Marvel is making the first chapter of Wolverine: Japan’s Most Wanted Infinite Comic available for free this month to anyone who redeems a digital comic code from select titles. The offer begins Friday.
The 13-part digital miniseries, by Jason Aaron, Jason Latour and Paco Diaz, was designed specifically for mobile devices, and finds Wolverine stranded in the far reaches of Japan, where he must fight his way through ninjas, the Silver Samurai and Sabretooth.
“It’s tied to what Jason’s done in that we directly spin out of Sabretooth’s vicious takeover of The Hand,” Latour explained to Comic Book Resources when the project was announced. “This has left the ninja ranks thin, and cleared away many of the leaders and statesmen that were the backbone of the clan. It’s left their hold on the modern world in dire straits as well. But where other folks might see lemons, Sabretooth sees this as an opportunity to drag the ninja into the 21st century kicking and screaming. So he enlists the help and technology of the new Silver Samurai to do just that. Of course, Logan’s disgrace is key to the success of those plans, and very quickly you’ll see Wolverine on the run, hunted by the country he loves. We’ve got a damn metric ton of Ninja stabbin’ action as Logan fights to clear his name and stop this deadly new Iron Hand before it starts.”
Jason Latour, artist on the Mignola-verse titles Sledgehammer 44 and B.P.R.D. Hell on Earth: The Pickens County Horror, has posted the image below to his blog, and it’s a doozy. His work on those two Hellboy spinoffs has been under-praised, pitched perfectly between the contributions made to Dark Horse’s flagship line by the likes of Guy Davis and Duncan Fegredo. This composition was produced as badge designs and
program cover an exclusive print for this year’s HeroesCon, which as Latour points out, has been an ambition of his for most of his life. That’s another one scratched off the bucket list.
Close-ups of several of these panels can be seen at Latour’s Instagram feed, in various stages of completion. He’s on something of a hot streak as an artist and a writer these last couple of years. I don’t buy that many Marvel comics these days, but his presence on Winter Soldier sold it to me. I’ll miss it, but here’s hoping he makes his way back to Dark Horse for more digging around in Mignola’s sandbox.
Following the title’s absence from Marvel’s July solicitations, writer Jason Latour has confirmed the cancellation of Winter Soldier with Issue 19.
“Well, I won’t lie, after spending the last 9 months or so living in Bucky Barnes’s skin, I’m a little heart broken,” he wrote on his blog. “He’s grown to be a very special character to me, maybe my favorite Marvel character ever, and I felt I could’ve written his story for years. The opportunity to do so came at a very trying time in my life and really helped me through some tough stuff, so in it’s way it’s very personal work. I hope that shows. That said though, really, enough cryin’ in my beer. I’m VERY grateful to everyone involved with the book all along the line for making it such a worthwhile experience.”
Latour thanked artist Nic Klein and editor Lauren Sankovitch before continuing, “But maybe most of all I’m in the debt of the special community of fans who stuck with us and showed us such big slobbery love through out. I know it was hard losing folks as revered and talented as Brubaker and company, but thank you for giving us a real shot.”
Klein added to the sentiment this morning, writing, “Thank you to the readers and Fans who supported the book and gave us a chance to tell our tale. I hope you all enjoyed the last 3 issues, and I hope you will stick around for the last 2 issues to see the conclusion of the arc.” He also posted a new illustration of Winter Soldier (at right), created as a “parting gift.”
Winter Soldier #19 arrives in June.
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.
To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.
Welcome to What Are You Reading?, where the Robot 6 crew shares their picks for who we think should play a young Han Solo. Of course, we unanimously chose Nathan Fillion, so instead we’ll talk about what comics we’ve been reading. Joining us today is special guest Tim Lattie, the creator of Night Stars. Tim is currently running a Kickstarter to raise funds to publish it, so head over there and check it out.
To see what Tim and the Robot 6 crew have been reading, click below.
Thanks to my interview with writer Jason Latour (regarding Loose Ends in mid-2011), my attention was piqued when Marvel tapped him to succeed Ed Brubaker on Winter Soldier. Latour’s run begins Wednesday with Winter Soldier #15. In anticipation of that, Latour agreed to an interview in which I interrogated him about the collaborative dynamics with artist Nic Klein, Bucky Barnes coming to terms with his past, guiding a supporting cast that includes the legendary Nick Fury, and the introduction, and naming, of new characters. Also be sure to check out CBR’s preview of Winter Soldier #15.
Tim O’Shea: When scripting an issue, given that you are also an artist, do you sketch out thumbnails for artist Nic Klein to consider?
Jason Latour: Not really, no. I did do one unused thumbnail, and only because Nic asked. When you’ve survived German art Thunderdome like he has, you need no man’s help. He’s like Art Beast Omega.
Yeah, being able to draw is definitely a great tool to have in a pinch. But in general I try not to do layouts because that part of drawing is largely the artist’s contribution to the story. I don’t want to encroach too heavily on that. Even if they do something I don’t agree with here or there, we’ll all be much better off with an invested collaborator. I am open to thumbnailing a book for someone else to finish, but it would have to be the understanding beforehand. I’m much more likely to do design work, because sometimes it just dramatically improves communication.
In a lengthy interview with Comic Book Resources’ Timothy Callahan, Winter Soldier writer Jason Latour revealed the fourth and final issue of his “ambitiously layered” crime series (or, rather, “Southern crime romance”) will eventually be released. All that’s standing in the way is the schedule of artist Chris Brunner.
“I promise you, the title isn’t our private little Andy Kaufman bit,” he told Callahan. “We haven’t seen Issue 4 yet because it’s an attempt to do something that’s, as you said, ‘ambitiously layered.’ The final chapter maybe more so than the rest of the book combined. Couple that with some extenuating circumstances that have arisen on Brunner’s end, and that’s why we are where we are. It would be a much different circumstance if either of us had the resources of Marvel or DC. But as it is, Chris is working hard on the last issue at the pace he can afford. The hope is when it’s all said and done it’ll be a story that stands nicely, free of the monthly market.”
Debuting in July 2011 from 12 Gauge Comics, Loose Ends is an engaging and gorgeous (Rico Renzi’s colors are stellar) miniseries that operates squarely within the conventions of the genre — it starts with a war vet turning to drug running only to be sidetracked by a face from his past, a situation that can’t end happily — but it does so incredibly well. (Don’t just believe me: Callahan wrote a terrific review of the first issue.) The third issue arrived in November 2011, and then … well, things happened.
So, clearly, the promise of a resolution to Loose Ends is cause for celebration. In the meantime, I recommend tracking down those first three issues.
Hello and welcome to What Are You Reading?, where the Robot 6 crew shares their picks for the Royal Rumble … I mean, talks about what comics we’ve read recently. Today our special guest is Landry Walker, writer of Danger Club, Supergirl: Cosmic Adventures in the Eighth Grade, Batman: The Brave and the Bold, Little Gloomy, Tron and more.
To smell what Landry and the Robot 6 crew are cookin’, click below.
It’s become an annual tradition here during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we’ve done in past years, we asked a cross-section of comics folks what they liked in 2012 and what they’re excited about for 2013. We received so many this year that we’ve broken it down into two posts; watch for another one Tuesday.
But for now, check out all the great stuff people shared with us, including hints at new projects and even some outright announcements. Our thanks to everyone this year who responded. Also, thanks to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
JIMMIE ROBINSON (Bomb Queen, Five Weapons)
What was your favorite comic of 2012?
Image’s Saga, Fatale, Hawkeye‘s reinvention is fresh and exciting, Peter Panzerfaust, Enormous by Tim Daniel. It’s hard to pin down just one because there is SO much good work coming out nowadays — from many publishers across the board.
I remember that a year or two ago, Chris Weston playing a little game with his Twitter followers: casting an imaginary Carry On X-Men film. If memory serves, I may even have contributed to it myself; I think I might have been the first to suggest Bernard Bresslaw as Colossus. And that was the end of that, we thought — until he updated his blog with this image.
Surely he’s not been working on this all that time? Weston is something of a movie poster nut, regularly uploading fine examples from his collection, and I’m also enough of an illustration nerd to realize he’s copping the style used by the great Renato Fratini on several U.K. Carry On movie posters.
Creators Alex Grecian, Jeremy Haun, B. Clay Moore and Seth Peck have launched a Kickstarter campaign forBad Karma, a 200-page anthology featuring comic-book stories, prose and illustrations by those four and their collaborators.
The assembled talent is impressive indeed, working on five main stories: “Middleton” by Grecian and Phil Hester; “Chaos Agent” by Haun and Mike Tisserand; “Old Dog” by Moore and Christopher Mitten; “Hellbent” by Peck and Tigh Walker; and “The Ninth Life of Solomon Gunn” written by Grecian, Haun, Moore and Peck, and illustrated by Haun. These strips, all stylistically different and set in various time periods, all threaten to coalesce into a larger narrative: “Each of these concepts is separate from one another, designed to stand on their own, but there are subtle threads that run through each. One of these threads is the presence of the Kraken Corporation, a mysterious organization whose activities play a part (whether large or small) in each story.”
Ah, the cruel end to Shakespeare’s seven ages of man, from Jacque’s “All the world’s a stage” monologue in As You Like It: “Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything”. The painter Jason Bard Yarmosky seems to have come to a similar conclusion about the links between the very old and the very young, populating his canvasses with a cast of the elderly (his main models being his own grandparents) dressed in the paraphernalia of childhood: cowboy-and-Indian gear, ballet tutus and superhero costumes. Consider it a little glimpse into the retirement homes of the future, populated by the cosplayers of today. More from Yarmosky’s “Elder Kinder” series below, as well as work by Sho Murase, James Hance and others.
Apparently, 2000AD group editor Matt Smith has nixed this Judge Dredd cover by Jason Latour. The specter of Frank Miller’s ill-fated cover commission was apparently raised. This must remain a sore subject with Tharg. Personally, I like this image, and can’t see anything wrong with it, but then, I’ve berated Smith for playing it safe with his art choices before and probably will again. More problematic work below — Steve Rude takes a controversial gig; Gary Erskine risks a stay in the Tower for treason; Graeme Neil Reid illustrates the most violent, foulmouthed superheroes of them all; Jim Woodring takes my theme’s title and makes it concrete, and more. And as usual, you may reckon some of this material is NSFW.
Well before taking the gig as the writer of Marvel’s Winter Soldier series–in fact, well before Winter Soldier even existed–writer Jason Latour pitched an Invaders miniseries to Marvel. He recalls it being sometime around 2003 in a post on his blog.
“It of course would have heavily featured Bucky Barnes and was even going to be told largely from his POV,” Latour said. “The response was pretty good, even though I doubt it would have ever been made. Here’s some art I did way back when–At the time I was putting it together I was 25 or 26 and still failing miserably at aping Mike Mignola’s art. Man, that Human Torch sucked.”
He’s posted the cover and some pages from his pitch on his blog, mostly some war scenes that set the stage, but Captain America does make an appearance on the last page. “The Invaders aren’t really in my plans for Winter Soldier, but I still think there is a world of potential there, so maybe one day,” Latour said.
If you’re looking for some comic relief from the heat and the pre-Comic-Con stress, do yourself a favor and read “Spring Break Wolverine,” a completely unauthorized, and totally terrific, comic by Jason Latour and Robbi Rodriguez that’s already been dubbed a “love letter to Wolverine.” As the title hints, the eight-page story that finds Logan entering a Daytona Beach bar at precisely the wrong time — spring break — to hilarious, and bloody, results.
Check out some of the pages below, and visit the Spring Break Wolverine blog to read the entire story. Note, however, that it’s not entirely safe for work.