Passings | Silver Age artist Dan Adkins died earlier this month at the age of 76. Adkins, who began with self-published zines before becoming a freelance illustrator, served as Wally Wood’s assistant. As a member of Wood’s studio, he was one of the original artists for T.H.U.N.D.E.R. Agents. Adkins was a prolific penciller and inker for numerous publishers, from DC Comics and Warren Publishing to Harvey Comics and Marvel, notably drawing 132 covers for the latter. He talked in detail about his career, and working with Wood, in this interview with Alter Ego. [News from ME]
Kickstarter | Jeff Yang analyzes why Jonathan Coulton and Greg Pak’s Code Monkey Save World Kickstarter, which started with a single Tweet, was destined for success, and he talks to both creators about how it came to be. [Speakeasy]
Graphic novels | April was a slow month for new graphic novel releases, so the BookScan Top 20 had plenty of room for some backlist titles. The Walking Dead dominated, of course, but the 10th volume of Sailor Moon was there for a second month and actually moved up a notch. And the first volume of Saga came in at No. 12, perhaps because people were curious as to what all the fuss is about. [ICv2]
Editorial cartoons | Nick Anderson, the Pulitzer Prize-winning cartoonist for the Houston Chronicle, has responded to Texas Gov. Rick Perry’s criticism of Jack Ohman’s cartoon with a cartoon of his own. [Comic Riffs]
Conventions | Jeff Smith, Brian Wood, Sean Murphy and Raina Telgemeier are the headline guests at the Maine Comics Arts Festival in Portland on May 19. [Foster's Daily Democrat]
Conventions | The University of Calgary’s student newspaper looks at the rapid growth of the Calgary Comic & Entertainment Expo, and the problems that go with it: Last year, ticket holders had to be turned away because the event was over capacity. “Last year it was really a shame that people had so much trouble,” says Lyndsay Peters, owner of Dragon Chow Dice Bags. “We saw a lot of frustrated customers and we talked to a lot of frustrated people. I know there are some people who won’t be coming back this year. But everything we have been told as vendors and everything that has been communicated to us shows that they are taking it very seriously this year.” This year’s convention will be held April 26-28. [The Gauntlet]
Awards | The jury has been announced for the Doug Wright Awards. [Doug Wright Awards Blog]
Whether WonderCon stays in Anaheim is still up in the air, but no doubt it’s already becoming a favorite event for Southern California. Year Two already appears exponentially more successful than last year, when WonderCon first took up residence in Disney Town.
Three-day badges and badges for Friday and Saturday sold out early, when last year you could easily do a walk-up on any day. The fast acceptance of WonderCon is at least in part due to those burned out on Comic-Con International or frustrated at the five-second sellout looking for a local alternative. It’s not just a good substitute, it’s a great convention. It also had the first big comics announcements of the year to kick off convention season. Looking through coverage here at Comic Book Resources and beyond, there were plenty of things that ranged from boring to intriguing to exciting, but three stood head and shoulders above the rest because of their potential to appeal to larger audiences.
With comics sales on the rise, these publishing moves not only do their part in boosting momentum but in helping the gradual shift of social perception of the comics form. Comics like these always excite me because it’s a reminder of the unique reach comics can have in grabbing people’s attention when the right pieces are in place. More and more these days, there are comics for anyone and when innovative thinking is applied as it is here, they stand a better chance in reaching people that don’t make it a habit of seeking out comics. Of course, comics have long had a problem getting these kinds of things right, so as we’ll see there are challenges, but the potential is exciting.
It doesn’t look like there were as many comic-related announcements on Saturday at WonderCon as there were on Friday, but the second day of the con certainly brought some gems.
• IDW and DC announced that Mark Waid (Daredevil, Insufferable) and Paul Smith (Uncanny X-Men, Leave it to Chance) are teaming up for The Rocketeer/Spirit: Pulp Friction. “Not many writers have been lucky enough to write The Rocketeer or The Spirit,” Waid said in a press release, “so I feel like I’ve won the lottery. This is one of the most exciting-and scariest-assignments I’ve ever undertaken. Luckily, I’ve got Paul Smith to make me look good!” The first issue of the miniseries arrives in July.
WonderCon Anaheim 2013 kicked off yesterday at the Anaheim Convention Center, with badges for Friday selling out at some point during the day. Saturday and three-day badges already sold out, so it looks like just Sunday is left if you were hoping to attend but didn’t purchase your badge in advance.
There weren’t a lot of announcements coming out of the show yesterday, and in fact I’m not completely sure what could be considered “WonderCon news” and what was just, um, news, but here’s a round-up of stuff you may have missed from Friday:
• 2014 will bring a crossover between DC’s two Earths, according to Earth 2 writer James Robinson. “If I’m talking about a big event that’s happening in 2014, it’s all these characters meeting each other,” said Robinson, citing Crisis on Infinite Earths and the Justice Society during his spotlight panel in Anaheim. Robinson also said his goal was to make sure the writers involved in the event were invested in the story, and described himself as “the point guy” when it comes to the event, saying that Scott Snyder, Geoff Johns and Dan DiDio are also very involved. Earth 2 is also getting its own Batman, and the book will also feature the introductions of Starman (Ted Knight), Red Arrow (Earth 2′s version of Green Arrow), Hourman, Wildcat, Mister Miracle and Big Barda in the future.
Comics | A Columbus, Ohio, entertainment weekly lays out a case for the city — home of Jeff Smith, the Billy Ireland Cartoon Library & Museum and the Small Press and Alternative Comics Expo — becoming, like Portland, Oregon, a hub for comic books. “Comics in Columbus is a weird underground, sort of hip-hop thing,” indie publisher Victor Dandridge Jr. says. “We’re like hip-hop in the Bronx in ’79, just on the corner doing our thing.” [Columbus Alive]
Conventions | Bart Beaty files a final report on this year’s Angouleme International Comics Festival, and his verdict is … meh. “There was a consensus all around that the show was flat. People would throw around adjectives like “fine,” “good,” and “okay.” It wasn’t a disaster (as were some of the shows disrupted by construction), but it also wasn’t that memorable either” [The Comics Reporter]
It’s time once again to take a look at those comics that were unfairly ignored. With more graphic novels and comic books coming out in stores than ever before, it’s perhaps inevitable that some titles slip through the cracks, not due to a lack of quality, but simply because they got lost in the Wednesday shuffle. The books listed here aren’t necessarily my personal favorite books of 2012. Rather, they’re good — even great — books that, for whatever reason, didn’t get the sort of praise — either online or in print — that they deserved.
Hello and welcome to What Are You Reading?, where we take a look at the comics, books and other things the Robot 6 crew have been reading lately. We kick off the new year with Brian Cronin from Comics Should Be Good! as our special guest. In addition to running our sister blog, Brian is also an author, having written two books on comics trivia. He also runs the blog Urban Legends Revealed, where he talks about sports and entertainment urban legends.
To see what Brian and the Robot 6 crew have been reading, click below …
Passings | Artist and writer Harry Harrison, who worked with Wally Wood on many EC Comics — and persuaded them to start their sci-fi line — has died at the age of 87. Harrison is best known in science fiction circles as the author of the Stainless Steel Rat stories, and the movie Soylent Green was based on his 1966 novel Make Room! Make Room! [The Comics Reporter]
Publishing | Marvel is ending its Premiere Classics line of hardcovers collections with Vol. 106. [Blog@Newsarama]
Conventions | ComiCONN is this weekend, and although it is the largest comics and sci-fi show in Connecticut, you won’t need your jet pack to navigate it, says Life With Archie writer Paul Kupperberg. Kupperberg and Peter David will be among the guests. [Connecticut Post]
Hello and welcome to another edition of What Are You Reading? Our guest today is writer and artist Jimmy Palmiotti, who you know from All-Star Western, Monolith, Phantom Lady, Unknown Soldier, Creator-Owned Heroes, Queen Crab and countless more.
To see what Jimmy and the Robot 6 crew have been reading, click below.
Publishing | First Second editorial director Mark Siegel sits down with Milton Greipp to talk about his company’s success, which comes in part by marketing books in a number of different channels — independent bookstores, libraries, even textbook adoptions. He also talks numbers, and it’s interesting to see that Feynman spent 11 weeks at the top of The New York Times graphic books best-seller list with a print run of 10,000; that’s an indication of the order of magnitude of book sales for the titles on that list. Siegel also gives a preview of the fall list. Updated (Aug. 13): Siegel notes to Robot 6 that Feynman has had multiple printings, exceeding 35,000 copies. It will soon be released in paperback. [ICv2]
Legal | The attorney for Tony Moore explains why the artist’s legal dispute with his former Walking Dead collaborator Robert Kirkman has moved into federal court. “Once Moore establishes fraud and rescinds the agreement [as laid out in the first filing], the issue is going to be whether he was a co-author of these works,” Devin McRae tells Newsarama. “And it’s the federal court that has the power to decide that. So we still have to first go in the state court and prove the fraud, which we think we’ll do. This is just something that is part and parcel of the whole thing. Nothing’s really changed.” [Newsarama]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start things off with Hawkeye #1 (Marvel, $2.99). David Aja’s built up a great track record from his run on Iron Fist to his various one-off issues in and around the Marvel Universe, so seeing him re-team withIron Fist co-writer Matt Fraction is something special. Without creators like these I’d probably balk at a Hawkeye series, but they make this a must-buy. After that I’d get another first issue, Image’s Harvest #1 (Image, $3.50). AJ Lieberman’s quietly written a number of great stories, and this one seems pretty inventive. I might’ve waited for the trade on this, but newcomer Colin Lorimer’s art on it makes me think he’s going to be a big deal and I need to know about it. For the bronze in my $15 pile, it’s Avengers Vs. X-Men #9 (Marvel, $3.99). This week, Jason Aaron and Andy Kubert take point, re-teaming from their great but under-appreciated Astonishing Wolverine and Spider-Man series from a while back. Lastly, I’d get Daredevil #16 (Marvel, $2.99) because Waid is bringing his A-game, and the recent addition of Chris Samnee only makes it even more impressive. The previews for this issue shows guest appearances by Ant-Man, Doctor Strange and Iron Man, so it’ll be interesting to see how Waid factors them into Matt’s world.
If I had $30, I’d get Thief of Thieves #7 (Image, $2.99), which is becoming one of my favorite Image books and Nick Spencer’s finest at the moment. Having Shawn Martinbrough draw it only helps. After that, I’d get Earth 2 #4 (DC, $2.99). James Robinson is really living up to the “New 52” moniker by giving us one of the most imaginative and different takes on the DCU, and Nicola Scott is drawing up a storm here. After that, I’d tie things up with RASL #15 ($4.99). Jeff, you get my money sight unseen.
If I could splurge, I’d take a chance and order Absalom: Ghosts of London (2000 AD, $17.99) because it looks pretty great. British cops governing over an ages-old pact between the English government and hell? Hell yeah.
With the Comic-Con International coming up next week, no doubt eager fans are getting ready for their trip to San Diego. What should I bring? How much cash do I need? And most importantly, what should I wear?
You’ve got your chest covered for at least one day if you choose to purchase one of these cool T-shirts from the Cartoon Books booth. They feature full-face action from those lovable stupid, stupid rat creatures that always gave the Bone cousins a hard time. Adult shirts will be in brown, and the kids sizes will be in purple.
Head on over to the Cartoon Books site for more details on what else you can get at the booth. Smith won’t be there this year, but they’ll still have the shirts, a new print and more.