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Manga | Lynzee Lamb lists seven manga that have been banned in different areas, including Ultraman (banned in Malaysia for alleged misuse of the word “Allah”) and Dragon Ball, removed from all school libraries in Wicomico, Maryland, because of nudity and “sexual content.” [Anime News Network]
Retailing | Joe Field, owner of the Concord, California, comics shop Flying Colors, talks about how he markets children’s and all-ages titles, with a staff that is ready to make recommendations special area in his store that is easily recognized as safe for kids. “Besides what we’re doing right in that corner though, I think it’s the approach that we take to the entire store, and that is that I’ve never hung up a poster that has blood splatter on it or that has sexually suggestive stuff. We keep the store very family-friendly for everyone,” he said. “It’s not that we’re not selling things for a mature audience, we just don’t push that in the face of people who come in because we are in a suburban area. It is an area with a lot of families and we want the store to be accessible to everyone.” [ICv2]
Conventions | Vendors who paid the $60 deposit to exhibit at Cherry City Comic Con are clamoring for a refund after word circulated that the Salem, Oregon, convention won’t happen this spring as planned. (There appears to have been some discussion about the con being canceled on Facebook, but the convention’s Facebook page now states, “A marketing solutions company is helping us start the new year right and get us back on track to make this a successful show everyone can love.” No other posts appear on the page.) This isn’t the first round of controversy for the con: Last May, organizer Mike Martin called an exhibitor “batshit insane” on Facebook when she asked for a refund and expressed concern that the con would not be a “safe place for female cosplayers.” Martin is also the organizer of a craft fair that was canceled; some exhibitors for that event were denied refunds because of “a locked PayPal account.” [KOIN]
The now standard “What’s your next big storyline about?” approach to interviewing wasn’t created by the comics Internet. But before news sites existed, those conversations did take longer to reach the public. This weekend, one arrived after a 26-year delay.
Flying Color Comics retailer and Free Comic Book Day founder Joe Field wrote in with a curious discovery from his archives: a video interview conducted with Marvel writer and executive editor Mark Gruenwald at the 1988 Wonderful World of Comics Convention in Oakland, California, a precursor to today’s WonderCon.
Conventions | Ross Lincoln gathers up the threads of a story that’s been unfolding over social media for the past few days: A cosplayer expressed concern that the Facebook cosplay gallery for the inaugural Cherry City Comic Con in Salem, Oregon, featured significantly more women in costume than men. Displeased by the dismissive reply from the administrator of the Facebook page, she sent a private message asking for a refund of her convention registration fee, explaining, “I don’t think this will be a safe place for female cosplayers.” Organizer Mark Martin posted that request on his personal Facebook page with the response, “despite the no touch policy, the family friendly policy, the 3 security guards at all times, and the fact that you’re bat-shit crazy? Refunded!”
Several prominent cosplayers picked up on that, and it became a cause celebre on Twitter and Facebook for a couple of days; meanwhile, things got more complicated with sock puppets and a possibly fictitious con representative getting involved. In the end, Martin apologized; to give organizers their due, the convention includes a harassment policy in its official rules and policies. The con will take place on May 10-11. The Daily Dot has more. [The Escapist]
If the purpose of Free Comic Book Day is to raise awareness of comics, well, mission accomplished! The mass media has taken note, and newspapers large and small have been running articles about comics in general and what is going on in their communities in particular. Here’s a selection of the meatier articles; you can find out what’s going on near you at the FCBD website, and Steve Morris has compiled a list of additional lists at The Beat.
Comics | Matt Moore takes the wide view, talking to Joe Field, organizer of the first FCBD, and looking at the increase in comics sales in the past year as well as the print-digital divide. Moore talks to DC’s Dan DiDio, Marvel’s Dan Buckley, and an assortment of retailers and customers about the convenience of digital and the pleasures of brick-and-mortar comics shops. [Associated Press]
Advice | Allison Babka offers a “virgin’s guide” to making the most of FCBD. [The Riverfront Times]
Comics | Whitney Matheson lists the ten FCBD comics you won’t want to miss, as well as some tips for first-timers. [USA Today]
If you’ve ever wondered where Free Comic Book Day came from, Cindy Custodio of Dusty Caravan Productions has put together a short-but-slick little documentary on its origins, featuring the event’s founder Joe Field. Set at his comic shop, Flying Colors Comics in Concord, Calif., the video also features Georges Jeanty and Zack Whedon, who contributed to Dark Horse’s FCBD offerings this year and visited Field’s shop for this year’s event.
Check it out below.
Free Comic Book Day | In anticipation of Free Comic Book Day on Saturday, the San Francisco Chronicle interviews Joe Field of Flying Colors Comics, who came up with the idea in the first place, inspired by “free scoop” days at ice cream shops. [San Francisco Chronicle]
Free Comic Book Day | John Jackson Miller traces the 10-year history of Free Comic Book Day. [The Comics Chronicles]
Conventions | ReedPop Group Vice President Lance Fensterman takes stock of this year’s Chicago Comic & Entertainment Expo and sees plenty of growth, both in attendees (42,000 this year) and exhibitors. It looks like the show will continue: “We feel like we got the answer we needed. We made maybe a little bit of money, which is fine. Year 3 is when we expect to start to see some positive cash flow, but even more so we felt that the community embraced the event and the turnout and the ticket sales reflect that—and that is just what we needed to see.” [ICv2]