SDCC: Marvel: Spider-Man and His Amazing Friends Panel
Legal | The Greater Houston Convention and Visitors Bureau has sued the organizers of Space City Comic Con, claiming trademark infringement over the event’s use of the term “Space City.” Many Houston businesses use the nickname, which dates back to the 1960s, but the bureau’s lawyer said the trademark only covers tourism- and convention-related events. The bureau owns a 50 percent share in Comicpalooza, which directly competes with Space City Comic Con, and has asked the court to not only stop the show from using the name “Space City” but also to turn over part of its profits and agree not to compete with the bureau. [Houston Chronicle]
Cartoons | Playboy was once one of the best markets for gag cartoons, but with the recent redesign, they were tossed out the window along with the nude centerfolds. Jules Feiffer, Doug Sneyd, Playboy editorial director Jason Buhrmester and others talk about the reasons for, and ramifications of, that decision, Playboy‘s history as a magazine showcasing great cartoons, and what the future may hold. [FastCoCreate]
The iTunes’ Terms and Conditions agreement has got to be the least-read-yet-most-signed contract in human history. For pages and pages (and a nearly limitless downward digital scroll), it enumerates Apple’s latest subtle shifts in policy regarding the ways we purchase, license and “own” music and media acquired through the most influential online marketplace to date. Who reads those things? Who could even pretend to? Can one even imagine a more arduous task than going through that document, line by line, and trying to parse what exactly it is we are all signing on for?
But ah, the magic of comics. Cartoonist R. Sikoryak, whose work has appeared in Drawn and Quarterly and The New Yorker, is publishing his painstakingly thorough, unabridged graphic adaptation of the iTunes Terms and Conditions agreement on Tumblr. This version of the contract is no mere dry rendering of legalese — instead, Sikoryak has transformed the document into a showcase of styles from talent all across the history of comics, making each page an experiment in the diverse visual language of the medium’s most beloved luminaries.
The comics medium allows for diverse interpretations of characters, both narratively and visually. Artist Jaakko Seppälä has taken 10 of the most iconic comic characters — from Asterix to Batman to Lucy van Pelt — drawn in the style of 10 famous artists (including their respective creators or most popular illustrators).
Although we’ve become accustomed over the past three decades to seeing the Peanuts characters advertising MetLife, I was unaware that Garfield also moonlights as a mascot for an insurance company. Now that gig is leading to a higher profile for the comic-strip cat — atop the former Indiana State Fairgrounds Coliseum (aka Pepsi Coliseum).
The Indiana State Fair Commission announced today that the newly renovated arena will be named the Indiana Farmers Coliseum through a 10-year, $6 million deal with Indiana Farmers Mutual Insurance Company. A new sign will eventually be added to the top of the building, along with some version of Garfield, who was present today for the press conference.
Awards | Alexis Deacon has won the 2014 Observer/Cape/Comica graphic short story prize for “The River,” “a luscious, tangled, whispering kind of story” that earned him £1,000 (about $1,611 U.S.). The runners-up were Fionnuala Doran’s “Countess Markievicz” and Beth Dawson’s “After Life.” The short-story competition has been held annually since 2007 by London’s Comica Festival, publisher Jonathan Cape and The Observer newspaper. [The Observer]
Publishing | Mark Peters spotlights Archie Comics’ recent transformation from staid to startling, with titles like Afterlife With Archie and the new Chilling Adventures of Sabrina. [Salon]
The mission statement for Stripped!, a documentary by Dave Kellett (Sheldon) and Frederick Schroeder, is about forging a common history between webcomics and newspaper funnies. Not comic books, interestingly. I suppose that makes sense, as the most popular webcomics (xkcd, The Oatmeal and Penny Arcade) most closely resemble the four-panel forebears. It’s starting to become standard practice, by the way, to refer these sort of webcomics as “gag-a-day” or “short-form.”
Still, it’s a delight to explore this oft-neglected corner in the world of sequential art. The days of the celebrity cartoonists like Milton Caniff and Al Capp are long past, as depicted in archival footage where they were treated as major celebrities on early TV shows. However, the list of interviewees for Stripped! are still recognizable industry titans: Lynn Johnston. Jeff Smith. Greg Evans. Jim Davis. Mort Walker. Cathy Guisewite, who hilariously has the letters “AACK” hanging in her home. And one name that brings the directors to the point of fanboy glee, Bill Watterson … the first time he’s allowed his voice to be recorded. (Charles Schulz may no longer be with us, but his influential presence looms over the entire documentary.) It’s wonderful seeing the faces of the creators behind so many iconic characters. They gather here to reminisce, sharing crude doodles drawn as a child, their cherished influences, and the highs and lows of working under the syndicate system.
Jim Davis’ lasagna-loving, Monday-hating feline will be moving in different circles next month with the arrival of Lazy Loaf + Garfield, the summer collection from the London label known for its bold prints and recent Looney Tunes line.
“For the collection, I wanted to introduce a nostalgic fashion silhouette that referenced some of the things I would have worn when I first discovered Garfield,” Lazy Oaf founder Gemma Shiel tells Cool Hunting. “Like, I would have loved to have worn the Garfield bodysuit with green spandex stirrup leggings for dance class when I was a child.”
The collection includes the Cats Can Swim Swimming Costume (above), Cat Nip Crop Top, Cool Cat Slob T-shirts and the unisex Sweaty Garfield Sweatshirt. Launching April 24, the line will be available on the Lazy Oaf website, at its flagship store and at select outlets.
Creators | Renowned artist Steve Rude has announced that money raised from an online art and comics auction has enabled he and his family to keep their home: “When I saw the bread coming in after Gino made her announcement (this was unbeknownst to the oblivious Dude), I was, and still am, in a mild state of stupefication. The outpouring of generosity was clearly far beyond what Gino and I could’ve asked for. Your contributions poured in from all corners of our planet; the sizeable backstock of comics and Dude related ‘higher reading paraphernalia’ were ordered by the spit-load; and Erik Larson bought his complete Next Nexus 3 issue! All said, we saved the house.” The Nexus creator is still working to regain his financial footing, so he’s selling 2011 calendars and, soon, a new sketchbook. [DudeNews]
Comic strips | Cartoonist Jim Davis has issued an apology for an ill-timed Garfield strip that appeared on Veterans Day. The strip, which appeared in newspapers on Thursday, featured a standoff between Garfield and a spider, and referred to “an annual day of remembrance” called “National Stupid Day.” In a statement, Davis explained that the strip was written almost a year ago, “and I had no idea when writing it that it would appear today — of all days.” [CNN, The Daily Cartoonist]
Famed cartoonist Jim Davis, creator Garfield, announced Thursday in an interview with USA Today’s Whitney Matheson that he is bringing back his late-’80s comic strip U.S. Acres as a webcomic. Davis, who launched Garfield in 1978, debuted U.S. Acres in 1986 to a then-unprecedented 505 newspapers nationwide. The series, which ran for three years, was a barnyard slapstick comic strip that drew inspiration from Garfield’s own visits to the farm with John’s relatives, and started Orson the Pig. The strip also was adapted for television, appearing as a regular segment of the Saturday-morning cartoon Garfield and Friends.
According to Davis, U.S. Acres will relaunch today as a webcomic on the Garfield website. No word on a new print collection, but one seems mighty likely.