jeff parker Archives - Robot 6 @ Comic Book Resources
Welcome to Best of 7, where we talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. So without further ado, let’s get to it …
Angry Birds, Rovio Entertainment’s blockbuster mobile game turned multimedia sensation, will continue its global conquest of pop culture in June, when IDW Publishing launches a comics adaptation by such creators as Jeff Parker and Paul Tobin.
“We’re very happy to be in business with Rovio on Angry Birds comics,” IDW Editor-in-Chief Chris Ryall said in a statement. “Rovio has taken what was once a captivating game and built it into an interesting world filled with interesting and, uh, feathered characters who will make a perfect addition to our growing line of fun, all-ages comics.”
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. I should also note that we skipped last Sunday after being exhausted from all our anniversary content, so you may see an item or two slip in from last week.
So without further ado, let’s get to it …
Our annual “Looking Forward, Looking Back” feature continues, as we ask various comics folks what they liked in 2013, what they’re looking forward to in 2014 and what projects they have planned for the coming year. In, this final round, we hear from Vito Delsante, Jacq Cohen, Mark Sable, Dean Haspiel, Joshua Williamson, Jordie Bellaire, Paul Allor, Adam P. Knave, Tim Gibson, Bryan Q. Miller, Nathan Edmondson, Ann Nocenti, Jason Latour, Paul Tobin, Ming Doyle, Jeff Parker, Francesco Francavilla and Gabriel Hardman.
And if you missed them, be sure to check out Part 1, Part 2, Part 3, Part 4, Part 5 and Part 6 where we heard from Jimmy Palmiotti, Tim Seeley, Chris Roberson, Kurt Busiek, Faith Erin Hicks, Tyler Kirkham, G. Willow Wilson and many more.
Legal | More details have emerged about Hirofumi Watanabe, the 36-year-old man suspected of sending more than 400 threatening letters to convention centers, retailers and other sites in Japan associated with the manga Kuroko’s Basketball. The newspaper Mainichi Shimbun revealed Watanabe studied anime at a vocational school but dropped out at age 20. Also, a search of Watanabe’s apartment turned up toilet bowl cleaner, a scrap of paper that said “creating hydrogen sulfide” and, not surprisingly, several volumes of Kuroko’s Basketball.
Oddly, Watanabe claims to be two different perpetrators who use two different accents, standard Japanese and a Kansai accent, and many of the statements he made in his letters and online postings, including that he was acquainted with Kuroko’s Basketball creator Tadatoshi Fujimaki, appear to be false. Anime News Network also reports that when he was arrested, Watanabe had about 20 threat letters in his backpack, and that he told police he was jealous of Fujimaki’s success. [Anime News Network]
Current Aquaman artist Paul Pelletier has a long and varied history in comics, dating back to the late 1980s. When I learned Jeff Parker would replace Geoff Johns as the series’ writer (beginning with Aquaman #26), I was pleased that DC Comics chose to leave Pelletier on the title (as opposed to switching to a new art team, as frequently happens). I enjoy Pelletier’s take on Aquaman, and I was surprised to learn he’s not well-versed in some of the character’s earlier runs (so readers, please be sure to share your favorite runs in the comments section, since the artist asked “which runs would the Aqua-fans recommend?”). It was a unique opportunity, prior to the October 23 release of Aquaman #24, to chat with the veteran artist as he transitions from collaborating with one veteran writer to another. Plus, I enjoyed hearing about Pelletier’s appreciation of basketball legend Larry Bird.
Tim O’Shea: Once you realized Arthur would be sporting a beard again, did you draw a couple of versions of beards (goatee versus full beard) or did you and Geoff always have one look in mind when it came to Aquaman’s facial hair?
Paul Pelletier: When Geoff wrote Aquaman with the beard, it was a result of Arthur being unconscious for six months, so I figured it wouldn’t be too stylized. A full beard that wasn’t too manicured made sense to me. Now if the beard was to remain, then we might have to think about something a bit more tailored to Arthur.
DC Entertainment may not have planned it this way — “planning” being something with which DC may be only tangentially familiar — but I doubt its high-ups wanted to release these December solicitations the Monday after what had to be a pretty rough weekend. When you’ve just had to deal with a celebrated creative team walking off a fairly successful book — citing “editorial interference,” and reminding people that the character’s original writer also left after increasing frustration with DC — you might not want to follow that up by calling attention to all the other changes coming before the end of the year.
And don’t worry, there’ll be plenty of Batwoman and “sucky personal life” talk before we’re done. Solicits first, though …
If the first week of Villains Month is any indication, a good bit of the decimal-point issues will feature stories set in the early stages of the Crime Syndicate’s takeover. This wasn’t that apparent from the September solicits, and subsequent months also appeared light on explicit crossovers. December is about the same, with Teen Titans dropping out of the crossover lineup, and Pandora and Phantom Stranger joining the three Justice League books, the three Forever Evil [Colon] miniseries, and Suicide Squad.
Creators | Garry Trudeau is extending his hiatus from the daily Doonesbury strip until November, although new Sunday strips will begin running this weekend. “I have hit the wall,” Trudeau explained in a letter to newspapers that carry Doonesbury, saying that the demands of writing and producing Amazon Studios’ Alpha House are keeping him from returning to the daily strip on schedule. [The Daily Cartoonist]
Creators | Mary and Bryan Talbot discuss their work in a short video shot at the Edinburgh International Book Festival. [Forbidden Planet]
Though I can appreciate that a lot of reviewers don’t have the artistic vocabulary to really review art, they always have lots to say about the story. An analysis of the storytelling would be interesting.
– Marvel artist Declan Shalvey, on how comics reviewers can better discuss visual art in criticism.
It’s a commonly recognized phenomenon that reviewers tend to focus on the writing part of comics, because they are, after all, writers and that’s what they have the vocabulary for. Criticism of visual art requires a different set of terms that frankly, not a lot of comics critics know. Shalvey pokes holes in that excuse, however, by offering for critique an aspect of comics art that writers should already be equipped to discuss: the effectiveness of visual storytelling.
Publishing | What begins as a profile of Australian publisher Gestalt Comics dovetails into a brief snapshot of the country’s comics industry — or, perhaps, “industry.” “There are publishers like Milk Shadow Books and Black House Comics, I think we all help to create the impression of there being an Australian industry,” says Gestalt co-founder Wolfgang Bylsma, “but I don’t think we’re established enough to call it an industry yet. There are very few people who are working full time in comics in Australia.” [artsHub]
Creators | Jamie Hewlett chats about art, influences, Gorillaz and whether he might considering returning to comics: “Would I go back to doing comics? I dunno, maybe. It’s a lot of work drawing a comic. [Laughs.] And, you know, I did 10 years of drawing comics, and I really enjoyed it, but I’m kind of keen to try other things that I haven’t done. But I was talking with Alan [Martin] about the possibility of doing something in a comic form together. We haven’t agreed upon anything yet. It’s just a conversation. I’d love to work with Alan again. I really like Alan; he’s really cool.” [Consequence of Sound]
Things got a little unmanageable with the Hulk comics for a while: We had two Hulks running around, each with his own series (plus Son of Hulk) and I started losing track of the She-Hulks when Jennifer Walters was joined not only by Red She-Hulk, but also Thundra She-Hulk. It was too much and I checked out, even though Jeff Parker was writing some of those comics — and Jeff Parker comics are among my favorites.
In a roundabout way, his writing is why you should be reading Red She-Hulk (not that the gorgeous art by Carlo Pagulayan, Wellington Alves and Val Staples should be ignored), but I’m going to get more specific than that. My point is that I wouldn’t blame you for rolling your eyes at Red She-Hulk’s having her own series when the real She-Hulk doesn’t (not outside of FF anyway). I don’t think Parker would either, though. From the way Red She-Hulk is presented in the early issues of the series, it appears that Parker knows he has some work to do in making her a character that readers want to spend time with.
This is something that Red She-Hulk shares with Geoff Johns’ Aquaman, but Johns went meta with his story and all but included cameos of himself looking directly at the reader and screaming, “Aquaman doesn’t suck!” Parker uses more art. Specifically, he uses Machine Man, aka the Reason You Should Be Reading Red She-Hulk. Stay with me here, because I know Machine Man’s not usually much more of a draw than Red She-Hulk is.
DC Comics will expand its digital-first comics line this summer with the debut of Batman ’66, a series based on the classic television series.
The announcement came last night in Hollywood, where Warner Bros. Consumer Products launched its Batman Classic Television Series licensing program during an event co-hosted by Junk Food Clothing and Meltdown Comics.
Inspired by the television series, which aired from 1966 to 1968 on ABC, Batman ’66 is written by Jeff Parker and illustrated by Jonathan Case. In an ironic turn, Michael Allred, whose Adam West/Batusi cover (below) couldn’t be used for DC’s Solo because of legal issues, will be providing the cover for the first issue. Like the DC’s other digital-first comics, Batman ’66 will be collected monthly in print.
Conventions | Nearly 10,000 people flocked to the Lexington (Kentucky) Comic and Toy Convention over the weekend, far exceeding expectations. [Kentucky.com]
Piracy | This is about movies and music more than comics, but it’s an interesting perspective: Thorin Klosowski explains why he gave up on illegal downloads. The short answer: It’s now easier to stay legit. [Lifehacker]
Commentary | Julian Darius takes a hard look at last week’s removal of Persepolis from Chicago classrooms and what that says about our society’s attitude toward torture. [Sequart]
Awards | Dave Brown received the Cartoonist of the Year award at the Society of Editors’ UK Press Awards. [The Independent]
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.
To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.
Manga | The widow of Barefoot Gen creator Keiji Nakazawa, has found 16 pages of penciled notes and sketches for a possible sequel to Nakazawa’s semi-autobiographical account of living through the Hiroshima bombing and its aftermath. Before he died in December, Nakazawa donated the first 16 pages of the projected volume to the Hiroshima Peace Memorial Museum; this is the outline for the second set of pages. The new story would have taken Gen to Tokyo to become a manga creator, just as Nakazawa did in real life. [Anime News Network]
Comics | Glen Weldon, who writes about comics for National Public Radio, explains why he, as a gay man, won’t be reading Orson Scott Card’s issues of Adventures of Superman: “DC Comics has handed the keys to the ‘Champion of the Oppressed’ to a guy who has dedicated himself to oppress me, and my partner, and millions of people like us. It represents a fundamental misread of who the character is, and what he means. It is dispiriting. It is wearying. It is also, finally, not for me.” [NPR]