The next big thing for the Red Hulk, apparently, is to hand his book over to his daughter. As announced at Marvel’s Next Big Thing panel at Comic-Con today, the Jeff Parker-written Hulk series will turn into Red She-Hulk with issue #58.
The name and character shift follows on the heals of another comic written by Parker that recently changed its name and cast, the comic formerly known as Thunderbolts and now known as Dark Avengers. Parker told MTV Geek that the new status quo “will grow out of some ideas we were exploring in Hulk.”
Parker added “She may be the first Hulk who isn’t just angry, but is righteously angry and chooses to AIM her anger. She doesn’t resent her human side, she still thinks of herself as the same person when she transforms, like her father. But her Hulk form has no inhibitions or worries that she might be doing the wrong thing. Red She-Hulk acts upon what she wants, usually as soon as the idea or emotion hits her.”
No word on what happens to the Red Hulk, beyond “his expertise is required in another place.”
Hello and welcome to What Are You Reading? Today our special guests are D.J. Kirkbride and Adam Knave, writers of Amelia Cole and the Unknown World, which was released last week by Monkeybrain Comics.
To see what Adam, D.J. and the Robot 6 crew have been reading, click below …
Conventions | Despite the $500-plus price tag, the least-expensive tickets for MorrisonCon, the Grant Morrison-focused convention being held in September in Las Vegas, are already sold out. Remaining tickets cost between $699 and $1,099. Morrison says the high-priced event combines “visionary ideas, occult ritual, music and spoken word performances, art workshops, experimental films, DJ sets and in-depth discussions inspired by the comics.” [Hero Complex]
Publishing | Industry veteran Jim “Ski” Sokolowski, who was let go in October as Marvel’s chief operating officer ahead of a round of layoffs, has been hired by Archie Comics as senior vice president-sales and business development. The publisher also promoted Harold Buchholz from executive director of publishing and operations to senior vice president-publishing and operations, Paul Kaminski from editor to executive director of editorial, and Alex Segura from executive director of publicity and marketing to vice president-publicity and marketing. [Archie Comics]
Hello and welcome to What Are You Reading? This week our special guest is artist Ivan Anaya, one of the winners of the winner of the Skullkickers Tavern Tales Contest. He’ll join the other winner, writer Aubrey Sitterson, on a story for Skullkickers #18.
To see what Ivan and the Robot 6 crew have been reading, click below.
It’s time once again for our monthly trip through Previews looking for cool, new comics.
Wait a minute … “monthly”?
It’s true that we haven’t taken a What Looks Good tour in a few months, but the feature is back with an all-new approach that we hope will be more varied and useful than the old format. Instead of Michael and Graeme just commenting on everything that catches our attention in the catalog, we’ve invited Chrises Mautner and Arrant to join us in each picking the five new comics we’re most looking forward to. What we’ll end up with is a Top 20 (or so; there may be some overlap) of the best new comics coming out each month.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
1) Love and Rockets New Stories #5 by Gilbert and Jaime Hernandez (Fantagraphics) — How do you possibly top the triumphant storytelling feat that was “The Love Bunglers”? I dunno, but Jaime Hernandez is certainly going to give it the old college try, this time shifting the focus onto the vivacious “Frogmouth” character. Gilbert, meanwhile, brings back some of his classic Palomar characters, so yeah, this is pretty much a “must own” for me.
2) Skippy Vol. 1: Complete Dailies 1925-1927 by Percy Crosby (IDW) — Percy Crosby’s Skippy might well be the great forgotten comic strip of the 20th century. Extremely popular in its day, and a huge influence on such luminaries as Charles Schulz, the strip has largely been forgotten and the name conjures up little more than images of peanut butter. IDW’s effort to reacquaint folks with this strip might change that — the few snippets I’ve read suggest this is real lost gem.
3) The Voyeurs by Gabrielle Bell (Uncivilized Books) — Tom Kaczynski’s small-press publishing company drops its first major, “big book” release with this memoir from the always-excellent Gabrielle Bell. Collecting work from her series Lucky (and, I think, some of her recent minis), the book chronicles a turbulent five year period as she travels around the world. Should be great.
4) Godzilla: The Half Century War by James Stokoe (IDW) — I usually stay as far away from licensed books as possible, but there is one simple reason I’m including this comic in my top five: James Stokoe. Stokoe’s Orc Stain has quickly become one of my favorite serialized comics, and his obsession with detailing every inch of the page combined with his ability to incorporate significant manga storytelling tropes in his work convince me he can do a solid job chronicling the adventures of the big green lizard that spits radioactive fire.
5) Barbara by Osamu Tezuka (Digital Manga) — Speaking of manga, here’s one of the more noteworthy Kickstarter projects of recent years: Digital Manga’s attempt to bring the master’s saga of a famous author and the homeless, beautiful woman he takes in and assumes to be his literal muse. This is well regarded in many Tezuka fan circles as one of the cartoonist’s better adult stories, and I’m glad to see Digital willing to take a chance on bringing more Tezuka to the West. I’ll definitely be buying this. I should also note that Vertical will also be offering some Tezuka this month, namely a new edition of Adolph (originally published by Viz in the ’90s), here titled Message to Adolph but well worth checking out regardless of the title.
Conventions | New York Gov. Andrew Cuomo has mothballed plans for a giant convention center in Queens, leaving the unlovely, unloved, but well-situated Javits Center as the home of New York Comic-Con for the near future. [The New York Times, via The Beat]
Publishing | Alex Klein sees the “outing” of Green Lantern Alan Scott as a desperate move to boost sales by a publisher whose market share is dropping: “Switching up sexual orientation is a cunning way of compensating for flagging sales and aging characters. In the meantime, the industry is rebalancing: toward independent publishers, author ownership, and cross-platform digital tie-ins. As small studios sap talent from the giant conglomerates, comics are changing—and there’s a lot of money to be made in the process—just not in the comics themselves.” And he talks to The Walking Dead creator Robert Kirkman and Image publisher Eric Stephenson about what they can do that the Big Two can’t. [The Daily Beast]
Being a judge in the Eisner Awards meant making hard choices. It’s like being an admissions officer at Harvard: You could make a top-notch set of picks, throw them away, and still have a strong field for the second set. With six judges each having a different voice, sometimes a book that one or two of us think is the greatest thing since sliced bread doesn’t make the final cut.
Here’s my short list of comics that, if it were up to me, would have gotten Eisner nominations.
Best Limited Series
One of my favorite series of 2011 was Spontaneous, by Brett Weldele and Joe Harris. It’s a great crypto-mystery about spontaneous human combustion, with a nerdy know-it-all played off against an aggressive reporter. The story has its flaws, but I couldn’t put it down.
Best Publication for Early Readers (up to age 7)
Nina in That Makes Me Mad: We had an unusually strong field of children’s books, even after we split the category into two age groups, but this book was my first choice for a nomination. The writing is sharp and perceptive, and Hilary Knight’s illustrations are amazing. Even the page layouts are awesome. This is a book that speaks directly to children, in a voice they can understand, yet does it with an elegance that adults can appreciate as well.
Entertainment Weekly shares the news that Dark Horse has two spinoff miniseries planned for later this year, featuring Buffy the Vampire Slayer supporting characters Spike and Willow.
The Spike miniseries, which kick off in August, will be written by X-Men writer Victor Gischler and picks up after the end of Buffy the Vampire Slayer Season Nine #10. “The focus is on Spike and his coming to terms with some things, sort of getting right in the head,” Gischler told EW. “He loves Buffy, but can’t be with her. What does that mean to a vampire with a soul?” He also meets up with some demons trying to collect the shards of the magic “seed” that was destroyed in Season Eight of the comic.
The Willow series, meanwhile, starts in November and is written by Thunderbolts and Hulk writer Jeff Parker. Willow, who took off from the pages of Buffy with the mystical slayer scythe, hunts down Angel in a quest to try and bring magic back to Earth.
You can see the cover art for the first issue of the Spike series over at the EW site.
Update: Kiel Phegley at CBR picks up a few more tidbits on the two miniseries at the Diamond Retailer Summit leading into C2E2; Brian Ching will draw the Willow series with covers by David Mack and Megan Lara. Paul Lee will draw Spike with covers by Jenny Frison and Steve Morris.
Awards | The Guy Davis short story “The Phototaker” has been removed from the 2012 Eisner Awards ballot after it was determined to be ineligible. “The ‘Phototaker’ Eisner nomination was a mix up,” Davis wrote on Twitter. ” Jackie Estrada messaged me after I posted asking about the original English version, which came out in Metal Hurlant #9 (2003). So it’s not eligible for the 2012 Eisner nomination and has been removed. Thanks for all the congratulations yesterday, but I’m happy to clear this up and have it removed from the running.” [Eisner Awards]
Publishing | DC Comics’ Senior Vice President of Sales Bob Wayne and Vice President of Marketing John Cunningham respond to March’s direct-market sales estimates, which saw Marvel claim three of the Top 10 spots after a February shutout. “We are pleased that we gained share, and we never expected that we would hold ten out of ten at the top of the chart for ever,” Wayne said. “I think it is better for the business if everybody is firing on all cylinders, that our competitors are doing interesting things, and we are doing interesting things. It keeps everybody on their toes and it keeps enthusiasm in the readership. The retailers remain involved wanting to make sure that they have enough of everything. I think it’s a good thing all around.” [ICv2.com]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
It’s a week of familiar faces for me this time around. If I had $15, it’d go on Action Comics #8 (DC, $3.99), which completes Grant Morrison’s first story arc on the title — even though we’ve already had the second one; thanks, fill-ins! — as well as Supreme #63 (Image, $2.99), with Erik Larsen illustrating the final Alan Moore script for Rob Liefeld’s Superman knock-off (I’d love to see a well-done collection of all of these issues one day, now that the Moore run is completed). Also on tap, the final issue of OMAC (#8, DC, $2.99) and the long-awaited return of Busiek, Ross and Herbert’s Kirby: Genesis (#6, Dynamite, $3.99), because a man needs as much well-done Jack Kirby-inspired comics as possible, goshdarnit.
If I had $30, I’d add Hulk #50 (Marvel, $3.99) to once again celebrate what Jeff Parker had managed to do with a book and concept that, by all rights, should’ve disappeared a long time ago. (In all honesty, I much prefer the Red Hulk to the classic version these days, and it’s all Parker’s doing, along with his various artistic compatriots on the title.) Everyone who isn’t reading it: This is a jumping-on point issue! Try it and see if you don’t love it, too. And, despite the unevenness of earlier issues, Matt Fraction’s Casanova: Avarita #3 (Marvel, $4.99) is also a must-read; I really didn’t like the first issue, but loved the second. We’ll see where the book goes next.
Should I be splurging, then this week the splurge is on Flex Mentallo: Man of Muscle Mystery Deluxe HC (DC/Vertigo, $22.99). One of my favorite comics of all time, I’m likely going to end up getting this over-sized, recolored reprint just because I genuinely can’t resist the optimistic, hopeful tone of the book and its love of superheroes.
The Emerald City Comicon wrapped up yesterday in Seattle, with plenty of announcements from attending publishers. Here’s a round-up of news from the show:
• Image Comics officially announced Revival by Tim Seeley ad Mike Norton, the title we teased all last week. Seeley described the book as “rural noir,” and it is set in his home state of Wisconsin: “Both Mike and I grew up in small towns, he in Tennessee, me in Wisconsin. We both hated the towns we were from as teenagers and young adults and got the hell out,” Seeley told CBR. “But, now that we’re both older, we can look on those towns with more understanding and affection. Central Wisconsin is a really interesting place. It’s like concentrated America. It has all of the strengths and all of the weaknesses. All of the good stuff, and all of the conflicts on a more intimate scale. We thought it’d be the perfect setting for our story of a cop charged with policing the dead.”
• James Stokoe will write and draw Godzilla: Half Century War, which arrives from IDW in August. The miniseries is set in a different continuity than the Godzilla ongoing series by Duane Swierczyski and Simon Gane.
• Writer Christos Gage will team with artist Jorge Lucas for Sunset, an original graphic novel from Top Cow’s Minotaur Press. The story revolves around a retired Vegas mob enforcer.
When a book doesn’t have any humor in it, it doesn’t ring true to me. It’s a reason I read little sci-fi for a long while, because it seemed in an effort to be taken seriously, authors eschewed humor. Or maybe most simply weren’t funny, it’s hard to say. It’s something that has plagued comic books in recent decades too. I think it’s been improving though.
-Jeff Parker, agreeing with Roald Dahl’s assessment (via Matilda) that not having any funny bits in your book is a failing. Fortunately, we have folks like Parker (and Brian Clevinger and Paul Tobin and several others) who are working hard to put the funny back into funny books.
Who’s your favorite “funny comics” writer?
• Marvel announced that Wolverine & the X-Men: Alpha & Omega, The Massive and Conan the Barbarian writer Brian Wood will take over writing both X-Men and Ultimate X-Men. About the latter, he told CBR, “I can bring something to the table here, a certain POV that I think will work really well. At its core it’s still the same mutant/human conflict, but the stakes are incredibly high and with the Ultimate line having more leeway than 616, you can really push it to the edge, and over the edge. With my stories, I’m looking forward to having them push back against this repression in a major way — not just in one-on-one cases but as a collective whole, a unified mutant push for freedom, for safety, for basic human rights. For the right to be a mutant and live free. What’s happening to them now is essentially a genocide, an ethnic cleansing.”
• Marvel also announced a new Dark Avengers series by Jeff Parker, Kev Walker and Declan Shalvey that replaces Thunderbolts. The book will feature Dark Scarlet Witch, Dark Spider-Man, Trickshot, Ragnarok and Skaar, along with Luke Cage.
Hello and welcome to What Are You Reading?, our weekly look at what the Robot 6 crew has been reading lately. Today our special guest is Jamaica Dyer, creator of Weird Fishes and Fox Head Stew, which can be read over at MTV Geek. She also recently did a concert report in comic form from San Francisco’s Noisepop for Spin Magazine.
To see what Jamaica and the Robot 6 crew have been reading, click below.
With the passage of time, pundits/critics frequently reflect upon past era creators (be it Golden, Silver or Bronze Age), quite often finding a newfound appreciation for certain folks. Sometimes I wonder why we have to wait for a creator to be no longer active in order to garner increased respect. For example, artist/inker/writer Karl Kesel is a creator, who while he has definitely received critical praise over his long career (dating back to 1984), I think his body of work warrants even more attention and praise. I was thrilled when I found out that Kesel relaunched Section Zero (his Gorilla Comics 2000 project with artist Tom Grummett that ended after three issues) as a webcomic at Mad Genius Comics. The news got even better with the revelation that Kesel and Grummett intend to develop new Section Zero content. I am a longtime fan of Kesel’s work–particularly his mid-1990s run on Daredevil #353-364 and Fantastic Four #56 (the latter of which we also discuss). My thanks to Kesel’s Periscope Studio studiomate, Jeff Parker, for putting me in contact with Kesel.
Tim O’Shea: How and when did you finally decide to resurrect Section Zero–and as a webcomic?
Karl Kesel: I’ve wanted to do a web comic for some time. The tipping point was when my wife and I decided to adopt a baby (we’re still waiting to get one!) and I knew I wanted some sort of legacy to leave my kid. I put together Mad Genius Comics, and hired the talented David Hahn to pencil a Johnny Zombie story. As that was posting, I thought: what next? I had a ton of ideas, but the one I kept coming back to was Section Zero. Tom Grummett and I had started it in 2000 through Gorilla/Image comics, and due to my getting divorced, it had been put on indefinite hold. It was Unfinished Business, and I thought the time was right to finish it.