Joan Hilty Archives - Robot 6 @ Comic Book Resources

Comics A.M. | TOON Books launches imprint for older readers

Hansel and Gretel

Hansel and Gretel

Publishing | I talked with TOON Books founder Francoise Mouly about her new imprint, TOON Graphics, which will feature “visual books” (picture books and comics) for readers ages 8 and up. The line launches with three titles: Theseus and the Minotaur, by Yves Pommaux, Cast Away on the Letter A, by Fred, and Hansel and Gretel, retold by Neil Gaiman and illustrated by Lorenzo Mattotti. [Publishers Weekly]

Commentary | Former DC Comics senior editor Joan Hilty tackles the issue of sexism in comics and calls for publishers to include more women in their senior editorial rank:. “Women are getting the bestselling books into stores and greenlighting the million-dollar movie franchises, but they’re barely represented among the creative executives who map out the universes and storytelling strategies. That’s where you cement broad-based, long-term loyalty to authors and characters, tap new audiences and trends, and grow readership, without which none of those books or movies would exist.” [The Guardian]

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Denver Comic Con announces guests, diversity commitment

denver comic conDenver Comic Con, which last year drew more than 48,000 attendees, is emphasizing its commitment to diversity with the announcement of four guests for the June 13-15 event.

“We know that our fans — and fans of pop culture — come from all races and beliefs, and any sexual orientation,” Bruce MacIntosh, director of programming, said in a statement. “Denver Comic Con guests and programming are deliberately geared towards informing and entertaining the fanboy and fangirl in all of us! Being inclusive of the entire community — both the communities of Denver and the pop-culture community as a whole — has been a focus of DCC since its inception.”

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Talking Comics with Tim: Matt Kindt on Revolver

Revolver

Revolver

It’s never boring when I get to catch up with writer/artist Matt Kindt about his creative and marketing process–as well as the film, Donnie Darko (and a range of other topics–including video games, Crisis on Infinite Earth and learning how to drive a stick shift). Had I known we could have talked while at a baseball game (this will make sense once you’ve read the interview), well I was crushed (OK not crushed, but I’m finding out next year if Kindt is partial to major or minor league baseball–and we’ll plan our next interview accordingly). Although I was fortunate enough to read an advance black and white preview of Revolver (his new graphic novel for Vertigo “a tale of two worlds — and how both test a man to his limits”), I’m looking forward to this Wednesday, July 14, when I can buy the book in its final form. While we all wait, enjoy this interview.

Tim O’Shea: How much advanced layouts, given the conflicting narratives that you maintain throughout the tale, did you have to set up at the project’s outset?

Matt Kindt: I lay everything out well in advance. I don’t pencil any pages until the entire thing is layed out. Especially with a book like this where I had a hard page count, meaning I couldn’t go over my page limit, I had to be very precise with everything, including where the page-turns would be for certain big reveals, etc.But I really do that with every book – I don’t start penciling anything until I’ve figured out the entire book.

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