly look at the comics, books and whatever else we’ve been checking out lately. Today we are joined by guest Evan Young, an “influential pioneer” of digital literature and creator of the digital graphic novel The Carrier. He’s currently raising funds for his next project, The Last West, via Kickstarter, so head over there and check it out.
To see what Evan and the Robot 6 team have been reading, click below.
The group includes our own Michael May and artist Jason Copland, who will relaunch their Kill All Monsters comic under the imprint. They join Rich Woodall (Johnny Raygun), Craig Rousseau (The Perhapanauts, Impulse, Spider-Man Loves Mary Jane), and Kelly Yates (Doctor Who, Amber Atoms), the three drivers of Artist Alley, along with Richard Case, Chris Kemple, Randy Green and Matt Talbot. They have a PDf sampler up of some of the titles, which looks like a fun mix of action-adventure, sci-fi and of course giant monsters. Watch for more details at the end of June.
With the Halloween-themed fun we’re having this week at Robot 666 (aka Robot 6)–it seemed like the perfect time to talk to Todd Dezago about the recently released Perhapanauts Halloween Spooktacular One-Shot (featuring stories drawn by the likes of Craig Rousseau, Rich Woodall and Fred Hembeck). Normally in an interview with Dezago, I would characterize him as one of the nicest folks in comics. But in the spirit of the Halloween season, I instead choose to characterize him as the most paranormal-fascinated person in comics. In addition to the one shot (with three stories in it)–we discuss other spooky topics like volleyball and iTunes. You are warned!
Tim O’Shea: Is it apt to say that Halloween is about your favorite time of the year, given your affinity for the paranormal?
Todd Dezago: Oh, Halloween definitely holds a special place in my heart, both for memories of Halloweens past and for the spooky, scary, creepy haunted element!
And I love that we were able to put together this fun and, hopefully, frightening anthology featuring very different artists on very different stories!