Jason Latour Archives - Page 2 of 3 - Robot 6 @ Comic Book Resources
In a lengthy interview with Comic Book Resources’ Timothy Callahan, Winter Soldier writer Jason Latour revealed the fourth and final issue of his “ambitiously layered” crime series (or, rather, “Southern crime romance”) will eventually be released. All that’s standing in the way is the schedule of artist Chris Brunner.
“I promise you, the title isn’t our private little Andy Kaufman bit,” he told Callahan. “We haven’t seen Issue 4 yet because it’s an attempt to do something that’s, as you said, ‘ambitiously layered.’ The final chapter maybe more so than the rest of the book combined. Couple that with some extenuating circumstances that have arisen on Brunner’s end, and that’s why we are where we are. It would be a much different circumstance if either of us had the resources of Marvel or DC. But as it is, Chris is working hard on the last issue at the pace he can afford. The hope is when it’s all said and done it’ll be a story that stands nicely, free of the monthly market.”
Debuting in July 2011 from 12 Gauge Comics, Loose Ends is an engaging and gorgeous (Rico Renzi’s colors are stellar) miniseries that operates squarely within the conventions of the genre — it starts with a war vet turning to drug running only to be sidetracked by a face from his past, a situation that can’t end happily — but it does so incredibly well. (Don’t just believe me: Callahan wrote a terrific review of the first issue.) The third issue arrived in November 2011, and then … well, things happened.
So, clearly, the promise of a resolution to Loose Ends is cause for celebration. In the meantime, I recommend tracking down those first three issues.
Hello and welcome to What Are You Reading?, where the Robot 6 crew shares their picks for the Royal Rumble … I mean, talks about what comics we’ve read recently. Today our special guest is Landry Walker, writer of Danger Club, Supergirl: Cosmic Adventures in the Eighth Grade, Batman: The Brave and the Bold, Little Gloomy, Tron and more.
To smell what Landry and the Robot 6 crew are cookin’, click below.
It’s become an annual tradition here during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we’ve done in past years, we asked a cross-section of comics folks what they liked in 2012 and what they’re excited about for 2013. We received so many this year that we’ve broken it down into two posts; watch for another one Tuesday.
But for now, check out all the great stuff people shared with us, including hints at new projects and even some outright announcements. Our thanks to everyone this year who responded. Also, thanks to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
JIMMIE ROBINSON (Bomb Queen, Five Weapons)
What was your favorite comic of 2012?
Image’s Saga, Fatale, Hawkeye‘s reinvention is fresh and exciting, Peter Panzerfaust, Enormous by Tim Daniel. It’s hard to pin down just one because there is SO much good work coming out nowadays — from many publishers across the board.
I remember that a year or two ago, Chris Weston playing a little game with his Twitter followers: casting an imaginary Carry On X-Men film. If memory serves, I may even have contributed to it myself; I think I might have been the first to suggest Bernard Bresslaw as Colossus. And that was the end of that, we thought — until he updated his blog with this image.
Surely he’s not been working on this all that time? Weston is something of a movie poster nut, regularly uploading fine examples from his collection, and I’m also enough of an illustration nerd to realize he’s copping the style used by the great Renato Fratini on several U.K. Carry On movie posters.
Creators Alex Grecian, Jeremy Haun, B. Clay Moore and Seth Peck have launched a Kickstarter campaign forBad Karma, a 200-page anthology featuring comic-book stories, prose and illustrations by those four and their collaborators.
The assembled talent is impressive indeed, working on five main stories: “Middleton” by Grecian and Phil Hester; “Chaos Agent” by Haun and Mike Tisserand; “Old Dog” by Moore and Christopher Mitten; “Hellbent” by Peck and Tigh Walker; and “The Ninth Life of Solomon Gunn” written by Grecian, Haun, Moore and Peck, and illustrated by Haun. These strips, all stylistically different and set in various time periods, all threaten to coalesce into a larger narrative: “Each of these concepts is separate from one another, designed to stand on their own, but there are subtle threads that run through each. One of these threads is the presence of the Kraken Corporation, a mysterious organization whose activities play a part (whether large or small) in each story.”
Ah, the cruel end to Shakespeare’s seven ages of man, from Jacque’s “All the world’s a stage” monologue in As You Like It: “Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything”. The painter Jason Bard Yarmosky seems to have come to a similar conclusion about the links between the very old and the very young, populating his canvasses with a cast of the elderly (his main models being his own grandparents) dressed in the paraphernalia of childhood: cowboy-and-Indian gear, ballet tutus and superhero costumes. Consider it a little glimpse into the retirement homes of the future, populated by the cosplayers of today. More from Yarmosky’s “Elder Kinder” series below, as well as work by Sho Murase, James Hance and others.
Apparently, 2000AD group editor Matt Smith has nixed this Judge Dredd cover by Jason Latour. The specter of Frank Miller’s ill-fated cover commission was apparently raised. This must remain a sore subject with Tharg. Personally, I like this image, and can’t see anything wrong with it, but then, I’ve berated Smith for playing it safe with his art choices before and probably will again. More problematic work below — Steve Rude takes a controversial gig; Gary Erskine risks a stay in the Tower for treason; Graeme Neil Reid illustrates the most violent, foulmouthed superheroes of them all; Jim Woodring takes my theme’s title and makes it concrete, and more. And as usual, you may reckon some of this material is NSFW.
Well before taking the gig as the writer of Marvel’s Winter Soldier series–in fact, well before Winter Soldier even existed–writer Jason Latour pitched an Invaders miniseries to Marvel. He recalls it being sometime around 2003 in a post on his blog.
“It of course would have heavily featured Bucky Barnes and was even going to be told largely from his POV,” Latour said. “The response was pretty good, even though I doubt it would have ever been made. Here’s some art I did way back when–At the time I was putting it together I was 25 or 26 and still failing miserably at aping Mike Mignola’s art. Man, that Human Torch sucked.”
He’s posted the cover and some pages from his pitch on his blog, mostly some war scenes that set the stage, but Captain America does make an appearance on the last page. “The Invaders aren’t really in my plans for Winter Soldier, but I still think there is a world of potential there, so maybe one day,” Latour said.
If you’re looking for some comic relief from the heat and the pre-Comic-Con stress, do yourself a favor and read “Spring Break Wolverine,” a completely unauthorized, and totally terrific, comic by Jason Latour and Robbi Rodriguez that’s already been dubbed a “love letter to Wolverine.” As the title hints, the eight-page story that finds Logan entering a Daytona Beach bar at precisely the wrong time — spring break — to hilarious, and bloody, results.
Check out some of the pages below, and visit the Spring Break Wolverine blog to read the entire story. Note, however, that it’s not entirely safe for work.
This weekend, I made my way up to Charlotte, N.C., to catch up with my pals Johanna Draper Carlson and KC Carlson, who also drove down to attend the 35th Anniversary of the Charlotte MiniCon. I enjoyed attending the Minicon (seeing folks like the always photogenic and hilarious Dustin Harbin [yeah, I had to photograph him...again], as well as Jason Latour, Matt Wilson, Bridgit Scheide and Rich Barrett). Yet as I was in the middle of having fun, I realized I wanted to enjoy it as a consumer, not cover it as a journalist. So if you are looking for coverage of the Minicon, I highly recommend Johanna’s coverage over at Comics Worth Reading.
[Note: this post was assembled by both Tim O'Shea and JK Parkin]
This is our final post for our big birthday bash, and what a post it is. No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they are excited about for 2012 in comics–something they aren’t working on and something they are.
There’s a lot of great stuff here–hints at new projects and even some downright announcements. Our thanks to everyone this year who responded!
I’m most anticipating the 30th Anniversary of HEROES CON (June 22-24, Charlotte, NC) . For any convention 30 years is an amazing run, but the fact that Shelton Drum and his extended family have put this show together every year with nothing but blood, sweat and tears is flat out super heroic.
On the personal front, the challenging and exhilarating ride that’s been Loose Ends will come to a close with issue 4. It’ll be bittersweet to send our child off to into the real world but I can’t wait for you guys to see the work Brunner & Renzi are doing.
I’m also super excited to dip my own toes into the Mignola-verse with the BPRD: The Pickens County Horror [March 28, 2012] and to read the end of Jason Aaron & RM Guera’s Scalped, which is my favorite series in years.
This sounds politic, but it’s genuine: what excites me about comics in 2012 is what’s exciting every year, the work of the talent. Seeing what the best are up to and how the up-n-comers have grown as artists and writers. In the new year, I’m also excited about illustrating several books and covers that feature my favorite Avengers.
Following the teaser they sent out last week, Dark Horse Comics has announced five new B.P.R.D. titles that’ll be released next year and will “shake the organization to its very core.”
Here’s the line-up:
- First up, in February comes B.P.R.D. Hell on Earth: The Long Death, written by Mike Mignola and John Arcudi, with art by James Harren (Abe Sapien: The Devil Does Not Jest, Heralds). A team is sent to the deadly woods from New World to investigate a new series of disappearances, but they discover more than just the monster responsible, as loyalties are questioned and tensions mount!
- March will see the release of B.P.R.D. Hell on Earth: The Pickens County Horror, written by Mike Mignola and Scott Allie, with art by Jason Latour (Wolverine, Scalped) and an all-new cover by Becky Cloonan. This chilling two-issue series brings a B.P.R.D. crew into the grips of a backwoods vampire clan hiding out in a Gothic southern home.
- Next, in May comes B.P.R.D. Hell on Earth: The Transformation of J. H. O’Donnell, pairing Mike Mignola with Scott Allie again for the discovery of what drove the Bureau’s expert on ancient foes to near madness after a mission with Hellboy 24 years earlier. This supernatural thrill ride features art by B.P.R.D. newcomer Max Fiumara (Amazing Spider-Man) and a cover by Becky Cloonan.
- That same month features the return of the regular B.P.R.D. team of Mike Mignola, John Arcudi, and Tyler Crook, with B.P.R.D. Hell on Earth: The Devil’s Engine. The Zinco Corporation again rears its ugly head after a devastating earthquake, pitting Devon and Fenix in an uneasy alliance against bat-faced monsters and the evil empire’s other mad-science experiments! Additionally, this new series will feature covers by former Hellboy artist Duncan Fegredo.
- Finally, Cameron Stewart returns to the B.P.R.D. universe in June with B.P.R.D. Hell on Earth: Exorcism. In this story we learn more about Ashley Strode’s evolution as an agent after she meets up with a familiar face for a series of exorcisms in a rural Indiana town. Mike Mignola and Cameron Stewart team up to share writing duties, with pencils by Cameron and covers by Viktor Kalvachev.
“Let’s break some stuff that can’t be fixed. Let’s turn some corners where there’s no going back,” said Mike Mignola in a press release. “In both Hellboy and B.P.R.D., we’re saying, ‘Well, once we do this—once we round this corner—that’s it!’ It’s not like, ‘Oh, Batman, different costume.’ We’re doing stuff where there’s no way to fix it. That is the new reality in our world. You’re REALLY going to see that in 2012.”
“I can tell you for a matter of fact that when I draw work-for-hire stuff, I get into the idea that I’m drawing Wolverine, the guy from the stories I love. I’m continuing his tale. I don’t think that I’m drawing the dude on the underwear. I legitimately love Wolverine as a character. [...] I heard Ed Brubaker say that he treats all of his stuff like it’s creator owned stuff. That’s the only way I can do it. I feel like I’m wasting my life otherwise. Listen, I have seen Wolverine juice boxes. I know that ridiculous thing exists. But the fact that it does, in some way, makes me feel like I’m getting away with something. Like knowing the depraved person I am and that I put all of my energy into drawing this Wolverine story, and then I turn around and see some kid with a Wolverine toy, and that seems subversive to me. I slipped some possibly bad, possibly raunchy art, into that kid’s life. You just get caught up in it while you’re working on it. If you care, it’s really hard to think of it as underwear. And sure, it’s overwhelming and sickening to walk into a Walmart and see nothing but Spider-Man bed sheets. Sometimes, under the right light, that’s kinda cool, though.”
One of the perks of working with Robot 6 is often getting to see a glimpse at a new project before it is available for purchase. This past week (thanks to the project’s colorist, Rico Renzi) I was able to read the first issue of Loose Ends, a four-issue southern crime romance miniseries by writer Jason Latour and artist Chris Brunner, which goes on sale this Wednesday, July 13. As a native of the South, it is not often I get to read comics set there–so the comics caught my attention purely on that level at first. But then, when I started reading the issue, I realized it reminded me on some level of Ed Brubaker and Sean Phillips’ Criminal. That’s not to say Latour and company have done a wannabe story, far from it, as the creators have their own distinctive voices/styles, that mesh quite well. If the remaining three issues are as strong as this first one, I expect it will land on a few best of 2011 lists (at least mine, for sure). Latour and I discuss the first issue and other aspects of the series in this email interview. If you want a preview of the miniseries, be sure to enjoy the one CBR posted a couple of months back.
Tim O’Shea: The opening page of the first issue is all art, no narrative boxes or dialogue. Was the script always that way, or was that a creative choice you made after seeing Chris Brunner’s art for that page?
Jason Latour: Well as an artist myself I’ve worked on a few stories where I was dying to stretch a moment or let something play out visually and it just wasn’t possible. So from the start there was always an allowance for some organic growth in this script. The simplest reason for that is because I trust Chris. We’re collaborating. His point of view is equally important as mine is. If I’m doing my job then I’m inspiring him, not fencing him in. The medium itself, the page limit already does that. I tried to give him a script that communicated the tone, the pace and specific details needed to tell the story within that space. From there it’s on us as a team to communicate. If he has an idea, I listen. If he nails a scene and I’m in the way… I try to move. If he needs me to pick him up, hopefully I’m ready and able.