Hello and welcome to What Are You Reading? Today our guest is Salgood Sam, who has just relaunched his independent personal anthology series Revolver. He is also completing the last chapter of a graphic novel called Dream Life after a successful Indiegogo funding drive to finance it. He also publishes the Canadian-centric comics blog Sequential. As he told me, he “usually has too many projects going on and does not get enough sleep.”
To see what Salgood Sam and the Robot 6 crew have been reading, click below …
Hello and welcome to What Are You Reading? Our special guest this week is Alex Dueben, who you probably know from his interviews for the main site, Comic Book Resources, as well as for sites like Suicide Girls.
To see what Alex and the Robot 6 crew have been reading, click below.
Hello and welcome to What Are You Reading? Our special guest this week is Beth Scorzato, managing editor of the excellent comics news and commentary site Spandexless.
To see what Beth and the Robot 6 crew have been reading, click below.
Hello and welcome to a special holiday edition of What Are You Reading? Actually it’s just a normal edition of What Are You Reading?, because changing the font color to red and green, and adding twinkling lights around the border just made it harder to read.
Our special guest this week is Andy Khouri, associate editor over at ComicsAlliance, where he drops comic news and commentary on a daily basis.
To see what Andy and the Robot 6 crew have been reading, click below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I only had $15, I would only be buying one title this week: 20th Century Boys, Vol. 18 (Viz, $12.99). Sorry Americanos, but Naoki Urasawa is delivering a gripping, sprawling drama that most other books can’t live up to. Wait, I’m wrong – I’d buy two comics with a $15 budget this week; I’d snag the $1 The Strain #1 (Dark Horse, $1) for the price point and Mike Huddleston. I’ve read the novels, but for $1 I can’t miss sampling at least the first issue.
If I had $30, I’d be thankful to double-back and first get Uncanny X-Force #18 (Marvel, $3.99). This issue, the finale of the “Dark Angel Saga,” has been a long time coming and I’m excited for the writing, the art and the story itself; and I can’t forget colorist Dean White, sheesh he’s good. After that I’d pick up my usual Walking Dead #92 (Image, $2.99) and then try Ed McGuinness’ new work in Avengers: X-Sanction #1 (Marvel, $3.99). I’m a big fan of McG’s work, but also realize just how different he is than the standard Marvel (or mainstream super-hero) artist in general. I’ve loved his storytelling sense since Mr. Majestic, and will pick up most any of his work without knowing much about the book itself. Next up would be James Robinson & Cully Hamner’s The Shade #3 (DC, $2.99). I’m surprised DC hasn’t done more marketing for this book, especially considering it’s a character who’s never held a series before; they’ve done little-to-any marketing to define just who the character is, relying on his ties to a lesser-selling series that ended ten years ago (no matter how good it was). Getting off my soapbox: those that have been reading The Shade know it’s good. After that I’d round it off with the best looking comic on shelves, Batwoman #4 (DC, $2.99).
If I was to splurge, I’d double-up my J.H Williams 3 fix with the final volume of Absolute Promethea (DC/ABC, $99.99). Although I already own these issues in singles, getting it over-sized and in hardcover is a treat. I’m hoping it also includes some production art or process sketches – I’m a nut for that.
Archaia has been doing a nice job of preserving Jim Henson’s legacy in comics form, with their well produced Fraggle Rock anthologies and the upcoming graphic novel A Tale of Sand, which is based on an unproduced screenplay by Henson and his co-writer Jerry Juhl. Now editor Tim Beedle has news of another Henson project that will hit the shelves in 2012: A new Labyrinth graphic novel, written by Ted Naifeh (of Courtney Crumrin fame) and Adrianne Ambrose (Fangs for Nothing, Confessions of a Virgin Sacrifice) and illustrated by Cory Godbey (who has contributed to the Fraggle Rock comics). Beedle was the editor of the Return to Labyrinth graphic novels that Tokyopop published a few years ago, as well as Archaia’s Fraggle Rock comics, so he has plenty of hands-on experience with Henson’s work.
Archaia’s 2012 Free Comic Book Day giveaway is already getting the most buzz of any Gold Sponsor books, as it’s a 48-page hardcover filled with new comics, but this should seal the deal: The book will include a Labyrinth story by Naifeh and Godbey.
Gallery Nucleus showcases Graham Annable’s lovely and melancholy watercolor contributions to “The Lovers, the Dreamers and Me,” an upcoming tribute art exhibition to the late visionary Jim Henson.
“Clearly Kermit, Ms. Piggy, and Gonzo don’t know what to make of their beginnings,” the post on the gallery’s blog states, “but what we can decipher from this is Graham’s bold wit for introducing us to an unusual scenario we never expected the Muppets would run into.”
The exhibition opens Dec. 10 with a reception at Gallery Nucleus in Alhambra, California, and continues through Jan. 2.
Yesterday we kicked off our holiday gift-giving guide, where we asked creators like Jim McCann, Matt Kindt and more for gift suggestion and what they’d want to receive this year. Today we’re back with six more creators, and we asked them the same questions:
1. What comic-related gift or gifts would you recommend giving this year, and why?
2. What gift (comic or otherwise) is at the top of your personal wish list, and why?
So without further ado, let the joy continue …
1. If you have young children, you can give them hours of quality time with any of Dark Horse’s Harvey Comics collections. My kids have been poring through them repeatedly. I’ll be following up with old back issues of Casper, Dot, Richie Rich and Hot Stuff from the local comics shops; they’re always very cheap.
2. I would not sneeze at getting that Donald Duck: Lost in the Andes volume from Fantagraphics.
1. I’m a firm believer in buying comics for everyone on your list, even if they aren’t an avid fan. Make ‘em a fan! All-Star Superman for the superhero fan, Dungeons & Dragons from IDW for the gamer, Habibi for the sophisticated reader, and, of course, my Hack/Slash Omnibi for the horror fan. Or, if you’re planning on dropping a bit more, might I suggest an iPad, loaded with comics apps?
2. I want the collected version of the web strip OGLAF, which I thoroughly enjoy. I wouldn’t mind a CS Moore Witchblade statue to inspire me while I write.
Tim Seeley seems to be all over the place lately, whether it’s writing the new Bloodstrike series from Extreme or Witchblade for Top Cow, drawing issues of Marvel’s Generation Hope, or working on his own creations like Hack/Slash and Jack Kraken. There’s a good chance I forgot something, but you can follow him on Twitter to learn more.
Back in March, Archaia Entertainment announced it would publish Tale of Sand, a graphic novel based on an unproduced screenplay by Jim Henson and his writing partner Jerry Juhl. Last week, on the eve of Henson’s 75th birthday, the publisher posted a generous 20-page preview of the book, illustrated by Ramón Peréz. It’s a bit disorienting at first, but stick with it — it’s not exactly cinematic, but the flow of the story, especially in the first few pages, is also very different from traditional comics. Peréz told Comic Book Resources’ Steve Sunu about the process of illustrating Henson’s script:
After reading the script a couple of times, I sat down with my sketchbook and basically started sketching and adapting and the film just started unraveling in my head. The script itself is very light on dialogue; it’s all about visual story. It could almost be a silent film with a principle soundtrack. If you cut all the dialogue, it would still work. It was very detailed, and I had to adapt the pacing to a graphic novel where you have page turns. You want to keep exciting moments as much as possible as the reader is flipping through
You can definitely see what he is talking about in the pages so far—there are quick cuts and montages, but it’s definitely a graphic novel.
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes, and first issues so that I don’t have to come up with a new way to say, “ Dark Horse Presents is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Puss in Boots Movie Prequel – I don’t care for movie prequel comics as a rule, but swashbuckling cats are awesome in any incarnation. As long as these are fresh gags and not just ones warmed up from Shrek, I expect to enjoy this.
Jim Henson’s The Dark Crystal: Creation Myths, Book 1 - I just introduced my son to The Dark Crystal and Labyrinth a couple of weeks ago, so this is great timing. He had the same questions about The Dark Crystal‘s world that I always do, so I’m looking forward to seeing Archaia’s take on answering those. Totally feel like the world’s in good hands with this publisher and these creators.
The Sigh - If Archaia’s snagging Marjane Satrapi’s (Persepolis, Chicken With Plums) new book has been reported already, I missed it. I’m surprised that wasn’t bigger news.
Siegfried, Volume 1 – I’ve been meaning to read P Craig Russell’s Ring of the Nibelung adaptation for years, so I think this might be what pushes me to finally do it. It would be fun to read Russell’s and compare it to this version by Alex Alice.
Movies | National Public Radio commentator John Ridley critiques Hollywood for being even less diverse than the Big Two when it comes to diversity in lead characters, and demolishes their blame-the-audience theory that white people won’t go to see a movie with a black lead by pointing to a study by Indiana University professor Andrew Weaver: “Weaver found that white audiences tended to be racially selective with regard to romantic movies, but not necessarily when it came to other genres. So, sorry, Hollywood. You can’t blame it on the ticket buyers.” [NPR]
Creators | Becky Cloonan talks about the joys and the hardships of being a full-time comics creator: “Comics are hard work. Comics are relentless. Comics will break your heart. Comics are monetarily unsatisfying. Comics don’t offer much in terms of fortune and glory, but comics will give you complete freedom to tell the stories you want to tell, in ways unlike any other medium. Comics will pick you up after it knocks you down. Comics will dust you off and tell you it loves you. And you will look into its eyes and know it’s true, that you love comics back.” [Becky Cloonan: Comics or STFU]
Nate Cosby has posted some artwork by Jennifer Meyer, Colleen Coover, Tom Fowler, and Roger Langridge from Archaia’s upcoming Jim Henson Storyteller anthology. (That’s the Langridge piece, above.) For a bit more on the project, check out Cosby’s Wondercon interview with our own Tim O’Shea.
Three things, actually. He is scripting a chapter for his webcomic Mugwhump the Great, which looks like it hasn’t been updated in a couple of years. No new material is up yet, but now is as good a time as any to catch up. Langridge is in negotiations about a print collection as well.
Next, very vaguely, “I may have a small Jim Henson-related project coming up.” More to come on that, apparently.
And finally, a mini-comic! “I’ve had a fun time working for the Diamond crowd over the past couple of years, but it feels nice to be doing a proper comic again,” says Langridge. That’s the cover up there. Stay tuned for more details.
It’s been 20 years since The Muppet Show creator Jim Henson passed away, and ToughPigs.com paid tribute to him by asking several artists — including David Petersen (above), Amy Mebberson, and Roger Langridge, among others — to contribute original illustrations honoring the visionary creator. Go take a look.