Jason

Food or Comics? | Conan the barberryan

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Thief of Thieves #1

Chris Arrant

If I had $15, I’d start with Thief of Thieves #1 (Image/Skybound, $2.99). The gang at Skybound gave me an advance PDF of this issue, and I like it so much I want to hold the physical thing in my hands. Shawn Martinbrough really nails this first issue, and Nick Spencer really puts his Marvel work to shame with this story. Next up I’d get my favorite DC Book – Batwoman #6 (DC, $2.99) – and favorite Marvel book – Wolverine and The X-Men #5 ($3.99). I’d finish it all up with Northlanders #48 ($2.99). I’m not the biggest fan of Danijel Zezelj’s work, but I can’t let up now to see my long-running commitment to Northlanders falter at this point.

If I had $30, I’d dig into Richard Corben’s Murky World one-shot (Dark Horse, $3.50). Corben’s one of those “will-buy-no-matter-what” artists for me that Tom Spurgeon recently focused on, and this looks right up my alley. Next up I’d get Secret Avengers #22 (Marvel, $3.99) because Remender’s idea of robot descendents intrigues me, and then Wolverine and The X-Men: Alpha and Omega (Marvel, $3.99). I didn’t know what to expect from the first issue, and after reading it I still don’t know where this series is heading – but I like it so far. Finally, I’d get Haunt #21 (Image, $2.99). The combination of Joe Casey & Nathan Fox is like a secret code to open my wallet.

If I could splurge, I’d take the graphic novel Jinchalo (D+Q, $17.95) by Matthew Forsythe. I loved his previous book Ojingogo, and this looks to continue in that hit parade.

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Toronto Comic Arts Festival announces 2012 lineup

The Toronto Comic Arts Festival, one of the high points of the indy comics year, has announced the first round of guests for this year. It doesn’t seem to be up on the TCAF site just yet, but Tom Spurgeon has the rundown at The Comics Reporter, and it’s an impressive list: Jeff Smith, Alison Bechdel, Guy Delisle, and Gabriel Bá and Fábio Moon are the headliners. Smith will be celebrating the 20th anniversary of Bone, while Bechdel’s Are You My Mother? and Delisle’s Jerusalem are both due out shortly before the show.

But wait! There’s more! Kate Beaton, German creator Arne Bellstorf, Scottish creator Tom Gauld (whose Goliath is due out soon from Drawn and Quarterly) Gabriella Giandelli, Jennifer and Matt Holm (Babymouse), Jason, Kazu Kibuishi (creator of Amulet and editor of the Flight anthologies), Bryan Lee O’Malley (Scott Pilgrim), Gary Panter, Michel Rabagliati, Andy Runton (Owly), Olivier Schrauwen, and Adam Warren (Empowered) will also be gracing the halls of the Toronto Reference Library this May. That’s an amazingly eclectic and talented group. If you have been thinking “Some day I’ll make it to TCAF,” this should probably be the year.


Exclusive Preview | Jason’s Athos in America

Athos in America

Courtesy of the fine folks at Fantagraphics, we’re pleased to present an exclusive five-page preview of Athos in America, another collection of shorter stories by the incomparable Jason.

The preview is from the lead story, also called “Athos in America,” a prequel of sorts to Jason’s The Last Musketeer. The swashbuckler from that tale shows up in a New York bar in 1920s New York to relate the tale of how he went to Hollywood to play himself in the film The Three Musketeers.

This volume also includes:

  • “The Smiling Horse,” in which the characters from the story “&” in Low Moon attempts to kidnap a woman.
  • “The Brain That Wouldn’t Virginia Woolf,” a mash-up of The Brain That Wouldn’t Die and Who’s Afraid of Virginia Woolf, told in reverse chronological order.
  • The Bukowski pastiche “A Cat From Heaven” in which Jason works on his comic, has a reading in a comic book store, gets drunk and makes a fool of himself.
  • The dialogue-free (all the text occurs in thought balloons) “Tom Waits on the Moon,” in which we follow four people (one of them a scientist working on a teleportation machine) until something goes wrong.
  • “So Long Mary Ann,” a prison-escape love-triangle story.

This collection of stories comes out in February. Check out the preview below.

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Food or Comics? | Jason Conquers Amaretto

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Batman Incorporated: Leviathan Strikes

Graeme McMillan

As we head into Christmas, I’m saving my pennies for last-minute presents. That said, if I had $15 to spend, I’d run towards Memorial #1 (IDW, $3.99), the debut of the new fantasy series by Chris Roberson and Rich Ellis. I admit to having sneaked a peak at this particular present, and I really enjoyed the tone, which is somewhere between Steven Moffat’s Doctor Who and some of Neil Gaiman’s work. I’d also grab Batman Incorporated: Leviathan Strikes #1 (DC, $6.99), the collection of what was supposed to be the final issues of Grant Morrison’s run on the Batman, Inc. series before the relaunch; I’d enjoyed Batman Incorporated a lot, and am ready for more of the weird, retro-but-somehow-off series again, especially with lovely Cameron Stewart and Chris Burnham artwork.

If I had $30, I’d also grab Fantagraphics’ Jason Conquers America ($4.99), a collection of some of the cartoonist’s work that’s so far gone unseen in the US, along with pin-up tributes from fans like Mike Allred and Rich Tommaso. My nostalgia would then compel me to grab Defenders: Coming of the Defenders #1 (Marvel, $5.99), a reprint of the original stories that launched the fondly remembered (and just relaunched) non-team. Hulk groove on old comics.

Were I to ask Santa for something to splurge on, I might go completely left-field and ask for John Byrne’s much-maligned Spider-Man: Chapter One TP (Marvel, $34.99), which I’ve never actually read, but have a strange fascination with. Would that make me naughty or nice?

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Comics A.M. | ComiXology top iPad app for past six Wednesdays

Comics by comiXology

Digital | Comics by ComiXology has topped Apple’s charts as the top-grossing iPad application for the last six Wednesdays. ComiXology cited the launch of DC’s New 52 initiative, as well as many other comic companies moving to a same-day digital release schedule, as reasons for its success. “When have comic books, not comic book movies, not comic book merchandise, but the actual comic books been #1 in anything, much less high tech?” comiXology CEO David Steinberger said in a statement. “Being the number one grossing iPad application six Wednesdays in a row isn’t just a huge milestone for comiXology, but a huge milestone for comics as a medium … and we could not be prouder.” [press release]

Creators | An auction for the naming rights to a character in Mark Millar and Dave Gibbons’ The Secret Service raised $5,100 for St. Bartholomew’s Primary School, where Millar attended. The money will be used to pay for field trips for the school’s students. “I’m a former pupil at St. Bartholomew’s and have so many great memories of the place,” Millar said. “I know there’s not a lot of money in local government at the moment and I was sad to hear that the annual school trip for the children had been cancelled. By establishing this fund, I hope to have a pot the head-teacher can dip into every Christmas and take the entire school to a pantomime every year.” [Airdrie & Coatbridge Advertiser]

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Comics A.M. | Reeve Carney extends Spider-Man musical contract

Spider-Man: Turn Off the Dark

Broadway | Reeve Carney, who plays Peter Parker and Spider-Man in Spider-Man: Turn Off the Dark, has extended his contract with the musical through May. Carney’s original contract was set to expire in November. “I can’t imagine a more wonderful, harder-working company than my mates on Broadway, and I look forward to being with them until shooting begins, and again as soon as we’ve wrapped,” he said. [Wall Street Journal]

Creators | The works of cartoonists Frode Överli, Lise Myhre, Christopher Nielsen and Jason are being featured on postage stamps in Norway, in celebration of the 100th anniversary of the first comic book to be published in the country, The Katzenjammer Kids. [cats without dogs]

Creators | Firebreather creator and former Wonder Woman writer Phil Hester is profiled in conjunction with a visit to Limited Edition Comics and Collectibles in Cedar Falls, Iowa. [WCF Courier.com]

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Previews: What Looks Good for November

The Dark Crystal: Creation Myths

It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes, and first issues so that I don’t have to come up with a new way to say, “ Dark Horse Presents is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.

Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.

Ape

Puss in Boots Movie Prequel – I don’t care for movie prequel comics as a rule, but swashbuckling cats are awesome in any incarnation. As long as these are fresh gags and not just ones warmed up from Shrek, I expect to enjoy this.

Archaia

Jim Henson’s The Dark Crystal: Creation Myths, Book 1 - I just introduced my son to The Dark Crystal and Labyrinth a couple of weeks ago, so this is great timing. He had the same questions about The Dark Crystal‘s world that I always do, so I’m looking forward to seeing Archaia’s take on answering those. Totally feel like the world’s in good hands with this publisher and these creators.

The Sigh - If Archaia’s snagging Marjane Satrapi’s (Persepolis, Chicken With Plums) new book has been reported already, I missed it. I’m surprised that wasn’t bigger news.

Siegfried, Volume 1 – I’ve been meaning to read P Craig Russell’s Ring of the Nibelung adaptation for years, so I think this might be what pushes me to finally do it. It would be fun to read Russell’s and compare it to this version by Alex Alice.

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Why can’t I be Jason?

Jason drew Robert Smith from The Cure. I just needed to point that out.

Skate, read or die? Penguin Classics turns altcomix book covers into skateboards

Penguin Skateboards

Over the last few years, Penguin Books has gotten various cartoonists to draw covers for classic books, like Tony Millionaire, who drew the cover to Moby Dick, or Richard Salas, who drew the cover to Great Expectations, and so on.

Now via Flog comes word that some of those covers have made their way onto skateboards. Yes, classic literature covers, drawn by some of alt.comix’s best, featured on skateboards.

As you’ll see above, Penguin created some limited edition skateboards using the covers by Jason for Jack Kerouac’s Dharma Bums, Lilli Carré for Mark Twain’s The Adventures of Huckleberry Finn, and Thomas Ott for Shirley Jackson’s We Have Always Lived in the Castle. These were given away in a photo contest on Facebook, which unfortunately is over, but they’ll be showing them off on various college campuses this month and next. Hopefully they’ll be available to purchase at some point … not that I’m coordinated enough to skate.

Jason: The Teen Years

Jason: Then and Now

One of the most interesting things about following artists’ careers is seeing their styles evolve from mimicry of their influences to their own, unique way of depicting the world. Very rarely do we get to see an artist’s very earliest attempts at developing a style, mostly because so many artists are too ashamed of their early work to share it.

Not so Norwegian cartoonist Jason, who’s started a blog to showcase – in chronological order – his early work. It’s a fascinating look at a world-class artist figuring out his craft.

What Are You Reading?

Athos in America

Welcome to another edition of What Are You Reading?, where every week we talk about the comics, books and other stuff we’ve been reading lately. Today our special guest is Kim Thompson, co-publisher, editor, translator and AutoChatter at Fantagraphics … and world traveler, as you’ll see below.

To see what Kim and the Robot 6 crew have been reading, click the link …

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Food or Comics? | This week’s comics on a budget

Space Warped

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Brigid Alverson

If I had $15:

I’d surround myself with good-humored, good-natured comics. Sometimes you just gotta do that. My stack would include Veronica #207 ($2.99), which launches the new Kevin Keller miniseries; Donald Duck #367 ($3.99), with a rework of a classic Carl Barks story; Space Warped ($3.99), kaboom’s new Star Wars parody comic (I probably won’t get half the jokes, but it looks like it’s worth checking out); and Love and Capes Ever After #5 ($3.99), just because Love and Capes is such a charming comic. I may be poor, but at least I’ll be happy.

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Food or Comics? | This week’s comics on a budget

Fear Itself #3

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Chris Arrant

If I had $15, I’d first do a two-fisted grab of this summer’s big event series Flashpoint #2 (DC, $3.99) and Fear Itself #3 (Marvel,$3.99). It’s required reading if you’re writing about comics like I am, and as a reader I’m intrigued by both. Two questions come out of this: 1. I wonder which one jiggered their release dates to come out the same week as the other event book, and 2. I guess DC will have to take off its “Holding The Line at $2.99” logo, or at least add some fine print. Next up would be Uncanny X-Force #11 (Marvel, $3.99); Rick Remender and the artists here have made this the best x-book on stands, hitting me right between the eyes by revisiting older storylines and characters and giving them a modern spin. Lastly, I would get Turf #5 (Image, $2.99), because I’m one of the biggest Tommy Lee Edwards fans out there.

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Comics College | Jason

I Killed Adolf Hitler

Comics College is a monthly feature where we provide an introductory guide to some of the comics medium’s most important auteurs and offer our best educated suggestions on how to become familiar with their body of work.

With a few notable exceptions, most European cartoonists have a tough time getting noticed by U.S. audiences. That’s definitely not the case, however, with this month’s Comics College entry, the Norwegian artist John Arne Sæterøy, better known to most American readers by his pen name, Jason.

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Talking Comics with Tim | Jason

Werewolves of Montpellier

Hopefully, if you’ve been reading Robot 6 for any substantial amount of time, you’re familiar with the work of Jason. In this email interview, we discuss his latest work released from Fantagraphics, Werewolves of Montpellier (a book aptly summed up by the publisher as “a lycanthropic thriller, a romantic comedy, and an existential drama — basically, your typical Jason book”), as well as some ideas shared in his blog, cats without dogs. My thanks to Jason for the interview (and for reminding me why I love Hal Hartley films) and to Robot 6′s Sean T. Collins as well as Fantagraphics Jacq Cohen for helping to make this interview feasible.

Tim O’Shea: Cinema clearly informs your work, does your appreciation of film date back to your childhood-or when and how did it begin?

Jason: I read comics as a kid, and books like the Hardy Boys, but I think what made the biggest impression on me were movies. In the 70s there was just one Norwegian channel and every Monday night they showed a feature film. I would watch every one of those. And I still remember a lot of them, sometimes better than some movie I saw last year.

O’Shea: In the comments section of your blog, you wrote: ” I like movies, non-musicals, where the characters do a dance or sing a song. Like Rio Bravo, Buffalo 66, Bande à part or Simple Men. It’s something that doesn’t work in comics.” If you don’t think it works in comics, I’m curious why did you have Audrey sing Moon River (a scene that I thought worked, by the way)?

Jason: It’s just four panels of her singing, and I guess it sort of works. But take the dance sequence in Simple Men (Hal Hartley’s 1992 film) as an example. I don’t think that could be recreated in a comic. You don’t get into the music and start tapping your feet like you would in a movie.

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