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Writer Jim McCann and artist Janet K. Lee‘s Return of the Dapper Men (Archaia) will have its pre-release West Coast debut at Meltdown Comics (in Los Angeles) this Wednesday–with McCann at the store to help celebrate the event, as well as sign advance copies of the graphic novel. As detailed in the recent CBR preview of the book: “Welcome to Anoreve, a world in between time, where children have played so long it’s almost become work, machines have worked so long they have begun to play and all the clocks have stopped at the same time. This is how this land has remained, until 314 dapper-looking gentlemen rain down from the sky and set off in different directions to start the world again. Now Ayden, the only boy to still ask questions; Zoe, the robot girl all other machines hold dear; and the Dapper Man known only as “41” must discover what happened that made time stop, understand what their true places are in this world, and learn what “tomorrow” really means. The sun is setting for the first time in memory, and once that happens, everything changes.” There’s been a great deal of interest and discussion in Lee’s art, so I was motivated to email interview her so I could better grasp her artistic style for the book, which will officially be released on November 17. I can honestly say this marks the first time I’ve gotten to discuss the craft of decoupage in an interview.
Tim O’Shea: There seems to be an immense amount of trust between you and Jim McCann. On one level, McCann had an incredible level of trust in your artistic talent, despite the fact this is your first graphic novel. And you had to trust McCann to deliver a script that you could bring to life visually. Would you agree there’s a deep level of trust to your collaboration with McCann?
Janet Lee: Before there was a book, before Jim was ever at Marvel or I started showing art regularly, we were really good friends. That that friendship absolutely shaped our collaboration on RETURN OF THE DAPPER MEN. I can ask Jim any question, make suggestions freely, knowing that we’ll still be friends at the end of it. I would absolutely hope he feels the same way about me. Even when there’s a difference of opinion, I know Jim’s only intention is to make the book the best it can be, and I trust his vision.