Frequent readers of ROBOT 6 know I’m a big supporter of Francesco Francavilla, and particularly his Black Beetle character. Wednesday marks the release of The Black Beetle: No Way Out #3, the penultimate issue in the first of a series of miniseries for Dark Horse. As much as I was eager to learn about the pulp-fueled noir comic, I was equally keen to chat with Francavilla about his approach toward layout and storytelling in general.
As part of the interview, Francavilla shared some preview pages for the latest issue.
Tim O’Shea: Comparing the early adventures of the Black Beetle, as shown in Night Shift versus No Way Out issues 1 and 2, how liberating did it feel to be increasingly ambitious with your layouts on the pages?
Francesco Francavilla: Very liberating. One of the tricky parts of doing Night Shift was to have three small installments (chapters) of eight pages. I wanted each single chapter to be meaty enough to be entertaining on its own, but I also wanted each chapter to end with a cliffhanger. Going from that to a full 22 pages a month with No Way Out, I have much more room now to have fun with different layouts and give extra room for some big reveal sequences.
It’s become an annual tradition during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of people we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they liked in 2012 and what they are excited about for 2013.
Check out Part One, and keep reading to see more of what people shared with us, including details on their upcoming projects. Our thanks to everyone who responded this year. Also, thanks again to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
SAM HUMPHRIES (The Ultimates, Sacrifice, Uncanny X-Force)
What was your favorite comic of 2012?
- Simon Hanselmann’s Megg and Mogg strips at http://girlmountain.tumblr.com. Hilarious, dark, and strange.
- SuperMutant Magic Academy by Jilian Tamaki at: http://mutantmagic.com/. Beautiful, funny, and heartbreaking.
Legal | Danny Bradbury takes a look at the financial and copyright aspects of online comics in an insightful article spurred by the recent dust-up between The Oatmeal and FunnyJunk. Among other things, he parses out how The Oatmeal creator Matthew Inman makes $500,000 a year from his comic, why Inman and other creators object to their work being published elsewhere without attribution (and why they sometimes don’t care), the legal protections they can use (and how they sometimes fail), and how sites like Pinterest avoid the problem. There’s also an explanation of why FunnyJunk attorney Charles Carreon is suing Inman et al. on his own behalf, rather than FunnyJunk’s: “Carreon has now effectively abandoned the threat of a FunnyJunk lawsuit, stating that he was misinformed by his client. His letter claimed that all the comics had been removed from FunnyJunk, but Inman pointed out dozens that were still there.” [The Guardian]
[Note: this post was assembled by both Tim O'Shea and JK Parkin]
This is our final post for our big birthday bash, and what a post it is. No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they are excited about for 2012 in comics–something they aren’t working on and something they are.
There’s a lot of great stuff here–hints at new projects and even some downright announcements. Our thanks to everyone this year who responded!
I’m most anticipating the 30th Anniversary of HEROES CON (June 22-24, Charlotte, NC) . For any convention 30 years is an amazing run, but the fact that Shelton Drum and his extended family have put this show together every year with nothing but blood, sweat and tears is flat out super heroic.
On the personal front, the challenging and exhilarating ride that’s been Loose Ends will come to a close with issue 4. It’ll be bittersweet to send our child off to into the real world but I can’t wait for you guys to see the work Brunner & Renzi are doing.
I’m also super excited to dip my own toes into the Mignola-verse with the BPRD: The Pickens County Horror [March 28, 2012] and to read the end of Jason Aaron & RM Guera’s Scalped, which is my favorite series in years.
This sounds politic, but it’s genuine: what excites me about comics in 2012 is what’s exciting every year, the work of the talent. Seeing what the best are up to and how the up-n-comers have grown as artists and writers. In the new year, I’m also excited about illustrating several books and covers that feature my favorite Avengers.
Hello and welcome to What Are You Reading? This week our special guest is Dark Horse assistant editor Jim Gibbons, who I spoke to about his new job on Friday.
To see what Jim and the Robot 6 crew have been reading, click below …
Earlier this year Jim Gibbons, publicity coordinator for Dark Horse Comics, made the jump from the publicity side of the business to the creative, as he became an assistant editor for the publisher. Old habits are hard to break, though, so when he emailed me recently to suggest a few possible interview subjects he’s been working with in his new role, I thought I’d see if he’d be interested in answering a few questions about his new job.
We spoke with Gibbons, who is also a Wizard Magazine alum, about his move to Dark Horse back in 2009, so catching up with him again about his new role seems to bring everything full circle. My thanks to Jim for agreeing to answer my questions.
JK: When did you start working for Dark Horse, and what were you hired to do?
Jim: I was hired on as a publicity coordinator in 2009. In fact, Sean T. Collins interviewed me about being hired by Dark Horse for Robot 6 way back when! As a publicity coordinator, I was responsible for arranging stories (interviews, previews, artists process pieces, etc) with a number of different online outlets and just generally doing everything in my power to get coverage for Dark Horse projects both big and small. I was (Still am!) a massive comics fan, so making it my business to learn the ins and outs of numerous different comics and graphic novels in order to promote them properly was a pretty fun way to make a living. At a certain point, putting in a lot of effort to increase the amounts of online publicity Dark Horse was getting on top of my passion for these projects and comics in general gained me some recognition by folks like Dark Horse president/publisher/head honcho Mike Richardson, VP of marketing Micha Herschman, senior managing editor Scott Allie, editor Sierra Hahn and my old boss, the director of publicity, Jeremy Atkins and the prospect of moving over to editorial was put on the table. (A big, big thank you to those fine folks, by the way! Especially Scott Allie and Sierra Hahn—many, many thanks!) I excitedly confirmed I’d love to move to the editorial department and when the stars aligned, I was transitioned from one dream job to the next!