Jock Archives - Robot 6 @ Comic Book Resources
Mondo has announced the complete lineup for the inaugural MondoCon, the Sept. 20-21 event in Austin, Texas, celebrating film, music, art and toys. And it turns out the participation of artists Geof Darrow, Francesco Francavilla, Jock, Mike Mignola and Bernie Wrightson is only the tip of the comics presence.
There’s the world premiere of Future Shock! The Story of 2000AD, a documentary celebrating 35 years of the influential comics anthology (watch the trailer below); a “Designing Movies” panel, with Darrow, Jock, Mignola, Wrightson and others discussing their film work; and “Geof Darrow’s Shaolin Cowboy,” which includes a presentation of eight minutes of never-before-seen animation from an uproduced adaptation of his comic.
The art gallery and online store Mondo has announced the inaugural MondoCon, a Sept. 20-21 event in Austin, Texas, designed to celebrate film, music, art and toys. It will coincide with the first weekend of Alamo Drafthouse’s annual Fantastic Fest.
The initial wave of guests includes such comics artists as Geof Darrow, Francesco Francavilla, Jock, Mike Mignola and Bernie Wrightson. To mark the occasion, Mondo has also announced a Bride of Frankenstein limited-edition print by Mignola, on sale Thursday at MondoTees.com.
“We specifically picked these first 15 to show a sampling of what to expect from MondoCon,” Mondo Creative Director Justin Ishmael explains on the event website. “Not only will we have people that we’ve worked with before, but we’ll also have guys that we’ve been HUGE fans of showing up, too. We want you in the same room as Mike Mignola who is also in the same room as Richey Beckett who has a booth next to Geof Darrow, etc. Picture walking down that aisle and stopping at like every booth. That’s at least the idea and if you do or not is obviously up to you, but if we were to walk into a convention and these guys were all there, it’d be a day long event for me going around bugging everyone. The thing is that we’re 100% fans of everyone in this room.”
MondoCon will feature new artwork and products, as well as panels and special screenings. Tickets, which go on sale Wednesday, cost $35 for one day and $70 for the full weekend.
DC Comics’ Vertigo imprint has been releasing one-shot anthologies on a fairly regular basis, using them to dust off old titles like Strange Adventures, The Witching Hour and Mystery in Space, which gives contributors a general theme, and likely helps the publisher maintain trademarks.
Despite once being as common as mutant superheroes are today, anthologies of any kind haven’t been readily embraced in the modern marketplace, and one imagines the ever-increasing costs of comics doesn’t help. These Vertigo titles, featuring short, generally forgettable, riff-like stories from a multitude of creators — which the law of averages suggests will include some stories a reader won’t like — will run you $7.99, just two bucks shy of an ad-free, spine-having trade paperback collection of Image Comics’ Pretty Deadly … or Vertigo’s own FPB: Federal Physics Bureau.
This year the imprint is trying something slightly different: It’s still publishing $8 anthologies, with a variety of creative teams riffing on a theme, but rather than raiding long-faded DC titles (sorry if you were waiting for a revival of More Fun Comics or Adventures of Bob Hope),Vertigo is going with a sort of printing theme. Four anthologies, published on a quarterly basis, each using one of the four basic colors of traditional printing: Cyan, Magenta, Yellow and blacK. If nothing else, this will make repackaging and reselling these stories in a trade format a little easier, as the theme will be consistent between a series of anthologies.
The cyan issue debuted this week; it’s a very strikingly designed comic. The cover by designer Jared K. Fletcher is simple and understated, and it pops off the comics rack and begs for special attention. Even the two-page table of contents, in which each story is given a paint swathe-like panel of cyan/different shades of blue, is lovely (I feel tempted to make a joke about combining the thrill of reading a table of contents with the thrill of picking out a paint color, but I can’t; I genuinely dug those pages on an aesthetic level).
So the idea is rather inspired, as is the design — but how are the stories? Par for the course, I suppose. Some good, some bad, some mediocre; some clever uses of the theme, some that seem to ignore it all together. Let’s take a look, shall we?
Attention fans of Jock and Batman: On Wednesday the artist will debut a gorgeous screen print based on one of his splash pages from Batman: The Black Mirror, available for purchase from his website for just 48 hours.
The 24-inch by 36-inch screen print comes in two versions: black and white ($50), and purple ($65). The same panel was the basis for a statue in DC Collectibles’ Batman Black and White series.
Follow Jock on Twitter to find out when on Wednesday the prints go on sale.
Australian fashion company Black Milk Clothing has debuted a Batman collection, featuring comics-inspired apparel ranging from dresses to leggings to swimsuits. While the flashiest piece may be the Batman Cape Suit, with detachable cape, the standout items are probably those that incorporate actual comic-book art by the likes of Neal Adams, Brian Bolland, Terry Dodson and Jock.
You can check out some of the pieces below, along with a video, which gets annoying fairly quickly.
Legal | Ecuadorean cartoonist Xavier Bonilla has received a court summons on unspecified charges that seem to relate to a cartoon that President Rafael Correa finds offensive. The case was brought by Ecuador’s new media regulator; Correa has stepped up attacks on the press in recent years, and the newspaper that runs Bonilla’s cartoons, El Universo, has been prosecuted in the past. [Business Standard]
Censorship | Michael Dooley looks at successful and unsuccessful attempts to remove comics from schools and libraries over the past 13 years; this short roundup is informative in its own right, and it’s apparently a sidebar to a longer article that’s not available for free. [Print Magazine]
Jock has debuted what I believe is the first look at color art from his upcoming Adventures of Superman collaboration with Chronicle screenwriter Max Landis. The Eisner Award-winning artist released an inked page from the two-part story, titled “The Sound of One Hand Clapping,” last month.
As the two pages indicate, it’s poised to be a rather nontraditional Superman tale, as it pits the Man of Steel against the Clown Prince of Crime, who usually busies himself with a more grounded nemesis.
DC Comics has revealed the new lineup for its digital-first series Adventures of Superman that includes a two-part story by Chronicle screenwriter Max Landis and Eisner-winning artist Jock. The announcement of their collaboration, titled “The Sound of One Hand Clapping,” provides context for the page Jock tweeted last week (at right), featuring the Man of Steel and the Joker, the latter depicted in styles from different eras, artists and media.
Other creators in the January lineup are B. Clay Moore and Gabriel Rodriguez with the three-part “Exposed,” Fabian Nicieza and Phil Hester with “The Coming of … Sugar & Spike,” and Ron Marz and Evan “Doc” Shaner with the three-part “Only Child.”
The son of filmmaker John Landis, Max Landis made a splash last year with Chronicle, the found-footage sci-fi movie directed by Josh Trank (and based on a story by both of them). Since then, he’s become widely known for his 17-minute rant about, and recreation of, the death and return of Superman, and a much longer video in which he explains his elaborate idea for a reboot of the storyline that DC had reportedly considered for a weekly series he’d have co-written by Greg Pak. (Landis says because of his schedule and changes at DC regarding a weekly title, the project never went anywhere.)
The new Adventures of Superman lineup debuts Jan. 6 with Moore and Rodriguez’s “Exposed”; Landis and Jock’s “The Sound of One Hand Clapping” follows that storyline on Jan. 27.
A Redditor and his girlfriend did a bit of “urban exploring” in an abandoned building in Ronse, Belgium, only to discover a treasure trove of incredible Batman graffiti in several styles — all by one artist, Pete One.
There are murals in the obligatory Bruce Timm animated style, a couple of pieces based on Brian Bolland’s Joker from The Killing Joke, and even a slightly out of place Bane from The Dark Knight Rises. But my favorite is the recreation of Jock’s already-iconic cover for Detective Comics #880.
I just saw this, via the 2000AD forums: a collage image of Jock’s storyboards for last year’s Dredd film. Some of the Savage Wolverine artist’s concept work for the movie leaked onto the Internet before filming began, but as far as I can tell, this is the first time any sighting has been made of this particular aspect of his work on the production. The storyboards were lettered and compiled into comic book form by John J Hill Design.
Here’s the site’s description: “In order to secure financing for the comic book based sci-fi film DREDD, a package was put together for DNA Films consisting of the storyboards (drawn by acclaimed artist Jock) and script reformatted to create a comic book of the entire movie. The film was successfully produced and came out to critical (although not box office) success.”
This is a tantalizing proposition. Surely an “Art of” book must be on the cards, featuring this and all the pre-viz work done by Jock and the many other artists who worked on the movie? Wouldn’t that go some way to satisfying the film’s ever-vocal fanbase?
To help promote acclaimed artist Jock’s stint drawing and writing Marvel’s Savage Wolverine, his 15-year-old son Aubrey Simpson created a teaser that, quite frankly, is better than many of the trailers produced by publishers. Someone should hire him.
The best part of the video comes at the end, with the intertitle that reads, “Written and Drawn By New York Times Best Selling Artist Jock (My Dad).” Jock’s run on Savage Wolverine began this week with Issue 9.
We do love a good GIF here at Robot 6. I could make all sorts of bold claims for the format, like it’s one of the first great digital native art forms. I could quote the nerds at the Oxford American Dictionaries who, after making it their 2012 word of the year, announced “the GIF has evolved from a medium for pop-cultural memes into a tool with serious applications including research and journalism, and its lexical identity is transforming to keep pace.” Or I could just point you to the Tumblr blog of the pseudonymous GIF creator ABVH, clearly someone who loves comics.
In the last few weeks he’s posted animated versions of images by Kevin O’Neill and Yale Stewart, but the clear winner is this unsettling adaptation of Jock’s instant-classic cover to Detective Comics #880.
While I’m not a big fan of the ubiquitous Wolverine, I am a follower of Jock, whose artwork on titles ranging from Hellblazer and The Losers to Green Arrow: Year One and Detective Comics has brought me great joy over the years (even when the story disappointed; I’m looking at you, Faker). So when it was announced last week that Jock will be tackling Marvel’s Savage Wolverine as artist and writer beginning in September, I knew immediately that I would be ignoring my reservations about the character and buying the three-issue arc.
As if my appetite needed further whetting, this afternoon Jock revealed on Instagram what I think is the first look at his story — in the form of a page layout. Now I really, really hope that when Marvel collects the arc, which apparently finds Logan in the far-flung future, the publisher includes the artist’s roughs as bonus material.
Marvel Studios has unveiled a beautiful IMAX poster created by Jock for director Shane Black’s Iron Man 3, which arrives in theaters May 3, just ahead of Free Comic Book Day. It’s the last of the exclusive “12:01″ series, given to attendees of midnight showings of the studio’s films.
To see what James and the Robot 6 crew are reading, click below …