Jock Archives - Page 2 of 3 - Robot 6 @ Comic Book Resources
While I’m not a big fan of the ubiquitous Wolverine, I am a follower of Jock, whose artwork on titles ranging from Hellblazer and The Losers to Green Arrow: Year One and Detective Comics has brought me great joy over the years (even when the story disappointed; I’m looking at you, Faker). So when it was announced last week that Jock will be tackling Marvel’s Savage Wolverine as artist and writer beginning in September, I knew immediately that I would be ignoring my reservations about the character and buying the three-issue arc.
As if my appetite needed further whetting, this afternoon Jock revealed on Instagram what I think is the first look at his story — in the form of a page layout. Now I really, really hope that when Marvel collects the arc, which apparently finds Logan in the far-flung future, the publisher includes the artist’s roughs as bonus material.
Marvel Studios has unveiled a beautiful IMAX poster created by Jock for director Shane Black’s Iron Man 3, which arrives in theaters May 3, just ahead of Free Comic Book Day. It’s the last of the exclusive “12:01″ series, given to attendees of midnight showings of the studio’s films.
To see what James and the Robot 6 crew are reading, click below …
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
It’s a busy week at the store for me, it seems. If I had $15 this week, I’d pick up Harbinger #0 (Valiant, $3.99), the one-shot revealing the backstory of the surprisingly compelling relaunch/reboot of the 1990s series, as well as the first issues of Fearless Defenders (Marvel, $2.99) and Snapshot (Image, $2.99). The latter, I’ve already read in its Judge Dredd Megazine serialization, but I’m really curious to see if it reads differently in longer chapters; the former, I’m just hopeful for, given the high concept and involvement of Cullen Bunn.
If I had $30, I’d add the reissued 7 Miles A Second HC (Fantagraphics, $19.99) to my pile. I remember reading the original Vertigo version of this in the 1990s, and am definitely curious to see what this recolored edition, with pages restored after being cut from the Vertigo edition, is like.
Splurging, I find myself drawn to IDW’s Doctor Who Omnibus, Vol. 1 ($29.99). I blame the lack of new Doctor Who on the television right now. That month-and-a-bit is far too long to wait …!
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
G.I. Joe #1: As if G.I. Joe wasn’t entirely in my guilty pleasure wheelhouse already, IDW Publishing relaunches the title with Fred Van Lente as writer and the tease of social and media commentary as the team is forced to go public in its fight against Cobra. Seriously, that’s just unfair, people. (IDW, $3.99)
Hawkeye, Vol. 1: My Life As A Weapon TP: One of the best-looking comics around, thanks to David Aja (and Javier Pulido, on a couple of the issues contained herein), and something that I suspect I’m going to want in a collected edition to give to friends wanting some fun, fast-moving action stuff to read. Best thing Matt Fraction’s done in a long time, too. (Marvel, $16.99)
New Tales of Old Palomar HC: Continuing my Love and Rockets education, a chance for me to pick up Gilbert Hernandez’ return to Palomar in this new collected edition of his Ignatz series. This is definitely my favorite of Beto’s work, so I’m happy to see more. (Fantagraphics, $22.99).
The Sixth Gun: Sons of The Gun #1: A new spin-off series from Cullen Bunn and Brian Hurtt’s spectacular horror western? Why, I really don’t mind if I do, thanks very much. For added benefit, having Brian Churilla show up for art duties is pretty sweet, as well. (Oni Press, $3.99)
Young Romance: A New 52 Valentine’s Day Special #1: Even if I’m feeling less than enthused about the majority of DC’s superhero line lately, I have to admit, the idea of a Valentine’s Day special one-off is just far too tempting for me to ignore. (DC Comics, $7.99).
While I was enjoying my time at APE up in San Francisco, the New York Comic Con was raging on with announcements and such. Before I get into a rundown of the comic-related news coming out of the East Coast today, let’s jump back to yesterday real quick so I can update one of the items from my Friday round-up. I mentioned that Dark Horse would publish a comic based on the upcoming video game The Last of Us, but I didn’t know at the time the most important part — the always awesome Faith Erin Hicks is co-writing AND drawing the comic. That’s a “Stop the presses” moment if I’ve ever seen one.
Ok, now on to Saturday …
• Apparently space is the place at NYCC … following DC’s announcement of Threshold yesterday, Marvel officially announced the return of two of their cosmic titles — Guardians of the Galaxy and Nova. Guardians, written by Brian Michael Bendis with art by Steve McNiven, comes out in February and apparently will feature Iron Man, or at least someone in his armor. Jeph Loeb and Ed McGuinness are the creative team for Nova, which features Sam Alexander, the Nova from Avengers vs. X-Men.
Entertainment Weekly has debuted Mondo’s Dredd 3D poster created by Jock for Fantastic Fest, which begins Thursday in Austin, Texas. Founded in 2005, the annual event is the largest genre film festival in the United States, and this year plays host to a screen of director Pete Travis’ Judge Dredd adaptation, attended by stars Karl Urban and Olivia Thirlby, and screenwriter Alex Garland.
Initially at least, poster be available only at the festival; however, any left over will be sold online. Jock has been working a lot lately with Mondo, the collectible art boutique arm of Alamo Drafthouse, producing limited-edition posters for The Dark Knight Rises and The Raid: Redemption.
Dredd 3D opens Friday nationwide.
Following the conclusion this week of Scalped, writer Jason Aaron took to his blog last night to offer his final thoughts on the acclaimed Vertigo crime drama, thank his readers and promise more creator-owned work in that same vein. However, it may be a little while before he tackles a story of that scale.
“I will do more stories like Scalped, that’s for sure,” he wrote. “My next creator-owned project is already in the works, and I think it’s something that will appeal to anybody who enjoyed the exploits of Red Crow and Bad Horse. I actually hope to start writing the first issue next week. But I don’t think I’ll be turning right around and jumping into another 60 issues series. Scalped represents more than six years of my life. I don’t have another journey like that in me just yet. Someday, yes. I think I even know what that next big one will be. But it’ll just have to wait for a bit.”
Debuting in 2007 from Aaron and artist R. M. Guéra (with covers by Jock), Scalped focused on Dashiell Bad Horse, an undercover FBI agent who returns to the fictional Prairie Rose Indian Reservation in South Dakota after 15 years to infiltrate the criminal operation of Chief Lincoln Red Crow and find evidence linking him to the murders of two agents in 1975.
“Lots of people have been asking me how I feel about the series wrapping up, if I’m sad to see it end. I suppose I will miss writing those characters from time to time,” Aaron wrote. “And I will definitely miss working with the team behind Scalped (though hopefully we can all get together again someday). But as far as the actual series goes, no, I’m not sad to finally be done. It’s time. Time to give people of Prairie Rose the ending they’ve always had coming. Time to hopefully pay-off all the years and dollars you beloved readers have spent following their adventures.”
The final Scalped collection, appropriately subtitled “Trail’s End,” arrives in November.
Just two days after DC Comics spoiled the big reveal of the redesigned Joker with the cover of Batgirl #14, Jock has provided a close-up look at his take on the Dark Knight’s arch-nemesis from upcoming backup stories in Batman. Just don’t tell Greg Capullo.
The image, labeled “W.I.P.” (work in progress), appeared only briefly this morning on Twitter before being removed (it remains on Instagram). The panel shows the Joker, last seen last year in Detective Comics #1 having the Dollmaker surgically remove his face, wearing what’s essentially a reclaimed flesh mask, held together with what looks like staples, and some kind of bands stretching the mouth hole into a maniacal grin. Needless to say, it’s a little disturbing (you can see the image below).
DC has used a gruesome promo image to promote the character’s return in October’s Batman #13, which kicks off the “Death of the Family” crossover and marks the beginning of the four-part backup story by Scott Snyder, James T. Tynion IV and Jock.
To celebrate Tuesday’s home-video release of director Gareth Evans’ acclaimed Indonesian action film The Raid: Redemption, Mondo is releasing a limited-edition print by none other than Jock. The prints will go on sale sometime Thursday for $45 each at MondoTees, but you’ll have to follow Mondo’s Twitter account to learn the precise time.
Here’s one of the spoils of being lucky enough to land a ticket to Comic-Con this year–Mondo will sell this exclusive The Dark Knight Rises poster at their booth Thursday. Designed by Jock, it can only be purchases at booth #437, and to find out when excatly it’ll go on sale, you have to follow Mondo’s Twitter feed, @MondoNews.
The posters are limited in number to 375 and cost $50. No doubt they’ll be up on eBay sometime tomorrow for a lot more than that.
I’ve always been fascinated with projects that could have been but got nixed before they finished (and sometimes before they even got started). The latest in that pantheon of would-be projects is a series of Captain America posters by Cliff Chiang. Although he’s been working under a DC exclusive for years that prevents him from working on Marvel Comics, he recently blogged about a project where he’d draw Captain America in a series of propaganda posters on behalf of an un-named marketing firm lobbying to do work for the movie.
Although it never got past the pitch stage, my art-lovin’ mind salivates at that idea. Here’s the roughs Cliff did for the project:
And get this — Chiang planned on bringing in Jock and Dave Johnson to do some covers too. Shame it never got greenlit. Maybe Captain America 2?
First mentioned as early as November 2008, the thriller is described as a “tale of cold-blooded killers and sinister conspiracies” about a San Francisco slacker who finds a smartphone containing photos of a murder victim. “Then the phone begins to ring …”
The duo’s first creator-owned project, Snapshot marks the return of Diggle and Jock to the Megazine, where they first worked together on the Judge Dredd spinoff Lenny Zero more than a decade ago. At one point, the comic seemed destined for Image.
“Jock and I have been chipping away at Snapshot for a few years now in our spare time, assuming we’d approach a publisher once we had enough material to show,” Diggle told the 2000AD blog. “But when I bumped into Matt Smith at the New York Comic Con, he suggested the Megazine’s creator-owned slot might be the perfect place for it. After all, the Megazine was where Jock and I first worked together on Lenny Zero, back before The Losers or Green Arrow: Year One. So it feels like coming home.”
Judge Dredd Megazine #322 arrives March 28 in the United Kingdom and April 11 in North America.
Jock of Detective Comics and Losers fame has a created a poster for Mondo, Alamo Drafthouse’s collectible art boutique. The poster is for the upcoming movie The Divide, and the poster was revealed last night during a “special basement screening” at the San Diego Comic-Con (How cool does that sound — basement screening? I imagine them having cage fighting right afterwards).
The movie, due in 2012, is described as such:
In this graphic and violent, post-apocalyptic thriller, nine strangers—all tenants of a New York high rise apartment—escape a nuclear attack by hiding out in the building’s bunker-like basement. Trapped for days underground with no hope for rescue, and only unspeakable horrors awaiting them on the other side of the bunker door, the group begins to descend into madness, each turning on one another with physical and psycho-sexual torment. As supplies dwindle, and tensions flare, and they grow increasingly unhinged by their close quarters and hopelessness, each act against one another becomes more depraved than the next. While everyone in the bunker allows themselves to be overcome by desperation and lose their humanity, one survivor holds onto a thin chance for escape even with no promise of salvation on the outside.
Last night Jock offered a sneak peek at “some Joker business” from August’s Detective Comics #881, the conclusion of his well-regarded run on the series with writer Scott Snyder, and the final issue before DC Comics’ big line-wide relaunch. It’s “the issue everyone will be talking about,” the publisher promises. That may be hyperbole, of course. But it also may be because Jock’s snapshot of a crowbar-wielding Joker harks back to a 22-year-old scene from Batman #427 that didn’t turn out so well for the character on the receiving end. Oh, sure, Jason Todd got better; it just took him 15 years.
Check out the original sequence after the break. Detective Comics #881 hits shelves on Aug. 10.