Jim Gibbons Archives - Robot 6 @ Comic Book Resources
[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Dark Horse Comics Associate Editor Jim Gibbons is a seasoned social media user. Typically when Jim posts something on his Tumblr, it is something that already was on my radar or something that (thanks to Jim’s post) I put on my radar. A few weeks back, I was considering content that might work best for the Robot 6 Tumblr, when I stumbled upon the idea of somehow tapping into Gibbons’ nose for content. Continue Reading »
Back in December 2013, Dark Horse revealed the covers for its May 3, 2014’s Free Comic Book Day offerings. One of those covers is for Project Black Sky featuring Captain Midnight and Brain Boy from cover and interior artist Michael Broussard.
Wednesday marks the release of Furious, the Dark Horse superhero series from Bryan J.L. Glass and Victor Santos. As a follow-up to the interview ROBOT 6 conducted with the creators during our fifth-anniversary celebration, Dark Horse Associate Editor Jim Gibbons offered a look at the design process for the cover, promotional material and costume design.
As part of its 2014 original graphic novel plans, Dark Horse will publish Two Past Midnight, by Duane Swierczynski and Eduardo Francisco, which pits Captain Midnight, Ghost and X against a psychopath named Tempus. In a brief interview with ROBOT 6, Swierczynski details how a change in publishing plans actually allowed him to work in more narrative cliffhangers than he might have otherwise developed.
Tim O’Shea: What can you tell readers about the cast and plot of Two Past Midnight OGN?
Duane Swierczynski: Two Past Midnight — or as the kids call it, 2PM — is a team-up of some very unlikely heroes squaring off against a freakish mind-controlling psycho who calls himself Tempus, as in “tempus fugit,” or “time flies.” Those heroes are Captain Midnight, Ghost and X, and they’re not exactly hanging out, swapping wisecracks and eating shawarma or whatever. The story is basically a nonstop carnival of violence; there is no time for shawarma.
This morning we posted the Bryan J. L. Glass and Victor Santos‘ prequel to their new Dark Horse series Furious, which debuts Jan. 29. In preparation for the issue’s release, ROBOT 6 spoke briefly with the creators, in the process discovering the character had been percolating in Glass’ mind (on some level) for more than 20 years.
Tim O’Shea: Once you learned you could run a short prequel Furious story in Dark Horse Presents, how did you two settle on what story you wanted to tell?
Bryan J.L. Glass: It was the perfect opportunity for the series as a whole! The moment chronicled in those eight pages has always been part of the character’s back story. It’s how she gets her name. She’s seeking personal redemption through super powers, so there was no way she was ever going to call herself “Furious.” She intended to be “The Beacon,” as a name representative of her desire to inspire others. Yet despite her best intentions, her actions scream louder than her words, and the world — or in this case a television reporter — dubs her accordingly. It’s an important moment. So as soon as we received the green light to introduce her via a DHP short story, I knew I could then remove it from Issue 1. Let it be referenced. It’s the terrible thing that happened on the day this superheroine tried to go public, and now she’s trying to move forward with baggage she never intended; a microcosm of everything that drives her to be a heroine in the first place.
It’s almost that time again — time for ROBOT 6’s annual takeover of the Comic Book Resources home page to celebrate our anniversary. With this year bringing our big fifth anniversary, we thought we’d get a head start with one of our annual features, “Looking Forward, Looking Back,” where we ask comics folks what they liked in 2013, what they’re looking forward to in 2014 and what projects they have planned for the coming year.
In this post, you’ll hear from Jimmy Palmiotti, Brandon Montclare, Joe Keatinge, Caanan Grall, Rafer Roberts, Josh Hechinger, Jim Gibbons, Scott Fogg, Evan “Doc” Shaner and Kyle Stevens from Kirby Krackle! Then come back later today and on Tuesday to read from more of your favorite creators.
Conventions | Although convention organizers rolled out an altered name — WonderCon Anaheim — and logo when they confirmed two weeks ago that the event will return to Anaheim, California, again next year, they insist they haven’t close the door on San Francisco. “We still want to get back to the Bay Area. [...] We are in touch with [the Moscone Center organizers] fairly regularly and we have an open dialogue,” says David Glanzer, director of marketing and public relations. “They haven’t given up on us, either.” The convention was uprooted from the Moscone Center in 2012 first because of remodeling and now because of scheduling conflicts. WonderCon Anaheim will be held April 18-20. [Publishers Weekly]
Digital comics | I spoke with Archie Comics Co-CEO Jon Goldwater and iVerse Media CEO Michael Murphey about the new “all-you-can-eat” digital service, Archie Unlimited. [Good E-Reader]
Last month Head Lopper Andrew MacLean shared with me that he was working on a webcomics project written by Dark Horse editor Jim Gibbons and colored by Ryan Hill. The good news is that their comic, Mars: Space Barbarian, is up now, featuring a spear-wielding barbarian fighting monster birds in the “jungle of the space slug’s belly.”
The bad news? It’s only five short pages. Five fun sword-and-sorcery by way of crazy space opera pages, but still, just five pages nonetheless, with the promise of more at some point in the future.
“Amidst the kind words, many people also asked us when there’d be more Mars,” Gibbons wrote. “The short answer: We’re working on more now. The longer answer: This is a passion project and doesn’t pay the bills (Though, one day, maybe…). We all have to do other work for that, so we’ll be working on Mars as fast as the rest of all our other work allows. But, in our randomly updating format, we’ll aim to keep a steady flow of content here in the form of sketches and process posts when we don’t have new pages to post. Thanks for your patience on this front, folks. We’ll pay you back for it in awesome comic pages currency just as soon as we can!”
Check out “Only the strong” from the beginning by going here.
Long before we worked together, I respected Kevin Melrose’s instincts on picking creators to watch. So when he advised the Robot 6 audience to read Victor Santos‘ webcomic Polar, I was intrigued. That interest only grew when Jim Gibbons (one of the best editors working in comics) told me Dark Horse was collecting Polar’s first season in Polar: Came from the Cold (which ROBOT 6 previewed in late September); I knew I wanted to interview the Bilbao, Spain-based artist.
In addition to discussing the 160-page Polar hardcover, set for release on Dec. 11, we also touched upon the upcoming Furious, a Dark Horse miniseries with his Mice Templar collaborator Bryan J.L. Glass, set to launch on Jan. 29. (For additional Furious information, please read Albert Ching’s September interview with Glass.)
Tim O’Shea: You are very clear at your website in terms of the influences that inform Polar: Came from the Cold. “The story uses a minimalistic and direct style inspired by movies like Le Samurai (Jean-Pierre Melville, 1967), Tokyo Drifter (Seijun Suzuki, 1965) or Point Blank (John Boorman, 1967) and novels like The Killer Inside Me (Jim Thompson, 1952) or The Eiger Sanction (Trevanian, 1979). Polar is also a tribute to artists like Jim Steranko, Jose Muñoz, Alberto Breccia, Alex Toth and Frank Miller.” I would love to discuss each and every element of those sentences, but I will just focus on two elements. How did you first find out about films like Le Samurai? When did you read your first Steranko story, and what was it?
Victor Santos: The first Steranko book I read was the Outland adaptation. I was studying fine arts, and I hadn’t really had a great deal of exposure to U.S. comics. I’d read a lot of superheroes books in my childhood, but the manga explosion of the ’80 and ’90s caught me just in my teenage years. Actually, it was during my university years when I discovered the great U.S. artists like Eisner, Ditko, Crumb, Toth, Caniff and dozens more (thanks to friends I met there, never the professors). I discovered an old Spanish edition of Outland in a street market. Wow, that stuff blew me away! The big panels contrasting the little panels, as well as that “heavy black lighting” … This edition was a big, European album size, so the double-page spreads are gigantic. I began to research. These were very intense years for me; I was absorbing all the American history of comics at the same time.
Publishing | ICv2 has Nielsen BookScan’s Top 20 graphic novels for September, which reveals an interesting month for bookstore sales. First of all, there are five volumes of Attack on Titan on the list, which means 25 percent of September’s list comes from one series — and that series is not The Walking Dead. It sort of looks like the old days, with nine volumes of manga on the chart. What’s more, the non-manga side is dominated by older titles: Watchmen, Batman: The Dark Knight Returns, Batman: The Killing Joke, Fun Home… and a Garfield book. Once again, no Marvel releases — and no new DC Comics books — charted. [ICv2]
Conventions | ICv2 explains the significance of the partnership between Stan Lee’s Comikaze Expo and Diamond Comic Distributors, and the article gives some background on the Expo, which started in 2011 and has grown quickly into a solid regional event. [ICv2]
Dark Horse has been making a concerted effort over the past year to develop its superhero line, with titles like Ghost, X and The Victories. On Wednesday, the lineup expands further with the launch of the Captain Midnight ongoing series, written by Joshua Williamson and illustrated by Fernando Dagnino.
I can’t help but be excited by the potential appeal for this new series, which throws the World War II scientist-hero into the present day — particularly after Williamson praised James Robinson’s Starman: “It’s one of the few books that — it made me cry.” My cautious optimism for the series was cemented in the midst of my interview with the writer, when he said of the Dark Horse superhero approach: “There is a subtle way to handle the superhero universe, and that’s what Dark Horse is doing.”
Once you’ve read the interview, be sure to enjoy the preview the publisher offered for Captain Midnight #1, on sale Wednesday.
Tim O’Shea: You leap right into the action with Issue 0, in which Captain Midnight lands in the present day, after just having been in the midst of World War II. What does it say about the character that he wasn’t thrown by being flung into the future?
Joshua Williamson: We knew that we wanted to separate Captain Midnight from other time-lost characters and set up two aspects: 1) He was disappointed by the future; 2) He was not surprised by time travel. Midnight was a genius first and a superhero second.
Midnight is a very interesting character in that he is no-nonsense and has such a black-and-white outlook on the world — very matter-of-fact. We wanted to get that across to our readers quickly in the zero issue and found that was the best way to do it.
Frequent readers of ROBOT 6 know I’m a big supporter of Francesco Francavilla, and particularly his Black Beetle character. Wednesday marks the release of The Black Beetle: No Way Out #3, the penultimate issue in the first of a series of miniseries for Dark Horse. As much as I was eager to learn about the pulp-fueled noir comic, I was equally keen to chat with Francavilla about his approach toward layout and storytelling in general.
As part of the interview, Francavilla shared some preview pages for the latest issue.
Tim O’Shea: Comparing the early adventures of the Black Beetle, as shown in Night Shift versus No Way Out issues 1 and 2, how liberating did it feel to be increasingly ambitious with your layouts on the pages?
Francesco Francavilla: Very liberating. One of the tricky parts of doing Night Shift was to have three small installments (chapters) of eight pages. I wanted each single chapter to be meaty enough to be entertaining on its own, but I also wanted each chapter to end with a cliffhanger. Going from that to a full 22 pages a month with No Way Out, I have much more room now to have fun with different layouts and give extra room for some big reveal sequences.
It’s become an annual tradition during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of people we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they liked in 2012 and what they are excited about for 2013.
Check out Part One, and keep reading to see more of what people shared with us, including details on their upcoming projects. Our thanks to everyone who responded this year. Also, thanks again to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
SAM HUMPHRIES (The Ultimates, Sacrifice, Uncanny X-Force)
What was your favorite comic of 2012?
- Simon Hanselmann’s Megg and Mogg strips at http://girlmountain.tumblr.com. Hilarious, dark, and strange.
- SuperMutant Magic Academy by Jilian Tamaki at: http://mutantmagic.com/. Beautiful, funny, and heartbreaking.
Legal | Danny Bradbury takes a look at the financial and copyright aspects of online comics in an insightful article spurred by the recent dust-up between The Oatmeal and FunnyJunk. Among other things, he parses out how The Oatmeal creator Matthew Inman makes $500,000 a year from his comic, why Inman and other creators object to their work being published elsewhere without attribution (and why they sometimes don’t care), the legal protections they can use (and how they sometimes fail), and how sites like Pinterest avoid the problem. There’s also an explanation of why FunnyJunk attorney Charles Carreon is suing Inman et al. on his own behalf, rather than FunnyJunk’s: “Carreon has now effectively abandoned the threat of a FunnyJunk lawsuit, stating that he was misinformed by his client. His letter claimed that all the comics had been removed from FunnyJunk, but Inman pointed out dozens that were still there.” [The Guardian]
[Note: this post was assembled by both Tim O'Shea and JK Parkin]
This is our final post for our big birthday bash, and what a post it is. No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they are excited about for 2012 in comics–something they aren’t working on and something they are.
There’s a lot of great stuff here–hints at new projects and even some downright announcements. Our thanks to everyone this year who responded!
I’m most anticipating the 30th Anniversary of HEROES CON (June 22-24, Charlotte, NC) . For any convention 30 years is an amazing run, but the fact that Shelton Drum and his extended family have put this show together every year with nothing but blood, sweat and tears is flat out super heroic.
On the personal front, the challenging and exhilarating ride that’s been Loose Ends will come to a close with issue 4. It’ll be bittersweet to send our child off to into the real world but I can’t wait for you guys to see the work Brunner & Renzi are doing.
I’m also super excited to dip my own toes into the Mignola-verse with the BPRD: The Pickens County Horror [March 28, 2012] and to read the end of Jason Aaron & RM Guera’s Scalped, which is my favorite series in years.
This sounds politic, but it’s genuine: what excites me about comics in 2012 is what’s exciting every year, the work of the talent. Seeing what the best are up to and how the up-n-comers have grown as artists and writers. In the new year, I’m also excited about illustrating several books and covers that feature my favorite Avengers.