How "DC Universe: Rebirth" Fulfills Its Promise of Restoring Legacy to DC Comics
This week Marvel released the final issue of Charles Soule and Javier Pulido’s She-Hulk, which fell into the publisher’s post-Hawkeye rubric for solo titles starring second-tier characters. That is, it’s one of those series that, while still a superhero book, leaned hard in the opposite direction, eschewing genre formula for a more singular vision, while having a sense of humor, a distinct style and, of course, a focus on what the character does when not in costume.
She-Hulk, like all the other characters in similar comics, still saved people and fought crime, but as for saving the world? That’s the stuff for team books and big, line-wide crossovers (which the publisher is producing at a faster rate, one benefit being that the Marvel Universe had more room for Hawkeyes, She-Hulks, Black Widows and Iron Fists). For She-Hulk, this was easily accomplished, as she just so happened to be one the Marvel superheroes whose day job is exciting; as omnipresent as superhero TV shows and movies may seem these days, they’re still dwarfed by the gigantic body of work starring lawyers.
Marvel has provided ROBOT 6 with an exclusive preview of She-Hulk #1, by Charles Soule and Javier Pulido, arriving in February as part of the publisher’s All-New Marvel NOW! initiative.
Announced in September, the series will focus on Jennifer Walters’ complicated life as both a superhero and an attorney, while continuing in the quirky tradition of its predecessors like John Byrne’s Sensational She-Hulk and Dan Slott’s more recent She-Hulk.
The increasingly busy Soule — like Walters, he’s a lawyer — has high praise for Pulido, writing on his blog that, “The man is brilliant. If you missed it, Axel Alonso tweeted a few pages from She-Hulk #2 that will explain what I’m talking about. In the script, that’s just a page of two folks chatting, but Mr. Pulido brings it to life like nobody’s business. And if he can do that with a conversation page, wait until you see the action stuff. She-Hulk is an incredibly fun, funny series, and I’m really looking forward to it showing up on the shelf in six weeks or so.”
Check out some of Pulido’s art for yourself below:
How much, exactly, is too much of a good thing? I imagine it depends on the thing in question, and the person you ask. Let’s say the thing is Marvel’s newish Hawkeye. And the person is me.
I really like this comic, which is something that came as a great surprise to me, as I don’t really have any feelings about Hawkeye beyond, perhaps, preferring the super-archer with the facial hair and the green costume. And I don’t really like reading Marvel comics serially any more, given how hard the publisher strives to make that experience an unpleasant one, with the ads and the variants and the cover prices and the AR phone applications and the random switching and the renumbering and title changing and the funny numbering schemes (“Superior Spider-Man #6AU“…?) and the irregular shipping schedules.
I bought the first issue on a whim, though (it was a light week), and despite a little confusion as to why artist David Aja was to aping ’80s-era David Mazzucchelli, it impressed the hell out of me. Writer Matt Fraction and Aja make a great team, and the idea of focusing on what Hawkeye does “when he’s not being an Avenger” — recasting the movie star/cartoon character/toy as a more-or-less everyman action hero — is interesting, as was the decision to make every issue a done-in-one complete story (for the first three issues, anyway).
Each story has had elaborately constructed plots that spring open, move fluidly and then snap satisfyingly shut, the script and art are paced to encourage a slower, more appreciative reading process that makes each issue seem twice as long as most other Marvel comics, and even Matt Hollingsworth’s old-school but understated color and generous use of purple (to compensate for the lack of costume) has been impressive.
I started to worry when Issue 4 shipped, though, and worry still more when I read Issue 5, and worry still more when I saw Issue 6 arrives next Wednesday.
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
G.I. Joe #1: As if G.I. Joe wasn’t entirely in my guilty pleasure wheelhouse already, IDW Publishing relaunches the title with Fred Van Lente as writer and the tease of social and media commentary as the team is forced to go public in its fight against Cobra. Seriously, that’s just unfair, people. (IDW, $3.99)
Hawkeye, Vol. 1: My Life As A Weapon TP: One of the best-looking comics around, thanks to David Aja (and Javier Pulido, on a couple of the issues contained herein), and something that I suspect I’m going to want in a collected edition to give to friends wanting some fun, fast-moving action stuff to read. Best thing Matt Fraction’s done in a long time, too. (Marvel, $16.99)
New Tales of Old Palomar HC: Continuing my Love and Rockets education, a chance for me to pick up Gilbert Hernandez’ return to Palomar in this new collected edition of his Ignatz series. This is definitely my favorite of Beto’s work, so I’m happy to see more. (Fantagraphics, $22.99).
The Sixth Gun: Sons of The Gun #1: A new spin-off series from Cullen Bunn and Brian Hurtt’s spectacular horror western? Why, I really don’t mind if I do, thanks very much. For added benefit, having Brian Churilla show up for art duties is pretty sweet, as well. (Oni Press, $3.99)
Young Romance: A New 52 Valentine’s Day Special #1: Even if I’m feeling less than enthused about the majority of DC’s superhero line lately, I have to admit, the idea of a Valentine’s Day special one-off is just far too tempting for me to ignore. (DC Comics, $7.99).
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, my Wednesday haul would start with Glory #30 (Image, $3.99). This series has been great, and since Kris Anka began doing covers, it’s gone to very great. Now, seeing New Yorker cartoonist Roman Muradov coming in to do a story makes it potentially even more, well, great. I’m psyched to see Glory face off against her sister, and Campbell’s depiction of both has been mesmerizing. Next I’d pick up Comeback #1 (Image, $3.50), featuring letterer Ed Brisson making his major writing debut. The cover design by Michael Walsh is impeccable, and the concept of time traveling for grieving loved ones is a fascinating concept. Next up, I’d get a Marvel double – Wolverine and the X-Men #21 (Marvel, $3.99) and Hawkeye #4 (Marvel, $2.99). This carnie issue of Wolverine and the X-Men is intriguing; it’s going out on a limb, but after what Jason Aaron and Nick Bradshaw have done so far, I trust them. With Hawkeye, I’m slightly hesitant to pick up an issue knowing David Aja isn’t drawing it, but Javier Pulido has the potential to be an ideal temporary substitute.
If I had $30, I’d look back on my $15 and reluctantly put Hawkeye #4 back on the shelf to free up money for Derek Kirk Kim’s Tune, Book 1: Vanishing Point (First Second, $16.99). Man oh man, do I love Kim’s work, and seeing the previews for this online makes me see a honing of the artist’s style akin to the way Bryan O’Malley did between Lost At Sea and Scott Pilgrim. Count me in.
If I could splurge, I’d take a chance on the anthology Digestate (Birdcage Bottom Books, $19.95). I’m no foodie like C.B. Cebulski, but I like food and I like anthologies so this is right up my alley; especially when the chefs include Jeffrey Brown and Liz Prince. Where’s my order?
Hello and welcome to another edition of What Are You Reading? Today our special guest is Chris Williams, editor of the web series The Variants.
To see what Chris and the Robot 6 crew have been reading, click below …
Hello and welcome to What Are You Reading?, our weekly look at what the Robot 6 crew have been checking out recently. To see for yourself, click below …
Hello and welcome to What Are You Reading? Today our special guest is Ivan Salazar, public relations and marketing manager for Studio 407.
To see what Ivan and the Robot 6 crew have been reading (and playing), click below.
Today marks the release of the second issue in writer Jen Van Meter and artist Javier Pulido’s four-issue Amazing Spider-Man Presents: Black Cat miniseries. I recently had occasion to email interview Van Meter about the project, the overall collaboration experience and transitions, as well as near-term Hopeless Savages (Oni) plans (plus heist genre recommendations and covert gardening tips). After you read the interview, please be sure to check out the seven-page preview that CBR posted last week.
Tim O’Shea: In prepping for this miniseries, did you go back and read past Black Cat appearances for background? Are there any writers in particular whose approach to the character appealed to you more than others?
Jen Van Meter: I spent the most time with the early Marv Wolfman material, honestly. I like to go back to the beginning whenever I’m asked to take on a character I don’t feel I know well. The things I loved about her, particularly in Amazing Spider-Man 195, were her fierce determination and her strength — the Femme Fatale stuff is there, but it’s really overshadowed by her toughness in his treatment of her. I looked at or revisited many other appearances and caught up on the most recent stuff, but I think I really relied on Wolfman the most to tell me who she is.